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Marching band
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Marco Pütz: Four Earth Songs: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
De Haske Publications
for Soprano Solo and Band-Le cantique Nun ruhen alle Wälder dont la ligne mél...
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for Soprano Solo and Band-Le cantique Nun ruhen alle Wälder dont la ligne mélodique fut reprise par Jean-Sébastien Bach pour son choral So sein nun Seele deine (Choral n°6 - Cantate BWV 13) est le fil conducteur de cette oeuvre en quatre mouvements conçue comme un cri contre la destruction volontaire de la nature pour le profit. Plus de trois siècles nous séparent du temps de Bach. Si les mots sont restés les mêmes leur sens primitif connaît cependant quelques nuances. Ainsi au XXIe siècle - considéré comme le « siècle du progrès » il conviendrait de traduire Nun ruhen alle Wälder (?les forêts se reposent ?) par ?Les forêts se meurent?. La mondialisation et l?industrialisation massiveassociées à l?avidité prédatrice à la corruption politique aux actions humaines irrationnelles et au fossé grandissant entre riches et pauvres conduisent notre planète bleue à se rapprocher chaque jour un peu plus du point de non retour. Cette composition n?est pas une accusation acerbe mais plutôt une exhortation à prendre soin de cette beauté si harmonieuse que nous offre la nature. Et peut-être prendrons-nous enfin conscience de l?importance d?une situation de coexistence avec la nature nécessaire pour la survie de l?espèce humaine et non d?exploitation qui conduit à la destruction. Un jour alors qu?il naviguait sur Internet Marco Pütz découvrit l?oeuvre du poète australien Graeme King. Fasciné par la clarté de l?écriture et le rythme des vers Marco Pütz imagina les multiples possibilités d?adaptation et de mise en musique qu?offrent les poèmes de King. Il choisit quatre poèmes sur la nature pour créer son oeuvre Four Earth Songs (Quatre chants de la terre). 1. Tears of Nature (Les larmes de la Nature) 2. Grrrevolution 3. Stand up! (Levez-vous !) 4. Tomorrow (Demain) Four Earth Songs est dédié amicalement à l?Orchestre de Fanfare de Frise (Frysk Fanfare Orkest) et à son chef Jouke Hoekstra. L?oeuvre a été donnée en création mondiale par l?orchestre dédicataire à l?occasion de la 14ème Convention de la WASBE à Cincinnati aux
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Carlos Santana: (Da Le) Yaleo: Marching Band: Score & Parts
Marching band
[Score and Parts]
Arrangers' Publishing Company
Percussionists have their glory in this recent Santana hit which brings this sm...
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Percussionists have their glory in this recent Santana hit which brings this small band show to a rousing conclusion. Drill designed by W. Dale Warren is available.
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Carlos Santana: Everybody's Everything (2007): Marching Band: Score & Parts
Marching band
[Score and Parts]
Arrangers' Publishing Company
Carolos Santana's evergetic cut backed by Tower of Power horns is the perfect ...
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Carolos Santana's evergetic cut backed by Tower of Power horns is the perfect opener for this small band show. Drill designed by W. Dale Warren is avalable.
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Carl Wittrock: Fjoer en Fidúsje: Fanfare Band: Score
Marching band
Gobelin Music Publications
Vroeger hebben in de omgeving van Augustinusga (deze streek heet in het Fries Â...
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Vroeger hebben in de omgeving van Augustinusga (deze streek heet in het Fries ¬?de Wâlden?) kloosters gestaan. Het waren veilige plekken in een ruige omgeving. In de boeken van Theun de Vries een bekende Friese schrijver komt naar voren dat de paden tussen de verschillende dorpen en gehuchten erg onveilig waren. Angst overheerste. Het was een ruw volk. bovendien heerste er veel armoede. Sfeer van angst en onrecht worden in deze compositie voelbaar vertolkt. De Slag om de brug bij Blauferlaet (2e wereldoorlog) speelt een belangrijke rol in Fjoer en Fidúsje. - Fjoer (vuur) geeft de gedrevenheid doorzettingsvermogen en sterke betrokkenheidvan de mensen aan om de armoede en het onrecht te bestrijden. - Fidúsje (vertrouwen) heeft de bevolking in ¬?de Wâlden¬? altijd gehad in zichzelf en velen ook in God. Het koraal tegen het einde in deze compositie geeft dit prachtig weer. Carl Wittrock schreef deze compositie ter gelegenheid van het 100-jarig bestaan van fanfare orkest ¬?De Bazuin¬? uit Augustinusga.
