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:: (174)
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CD (132)
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Biography (128)
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Dulcimer (125)
Musical Awakening (120)
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Stationery (58)
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Horn and Orchestra (56)
Accessoire (56)
DVD concert (55)
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Treble (Alto) Recorder, Piano (49)
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Partie Séparée (48)
A Cappella (48)
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Choral, Orchestra (46)
Lap Steel Guitar (46)
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Exemplaire Complet (45)
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Baritone voice (45)
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Cornet and Piano (44)
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Voix Mixtes (42)
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Xylophone or Marimba or Vibrap… (41)
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Timpani (40)
Voice and Orchestra (40)
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2 Violas (duet) (40)
Clavecin (40)
String Quintet: 2 violins, 2 v… (39)
Vibraphone (39)
Flute, Oboe, Clarinet, Bassoon… (39)
Diverses Formations (39)
Treble (Alto) Recorder, Basso … (39)
Chamber Music (39)
4 Euphoniums (38)
Lute (38)
Petit Ensemble Contemporain (38)
Violon Solo, Violoncelle Solo,… (36)
Violon, Cordes et Basse Contin… (36)
Trio à Cordes (36)
Violin, Basso continuo (36)
Bass Trombone and Piano (35)
Piccolo, Piano (35)
1 Piano, 6 hands (35)
Pocket, Study conductor (34)
3 Guitars (trio) (34)
Symphonic Band (34)
Percussions (34)
Livret (34)
Ensemble Mixte (34)
Libretto (33)
Handbells (33)
Violin, Guitar (duet) (32)
2 Violins, Piano (32)
Violin, Clarinet, Piano (trio)… (31)
Flute, Basso continuo (31)
Quintette de Cuivres (31)
Organ, Trumpet (duet) (31)
Medium Voice (31)
3 Saxophones (trio) (31)
Cornet (30)
Chant et Guitare (30)
Cajon (29)
Solistes (SATB), Choeur Mixte … (29)
Ocarina (29)
String Trio: 2 violins, cello (28)
Clarinet, Violin, Cello, Piano… (28)
Brass Quartet: 2 trumpets, hor… (28)
Lyrics only (27)
Soprano, Piano (27)
Bass Clarinet (27)
2 Clarinets, Piano (27)
2 Trumpets, Keyboard (piano or… (26)
Saxhorn or Euphonium (26)
Solistes SBar, Choeur SSATB, 2… (25)
Flûte Traversière et Cordes (25)
Quatuor (25)
Clavier Electronique et Ligne … (25)
2 Trombones, Piano (25)
Quintette avec Piano (25)
Soprano Saxophone and Piano (25)
2 Violons, Alto, Violoncelle e… (25)
Batterie et Percussions (25)
Flute, Clarinet, Piano (trio) (24)
2 Clarinettes, 2 Violons, Orgu… (24)
2 Hautbois, 3 Trompettes, Timb… (24)
2 Hautbois, 2 Cors, 2 Clarinet… (24)
Trompette, Instruments à Cord… (24)
Basson, 2 Violons, 2 Altos et … (24)
Solistes SATB, Choeur SATB, 2 … (24)
String Quartet : 4 violas (24)
Voix Et Instruments Divers (24)
Guitar Tab, Voice, Bass, Drum (24)
String quintet (24)
Guitar and Bass Tablatures, Ch… (24)
Carte Postale (24)
String Quintet: 2 violins, vio… (24)
Soprano Saxophone (24)
Saxophone Baryton (23)
Autoharp (23)
Bagpipe (23)
Piccolo (23)
5 Part Ensemble (22)
Solistes SATB, Choeur SATB, 2 … (22)
Concert Band ou Harmonie et Ba… (22)
Baritone Saxophone (22)
Cello, String Bass (duet) (22)
Soli and Orchestra (22)
2 Saxophones, Piano (22)
Horn Ensemble (22)
String trio (22)
String Trio: 3 violins (21)
Brass Quartet: 4 trumpets (21)
Clavecin Et Instruments A Cord… (21)
Baryton et Orchestre (21)
Oboe and Orchestra (21)
Violon, Ensembles de Cordes et… (21)
Solistes SAT, Choeur SATB, 2 F… (21)
Tout Instrument (21)
Saxophone Quintet: 5 Saxophone… (21)
Clarinette, Cor Et Piano (21)
5 Recorders (21)
Violin, Horn and Piano (20)
Guitare Tablatures Flatpick et… (20)
Piano, Bass, Drums (trio) (20)
Guitar, Orchestra (20)
Ensembles de Cordes et Piano (20)
Choeur d'Enfants SSA, Récitan… (20)
2 Choeurs Mixtes (SATB Et SATB… (20)
Soprano (20)
2 Bassoons (duet) (20)
Saxophone and Orchestra (20)
Soli (SAB), Choeur Mixte (SATB… (20)
Voice, Clarinet, Piano (20)
Flûte Traversière, Clarinett… (20)
Djembe (20)
Vocal duet (20)
Conga (19)
2 Flûtes Traversières, Corde… (19)
Soli (ATB), Choeur Mixte (SATB… (19)
Solistes SATBB, Choeur SATB, 2… (19)
Baritone Ukulele (19)
Partition D'Orchestre (19)
Voix Et Orchestre (19)
3 Trumpets (trio) (19)
Harpsichord and Strings (19)
Ensemble Instrumental et Petit… (19)
Percussion, Piano (duet) (19)
Choeur d'Enfants (19)
Solistes SATB, Choeur SATB, Ha… (18)
3 Trombones et Fanfare (18)
2 Tubas et Piano (18)
Violoncello, Basso continuo (18)
Viola and orchestra (18)
Choeur SATB, 2 Trompettes, 2 T… (18)
Ensemble à Cordes (18)
Tuba and Orchestra (18)
Xylophone (18)
Gemischter Chor (SATB) und Orc… (18)
Percussions Diverses (18)
Guitare et Voix (18)
Solistes STBB, Choeur SATTBB, … (17)
Bass Clarinet, Piano (17)
Viola da Gamba (17)
Cor, Trombone et Piano (17)
Opéra (17)
4 Bassoons (17)
Solistes SATB, Choeur SATB, 2 … (17)
Ukulele Ensemble (17)
Fac-similé (17)
Trumpet, Trombone (duet) (17)
Voix Mixtes SAB et Piano (17)
Voix et Orff-Instruments (17)
