Par ANDRIACCIO MICHAEL. The guitar duo of Joanne Castellani and Michael Andriaccio is regarded as one of the elite chamber ensembles on the classic music scene today. Praised by critics internationally, The New York Times hailed them as 'First rate and a pleasure to hear. The performances were consistently fine and the rapport just about perfect.' The duo frequently appears at music festivals throughout North America, Europe, and Latin America. They have also acquired a reputation for varied and innovative programming, and their recordings of the Fleur De Son Classics and Etcetera labels have been broadcast over BBC, CBC, Radio France, Magyar Radio, Radio La Plata Argentina, and other situations around the world. Their Danzas and More disc was named 'Best of the Year' by the American Record Guide. Joanne Castellani and Michael Andriaccio are artists-in-residence at the State University of New York at Buffalo and with the Rome Festival Orchestra. / Classic - Concert/Documentary / Accessoire / Guitare Classique

At The National Storytelling Festival-On October 5 2001 (his birthday) international rambler racconteur and Florida/Piedmont blues aficionado Roy Book Binder played a sold-out concert at the National Storytelling Festival in Jonesborough Tennesse the oldest and most prestigious festival of its kind in the world. Roy peppered his finger-picking blues and ragtime songs with outrageously funny stories about his life and times and the people he met along the way. Homespun's cameras were there and the result is a thoroughly engaging and entertaining performance video by one of America's most popular folk and blues artists. This is one you shouldn't miss!

This book co-written by guitarist Seth F. Josel and composer Ming Tsao provides a comprehensive survey of contemporary performance techniques on the classical Guitar. It was inspired by a new generation of solo guitarists whose extraordinary technical and virtuosic skills have paved the way for a new understanding of instrumental performance practice. Detailed explanations are given for the instrument???s technical potential within the historical context of traditional Guitar technique. Composers will be interested in the in-depth analyses of contemporary Guitar literature featuring many examples of chamber and ensemble music.Four main chaptersdescribe:Techniques of the right and left hands.Special harmonies and percussive techniques.The main instruments of the Guitar family and their potential.Possible ways of notating contemporary Guitar literature.The examples discussed in the book are complemented by an enclosed CD and detailed charts on multiphonics bitones and percussion techniques.Seth F. Josel is among the leading figures of his generation in modern Guitar performance and has taken part in the premieres of more than 100 works as a soloist and ensemble member. A regular guest at Europe???s major contemporary music festivals he has worked with composers of the stature of Mauricio Kagel Helmut Lachenmann Tristan Murail and James Tenney and has played with such leading orchestras and ensembles as the New York Philharmonic the BBC Symphony Orchestra and the Berlin Staatskapelle. From 1991 to 2000 he was a permanent member of the Ensemble musikFabrik. Today he lives in Berlin.Ming Tsao (b. Berkeley CA 1966) is professor of composition at Gothenburg University. His compositions have been performed amongst others by the Arditti Quartet ensemble recherche and the Stuttgart Opera (premiere of ???Die Geisterinsel??? in 2011). He is regularly involved in the Donaueschingen Festival the Witten Days of New Chamber Music the Darmstadt Contemporary Music Holiday Courses and Wien Modern. His works are published by C.F. Peters (Frankfurt am Main and Leipzig). He too lives in Berlin.

Par ZANOTTI RICCARDO. Pinguini Tattici Nucleari is a famous Italian band created in 2010 who achieved notoriety with their participations to ?Sziget Festival? in 2017 and ?Festival di Sanremo? in 2020. This is a compilation of 14 hits containing chord grids and guitar tab. Copyright by BMG Rights Management (Italy) Srl, Sony Music Publishing (Italy) Srl, Cramps Music Srl, Tuttomoltobenegrazie Srl / Date parution : 2021-12-09/ Recueil / Guitare

Performed by Andrew LaFreniere guitar Accompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn Here is a beautiful collection of shorter pieces for guitar and orchestra. Gorgeously orchestrated to take full advantage of the guitar's unique qualities when set against an orchestral background these pieces are a joy to play. This album makes a perfect choice for the early intermediate player who wants to advance technique in an orchestral setting. Never has the guitar been this much fun! Includes a high-quality printed solo part and a compact disc containing a complete performance with soloist; then a second version with the orchestral accompaniment minus the soloist.

