Alto Saxophone and Piano. Par LOPEZ ALAIN. Saxophone Alto, Piano/ Répertoire / Saxophone Alto et Piano

Alto Saxophone and Piano. Par MENDELSSOHN-BARTHOLDY FELIX. Saxophone Alto, Piano/ Répertoire / Saxophone Alto et Piano

Alto Saxophone and Piano. Par MENDELSSOHN-BARTHOLDY FELIX. Saxophone Alto, Piano/ Répertoire / Saxophone Alto et Piano

Alto Saxophone and Piano. Par LOPEZ ALAIN. Saxophone Alto, Piano/ Répertoire / Saxophone Alto et Piano

Alto Saxophone and Piano. Par SCHUBERT FRANZ. Saxophone Alto, Piano/ Répertoire / Saxophone Alto et Piano

Alto Saxophone and Piano. Par LOPEZ ALAIN. Saxophone Alto, Piano/ Répertoire / Saxophone Alto et Piano

Alto Saxophone and Piano. Par LOPEZ ALAIN. Saxophone Alto, Piano/ Répertoire / Saxophone Alto et Piano

Par DAVID VINCENT. Rhizome : tige souterraine vivace émettant des racines et des tiges aériennes. Musique vivace, émanant d'une racine simple, pour s'étendre vers de multiples directions horizontales ou verticales. Partant du Mi b, note de référence du saxophone alto transpositeur et en hommage au concerto de Glazounov, le rhizome se multiplie tout d'abord vers les notes périphériques Mi et Ré pour enfin gagner tout le spectre du saxophone. Cette version pour saxophone alto et piano est une adaptation de la version originale pour saxophone alto et ensemble à cordes. Vincent David / Date parution : 2022-10-12/ Répertoire / Saxophone Alto et Piano

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

Cycle 2 Volume 1. Par PROUST PASCAL. Le Saxophone du côté de chez Proust est une collection de pièces composées par Pascal PROUST avec accompagnement de piano. Chaque pièce est également éditée séparément.Ce volume regroupe 5 pièces qui peuvent être jouées durant le Cycle II. - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Saxophone Alto 1 Piano - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 20 mn 30 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Pascal PROUST - / Niveau : Intermédiaire / Classique, Pédagogique / Répertoire / Saxophone Alto et Piano

Ballade Et Divertissement by Armando Ghidoni is a piece for Alto Saxophone and Piano. It can also be played by Tenor or Soprano Saxophone. Written for intermediate players “Élementaire 2” this nice piece last 5’30 minutes and is dedicated to Guy Reverdi. Starting with an Adagio section (tempo = 60) the piece features a solo cadenza for the Saxophone which is followed by a Moderato part. Really melodious this piece can be used for a contest or in recitals. Armando Ghidoni is a French composer with Italian origins who plays Saxophone and Flute. Hehas been edited since 1989 by Alphonse Leduc.

French composer Pierre Max Dubois (1930-1995) significantly contributed to the wind repertoire. Mazurka for Alto Saxophone and Piano was published in 1961 and remains prominent in the instrument's repertoire. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. Mazurka an homage to Chopin reflects Dubois' compositional characteristics with a typical performance lasting about four minutes. Mazurka is essential to the advanced Alto Saxophone repertoire as Dubois' work makes for an exciting varied and enjoyable performance for playersand audiences alike.

A terrific collection of easy pieces for the early grades edited and arranged for Alto Saxophone with Piano accompaniment by Nicholas Hare. This edition has been selected for the ABRSM Alto and Baritone Saxophone Examinations Grades 1 and 2.

Inspirational works by black composers. This inspiring collection celebrating black composers has been selected and edited by the renowned saxophonist, YolanDa Brown. Suitable for intermediate-level alto saxophone with piano accompaniment, plus commentary from YolanDaand downloadable backing tracks./ Recueil / Saxophone Alto et Piano

Instrumental Solos-Since its opening in 1957 the musical West Side Story has been a hit on Broadway. Made into a successful film starring Rita Moreno Natalie Wood and Richard Beymer in 1961 this tale of star-crossed lovers caught between feuding New York gangs has been gripping audiences for decades.The arrangements in the West Side Story: Instrumental Solos series remain faithful to Bernstein's original score. In this edition the pieces have been idiomatically adapted for the solo Alto Saxophone.This book features 10 of the best-known songs from the musical including Maria Tonight America I Feel Pretty and more.West SideStory: Instrumental Solos Alto Saxophone comes with an enhanced CD featuring Piano accompaniments for all tracks. Playable on both CD player and computer tempo adjustment software is also included for CD-Rom computer use only.