Viola, Cello (duet) (17)
ENS::Ensemble d'cole (17)
Recorder, Guitar (duet) (17)
Clarinette et Quatuor à Corde… (16)
2 Saxophones Ténor et Piano (16)
Choeur De Femmes (SSA) Et Pian… (16)
Trompette ou Cornet, Trombone … (16)
Hautbois, Basson et Piano ou O… (16)
Violon, Alto, Violoncelle et C… (16)
Quintette (16)
Choeur à L'Unisson et Orgue (16)
2 Cors en Mib et Piano (16)
Voice, String Quartet (16)
Organ, Piano (duet) (16)
Electric bass, Drums (16)
Flute, Piano Trio (bass, drum,… (16)
Opéra Full Score (16)
Piano, Chant et Guitare Tablat… (16)
Trumpet ensemble (16)
Violon, Instruments à Cordes … (16)
Matériel D'Orchestre (16)
Cello Ensemble (16)
4 Cellos (16)
Solo SATB, Choeur SATB, Hautbo… (15)
Violin, Organ (15)
Solistes SATB, Choeur SATB, 4 … (15)
Children choir, Instruments (15)
2 Cornets, Cor en Mib et Tuba (15)
Soli (ATB), Choeur Mixte (SATB… (15)
3 Euphoniums et Piano ou Clavi… (15)
Flûte Traversière, Hautbois,… (15)
Music Theory Et Resources (15)
Saxophone Alto et Orchestre à… (15)
Violin, Viola and Orchestra (15)
Gemischter Chor (SSATB/SSATB/S… (15)
Voix et Piano Réduction (15)
2 French horns, Piano (15)
Brass ensemble, Organ (15)
Hautbois, Clarinette et Basson… (15)
Cello, Guitar (duet) (15)
Brass Quartet: 4 horns (15)
Choeur de Femmes (15)
Flûte à Bec et Piano (15)
3 Violons, Instruments à Cord… (14)
SB, 4 Parties Mixtes et Orches… (14)
Solistes SAB, Choeur SATB, 2 H… (14)
Flûte Traversière, Violon, I… (14)
Livre Musical (14)
2 Violons, Alto, Violoncelle (14)
Bassoon, Orchestra (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
Voice, Organ (14)
2 French horns (duet) (14)
Choeur SSATB et Basse Continue… (14)
2 Cellos, Piano (14)
Brass Quartet: 2 trumpets, 2 t… (14)
Bass Trombone (13)
Choeur SATB, Flûte Traversiè… (13)
2 Bassons et Piano ou Orgue (13)
Choeur D'Enfants (SMezA) Avec … (13)
2 Trompettes ou Cornets et Tub… (13)
Flûte à Bec Alto et Basse Co… (13)
Ensemble A 4 Parties (13)
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Cor en Fa (13)
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Solo instrument and Organ (13)
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Bodhran (13)
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Flute, Viola and harp (12)
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Tenor Banjo (12)
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Choeur d'Enfants à 2 Parties … (12)
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Fake Book (12)
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English horn, Piano (12)
Basse (12)
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Bongos (12)
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Flügelhorn (11)
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Ensemble De Contrebasse (11)
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Cithare (11)
Guitare Tablatures Classique (11)
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Choral SSATBB (11)
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Harmonie (11)
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Concertina (11)
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Choeur (SATB) et Brass Band (11)
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SATBasse (2 Grands Choeurs Mix… (11)
Choral Soprano solo, SATB, Key… (11)
Flute and String Quartet (10)
Chant, Accords Et Piano (10)
Solistes STB (SB/TB/SATB), Cho… (10)
S, A, A, T, B, Choeur Mixte A … (10)
Solistes SATB, Choeur SATB, 2 … (10)
Flute, Violin, Piano (10)
Solistes (STB), Choeur Mixte (… (10)
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Base Musicale (10)
Flûte à Bec Alto ou Flûte T… (10)
Solistes STB, Choeur SATB, 3 C… (10)
2 Trumpets, Horn, Trombone an… (10)
2 Pianos, 8 hands (10)
2 Hautbois, Cor Anglais et Bas… (10)
Double bass, Orchestra (10)
Piano/Vocal/Guitare (PVG) (10)
Clarinette, Violon et Piano (10)
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Solistes SB, Choeur SATB, 2 Ha… (10)
Solistes SAB, Choeur SATB, 4 F… (10)
Trumpet, Horn and Piano (10)
Solistes et Choeur SSATTB, 2 V… (10)
Solistes SATB, Choeur SATB, Fl… (10)
Set de Cordes (10)
Paroisse, Choeur SATB, 2 Tromp… (10)
Solistes STBarB, Choeur SATB, … (10)
Balalaika (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
2 Saxophones Alto et Piano ou … (10)
Choeur d'Enfants SSA, 2 Récit… (10)
Instrument Cuivre En Sib (10)
Clarinette, Viola and Piano (t… (10)
Accordion - Piano, Voice, Guit… (10)
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Narrateur, Solistes, 3 Parties… (10)
Solistes SATB, Choeur SATB, 2 … (10)
Guitar and String Quintet (10)
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Cornet et Brass Band (10)
4 Instruments Cuivre (Trompett… (10)
4 Tubas (10)
Violon 2 (10)
Solo S, Choeur SATB, 2 Clarine… (10)
String Trio: 2 violins, viola (10)
Choeur SSAATTBB, 2 Cornetti, 3… (10)
Clarinette et Orchestre (10)
Choeur SATB, 2 Violons et Bass… (10)
Choral SSAB, Piano (10)
Clarinette, Violoncelle et Pia… (10)
5 Part Ensemble (Clavier, Guit… (10)
Voix à L'Unisson et Piano (10)
Choeur SATB et Orchestre (10)
Trompette, Cordes Et Basse Con… (10)
3 Flûtes A Bec Alto (10)
Trompette Et Orchestre (10)
Flute, Violoncello (10)
Harp, Voice (10)
Zither (10)