Britten's Nocturnal After John Dowland Op.70 is a fantastically varied and intricate piece for Solo Guitar which has been edited here by Julian Bream. This piece will present an enjoyable challenge to the advancing classical guitarist.The first performance of Nocturnal was given by Julian Bream at the Aldburgh Festival June 12th 1964. The song upon which the work is based is No.20 in The First Book Of Songs or Ayres of Four Parts by John Dowland published in 1597.

Edited and fingered by Julian Bream.First performance was given by Julian Bream on 17th July 1985 as part of the Cheltenhan Festival. Duration 18 minutes.

Par WATERS MUDDY. Muddy Waters en concert 1971, 8 titres. Des Bonus de fr extraits du festival de jazz de Newport (1990). / Concert/Doc anglais / Accessoire / Guitare

Par SCHMITZ GEORG. Derniers Encores par Georg Schmitz a été créée en juin 2009, lors du Festival de guitare de Coblence par Aniello Desiderio à un accueil enthousiaste. Le travail est en quatre parties - Andante - Bewegt - Furioso - Gesungen/ Répertoire / Guitare

Cette ouvre fut créée le 16 octobre 2006 dans le cadre du Festival International de Guitare d'Aarhus (Danemark) par un ensemble de 20 jeunes guitaristes scandinaves.Toujours aussi prolifique, Roland Dyens nous propose ici une oeuvre basée sur l'arrangement de mélodies populaires danoises, écrite pour quatuor ou ensemble de guitare. On retrouve la remarquable qualité d'écriture et les dons d'arrangeur de l'artiste qui font de ces mélodies une véritable oeuvre d'envergure avec un jeu de réponses constant entre les quatre instruments, des changements d'atmosphère et une écriture qui garde toujours l'attention en éveil On note aussi les scordatures dont l'auteur est coutumier (6e corde accordée en Do, Ré ou en Fa pour trois des guitares) et l'habituelle précision dans la notation pour éviter les résonances et les bruits indésirables. François Nicolas (Magazine Guitare Classique) / Guitare

Edited and fingered by Julian Bream. First performance was given by Julian Bream on 17th July 1985 as part of the Cheltenhan Festival. Duration 18 minutes. / Guitare

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.

This collection presents 51 carefully selected examples of Renaissance and Baroque music ranging from lute and 5-course Baroque guitar works to solo and ensemble vocal pieces and fiddle tunes. Much of this music lies outside of the standard guitar repertoire yet is frequently played by ensembles at Renaissance and Early Music festivals. For this book, guitarist/musicologist Keith Calmes has tastefully arranged this splendid music for solo classic guitar, including an outstanding downloadable companion audio recording. Aficionados of Early Music will recognize many of the themes herein, including the hit tunes of the day by Praetorius, Sanz, Cutting, Narvaez, and the anonymous composer of ?Greensleeves?. Have you ever wondered which Early Music composers inspired Joaquin Rodrigo?s concertos? Those works are in here! By contrast, many of these pieces will sound completely new, even to lifelong guitarists. Written in standard notation only with ample fingering, guitarists and audiences alike will appreciate the music in this book. Includes access to online audio.

Blues And Ragtime Guitar-For many years Ernie Hawkins has been playing concerts clubs festivals colleges and museums in the United States Canada Europe and Japan. He has played with blues greats such as Son House Mance Lipscomb Fred McDowell Jim Brewer and Rev. Gary Davis. In this DVD Ernie talks about his influences and performs a wide range of blues ragtime and gospel tunes. Titles include: What You Gonna Do Railroad Blues Chump Man Blues Rev. Davis Medley Police Dog Blues Slow Drag Fast Fox Trot Twelve Sticks Florida Blues Penitentiary Blues Potato Head Blues Hawkins Rag If You Haven't Any Hay Get On Down That Road Call Up China Lightnin's Hideaway Elm Street Blues Masanga Riding On A Moonbeam and Blue Belle.