Par GOODALL HOWARD. If ordering more than 10 copies, please call us on +44 (0)1284 725725 to check availability. Howard Goodall 's Eternal Light: A Requiem for Soprano, Tenor and/or Baritone soloists, SATB chorus, two Keyboards, Harp (optional) and Strings. Vocal score. This piece of sheet music was commissioned by London Musici (Artistic Director: Mark Stephenson) to celebrate its 20th anniversary. It was commissioned as both a choral-orchestral-dance piece for London Musici, The Choir of Christ Church Cathedral, Oxford, and Rambert Dance Company (Artistic Director: Mark Baldwin) and as a choral-orchestral work. The first performance took place on 25.9.08 at The Lowry, Salford, performed by Rambert Dance Company/chor. Mark Baldwin/Ad Solem (Manchester University Chamber Choir)/London Musici/Paul Hoskins./ Répertoire / Chorale

Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum? in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum?. Here it is called 'Te Deum for Cannons? after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea?, the masque which was composed at almost the same time. Though in many respects this 'Te Deum? is reminiscent of the 'Utrecht Te Deum?, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition? (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum?./ Répertoire / SSATB et Orchestre

Par LAURIDSEN MORTEN. Morten Lauridsen's lyrical settings of Rilke's 'Les Roses' have already become part of the mainstream choral repertory. Deftly crafted and elegant in their imagery, 'Les Chansons De Roses' enhance the characteristic of the poems and capture their delicate beauty and sensuousness. / Niveau : Elémentaire / Date parution : 2003-08-28/ Répertoire / SATB

Arrangeur: Ed Lojeski. Par PASEK BENJ / PAUL JUSTIN (ARR.ED LOJESKI). The soundtrack for this movie was #1 on the charts for 28 weeks matching The Beatles' Sgt. Pepper's Lonely Hearts Club Band. It continues to remain near the top of the charts, a true testament to the music and message from composers Pasek and Paul. Here is a well crafted medley of the movie's top songs: The Greatest Show, A Million Dreams, This Is Me and Come Alive./ Recueil / SATB

Description A second collection of Spirituals by the late Moses Hogan that provides a wealth of repertoire for worship and concert performance. 28 wonderful gospel and religious songs, all set for SATB full mixed choir and the track list includes: Blind Man , Give Me Jesus and I Am A Poor Pilgrim . With a foreward by Mormon Tabernacle Choir Director, Craig Jessop, this new collection of Moses Hogan originals and arrangements is essential for every director's library and is a fitting tribute to to this great American composer and conductor. Songlist A Spiritual Reflection Cert'nly Lawd Climbin' Up The Mountain de Blin' Man Stood On The Road And Cried Deep River Give Me Jesus Glory, Glory, Glory To The Newborn King Hold On! I Am His Child I Got A Home In-A Dat Rock I'll Make The Difference Let The Light Of Heaven Shine On Me Lift Every Voice For Freedom Like A Mighty Stream Mister Banjo Music Down In My Soul My God Is So High No Hidin' Place O Magnify The Lord Old Time Religion Ride On, King Jesus Stand By Me Surely He Died On Cavalry Swing Low, Sweet Chariot There's A Man Goin' Round We Shall Walk Through The Valley In Peace Who Built The Ark?

Par VAUGHAN WILLIAMS RALPH. SATB unaccompanied The Dark Eyed Sailor; The Springtime of the Year; Just as the tide was flowing; The Lover's Ghost; Wassail Song./ Répertoire / SATB

Arrangement de folkloriques textes et mélodies de la collection de Wladyslaw Skierkowski, ' Sierpc Forest dans la chanson ' (1928-1934). Texte polonais. Adapté pour les chorales standards intermédiaires. / Choeur Mixte A Cappella

Par SALIERI ANTONIO. SATB Chorus - 0.2.0.2 - 0.2.0.0 - Timbales - Orgue - Strings - Durée: 28' / Musique religieuse / Répertoire / Travaux Pour Choeurs

