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John Field
BOOKS
Orchestra
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John Field: Nocturnes and Related Pieces: Orchestra: Instrumental Album
Orchestra
Stainer and Bell
Edited by Robin LangleyAmongst the most widely-disseminated and influential pian...
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Edited by Robin LangleyAmongst the most widely-disseminated and influential piano music of the early 19th century the sixteen Nocturnes of John Field are here published together for the first time in an edition that through careful consideration of publishers' plate numbers Russian first editions and the composer's habits of revision reveals the number and chronology of the little-known Nocturne No. 10 and its relation to the unnumbered 'Troubadour' Nocturne H.55.First published in 1997.
93.00 GBP - Sold by Musicroom UK
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John Williams: Music from the Star Wars Saga: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Hal Leonard
I. The Asteroid Field (4:50) II. Parade of the Ewoks (4:10) III. Cantina Band (2...
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I. The Asteroid Field (4:50) II. Parade of the Ewoks (4:10) III. Cantina Band (2:15) IV. Here They Come (2:15) V. Luke and Leia (4:45) VI. The Forest Battle (4:05) (Total performance time - ca. 24 minutes)
976.99 GBP - Sold by Musicroom UK
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John Williams: Music from the Star Wars Saga: Orchestra: Part
Orchestra
[Score]
Hal Leonard
Deluxe Score-I. The Asteroid Field (4:50) II. Parade of the Ewoks (4:10) III. Ca...
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Deluxe Score-I. The Asteroid Field (4:50) II. Parade of the Ewoks (4:10) III. Cantina Band (2:15) IV. Here They Come (2:15) V. Luke and Leia (4:45) VI. The Forest Battle (4:05) (Total performance time - ca. 24 minutes)
91.99 GBP - Sold by Musicroom UK
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Silent Cities (TURNAGE MARK-ANTHONY)
Orchestra
[Study Score / Miniature]
Schott
Variants surrounding a tune by John Scofield. Par TURNAGE MARK-ANTHONY. The work...
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Variants surrounding a tune by John Scofield. Par TURNAGE MARK-ANTHONY. The work is based on a tune called The Nag written by the jazz guitarist/composer John Scofield, of whom I have long been a fan and with whom I worked closely when writing Blood on the Floor (Mark-Anthony Turnage) ‘The grim frenzy, the waste and the futility of war are all embedded in Silent Cities’ (The Times)/ Répertoire / Orchestre
52.73 EUR - Sold by LMI-partitions
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John Williams: Suite from Jane Eyre: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Hal Leonard
Score and Parts-1. Lowood 2. To Thornfield 3. Reunion
746.99 GBP - Sold by Musicroom UK
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John Williams: Suite from Jane Eyre: Orchestra: Score
Orchestra
Hal Leonard
1. Lowood 2. To Thornfield 3. Reunion
74.99 GBP - Sold by Musicroom UK
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Richard Strauss: Der Zweikampf [The Duel] (1884): Orchestra: Score and Parts
Orchestra
Spartan Press
o.Op. 82 TrV 133- We are grateful to the University of Edinburgh Library Centr...
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o.Op. 82 TrV 133- We are grateful to the University of Edinburgh Library Centre for Research Collections for providing us with access to a manuscript of this work. At shelf-mark Mus.M.645 is a set of parts in the hand of an unknown copyist annotated by John Parr (the bassoonist of Sheffield) who also wrote a full score and second copies of the bassoon and bass parts. The score is dated 1930 and the bassoon part 1934. It is here entitled merely 'duet for flute and bassoon with orchestra' and ascribed to R. Strauss.  We are also grateful for advice from Dr Christian Wolf of the Richard-Strauss-Institut in Munich whohave access to a copy of  'der Zweikampf' made by Cl. Schubert but the Richard-Strauss-Archiv in Garmisch-Partenkirchen will not permit them to make a complete copy for us but has permitted sample pages to be copied confirming the identity of the music. They also affirm the considerable doubt as to Richard Strauss being the composer however no other composer has been suggested in his stead. In the Strauss bibliography a date of composition of 1884 is given when he was twenty years old.  We would also like to acknowledge with thanks the help of Drs Jenny Nex and Lance Whitehead of Edinburgh in deciphering the manuscript and advising on the piano reduction.  In editing the work we have corrected a few evident errors and made the dynamics consistent. There was no given tempo indication in some of the parts but Parr added 'allegro moderato' which is also the tempo indication in the Munich manuscript.  He also suggested the bass pizzicato in most of the polacca but perhaps this was intended only for the double bass should one be present. There are some discrepancies between the Edinburgh score and parts which we have resolved somewhat arbitrarily on musical grounds. The differences between the Munich and Edinburgh versions are mostly small as far as we can discern; the
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