of the concerto for flute, harp and orchestra KV 299. Par MOZART WOLFGANG AMADEUS. In the unparalleled series ‚Cadenza‘, Schott Musik International presents cadences of well-known instrumental concertos of classical and Romantic music, composed by major composers and soloists of our time. The cadences of Mozart‘s Concerto for flute, harp and orchestra in C major KV 299 were created by Nino Rota. It is not known when and for which occasion Rota wrote these cadences. But the two soloists, on the other hand, to whom he dedicated the cadences are quite well-known: the harpist, Clelia Gatti Aldronandi and the famous flutist Severino Gazzelloni. Rota‘s brilliant neoclassicism is perfect for the virtuoso dialogue between the two solo instruments on the themes of the concerto./ Répertoire / Flûte Traversière et Harpe

As a prestigious composer of the early 20th century Maurice Ravel's Pièce En Forme De Habanera transcribed for Flute and Harp by Christian Lardé and Marie-Claire Jamet contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies  Pièce En Forme De Habanera clearly exemplifies these qualities through flourishing Flute lines and evocative chordal and rhythmic Harp accompaniments. Moreover Habanera rhythms heard throughout the piece create further excitement. All of these musical elementscombine to create a highly enjoyable piece for the Flute and Harp repertoire. In addition the clear print of separate solo and accompaniment parts in this edition ofPièce En Forme De Habanera add to an irresistible purchase for aspiring Flute players.

Par FRANCK CESAR / MAGALIF EUGENE (Arr.). Prelude, Fugue and Variation for Flute and Harp (or Piano), by Cesar Franck, here adapted for concert performance by Eugene Magalif, including further 'improvisatory' passages following the Prelude, the addition of another melody in the Fugue, and more solo material for the flute in the Variation. / Date parution : 2022-11-29/ Répertoire / Flûte Traversière et Harpe

Chausson wrote some interludes for flute and harp for a production of Aristophanes? The Birds performed at Le Petit Thé tre de la Galerie Vivienne Paris in 1889. At the request of Emily Beynon working from the original manuscript which is held in the Bibliothèque Nationale Paris John McCabe has made a single concert piece using some of this incidental music a kind of continuous suite rather than a single movement.The first performance of this realisation was given on 21st January 2005 at Tunstall Parish Church Sittingbourne Kent at a concert of the Sittingbourne Music Society the artists were Emily Beynon (flute) and Catherine Beynon (harp).

Par DELISE LOUIS ANTHONY. Louis Anthony deLise's Giocara for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. As the title implies, (giocara means 'to play'), this collection is all about playfulness, and consists of three works: Three Little Dancers, A Preponderance of Sevenths, and Petite Fall Fanfare. Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the first two movements. The third movement, being primarily diatonic, can be played on lever harp with the notes included.Louis Anthony deLise's Giocara for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. As the title implies, (giocara means 'to play'), this collection is all about playfulness, and consists of three works: Three Little Dancers, A Preponderance of Sevenths, and Petite Fall Fanfare. Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the first two movements. The third movement, being primarily diatonic, can be played on lever harp with the notes included./ Répertoire / Flûte Traversière et Harpe

for Flute and Harp [or Piano]-Four Classic Melodies For Flute And Harp. The Harp accompaniment has been meticulously arranged by expert Harp player and teacher Stewart Green but the pieces work equally well for Flute and Piano.

Beyond Dark consists of one movement which is in three sections fast-slow-fast. Influences from the modern jazz harmony of Herbie Hancock and Chick Corea and also traditional Japanese instruments such as the koto and shakahachi.The piece lends itself to alternative fingerings which helps to give the piece an exotic flavour - some of which are included in the score included some of these optional fingerings in the score.

Par SCHOCKER GARY. Angelsong is a four-movement suite for Flute and Harp, consisting of free-floating, modal tone poems, exploring the beauty of sound. The movements are titled: Cassiel (Angel of Tears), Phanuel (Angel of Hope and Repentance), Hesediel (Angel of Benevolence, Mercy, Freedom), and Netzach (Angel of Eternity)./ Répertoire / Flûte Traversière et Harpe