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Carl Wittrock: Fjoer en Fidúsje: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Gobelin Music Publications
Vroeger hebben in de omgeving van Augustinusga (deze streek heet in het Fries Â...
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Vroeger hebben in de omgeving van Augustinusga (deze streek heet in het Fries ¬?de Wâlden?) kloosters gestaan. Het waren veilige plekken in een ruige omgeving. In de boeken van Theun de Vries een bekende Friese schrijver komt naar voren dat de paden tussen de verschillende dorpen en gehuchten erg onveilig waren. Angst overheerste. Het was een ruw volk. bovendien heerste er veel armoede. Sfeer van angst en onrecht worden in deze compositie voelbaar vertolkt. De Slag om de brug bij Blauferlaet (2e wereldoorlog) speelt een belangrijke rol in Fjoer en Fidúsje. - Fjoer (vuur) geeft de gedrevenheid doorzettingsvermogen en sterke betrokkenheidvan de mensen aan om de armoede en het onrecht te bestrijden. - Fidúsje (vertrouwen) heeft de bevolking in ¬?de Wâlden¬? altijd gehad in zichzelf en velen ook in God. Het koraal tegen het einde in deze compositie geeft dit prachtig weer. Carl Wittrock schreef deze compositie ter gelegenheid van het 100-jarig bestaan van fanfare orkest ¬?De Bazuin¬? uit Augustinusga.
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Carlos Santana: She's Not There (2007): Marching Band: Score & Parts
Marching band
[Score and Parts]
Arrangers' Publishing Company
The melody and rhythm of the Zombie's hit proved to be the perfect playground fo...
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The melody and rhythm of the Zombie's hit proved to be the perfect playground for Santana to apply his signature trademark sound. Drill designed by W. Dale Warren is available.
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Leonard Bernstein: West Side Story Finale: Marching Band: Score
Marching band
Arrangers' Publishing Company
Arranged as the finale to Jay Dawson's West Side Story theme show for small band...
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Arranged as the finale to Jay Dawson's West Side Story theme show for small bands these beautiful melodies make for a dramatic ending to this sensational program. Drill designed by W. Dale Warren is available.
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Styx: Mr. Roboto: Marching Band: Score & Parts
Marching band
[Score and Parts]
Arrangers' Publishing Company
A Techno-Rock opener that's loaded with contrast and intensity! Drill designed b...
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A Techno-Rock opener that's loaded with contrast and intensity! Drill designed by W. Dale Warren is available.
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Cirque du Soleil: Distorted: Marching Band: Score & Parts
Marching band
[Score and Parts]
Arrangers' Publishing Company
From the wildly exotic Cirque du Soleil production La Nouba Distorted is a mana...
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From the wildly exotic Cirque du Soleil production La Nouba Distorted is a manageable yet dynamic arrangement that begins the creative theme show arranged by Jay Dawson. Drill designed by W. Dale Warren is available.
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Andrew R. Mackereth: Hymnus: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Gobelin Music Publications
Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Au...
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Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Autumn of 1999 for their performance at the World Music Contest Kerkrade. The commission was the result of a collaboration between the composer and the thenmusical director Marten van der Wal. The exact meaning of the word Hymnus is not known but it is taken in this presentation to mean hymn or hymn-like. The melodic material is organic and grows from an initial unison tone. Thisinterval is gradually expanded to form the cell F E C F a semitone third fifth. The only other melodic motif is the ascending three-note pattern spanning a major third. This is the second of his compositions to use this ascending motif theother being Fanfare for a Bright New Age for Brass Band and Organ also of 2000. These characteristic intervals appear in many contrasting moods and guises throughout the piece. The opening unison notes are intended to convey as sense ofpower and magnificence like the first sounds at the dawning of the universe. After the immense power a period of stunned silence and reverence. The evolution of the hymn melody incorporates a variety of moods and atmospheres sometimes expressing much joy and celebration whilst also suggesting periods of intense savagery or prayerful contemplation. The hymn builds as the piece progresses and is finally stated in its complete form at letter W. The official worldpremiere of the work was given by Wilhelmina Easterein at the World Music Contest 2001. Whilst the composer was unable to attend in person he was able to enjoy the premier simultaneously transmitted via a mobile phone from the audience! Conductors Note The tempo indications are to be viewed as a guide rather than a literal instruction. Within the music there is an innate sense of pulse and metre lending itself to considerable rubato. Melody is king and all else is mere support and decoration careful attention must therefore be given to balance.