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Trompette 3 (10)
Tenor (10)
Violon II (10)
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Clavier ou Orgue Electronique (9)
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Solistes SATB, Choeur SATB, Fl… (9)
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Cordes, 2 Clarinettes et Timba… (9)
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Trompette, Cor et Piano (9)
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Choeur SATB, 2 Flûtes Travers… (9)
Trombone et Orchestre à Vent (9)
Choeur SATB, 2 Litui (2 Cors),… (9)
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Oboe, Clarinet, Bassoon (trio)… (9)
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Solistes S (A) TB, Choeur SATB… (9)
Solistes SATB, Choeur SATB, 2 … (9)
DVD (9)
Guitare Flatpick et Fingerpick… (9)
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Solistes SATB, Choeur SATB, 2 … (9)
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No other people (BARRY GERALD)
Orchestra
[Study Score / Miniature]
Schott
for orchestra. Par BARRY GERALD. 'The title, No other people., is taken from Ray...
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for orchestra. Par BARRY GERALD. 'The title, No other people., is taken from Raymond Roussel's New Impressions of Africa, a fifty-nine page poem which took him fifteen years to write - a length of time mainly caused by his tortuous compositional methods. In Roussel, sentences are broken down in maze-like ways, often producing others which relate to the sound of the original. I'm not aware of any direct, illustrative connection between the music of No other people. and Roussel's book. But I was very struck by the everydayness of Zo's drawings. There is something poignant in his not knowing what he was illustrating. Like the drawings of a blind person. Their banality takes on a mysteriousness by being placed by Roussel in his book, seeming to illustrate bizarre events unknown to Zo. They are impersonal, the people in them unaware that they lead another life in a poem of which they know nothing. Something of this is in the music.' Gerald Barry, 2009/ Répertoire / Orchestre
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Georg Friedrich Händel: Four Coronation Anthems: Orchestra: Score
Orchestra
Oxford University Press
These four splendid anthems were composed for the coronation of George II in Oct...
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These four splendid anthems were composed for the coronation of George II in October 1727 and have since retained a position at the heart of the English choral tradition. The popular anthem Zadok the Priest has been performed at all subsequent coronations and Handel's other contributions to the royal occasion - Let thy hand be strengthened The King shall rejoice and My heart is inditing - have the same majestic grandeur with affecting contrasts between different sections of the sacred texts. The editor Clifford Bartlett has corrected various inconsistencies in Handel's score and completedetails of sources and editorial method additional performance notes and a critical commentary are included.
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Brant Adams Pepper Choplin Stan Pethel: We Were There: Orchestra: Parts
Orchestra
Shawnee Press
Inspired by the spiritual “Were You There ” this musical experience ...
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Inspired by the spiritual “Were You There ” this musical experience is based on several monologues by thosse who were at the cross. The work leads us through many emotions: from the Holy Love shown to Mary Magdalene to the intimacy of Mother Marty's Still My Son to the regret of Peter in It Should Have Been Me. The musical can be of almost any length since each momologue and anthem may be used independently. However We WereThere is used it will provide a powerful Holy Week resource for years to come. Maximum length if all pieces are used: 53 minutes.Includes: Were You There?; Holy Love; Christ Is Our Brother; Surely This Was the Sonof God; How Can It Be?; Still My Son; It Should Have Been Me; We Were There; At the Cross.
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The European Anthem (BEETHOVEN LUDWIG VAN)
Orchestra
[Score]
Schott
Music from the last movement of the Ninth Symphony. Par BEETHOVEN LUDWIG VAN. Th...
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Music from the last movement of the Ninth Symphony. Par BEETHOVEN LUDWIG VAN. The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823. In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers – a vision Beethoven shared with him. In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions – for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for. In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity. The score of this offical anthem is exclusively available from the Schott publishing house./ Répertoire / Orchestre
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Joseph M. Martin: Let There Be Christmas: Orchestra: Parts
Orchestra
Shawnee Press
This service in song is a joyous celebration of hope and peace for the Christmas...
