A Century of English Song - Volume VII is a superb anthology that comprises ten 20th-century choral pieces for Tenor voice and Piano accompaniment. It is an authoratative edition that has been published in collaboration with The Association of English Singers and Speakers. The series includes songs by talented and distinctive composers who may be little known outside specialist circles not just popular and well known writers. The pieces are enjoyable and expressive and will help increase appreciation for the English Song genre. This is the seventh volume in the A Century of English Song series and contains ten songs for Tenor voice and Piano edited byMichael Pilkington.

Volume with detailed booklet in English-About The Aria Book - TenorBy Johann Sebastian Bach (1685-1750) edited by Charlotte Lehmann. Collection (with pull-out supplement) for tenor voice and piano accompaniment. Urtext of the New Bach Edition. Text language German/English. 76 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5213-04) ISBN M006503841. With vocal melody lyrics piano accompaniment performance notes suggestions for practice and introductory text. Baroque. 9x12 inches. Contents:Unser Mund Und Ton Der Saiten BWV 1 No. 5 F Major from 'Unser Mund Und Ton Der Saiten'.Was Willst Du Dich Mein Geist Entsetzen BWV 8 No. 2 C# Minor from 'Liebster Gott Wenn Werd IchSterben'.Was Ist Der Schnode Mensch - Bleibt Ihr Engel Bleib Bei Mir BWV 19 No. 4 5 E Minor from 'Es Erhub Sich Ein Streit'.Kein Ungluck Ist In Aller Welt - Ewigkeit Du Machst Mir Bange BWV 20 No. 2 3 C Minor from 'O Ewigkeit Du Donnerwort'.Bache Von Gesalznen Zahren BWV 21 No. 5 C Minor from 'Ich Hatte Viel Bekummernis'.So Schnell Ein Rauschend Wasser Schiesst BWV 26 No. 2 C Major from 'Ach Wie Fluchtig Ach Wie Nichtig'.Ich Will Leiden Ich Will Schweigen BWV 87 No. 6 Bb Major from 'Bisher Habt Ihr Nichts Gebeten In Meinem Namen'.Erholet Euch Betrubte Sinnen BWV 103 No. 5 D Major from 'Ihr Werdet Weinen Und Heulen'.Ihr Menschen Ruhmet Gottes Liebe BWV 167 No. 1 G Major from 'Ihr Menschen Ruhmet Gottes Liebe'.Auf Meinen Flugeln Sollst Du Schweben BWV 213 No. 7 E Minor from 'Lasst Uns Sorgen Lasst Uns Wachen'.

Arias for Light Lyric Tenor with piano/ Per Voce e Pianoforte-First volume of Cantolopera series dedicated to the light lyric tenor. Original texts with English translations and CD with instrumental and vocal versions. Cantolopera is made up of various series: the Favourite OperaCollection dedicated to operatic works organized by voice category; the Composers Collection devoted to individual composers; and the Songs Collection consisting of lyric songs romanzas and traditional songs. Songlist: Gioachino Rossini - Wilhelm Tell: In questo dolce asilo - O muto asil del pianto; Vincenzo Bellini - I puritani: A te o cara; Gaetano Donizetti - La favorita: Una vergine un angel di Dio; Jules Massenet - Manon:Je suis seul - Ah! Fuyez douce image; Ruggero Leoncavallo - I pagliacci: O Colombina; Pietro Mascagni - Silvano: Sâ??è spento il sol laggiù lontan; Nino Rota - Il cappello di paglia di Firenze: Io voglio quel cappello.

Cyprise-In 1865 Dvorák firmly convinced of his love for one of the daughters of the ermáková family probably the older Josefina wrote his first song cycle Cypresses.Despite the popularity of Dvorák's arrangements for String Quartet the original version of this work has remained in manuscript form until now.This first ever Urtext edition is based on the original autograph as well as later versions. A printed collection of poems by Pfleger from 1862 were also drawn upon as sources. The musical text is accompanied by a detailed introduction in English German and Czech written by the Dvorák scholar DavidBeveridge. A critical commentary in English only is also included as are translations of the song texts in English and German.

