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Sonatas for Clarinet and Piano op. 120: Clarinet: Instrumental Work
Clarinet and Piano
Barenreiter
Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for C...
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Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising
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Claude Debussy: Premiere Rhapsodie: Clarinet: Part
Clarinet and Piano
-
Intermediate
Barenreiter
Debussy’s Première Rhapsodie is one of two concertante works completed...
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Debussy’s Première Rhapsodie is one of two concertante works completed premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano he made a few subtle changes particularly in m. 201 which has been a bone of contention among clarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that shedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)
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Edward Gregson: Tributes (Clarinet/Piano): Clarinet: Instrumental Work
Clarinet and Piano
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Intermediate
Novello & Co Ltd.
Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes...
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Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes there are five pieces in the set each dedicated to a different composer and a different clarinettist (with whom Gregson had long musical associations). Each of the dedicatee composers wrote wonderfully for the Clarinet and as a tribute to them Gregson tried to invade indeed imitate their stylistic worlds in these pieces.They are as follows:To Francis Poulenc (for Emma Johnson) a rather dreamy toccata lyrical in feel but interrupted by typically quirky and disruptive rhythmic episodes.To Gerald Finzi (forJohn Bradbury) slow and lyrical with long melodic arches.To Igor Stravinsky (for Linda Merrick) asymmetric rhythms dominate with wide leaps in the solo line and bitonal harmony on the Piano.To Olivier Messiaen (for Nicholas Cox) based on the ravishing slow movement for Cello in his Quartet for the End of Time a seamless melody is woven around ever-changing repeated chords on the Piano.To Béla Bartók (for Michael Collins) the most virtuoso of the set; after a slow introduction a swirling folk-like dance unfolds mirroring Bartok?s penchant for simple modal shapes and ostinati rhythms.
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Tributes (Clarinet And Piano)
Clarinet and Piano
Novello & Co Ltd.
Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes...
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Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes, there are five pieces in the set, each dedicated to a different composer and a different clarinettist (with whom Gregson had long musical associations). Each of the dedicatee composers wrote wonderfully for the Clarinet and, as a tribute to them, Gregson tried to invade, indeed imitate, their stylistic worlds in these pieces. They are as follows: To Francis Poulenc (for Emma Johnson) - a rather dreamy toccata, lyrical in feel, but interrupted by typically quirky and disruptive rhythmic episodes. To Gerald Finzi (for John Bradbury) - slow and lyrical with long melodic arches. To Igor Stravinsky (for Linda Merrick) - asymmetric rhythms dominate, with wide leaps in the solo line and bitonal harmony on the Piano. To Olivier Messiaen (for Nicholas Cox) - based on the ravishing slow movement for Cello in his Quartet for the End of Time, a seamless melody is woven around ever-changing repeated chords on the Piano. To Béla Bartók (for Michael Collins) - the most virtuoso of the set - after a slow introduction, a swirling folk-like dance unfolds, mirroring Bartok's penchant for simple modal shapes and ostinati rhythms. / Clarinette Et Piano
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Rory Boyle: Food for Thought: Clarinet: Instrumental Album
Clarinet and Piano
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Easy
ABRSM Publishing
A delightful collection of pieces for clarinet and piano based on an original bu...
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A delightful collection of pieces for clarinet and piano based on an original but popular theme - food! The pieces are immediately accessible with harmonic and rhythmic interest in both solo and accompaniment. This is an ideal book for young players and teachers looking for music in a contemporary idiom which is both challenging and fun to learn and play.
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Summer Sketches: Clarinet: Instrumental Album
Clarinet and Piano
Boosey and Hawkes
A collection of pieces arranged for easy clarinet with piano accompaniment.
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Johannes Brahms: Clarinet Sonatas Op. 120 (Clarinet in B Flat): Clarinet:
Clarinet and Piano
G. Henle
Sonatas op.120 for Clarinet and Piano-In 1894 Johannes Brahms asked the clarinet...
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Sonatas op.120 for Clarinet and Piano-In 1894 Johannes Brahms asked the clarinettist Richard Mühlfeld to visit him during his beloved summer sojourn in Ischl adding “It would be really wonderful if you brought your B flat Clarinet with you andif you were in no great hurry” – for the two Sonatas Op. 120 were waiting to be rehearsed. The first performances were given privately directly afterwards and the press enthusiastically reported: “Thesonatas [...] are wonderful and will cause a great sensation”. These were the last chamber pieces Brahms wrote before his death and are considered two of the great masterpieces in the Clarinet repertoire.