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This service in song is a joyous celebration of hope and peace for the Christmas season. Using carols narration congregational participation and original anthems this approachable work is the perfect choice for choirs of any size. From jubilant songs of praise to reflective carols of peace this cantata is filled with moments designed to energize the spirit of the season in your community of faith. Extra musical suggestions offer directors creative options for presentation and the wonderfully crafted and colorful orchestrations by Brant Adams further enhance the festive potential of this thoughtful work.Songs include: Christmas Overture and Processional; TheAdvent Rose; The Divine Expectation; Concertato on ?O Little Town of Bethlehem;? Carols from a Quiet Manger; Arise! (Hodie Christus natus est); Bleak Midwinter's Gift; Let There Be Christmas; A Joyful Gathering of
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Siegfried-Idyll / The Ride Of The Valkyries
Orchestra
Eulenburg
Created in 1851, 'Ride of the Valkyries' is the prelude to the third act of the ...
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Created in 1851, 'Ride of the Valkyries' is the prelude to the third act of the music drama 'The Valkyrie'. The purely instrumental version soon found its way onto the concert stages and turned out to be a first-rate attraction. Apart from 'Treulich geführt', 'Ride of the Valkyries' probably is Wagner's most popular melody.More intimate insights, however, are given by 'Siegfried-Idyll'. In 1870, Richard Wagner came up with a rather special birthday present for his wife Cosima. He surprised her with a secretly composed orchestral work the dedication of which alludes to impressions or circumstances at the birth of their common son Siegfried. / Orchestre
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Thea Musgrave: Points Of View: Chamber Ensemble: Score
Orchestra
[Sheet music]
Novello & Co Ltd.
For Chamber Orchestra (Flute Oboe Cor Anglais Basson Horn in F Trumpet in C...
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For Chamber Orchestra (Flute Oboe Cor Anglais Basson Horn in F Trumpet in C Strings: [5.4.3.2.1])Composer's Programme Note:Points of View is a work about the different musical elements which arepersonified by soloists from the orchestra all unifying at the end in a passionateclimax.The first section ‘Mysterious’ features a solo horn and also establishes tonality [Bflat] texture and harmony. The harmonies are often chordal 6-note clusters andthey are an important binding articulating and textual element throughout thework.A solo trumpet joins the solo horn and as the chordal clusters disappearintothe stratosphere initiates the rhythm of a light-hearted scherzo ‘Lively’. Thetrumpet’s rhythmic figure is echoed and developed by the winds.The solo oboe and cor anglais now introduce a very lyrical melody in fallingthirds ‘Sensuous’. The chordal clusters as well as the trumpet’s rhythmic figureeventually reappear to accompany this melodic theme and then the violinspassionately respond by taking it over ‘Passionato’. All the elements thusunifying to culminate in the coda.These elements could also perhaps be described in non-musical terms as‘imagination’ [solo horn] ‘action’ [solo trumpet] ‘emotion’ [solo oboe and coranglais] which eventually combine in the climax [violins].
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Small Pieces Composed In Homage To The Saxon Court
Orchestra
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
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Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Score
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Cindy Berry: On the Other Side of the Grave: Orchestra: Parts
Orchestra
Shawnee Press
Just as Jesus was resurrected from the dead so shall believers experience the j...
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Just as Jesus was resurrected from the dead so shall believers experience the joy of eternal life in heaven with him. This inspiring anthem begins in minor telling of Jesus's death then builds to a thrilling climax: On theother side of the grave is victory! “On the Other Side of the Grave” is a wonderfully dynamic pageant piece for Easter or for anytime when eternal life is the theme.
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The Many Joys of Christmas (Set One): Orchestra: Score & Parts
Orchestra
[Score and Parts]
Hal Leonard
You'll thrill in the joyful sounds of Christmas with this colorful 6-minute suit...
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You'll thrill in the joyful sounds of Christmas with this colorful 6-minute suite of the beloved Alfred Burt Carols. Whether performed with piano alone or with the sparkling orchestration you'll create a holiday celebration towarm the heart and delight the senses! Songs include: We'll Dress the House The Star Carol This Is Christmas (Bright Bright the Holly Berries).
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Kongen Af Himmelby - Demo: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Kongen Af Himmeby-Demo/Utopiaville-Demofor Symphony Orchestra (2009). The Utopia...
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Kongen Af Himmeby-Demo/Utopiaville-Demofor Symphony Orchestra (2009). The Utopiaville-Demo is commissioned by Finn Schumacker for The Odense Symphony Orchestra. Repertoire operas occationally have orchestral suites: Bits and pieces of overture interlude etc. tied up in a bouquet of 'schönste Tränen'. Contemporary opera usually wither after the first season so the focus is on getting people to come and have a sniff before it's too late. Consequently it seemed obvious to me to start making orchestral excerpts from my operas that are meant to be played before the premiere (and after please); I call them 'operatrailers' when they're substantial enough to be considered independent works and 'opera demos' when they're relatively short and more appetizer-ish. The Utopiaville-Demo is a fast-and-furious cinemascope 3D THX-demo for my chamber opera 'The King ofUtopiaville' which is sort of a mix between a reversed revolutionary opera (reversed because it's about a revolutionthat flops) and a rhythm'n blues theatre concert. The opera takes place on the remote tropical island of Honga-Tonga where a mayor form Europe is taking a much needed holiday as far away as possible from his home town Utopiaville. The mayor desperately needs to get away:He has overstepped his authority blatantly and broken every rule of law he felt like in order to create a modern liberalistic society where sanitation medicare hospitals schools the police and all other public institutions are sold to private investors and then leased back by the public - that way noone will ever have to pay taxes because everything finances itself the mayor says and in order to keep reality at a safe distance he drinks massive amounts of insanely expensive french claret all in the best interest of the inhabitants of Utopiaville of course.Honga Tonga can't get any further away from Waikiki Beach: It looks something like the 1933 version of
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Franz Joseph Haydn: Symphony No. 100 In G: Orchestra: Miniature Score
Orchestra
Eulenburg
London No. 12-Joseph Haydn's 'Eulenburg Pocket Score' is the result of his secon...