Operatic Arias: Tenor Vol. 2-J-P. Rameau's Haute-contre / Operatic arias: Tenor Volume 2 BA 9197. This volume contains the second half of the great monologues arias and ariettas that Rameau wrote for Haute Contre and which are sung today by a high Tenor. It includes Tenor arias from the operas: “Les Paladins” (Atis Manto) / “Platée” (Thespis Platée) / “Pygmalion” (Pygmalion) / “Le Temple de la Gloire” (Apollon Bacchus Trajan) / “Zaïs” (Zaïis un Sylphe) / “Zoroastre” (Zoroastre).Features: Detailed historical Introductions (Fr/Eng) Well-presented idiomatic Piano reduction based on Rameau's “Opera Omnia” Each number is preceded by a brief account of the dramatic situation and an English translation of the Vocal text Co-edited by the Centre de musique baroque de Versailles and the Société Jean Philippe Rameau (distributed exclusively by Bärenreiter)

Repertoiresammlung herausgegeben von Peter Anton Ling. Par . The Three Tenors Are Coming On the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura. The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire for all vocal genres, with 16 volumes. ?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling, editors) OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2023-03-11/ Recueil / Tenor et Piano

Opern-Arien-An essential new edition for every singer and voice studio! This is the most comprehensive multi-volume collection of Mozart opera arias ever published with editions for Soprano Mezzo-Soprano Tenor and Bass/Baritone with 31 to 41 arias per volume.Includes historical and plot notes about each opera and aria and English translations for study. The most familiar arias of course are found in the collections along with many masterful vocally gratifying but less familiar selections.Operas represented: Apollo et Hyacinthus; Ascanio in Alba; Bastien und Bastienne; La Clemenza di Tito; Così fan tutte; Don Giovanni; Die Entführung aus dem Serail; Lafinta giardiniera; La finta semplice; Idomeneo; Lucio Silla; Mitridate rè di Ponto; Le nozze di Figaro; L'oca del cairo; Il rè pastore; Der Schauspieldirektor; Il sogno di Scipione Zaide Die Zauberflöte.

Countertenor Voice-Four Traditional Songs is a setting of four heartbreaking and poignant folk songs by virtuoso contemporary composer Nico Muhly. Composed in 2011 the songs deal with themes of death murder and unimaginable events that are emotively arranged for Countertenor Voice and Piano. Commissioned by Carnegie Hall in New York City and Wigmore Hall in London this work was first performed at those renowned venues in 2011 and 2012 respectively. Muhly states that he drew inspiration from old English folksongs and would spend time imagining stylised yet subtle musical settings with accompaniments. The result of this intensiveperiod of listening is Four Traditional Songs which lasts around 15 minutes and carries that incredible sense of sad balladry that counters the occasionally jaunty melodies. This edition is for Countertenor Voice. Please click  here to purchase the Baritone version.

This Barenreiter Urtext edition Vocal score of Mozart’s insert and Concert Arias is based on the New Mozart Edition (NMA).The musical text presented in this edition is free from practical references on performance aspects or suggestions on performance practice. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria. In addition there is a choice of suggestions for the performance of cadenzas and lead-ins as well as for the ornamentation of dal segno parts which are often found in the early Mozart arias.Underlaid textpresented in the original language only.All aria texts translated into German and English and printed separately.Idiomatic Piano reduction to the individual arias.Clear and legible layout of the musical text.Additional notes and suggestions on performance practice in the accompanying booklet.Performance material on hire to each aria(Please refer to the relevant volume for further information).

In 1918-19 Gian Francesco Malipiero wrote a collection of seven songs commonly known as Sette Canzoni. They were initially intended as a stand-alone work but became incredibly popular when they wereincluded as the second act of the composer’s opera L’Orfiede. However in recent years the collection has come to be recognised in its own right as one of the composer’s masterpieces.Like all of the seven songs the fifth Serenata is designed as an individual mini-opera. Scored for a solo Tenor with Piano accompaniment it tells the story of a young lover serenading his beloved. At the same time unknown to him shesits inside lamenting the death of a relative.Serenata has been translated from the original Italian into French by Henry Prunières and into English by Edwin Evans.

I Will Bow And Be Simple from 'Three Shaker Tunes' arranged by Betty Jacobson for SSA choir with Piano accompaniment.'The form of worship practiced by the Shakers in New England has been a subject of curiosity for more than a century and a half. The Shakers originated in the English Quaker Church and came to America in 1774 and settled in New England and in New York state. They still exist in some communities in these territories.The Shaker songs took on a lively spontaneity and a cross between Quaker orderliness and wild abandonment that characterised the rituals of the French prophets from whom the Shakers distantlystemmed.The Shakers exercised in dancing shaking and whirling until they went into trances and 'recieved songs as gifts.'The songs are derived from 'spirit manifestations' and all have individual types of rhythms and texts.' - Edward D. Andrews from 'Shaker Songs' The Musical Quarterly October 1937