Par FINE ELAINE. Although the practice of scales is essential to building and maintaining strength, technique, tone, and agility?it is very easy to slip into the habit of playing them automatically, without paying attention to how they sound or even being aware of what scale we are playing. The 29 single-page studies in this book are designed to combat that tendency as they are musically, intellectually, and rhythmically challenging.The first 24 studies proceeded through the circle of fifths and address all minor and relative major keys; the last 5 pieces were individually conceived, i.e., apart from the circle of fifths. Occasional fingerings or position guides are suggested but these are largely left to the student or their teachers. No metronome indications are given so that the etudes can be played at individually comfortable tempos?with or without a metronome, or freely as concert etudes. It is the stepwise motion and octave leaps of the etudes that makes the intervals between pitches easy to hear, even in keys with numerous flats or sharps.Just as in Elaine Fine?s more basic scale etude book, Violin Scale Tales, the names of the etudes herein refer to various animals that have scales, including insects, fish, birds, reptiles, a few species of squirrels with scales on their tails, and the solitary pangolin, the only known mammal whose entire body is covered with scales. Again, the author hopes that in addition to experiencing more enjoyable scale practice, students will be inspired to learn more about these amazing creatures, or even write scale studies of their own. / Date parution : 2022-07-20/ Etude / Violon

This work was commissioned by Bill Colleran. It was first performed by David Alberman on 19th November 2005 at St Paul’s Hall Huddersfield as part of the Huddersfield Contemporary Music Festival.The Sharp End OfNight was written especially for David Alberman by way of an enormous thank you for his breathtaking playing and acting in the composer's music theatre piece Who put Bella in the Wych Elm? (2003). The music is derivedentirely from the Violin part of that work.

Violon et Piano ou Harpe. Par SOLDANO JEAN-CLAUDE. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Les larmes d'Elanor (violon et piano ou Harpe) de Soldano J.C. qui a été composé pour Violon / Niveau : 1er Cycle / Répertoire / Violon

Par SILVERMAN JERRY. Chacun des airs fiddle et folk dans cette collection est présentée dans plus d'une clé, permettant des enseignants d'introduire le concept de toute première important de la tonalité au début de leurs étudiants ' exactitude musical en termes de trouver des différences de moitié-étapes comme les clés du changement. Presque toutes les mélodies sont au premier rang. Tous les morceaux ont été harmonisés avec les symboles de la corde. Si l'enseignant, parent ou ami peut accompagner ces mélodies à la guitare, piano autoharpe, ou tout autre instrument jouant de la corde, le bénéfice pour l'étudiant sera évidente. / Niveau : Débutant / Folk - Solos / Recueil / Violon

Solo violin part for Violin Concerto No.1 for Violin solo and Harp Harpsichord and Strings by Poul Ruders (1981).

Inspired by the Celtic circles of ancient Scotland Bonnie paints a musical picture through time joining the heavens and earth to the cycles of everyday life. Performed on Scottish fiddle with gold medal piper Eric Rigler on theGreat Highland bagpipe Scottish smallpipes and uilleann pipes. Also accompanied by guitar Celtic harp viola da gamba hammered dulcimer bass and bodhran. Includes North Highland tunes from The Patrick McDonald Collection 1784 pipe marches strathspeys jigs and reels laments and traditional favorites.

A fresh new approach-Features:An approach based upon self-learning and recognition of rhythmic and melodic patternsOriginal tunes not abstract sight-reading exercises149 carefully graduated pieces in a range of musical stylesFive sections related to the technical development of the violinistTunes progress to eventually include all key signatures up to five sharps and flates; whole-tone chromatic modal and atonal elements are also incorporatedEach section concludes with duets and accompanied pieces for practice of ensemble sight-readingTunes range from Grade 4 to advanced

Par RIDEOUT BONNIE. Inspired by the Celtic circles of ancient Scotland, Bonnie paints a musical picture through time, joining the heavens and earth to the cycles of everyday life. Performed on Scottish fiddle with gold medal piper Eric Rigler on the Great Highland bagpipe, Scottish smallpipes and uilleann pipes. Also accompanied by guitar, Celtic harp, viola da gamba, hammered dulcimer, bass and bodhran. Includes North Highland tunes from The Patrick McDonald Collection, 1784, pipe marches, strathspeys, jigs and reels, laments and traditional favorites. / Niveau : Tous Niveaux / Celtic/Irish - Transcribed Solos / Recueil / Violon