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London No. 12-Joseph Haydn's 'Eulenburg Pocket Score' is the result of his second trip to England in 1794. This work is one of the still popular from the series of the so-called '12 London Symphonies' (Hob. 1/93 - Hob. 104).The work characterized by musical finesse and various sonic stimuli has the following four movements: I. Adagio - Allegro - II. Allegretto (C major) - III. Menuet: Moderato - IV. Presto. The somewhat unusual epithet 'military symphony' refers essentially to the second and the fourth movement ('Allegretto' and 'Presto') in which the instrumentation is enriched by timpani triangle cymbals and bass drum and thereby the evokes the impression of amilitary band. A 'trumpet signal' especially set in the second movement led to such a characterization. On the value and importance of this G major Symphony the following article from the Allgemeine Musikalische Zeitung of April 1799 reveals: 'It is a little less learned and easier to grasp than some of the other's newest works but new ones Ideas just as rich as they. Perhaps the surprise in music can not be furthered than it is here by the sudden collapse of full Janissary music in the minor of the second movement-since until then one has no suspicion that these Turkish instruments are attached to the symphony. But here too not only the inventive but also the prudent artist shows. Nevertheless the Andante is nevertheless a whole: for in all the pleasing and easy things that the composer in order to infer from the idea of his coup deceitfully brought it into the first part of it it is nevertheless arranged and worked in a march.' The 'Military Symphony' was premiered on March 31 1799 in London.
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Richard Strauss: Der Zweikampf [The Duel] (1884): Orchestra: Score and Parts
Orchestra
Spartan Press
o.Op. 82 TrV 133- We are grateful to the University of Edinburgh Library Centr...
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o.Op. 82 TrV 133- We are grateful to the University of Edinburgh Library Centre for Research Collections for providing us with access to a manuscript of this work. At shelf-mark Mus.M.645 is a set of parts in the hand of an unknown copyist annotated by John Parr (the bassoonist of Sheffield) who also wrote a full score and second copies of the bassoon and bass parts. The score is dated 1930 and the bassoon part 1934. It is here entitled merely 'duet for flute and bassoon with orchestra' and ascribed to R. Strauss. We are also grateful for advice from Dr Christian Wolf of the Richard-Strauss-Institut in Munich whohave access to a copy of 'der Zweikampf' made by Cl. Schubert but the Richard-Strauss-Archiv in Garmisch-Partenkirchen will not permit them to make a complete copy for us but has permitted sample pages to be copied confirming the identity of the music. They also affirm the considerable doubt as to Richard Strauss being the composer however no other composer has been suggested in his stead. In the Strauss bibliography a date of composition of 1884 is given when he was twenty years old. We would also like to acknowledge with thanks the help of Drs Jenny Nex and Lance Whitehead of Edinburgh in deciphering the manuscript and advising on the piano reduction. In editing the work we have corrected a few evident errors and made the dynamics consistent. There was no given tempo indication in some of the parts but Parr added 'allegro moderato' which is also the tempo indication in the Munich manuscript. He also suggested the bass pizzicato in most of the polacca but perhaps this was intended only for the double bass should one be present. There are some discrepancies between the Edinburgh score and parts which we have resolved somewhat arbitrarily on musical grounds. The differences between the Munich and Edinburgh versions are mostly small as far as we can discern; the
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Peter Maxwell Davies: The Turn Of The Tide: Orchestra: Miniature Score
Orchestra
[Sheet music]
Chester
The task: to write a piece that could involve children as players singers and c...
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The task: to write a piece that could involve children as players singers and composers alongside a professional symphony or chamber orchestra. The solution: a peace-cry for the biosphere in which the collaborative nature of theenterprise is a metaphor for a wished-for human enlightenment to the ways of the natural world. Davies provides five musical elements and five ways of development and uses these to illustrate five branches of life on earth:water-plants trees fish birds and mammals (including man). There is a space for answers from children's instrumental groups and then a larger space in which the children can develop the given ideas perhaps with members of theorchestra. Davies returns as composer to depict through an excess of development creation turned sour. Finally everyone comes together with a unison hymn with orchestra and instrumental groups celebrating the turn of thetide.This work for young instrumentalists children's chorus and orchestra was commissioned by the Association of British Orchestras as the centrepiece of an education project which coincided with the implementation of theNational Curriculum for music in schools in England and Wales echoing similar developments in Scotland and Northern Ireland.Score. Duration c. 25mins.
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The Symphony: From Mannheim to Mahler
Orchestra
[Book]
Faber Music Limited
Par . The Symphony: From Mannheim to Mahler is a fascinating and accessible guid...
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Par . The Symphony: From Mannheim to Mahler is a fascinating and accessible guide that considers the development of the symphony from a number of different perspectives: analytical, historical, and critical. Exploring important milestones, touchpoints, events, key works, and the composers that surround the genre, it also includes a composer timeline, detailed case studies and comprehensive music examples. This handy and informative book is ideal for GCSE, A-Level, and undergraduate music students, as well as anyone wanting to study and learn more about the genre. Christopher Tarrant is Lecturer in Music Analysis at Newcastle University. He received his PhD from Royal Holloway, University of London and now teaches and writes about concert music of the long nineteenth century with a special emphasis on theory of form and the Nordic symphony. Christopher is also a violinist and conductor. Natalie Wild is Director of Research and Deputy Director of Music at the Music in Secondary Schools Trust (MiSST). Her research focuses on the role a classical music education can play in breaking down social barriers. Natalie has taught both GCSE and A-Level Music for many years as Head of Music in various inner-city schools. / Date parution : 2022-05-17/ Livre / Orchestre
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Theodor Grigoriu: Mélodie Infinie: Orchestra: Score
Orchestra
[Sheet music]
Editions Musicales Transatlantiques
The piece for string orchestra Infinite Melody is dedicated to the great shadows...