Cantiones profanae Instrument : soloists (STBar), mixed choir (SATB), children's choir and orchestra Type : choral score Nombre de Pages : 72 Carl Orff's masterpiece composed in 1936 undoubtedly is one of the best-known musical creations throughout the world. By popular request, we now publish a comprehensive choral score uniting all choral parts in one volume of excellent quality and print. This choral score complements the hitherto available choral parts (ED 4920-01 and -02) presenting female and male voices in separate editions, as well as the piano score ED 2877. The new choral score makes rehearsing and studying this extraordinary work much easier for every singer and music lover. Content : Fortuna Imperatrix Mundi: 1. O Fortuna - 2. Fortune plango vulnera - I Primo vere: 3. Veris leta facies - 4. Omnia sol temperat - 5. Ecce gratum - Uf dem anger: 6. Tanz - 7. Floret silva - 8. Chramer, gip die varwe mir - 9. Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe - 10. Were diu werlt alle min - II In Taberna: 11. Estuans interius - 12. Olim lacus colueram - 13. Ego sum abbas - 14. In taberna quando sumus - III Cour d'amours: 15. Amor volat undique - 16. Dies, nox et omnia - 17. Stetit puella - 18. Circa mea pectora - 19. Si puer cum puellula - 20. Veni, veni, venias - 21. In trutina - 22. Tempus et iocundum - 34. Dulcissime - Blanziflor et Helena: 24. Ave formosissima - Fortuna Imperatrix Mundi: 25. O Fortuna

Kontrafaktur für kleines Orchester (1983). Par HUBER KLAUS. Kontrafaktur Für Kleines Orchester (1983) / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Choeur Mixte

Un Hommage Au Sculpture Frédéric Auguste Bartholdi. Par DE HAAN JAN. Jan de Haan a composé ce morceau pour l'inauguration officielle du Lion de Belfort, une sculpture monumentale en grès rose dominant la ville de Belfort (France). 22 m de long et 11 m de haut, ce lion symbolise la résistance héroïque de la ville, assiégée par l'armée prussienne pendant la guerre de 1870-1871. Cette pièce est à interpréter avec un Choeur mixte à trois voix et un Récitant (Textes écrits spécialement par Jean Ehret).La première mondiale de l'oeuvre a eu lieu le 28 novembre 2010, dans le cadre de la cérémonie officielle inaugurant le Lion, cent trente ans après sa livraison par le sculpteur français, Frédéric Auguste Bartholdi (1834-1904). / Niveau : 4 / Pièce de concert / Répertoire / SAT/B + Piano

Oratorio in three parts. Par HAENDEL GEORG FRIEDRICH. In quite characteristic fashion for the times, Handel's opera ; Alessandro looks at various episodes in the life and rule of Alexander the Great (356 323 BC). This legendary warrior and military commander conquered large parts of the world before meeting an untimely end at the age of 32. A central conflict in Handel's opera is Alessandro being in love with two women, Lisaura and Rossane, who compete for his favour. In addition, his claim to be of divine parentage is underlined, occasioning him to demand the subservience of his followers, which meets with vigorous disapproval. Handel composed ; Alessandro for the Royal Academyof Music to a libretto by Paolo Antonio Rolli in the 1725/26 season. The work was premiered at the King's Theatre in London on 5 May 1726. ; Alessandro was the first of five operas for the Royal Academy, operas which saw Handel compose for three of the most famous singers of his time: Francesco Bernardi (called Senesino) Francesca Cuzzoni and Faustina Bordoni. Ortensio Mauro's libretto ; La superbia d'Alessandro, which was performed for the first time in Hanover in 1690 in a musical setting by Agostino Steffani and staged again in the city the following year under the title ; Il zelo di Leonato but with numerous alterations, served as the source text for Handel's ; Alessandro. One of the main aspects Rolli had to consider when preparing the libretto for the London performances was to keep the roles of the famous singers of the Royal Academy well balanced, yet at the same time to engineer a musical contest between the prima donnas Cuzzoni and Bordoni (Lisaura and Rossane) as well. From a business point of view, it made good sense, for such rivalry would surely increase public interest in the opera. It is no longer possible to ascertain which changes Handel made during the following performance series of the 1727/28 season. For the performance series of 1732/33, Handel made substantial revisions to the opera: six numbers were deleted in their entirety, the finale in part as well, and the recitatives were made much shorter, with the parts of Cleone and Leonato omitted / Oratorio / Répertoire / Choeur Mixte

The Gloria in Excelsis was written by Sir Charles Villiers Stanford for the coronation of HM King George V on 22 June 1911. It was an occasion of some note in the annals of British music, for Elgar's Coronation March and Parry's grand festival Te Deum were also heard for the first time that day. In addition, there was music by Thomas Tallis, Orlando Gibbons and Sir John Stainer, as well as by the Master of the King's Music and organist of St George's Chapel, Windsor, Sir Walter Parratt. It was published the following year as part of Stanford's Opus 128, the Festal Communion Service for voices and orchestra, which was also made available withthe accompaniment arranged by the composer for organ. However, such was the popularity of the Gloria, a magnificent and wholly representative example of Stanford's genius for church music, that it soon became popular as a separate piece, either with organ or orchestral accompaniment, and it was included in the orders of service for the coronations of HM King George VI on 12 May 1937 and HM Queen Elizabeth II on 2 June 1953./ Recueil / Choeur Mixte (SATB) et Orgue