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Making The Grade: Grade Two: Clarinet: Instrumental Album
Clarinet and Piano
[Sheet music]
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Easy
Chester
Sixteen popular pieces for clarinet and piano. Includes 'Annie' Song' 'Last Of ...
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Sixteen popular pieces for clarinet and piano. Includes 'Annie' Song' 'Last Of The Summer Wine' and 'Havah Nagilah'. Separate clarinet part.
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Studio Ghibli Selections for Clarinet and Piano: Clarinet: Instrumental Album
Clarinet and Piano
Yamaha
Studio Ghibli Selections for Clarinet and Piano. 26 songs from 15 Ghibli cinemas...
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Studio Ghibli Selections for Clarinet and Piano. 26 songs from 15 Ghibli cinemas arranged for solo clarinet and piano. Solo part with piano accompaniment and Karaoke CD.
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Grade by Grade - Clarinet Grade 5
Clarinet and Piano
[Sheet music + Audio access]
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Intermediate
Boosey and Hawkes
The complete resource for the Grade 5 clarinettist. Par . La série Grade By Gra...
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The complete resource for the Grade 5 clarinettist. Par . La série Grade By Grade (De degré par degré) explore le catalogue riche et diversifié des répertoires classique, contemporain et pédagogique dont dispose Boosey
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Grade by Grade - Clarinet Grade 4
Clarinet and Piano
[Sheet music + Audio access]
-
Easy
Boosey and Hawkes
The complete resource for the Grade 4 clarinettist. Par . La série Grade By Gra...
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The complete resource for the Grade 4 clarinettist. Par . La série Grade By Grade (De degré par degré) explore le catalogue riche et diversifié des répertoires classique, contemporain et pédagogique dont dispose Boosey
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Brahms J. - Klarinettensonaten Op.120 - Clarinette and Piano
Clarinet and Piano
G. Henle
Clarinet Sonatas op. 120 Editor: Johannes Behr, Egon Voss Fingering: Klaus Schi...
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Clarinet Sonatas op. 120 Editor: Johannes Behr, Egon Voss Fingering: Klaus Schilde Urtext Edition, paperbound for Clarinet in B flat revised edition replaces HN 274 Pages: 87 (VIII, 59, 20), Size 23,5 x 31,0 cm Order no. HN 987 · ISMN M-2018-0987-8 In 1894 Johannes Brahms asked the clarinettist Richard Mühlfeld to visit him during his beloved summer sojourn in Ischl, adding ?It would be really wonderful if you brought your B flat clarinet with you, and if you were in no great hurry? ? for the two Sonatas op. 120 were waiting to be rehearsed. The first performances were given privately directly afterwards and the press enthusiastically reported: ?The sonatas [...] are wonderful and will cause a great sensation?. Our edition of this work, today part of the clarinettist?s core repertoire, continues the revision of Brahms?s Duo Sonatas following the text in the new Brahms Complete Edition.
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Session Time (WASTALL PETER)
Clarinet and Piano
Boosey and Hawkes
Solos That Expand Into Ensembles. Par WASTALL PETER. Livres de solos qui vise à ...
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Solos That Expand Into Ensembles. Par WASTALL PETER. Livres de solos qui vise à étendre pour la fabrication de musique souple, groupe ! Maintenant disponible pour cuivres, de cordes et de bois ! Temps de la session est idéal pour les nombreuses situations musicales - solos, individu et enseignement de groupe, concerts de l'école ou justes amis, faire de la musique à la maison. Solos ou ensembles - le choix est le vôtre !/ Recueil / Clarinette ou Ensemble à Vent-Bois en Mib et Piano
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Ecouter, Lire Et Jouer - Les Airs D'Opéra
Clarinet and Piano
[Sheet music + Audio access]
De Haske Publications
Clarinette. Dans Les Airs d'Opéra, des arias, des choeurs et des ouvertures cé...
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Clarinette. Dans Les Airs d'Opéra, des arias, des choeurs et des ouvertures célèbres sont présentés en ordre croissant de difficulté et peuvent être travaillés conjointement avec les trois volumes de la méthode Ecouter, lire et jouer. Certaines des plus belles mélodies de tous les temps ont été rassemblées avec des commentaires historiques. Les élèves peuvent les interpréter avec des accompagnements au piano disponibles sous forme de fichiers en ligne à écouter en streaming ou à télécharger. La présente édition comprend aussi des partitions pour ces accompagnements, soigneusement arrangées dans un niveau de difficulté modéré. / Niveau : Très Facile - Facile / Recueil / Clarinette et Piano
23.90 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
In Stock
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