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The piece for string orchestra Infinite Melody is dedicated to the great shadows in Bayreuth Wagner and Liszt. An evocative miniature like a style study it was requested by youth ensembles participating in the artistic festival in this city. A polyphonic technique involving immanent sounds is used which was also used in The Modal Column. The passage of the melodic relief from one group of instruments to another induces a feeling of perpetual quest. From Wagner and Liszt’s infinite melody a few external characteristic aspects are employed: 1. the grupetto which tends to amplify the importance of a sound and 2. the Auftakt fromthe beginning of each phrase as in Tristan and Isolde At the climax of the piece an impact with a few authentic themes takes place cited from Wagner (Siegfried-Idylle) and Liszt respectively (Faust-Symphonie).
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Poul Ruders: Corona - The Solar Triology No. 3: Orchestra: Score
Orchestra
Wilhelm Hansen
Corona - The Solar Trilogy No. 3 for Orchestra was composed by Poul Ruders in 19...
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Corona - The Solar Trilogy No. 3 for Orchestra was composed by Poul Ruders in 1995.Programme note:CORONA makes the final part of the SOLAR-TRILOGY a huge symphonic triptych about the life and behavior of the Sun. The first'panel' GONG depicts the birth life and final collapse of our nearest star the second ZENITH describes in its ultra-slow tempo the patient rise of the Sun toward midday ferocity and its subsequent setting. CORONA then is a symphonic 'portrait' of the phenomenally hot whispy brim encircling and radiating from the Sun a sizzling halo of electrons and photons visible only during a total eclipse. Formally CORONAfollows the process of such totality in progress:the gradual eclipsing by the Moon - total darkness with thefierce sparkling outer corona - the gradual 'rebirth' of the light toward the full gl.ory and warmth of the Sun.Besides the obvious astronomical narrative of the SOLAR-TRILOGY there's a metaphysical angle too underlying each of the three compositions: GONG in spite of its apparent energy may be the most pessimistic of them all epitomizing the death and ultimate annihilation of the prime source of Life itself. ZENITH is a hommage to human aspiration and spiritual endurance and CORONA ends with Hope and Glory after a journey from depression throughtotal despair. Super-structurally the zenith of ZENITH makes the zenith of the entire trilogy i.e. when the E- flat of the unisone horns in ZENITH is heard we are exactly halfway through the collected work.Poul Ruders
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Joseph M. Martin: The Celtic Choir: Orchestra: CD
Orchestra
Shawnee Press
Consort Orchestra (CD-ROM)-Consort Orchestra (CD-ROM/includes score and parts fo...
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Consort Orchestra (CD-ROM)-Consort Orchestra (CD-ROM/includes score and parts for flute (penny whistle) violin cello guitar piano and percussion): The soaring beauty of traditional folk music and Gaelic-inspired original songs permeates this collection with fresh sounds and expressive words. From lilting dance-like songs of praise to noble hymn tunes that encourage and motivate this gathering of sacred songs provides a great variety of styles tempos and usages. Decorated with optional acoustic instruments and driven by well-crafted piano parts these anthems are designed to work for choirs of any size. Catch the wave of enthusiasm for this ancient musical culture and bring a refreshing spirit ofworship into your ministry! Songs include: Celtic Praise Song - In the Valley Flows a River - The Master Has Come - A Celtic Hosanna - Come to the Upper Room - Here is Love - Celtic Alleluia - Not I But Christ - A Celtic Blessing. Score and parts for flute (penny whistle) violin cello guitar piano and percussion.
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Carl Nielsen: Symphony No.4 'The Inextinguishable' Op.29: Orchestra: Score
Orchestra
Carl Nielsen Edition
This is the full score for Carl Nielsen's Symphony No. 4 The Inextinguishable ...
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This is the full score for Carl Nielsen's Symphony No. 4 The Inextinguishable the composer's most popular and most frequently recorded and performed work. Although Carl Nielsen's Symphony No. 4 was completed in 1916 and although it prominently features a thundering duel between timpani the composer did not write this work in response to World War I. Instead it is a noisy energetic thrusting paean to the inextinguishability of life itself. And as music like life in this instance is inextinguishable the four intricately interlinked movements are played without a break. In this work can be heardthe influences of Brahms Dvorak Sibelius and others all transformed by Nielsen's creative spirit. The symphony ends in grand Romantic style with a triumphant finale wherein the jagged two-note and three-note themes of the beginning are conquered by the songlike theme of the third movement. CN00013A is the parts to accompany this full score.
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Doors On Tour, The (F/O)
Orchestra
Alfred Publishing
The Doors, a psychedelic rock group of the 1960s, return in this arrangement fea...
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The Doors, a psychedelic rock group of the 1960s, return in this arrangement featuring three of their biggest and most well known hits, 'Light My Fire,' 'People Are Strange' and 'Hello, I Love You.' An exciting closer for your pop program or spring concert. (4:30) / Orchestre
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In The Shadow Of The Bat: Orchestra: Score
Orchestra
Wilhelm Hansen
In The Shadow Of The Bat - Concerto for Three Trombones and Orchestra by Niels M...
