Sammelband - Chor-32 ergänzende Lieder zum Hauptband ?Sing along Singt mit! Das Chor- und Liederbuch zum Offenen Singen Das Chor- und Liederbuch Sing along Singt mit! wurde bereits kurz nach Erscheinen zum Bestseller und über das Offene Singen hinaus bei Chor- und Singleitern schnell zu einem Liederbuch für alle Fälle.2015 erschien die Internationale Ausgabe Sing Along Sing Together! zum Europa Cantat-Festival mit etwas verändertem Repertoire:Einige der deutschsprachigen Lieder wurden durch Stücke ersetzt die weitere Länder und Sprachen einbeziehen sowie durch Werke die experimentelle und improvisatorische Möglichkeiten des Singens eröffnen. Diese 32neuen Lieder sind in dem vorliegenden Ergänzungsband nun separat erhältlich der außerdem ein zusätzliches methodisches Kapitel Klangexperimente und Improvisationen? von Michael Gohl enthält.Leicht realisierbares Repertoire für Chöre und Singgruppen Für Offene Singen Chorfestivals Chortreffen Probenwochenenden u.v.m. Mit zahlreichen Gestaltungstipps und Bewegungsanleitungen Mit einer Einführung in Klangexperimente und Improvisationen

Aulis Sallinen?s Barabbas Dialogues was commissioned by Naantali Music Festival.It received its first performance on 11 June 2004 at Naantali Church(part of the Naantali Music Festival) with Mari Palo (soprano) Riikka Rantanen (mezzo) Topi Lehtipuu (tenor) Petteri Salomaa (baritone) Juha Kotilainen (bass) Kalle Holmberg (narrator) Ralf Gothoni (conductor and piano) Mika Väyrynen(accordion) Elina Vähälä (violin) Arto Noras (cello) Petri Alanko (flute) Michel Lethiec(clarinet) and Ari-Pekka Mäenpää (percussion)

La poésie sur laquelle se fonde cette composition est la Ballade de la vie extérieure ( la Ballade des Äusseren Lebens ) sous la plume de l'auteur viennois Hugo von Hofmansthal ( 1874-1929 ) . Il est connu pour , entre autres choses , son livrets pour les oeuvres de Richard Strauss ( Der Rosenkavalier , Ariadne auf Naxos , Elektra ) et en tant que fondateur du Festival de Salzbourg . Von Hofmansthal était l'un des derniers des symbolistes allemands . Au centre de ce mouvement littéraire a été l'unification des mondes internes et externes . La recherche du sens est une pierre angulaire de ce mouvement fin-de- siècle .Dans la Ballade des Äusseren Lebens ( Ballad of Life externe ) , le non-sens de l'existence est exprimée en limitant , métaphores d'une oppression ambiance qui se reflète dans la musique . En fin de compte , l'homme est capable d'établir l'ordre de paraître le chaos . Le poète exprime puissamment dans une ligne non - rimes de poésie :'Et pourtant , celui qui dit ' soir ', dit beaucoup ,Un mot , dont la profondeur et le débit de la douleur '.Cette composition suit la structure globale de la ballade , qui est écrit en rimes trois lignes rima - verrouillage terza .L' oeuvre chorale peut être effectuée par un choeur de chambre , mais aussi par un ensemble beaucoup plus vaste. Les pièces sont principalement à quatre voix (SATB) , mais il ya aussi six parties ( SAATBB ) . Un accord est prévu pour huit voix .Le compositeur a mené ce travail à sa première , à ouvrir en 2013 Choral International Biennale de Aachen . Le choeur était composé de quatre choeurs de chambre : Aachen Youth Choir , Carmina Mundi , Aachen Chamber Choir et Aachen Madrigal Choir / Choeur Mixte

Imogen Holst 1907-84 was a much-loved source of inspiration for countless musicians and students who encountered her over the years of her involvement with the Dartington Summer School of Music and the Aldeburgh Festival.This book conveys her infectious enthusiasm and insight as a choral conductor. Here she sets out clearly and concisely a wealth of practical information on the physical business of conducting which will be of particular value to the amateur conductor. She deals with the forming and training of a choir the presentation and rehearsal of the music and how to approach public performances and competitions. Her final chapter gives adviceon the rehearsal of specific choruses by Purcell Handel and Britten.Originally published in 1973 this edition has been corrected and updated by Lowinger Maddison Archivist for the Holst Foundation.

Karl Jenkins' vibrant Gloria is a large-scale festival piece commissioned by the Really Big Chorus for performance at London's Royal Albert Hall in July 2010. Cast in four movements it sets the traditional Latin text 'Gloria in excelsis Deo' and incorporates a setting of Psalm 150 in alternative Latin and Hebrew texts. Gloria follows Te Deum Stabat Mater and Requiem from the composer of Adiemus and The Armed Man: A Mass for Peace. This edition features a fully realised keyboard reduction for rehearsal purposes.

60 Highlights for Frauenchor-All piano accompaniments to the first volume of Reine Frauensache! released on occasion of the German Choir Festival in Stuttgart in May 2016. Divided into four sections (Secular Sacred Folklore and Popular) the collection covers newer compositions which are part of the repertoire of many womenâ??s choirs already as well as ageless beautiful titles from older eras; music spans from Palestrina Telemann Gounod Brahms Distler and Chaminade to Nancy Telfer Sandra Milliken Sarah Quartel and riks EÅ¡envalds.

Jenkyns’s songs for children can best be described as art songs for the youngest singers. Their ranges and technical requirements are just right for the younger age groups and their lyrics as in The Bats are perfectly gauged for their performers.Peter Jenkyns was a 20th century British composer singer and educator who wrote a series of songs for primary-aged children sensitively arranged and with charming lyrics of his own creation. Jenkyns was the headmaster of two primary schools outside of London for whose choirs he composed songs for the St Albans’ Schools Music Festival. He was also a highly-regarded Gilbert and Sullivan patter-song singer and he founded a localGilbert & Sullivan society which is still thriving.