Sonate fur Violine und Klavier-Lubos Fiser (1935-1999).The work of Lubos Fiser (1935-99) one of the most prominent Czech composers of the second half of the twentieth century is a synthesis of various musical trends.He wrote music of great concision that does not overly elaborate either the chosen subject or the compositional procedures and often works with sharp contrasts and striking instrumental colours.All these attributes are present in his Sonata For Violin And Piano titled Ruce (Hands) from 1961. This work was published for the first time in 1964 and is now being printed for the third time without change. The Violin part isedited by Prof. Ivan Straus.

Gypsy Fiddle [Edward Huws Jones]; Floating By [Edward Huws Jones]; Havana Breeze [Edward Huws Jones]; The English Dancing Master [Anon. English]; Ride on a Quad Bike [Edward Huws Jones]; Spring Song [Trad. Hungarian]; Beethoven Boogie [Ludwig van Beethoven]; Jingle Bells [James Pierpoint]; Canon [Johann Pachelbel]; Morning Has Broken [Trad. Scottish]; Caribbean Moonlight [Edward Huws Jones]; Old-Time Waltz [Trad. English]; Ukulele Sam [Edward Huws Jones]; Action Hero! [Edward Huws Jones]; Action Hero! Improvisation [Edward Huws Jones]; Buzz, Buzz, Buzz [Hoffman von Fallersleben]; Harpist's Fingers [Trad. Welsh]; A North Country Lass [Trad. English]; Sweet Dreams [Edward Huws Jones]; Meha's Song [Trad. South Indian]; John Ryan's Polka [Trad. Irish]; Jewish Dance [Trad. Klezmer]; Lullaby [Carl Maria von Weber]; Galliard [Tylman Susato]; BourACOe from Limousin [Trad. French]; Hen-Coop Rag [Edward Huws Jones]; The Duke of Lorraine's March [Trad. English]; Little Brown Jug [Joseph Winner]; Hand in Hand [Wolfgang Amadeus Mozart]; Greek Wedding [Trad. Greek]; Casey Jones [Trad. American]; The Boat to Inverie [Edward Huws Jones] / Partitions classique / Cordes / Violon / ABRSM PUBLISHING

Second workbook in the series. Clear and concise explanations plenty of repetition and bags of fun!Builds on and reinforces everything learnt in book 1 as well as gently introducing new topics.New topics introduced:Quavers and quaver restsNotes on all four stringsKey signatures with sharpsKey signatures with flatsPerformance directions

Vivez la musique excitante de la tradition Marichi! Tout au long de mariachi interprète et pédagogue John Nieto rejoint Bob Phillips de fournir authentiques paramètres d'orchestre de familiers, des airs traditionnels pour orchestre à cordes seules, groupe de mariachis seul ou orchestre à cordes et bande de mariachi ensemble. Trompette livres et d'accompagnement sont disponibles pour fournir des pièces optionnelles pour trompette, guitare, Guitarron, vihuela, piano et harpe. Historique idées de fond et la disposition sont fournis dans le manuel de l'enseignant. / Violon

Par SCHRADIECK HENRY. Henry Schradieck chose the modest designation 'studies' for his exercises. Their musical substance, however, goes far beyond that of a study. They are character pieces which get their captivating musical expression particularly from the harmonic progression and expressive melodic lines while the rhythm remains relatively consistent to maximize the effect of practising. The pieces are basically caprices (capriccios) which disregard formal rules in an imaginative and playful manner. 24 Études Caprices by Jean Delphin Alard, the studies cover all major and minor scales of the circle of fifths. In addition to the original fingerings, this edition also contains alternative fingering variants which include both playing in the second position and modern change-of-position techniques like creeping and pivoting. Each study is preceded by short explanations of the editor Benjamin Bergmann concerning the contents and objectives of each study as well as by practical technical information on the performance. This edition is published in the Essential Exercises study series which contains proven practical study works for instrumental lessons / Niveau : Intermédiaire à Avancé / Etude / Violon