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In The Shadow Of The Bat - Concerto for Three Trombones and Orchestra by Niels Marthinsen (2009). Programme note: In the Shadow of the Bat is a triple concerto for three trombones and orchestra inspired by Batman and his enemies The Joker Two-Face and The Penguin. A central idea of modern versions of the Batman myth is that the batman is created by the fantastic villains that he fights and they are created by him - and that Batman is driven by revenge and hate barely held in check by an intense sense of justice. Batman represents 'the dark side' while the villains are hyper-imaginative colourful creative caracters who happen to be completely insane. The rivalry between soloists and orchestra is anything but friendly: The three soloists represent one villain each the orchestra 'is' the batman - and while the villains take centre stage during most of the concerto they are eventually overwhelmed by the sheer power of the orchestra and sent where they belong: The lunatic's asylum. The concerto begins with the creation of the batman: An eight year old boy persuades his parents to leave an opera performance before it is over; outside in an alley they are shot and killed by a criminal while the boy watches. And he decides that all criminals must be punished! Then follows the Villaineuos Fugue: a multi-part fugue-like exposition of villain motives and stylistic environments. It is the exposition of the joker (alto trombone) two-face (tenor trombone) and the penguin (bass trombone). And after a brief and very slow interlude where the three criminals form an alliance and make their plans the Toccata of Crime begins: Bright fast moving highly energetic expansive and colourful music still dominated by the soloists. But later the orchestra moves to centre stage with slow omnious swooping bat-music that climaxes as the soloists are defeated by the orchestra. In the Shadow of the Bat is commissioned
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Per Nørgård: Voyage Into The Golden Screen: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Voyage Into the Golden Screen for Chamber Orchestra is a complex experimental w...
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Voyage Into the Golden Screen for Chamber Orchestra is a complex experimental work by Danish composer Per Nørgård that has been of elemental important in the composer's work. In the 1960's Nørgård claims to have discovered rather than invented a series of notes he calls 'the infinity series' rather like a twelve-tone series but infinite generative fractal and without the rhythmic and other confines of the true serialists. In Voyage the instruments are microtonally and individually retuned to create an aural space between half-steps. Voyage was the first work in which Nørgård put the infinity series at the centre of the work. Voyage Into The Golden Screen is awork in two movements. The slow-moving layers create aural intensity in the first part while the second movement explores more minimalist textures. Together they create an elemental sound experiment just one element of this composer's monumental creativity and originality.
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Poul Ruders: Handel Variations: Orchestra: Score
Orchestra
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Poul Ruders' Handel Variations for Orchestra (2009) -Ninety Symphonic Reflection...
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Poul Ruders' Handel Variations for Orchestra (2009) -Ninety Symphonic Reflections on Eight Bars by Georg Friedrich Handel.Commissioned by and dedicated to the Aarhus Symphony Orchestra in celebration of their 75th anniversary 2010. Premiered by The Aarhus Symphony Orchestra conducted by Giancarlo Andretta at the Aarhus Concert Hall 14 January 2010. Programme noteThe short feisty Bourrée from Handel´s famous Water Music (First Suite in F major) has for some years been hovering at the back of my mind as possessing the perfectpotential for a series of variations. Not unlike the short 'morsel' by Henry Purcell (the witches Ho-ho-ho-chorus from the opera Dido and Aeneas) which kicks off the ten variations of my orchestral work Concerto in Pieces the music per se is not particularly interesting but it nevertheless grows on you and is difficult to get rid of. It is merely a handful of sequences (a technique much used in the Baroque era - a method in which the same motif is being shifted up and down in a specified order). Actually it is only the first eight bars of the Bourrée which I haul through the wringer.It would be obvious to assume that Handel Variations make up a sequel to Concerto in Pieces but in spite of the similarity in character between the two chosen themes the Handel Variations are far more symphonically coherent. There are no less than ninety (!) variations and each variation (they are relatively short ranging from four up to forty-something bars) runs seamlessly into the next creating a huge symphonic body of constantly changing colours. I set out with the original theme without interfering but the 'erosion' begins to gnaw away at the theme already from the first variation. Imagine a vast gallery of Handel portraits in which Georg Friedrich appears at first fully recognizable but then the 'disfiguration' sets in and
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Reza Vali: Segah: Double Concerto: Orchestra and Solo: Score
Orchestra
Lauren Keiser Music Publishing
Full Score-The Persian traditional music (called the Dastgah Segah) is based on ...
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Full Score-The Persian traditional music (called the Dastgah Segah) is based on intervals made of three quarter-tones and natural whole-tones. Segah has no interval in common with the European/ Western equal-temperament tuning. This lack of common intervalsbetween the Segah mode and the equal-temperament tuning will lead to a cognitive dissonance if this mode is set against the equal-temperament system. My goal has been to elaborate on the innate tensions that exists between the two interval systemsand use it as a symbol for the existing political and cultural tensions between the Persian and the Western cultures. The piece consists of two Persian traditional instruments the Ney (Persian vertical bamboo flute) and the Kamanche (Persian spikefiddle) as the musical representatives of the Persian culture set against the Western orchestra as the musical representative of the Western culture. A small ensemble of Western instruments consisting of a harp and string quintet accompanies thePersian instruments. The harp is tuned to the Segah intervals and the string quintet plays in the Segah mode. The orchestra is performing inthe Western equal- temperament tuning. From the very first bars of the main section of the piece confusionsand misunderstandings arise. The orchestra being unable to play in Segah or understand the mode becomes more and more agitated. Musical tensions between the soloists and the orchestra lead to musical confrontations and finally to musicalviolence. The orchestra becomes extremely violent and militaristic and tries to suppress the soloists efforts to express their musical thoughts. In the midst of all these confusions and cultural misunderstandings musical connections and attractionsstart to take place. The orchestra and the soloists find themselves musically attracted to each other and start imitating each others musical phrases. Cognitive dissonances start to be gradually transformed to musical dialogues symbolizing thegradual replacement of the clash of civilizations with the dialogue of civilizations. Segah was written for Khosrow and Kian Soltani and premiered at the Segah Festival on January 15 2016.
