Edition for Gamba (Viola)-Like his father Carl Philipp Emanuel Bach wrote three sonatas for viola da gamba. They were written during his time at the Berlin court of Frederick the Great and gave the excellent viola da gamba player in the court orchestra anopportunity to show his virtuosic ability. While the two Sonatas Wq 136 and 137 have a basso continuo Bach followed his father???s example as far as the Sonata in g minor Wq 88 was concerned: the right and left hands of theharpsichord compete with the solo instrument in three equal parts. The original register of the viola da gamba part also permits a version for viola a practice that has been verified in the sources of the time. This version isavailable in our Urtext edition as an alternative part.

in c-Moll A2:55A, g-Moll A2:56A, a-Moll A2:57AThe Maltzan Collection is a trove of manuscripts made up of thirty for the most part unknown works for viola da gamba in the holdings of the library of Adam Mickiewicz University in Pozna?, Poland. Twenty-eight of the works are by Carl Friedrich Abel - including a number of autographs - and one each by Johann Christian Bach and Andreas Lidl. The manuscripts were copied between 1759 and 1789 in England, and purchased there by the then Prussian envoy in London, Count Joachim Carl Maltzan, who brought them back with him to Militsch, Silesia (today Milicz, Poland). In 1945 the manuscripts came into the possession of the library in Poznan. The collection was discovered in 2016 by Sonia Wronkowska, who is also the editor of the ten-volume edition of all the previously unknown works from this collection.The viola da gamba sonatas by Abel in the Maltzan Collection are musically mature pieces that throw a new light on Abel's compositional artistry. For the most part, they pose greater challenges for the player than the previously known sonatas from Abel's time in London. The fast movements are more expansive; the range extends from AA to b ; there are movements with variations and polyphonic passages; unusual keys, such as A-flat Major and E Major, are to be found; and many a slow movement contains a cadenza from Abel's hand. / Viole de gambe / Guntersberg

Deux sonates tirées des Esserzicii Musici Sonate en mi mineur Sonate en la mineur

Edition : Paris, l'Auteur, Foucault, c. 1715.Présentation par Jean Saint-Arroman : Les titres des pièces.Deux parties instrumentales séparées : viole de gambe et basse continue.Oeuvre de grande qualité, très abordable techniquement. La gravure de Liebaux est d'une parfaite lisibilité. La préface donne les définitions des titres des pièces. / Viole De Gambe Et Basse Continue / 101 pages / niveau : 1 / Fac-Similés - Format: 24 X 33