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Away in a Manger: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Gobelin Music Publications
In English-speaking countries ‘Away in a Manger’ is one of the firs...
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In English-speaking countries ‘Away in a Manger’ is one of the first Christmas songs to be taught to little children. It is a moving song with simple words which makes it easy to understand. The song is also known as ‘Luther’s Cradle Hymn’. This suggests that Martin Luther was the author of the lyrics. According to researchers however this is a misconception – the author is unknown. In England ‘Away in a Manger’ is sung to a different melody than in the USA for example. The ‘English’ melody was composed by W.J. Kirkpatrick. Andrew Mackereth made a touching arrangement of the ‘English’ melody which suits the tender lyrics perfectly.
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Jacob de Haan: Pride of the Forest: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
De Haske Publications
Pride of the Forest reflète la fierté associée au tempérament des gens qui r...
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Pride of the Forest reflète la fierté associée au tempérament des gens qui résident dans les Fryske Wâlden (« Les Forêts Frisonnes ») une région dans le nord-est de la province néerlandaise de Frise. En général les habitants sont des gens résistants vaillants francs tenaces honnêtes et surtout fiers. Cette ?uvre illustre le paysage et les caractéristiques typiques des Frisons de façon programmatique fantastique et colorée. Un morceau magnifique pour vos concours ou vos concerts !
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Wolfgang Amadeus Mozart: Ave Verum Corpus: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Curnow Music
'Melody is the very essence of music.' -W.A.Mozart (1786)Mozart confirmed this v...
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'Melody is the very essence of music.' -W.A.Mozart (1786)Mozart confirmed this view on melody by writing the Ave Verum Corpus near theend of his short life. Originally written for chorus strings and organ this work standsamong the most beautiful musical expressions of all time. Timothy Johnson has skillfullymade Mozart's wondrous achievement available to concert bands. It's perfect forworship services and the sostenuto style with careful attention to dynamics makesit a great choice for that 'middle' spot at festival or for the more serious moment atany performance. Given the opportunity young bands LOVE to play truly greatmusic and it just doesn't getmuch better than the mastery of Mozart.
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Away in a Manger: Fanfare Band: Score
Marching band
Gobelin Music Publications
In English-speaking countries ‘Away in a Manger’ is one of the firs...
(+)
In English-speaking countries ‘Away in a Manger’ is one of the first Christmas songs to be taught to little children. It is a moving song with simple words which makes it easy to understand. The song is also known as ‘Luther’s Cradle Hymn’. This suggests that Martin Luther was the author of the lyrics. According to researchers however this is a misconception – the author is unknown. In England ‘Away in a Manger’ is sung to a different melody than in the USA for example. The ‘English’ melody was composed by W.J. Kirkpatrick. Andrew Mackereth made a touching arrangement of the ‘English’ melody which suits the tender lyrics perfectly.
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Wolfgang Amadeus Mozart: Ave Verum Corpus: Fanfare Band: Score
Marching band
Curnow Music
'Melody is the very essence of music.' -W.A.Mozart (1786)Mozart confirmed this v...
(+)
'Melody is the very essence of music.' -W.A.Mozart (1786)Mozart confirmed this view on melody by writing the Ave Verum Corpus near theend of his short life. Originally written for chorus strings and organ this work standsamong the most beautiful musical expressions of all time. Timothy Johnson has skillfullymade Mozart's wondrous achievement available to concert bands. It's perfect forworship services and the sostenuto style with careful attention to dynamics makesit a great choice for that 'middle' spot at festival or for the more serious moment atany performance. Given the opportunity young bands LOVE to play truly greatmusic and it just doesn't getmuch better than the mastery of Mozart.
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Giuseppe Verdi: V.M.W. Processional March: Marching Band: Score
Marching band
Southern Music Ltd
Condensed Score
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