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Ravel Maurice - Rapsodie Espagnole, Mother Goose Suite, And Pavane For A Dead Princess - Full Score
Orchestra
Dover Publications
Description With the premiere in 1908 of Rapsodie Espagnole , Ravel’s firs...
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Description With the premiere in 1908 of Rapsodie Espagnole , Ravel’s first entirely orchestral composition, the French composer achieved renown as a highly original and imaginative composer. In 1911 he recast the Mother Goose Suite , his extremely successful work for piano four-hands as an orchestral work. Based on five fairy tales, among them 'Sleeping Beauty', 'Tom Thumb' and 'Beauty and the Beast', this collection continues to enchant listeners of all ages with its variety of moods. After a decade after its initial appearance as a piano work, Ravel transcribed his evocative Pavane For A Dead Princess for orchestra, now one of his best-known and most frequently performed compositions. These three rich orchestral settings are presented in full score in this authoritative edition. Songlist Mother Goose Suite Pavane For A Dead Princess Rapsodie Espagnole
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Prometheus Op. 60 (SCRIABINE ALEXANDER)
Orchestra
Eulenburg
Par SCRIABINE ALEXANDER. The Poem Of Fire/ Répertoire / Orchestre
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Maurice Ravel: Rapsodie Espagnole Mother Goose Suite: Orchestra: Score
Orchestra
Dover Publications
For A Dead Princess in Full Score-With the premiere in 1908 of Rapsodie Espagnol...
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For A Dead Princess in Full Score-With the premiere in 1908 of Rapsodie Espagnole Ravel’s first entirely orchestral composition the French composer achieved renown as a highly original and imaginative composer. In 1911 he recast the Mother Goose Suite his extremely successful work for piano four-hands as an orchestral work. Based on five fairy tales among them 'Sleeping Beauty' 'Tom Thumb' and 'Beauty and the Beast' this collection continues to enchant listeners of all ages with its variety of moods. After a decade after its initial appearance as a piano work Ravel transcribed his evocative Pavane For A Dead Princess for orchestra now one of his best-known and most frequentlyperformed compositions. These three rich orchestral settings are presented in full score in this authoritative edition.
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Joseph M. Martin: The Rose of Calvary: Orchestra: Parts
Orchestra
Shawnee Press
Orchestration-The Rose of Calvary is the greatly anticipated sequel to the best-...
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Orchestration-The Rose of Calvary is the greatly anticipated sequel to the best-selling cantata The Winter Rose. Using the same beautiful imagery the work tells the story of Jesus's ministry passion death on the cross and histriumphant resurrection. This creative work has nine new anthems and contains opportunities for soloists and narrators. Written to function as either a work for Holy Week or with the optional ending as a joyful celebration of theresurrection this musical offers maximum flexibility to the director. Brant Adams reprises his role as orchestrator and Pamela Martin once again provides thoughtful and meaningful narration. Spectacular!
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Liszt F. - Les Preludes And Other Symphonic Poems - Conducteur
Orchestra
[Study Score / Miniature]
Dover Publications
This authoritative edition presents full-score reproductions of three of Liszt...
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This authoritative edition presents full-score reproductions of three of Liszt’s best-known symphonic poems. Les Preludes (Symphonic Poem No.3) grew out of the composer’s unpublished choral setting of Joseph Autran’s poem “The Four Elements”, blending stirring martial music and lovely pastoral themes to make this work the most popular of the symphonic poems. Mazeppa (Symphonic Poem No.6) evokes Victor Hugo’s portrayal of the Cossack leader and the symbolic triumph that comes only after defeat: “He runs, he flies, he falls, and he stands up king!” Heroide Funebre (Symphonic Poem No.8) is the last vestige of the monumental Revolutionary Symphony, planned but never completed, suggesting universal brotherhood: a fine, heroic, dignified funeral march. In these richly sonorous works, Liszt explored the concept of the one-movement “transformation of themes,” an approach to composition that Wagner would carry forward in his development of the leitmotif. Liszt’s expanding chromaticism would be no less influential, anticipating the twentieth century’s embrace of atonality. Frequently performed favourites of audiences around the world, these three works are reprinted from the original Breitkopf & Härtel edition.
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Suk Josef - Meditation On The Old Czech Hymn St Wenceslas Op.35a - Conducteur
Orchestra
[Score]
Barenreiter
Suk, Josef Meditation on the Old Czech Hymn St Wenceslas for String Quartet op. ...
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Suk, Josef Meditation on the Old Czech Hymn St Wenceslas for String Quartet op. 35a Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian ?St. Wenceslas? hymn. The hymn?s message ? a plea for the well-being of the Czech people, directed at their patron saint ? was immediately understood by the audience. The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for piano and organ. This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583; study score TP 583) and another for string orchestra (BA 9584). The orchestral version differs in some details and has an added part for double bass. ? First Urtext edition Edition no. TP 583 ISMN 9790260107809 Editor Nouza, Zdenek Language(s) of text Czech, English, German Product format Study score, Urtext edition Binding Stapled Pages / Format XI, 6 S. - 22,5 x 16,5 cm
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