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Organ
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Flexible Instrumentation (202)
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Book (190)
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Carte Postale (187)
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Piccolo, Piano (179)
Treble (Alto) Recorder, Piano (179)
Oboe, Clarinet, Bassoon (trio)… (178)
Soli (SATB), Choeur Mixte (SAT… (178)
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2 Trombones, Piano (169)
Quintette de Cuivres (168)
Violin, Organ (164)
Guitar, Orchestra (163)
Mélodies (162)
Brass Quartet: 2 trumpets, 2 t… (158)
Clarinet Quartet: Clarinet, Vi… (156)
2 Clarinets, Piano (156)
2 Euphoniums et Piano (154)
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2 Cellos, Piano (151)
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Symphonic Band (149)
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Hautbois, Clarinette et Basson… (147)
4 Parties Mixtes (147)
2 Violins and Basso (146)
String quintet (146)
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2 French horns, Piano (142)
ENS::Ensemble (139)
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Tenor voice (131)
Chant et Guitare (130)
Drums-Marching band (129)
Etudes (129)
2 Tubas et Piano (129)
Flute, Clarinet, Piano (trio) (128)
Cello, String Bass (duet) (128)
Bass Clarinet (128)
Saxophone Quintet: 5 Saxophone… (128)
Bass Saxhorn or Euphonium or T… (128)
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Choeur Mixte, Soprano et Orche… (127)
String Trio: 3 violins (126)
2 Euphoniums (125)
Musique originale (124)
4 Cellos (123)
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5 Part Ensemble (Clavier, Guit… (123)
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Drum set and Piano (121)
Saxhorn Alto en Mib et Piano (121)
1 Piano, 6 hands (121)
Choral CD (120)
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Baritone Horn and Piano (116)
Trio A Cordes (115)
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Flûte Traversière, Violon et… (114)
Mélodie, Chant Et Piano (114)
Chamber Music (113)
Guitare Electrique (111)
Flûte à Bec Alto et Basse Co… (111)
Choral SSATTB (111)
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Clarinette et Orchestre (110)
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Quintette Avec Piano (109)
Ensemble Instrumental (108)
Trombone and Orchestra (107)
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Trombone, Organ (107)
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Choeur Mixte et Orchestre (105)
Piano Quintet: piano, violin, … (105)
Big Note Piano (104)
A Cappella (104)
Low voice (103)
Choeur SAM (103)
Diverses Formations (102)
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Plectrum Orchestra (101)
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Tambour (98)
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Flute, Violin and Violoncello (95)
2 Violons, Violoncelle, Cordes… (95)
Lute (94)
Orgue, 2 Hautbois, Basson Et C… (94)
Trompette, Cordes Et Basse Con… (93)
High voice (93)
Bass Clef Instruments (93)
Fanfare Band (91)
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Voix Mixtes (89)
2 Trompettes (duo) (89)
Double bass, Orchestra (89)
Xylophone (88)
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Alto et Orchestre (87)
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String Quintet: 2 violins, vio… (86)
Cello, Organ (85)
Choeur (SATB) et Brass Band (85)
Dobro (84)
Viola da Gamba (84)
Orchestre De Chambre (84)
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Batterie et Percussions (83)
Cor en Fa (83)
2 Violons, Alto et Basse (82)
Solistes SAT, Choeur SATB, 2 F… (82)
Trompette Et Orchestre (82)
Solistes SATB, Choeur SATB, 2 … (82)
Percussions et Piano (82)
Musique Légère (81)
Xylophone or Marimba or Vibrap… (81)
Flûte Traversière, Hautbois,… (81)
Soli and Orchestra (80)
Trombone ou Tuba (80)
Sextuor (79)
Snare drums, Piano (78)
Oboe, Bassoon (duet) (78)
Flûte Traversière, Hautbois,… (78)
Voice and Orchestra (78)
Chanson (77)
3 Cornets (77)
Mandolin, Piano (duet) (77)
2 Cornets et 2 Tubas (77)
Brass Quartet: 2 trumpets, hor… (77)
4 Voix Mixtes (76)
Recorder, Guitar (duet) (76)
Xylophone, Piano (76)
Accordéon Et Orchestre (76)
Bass Clarinet, Piano (75)
String quartet: 4 violins (75)
Cordes et Basse Continue (75)
Solistes (SATB), Choeur Mixte … (75)
Clarinette, 2 Violons, Alto et… (74)
Voix Seule (74)
Piccolo (73)
English horn, Piano (72)
Soprano ou Ténor et Piano (72)
2 Trompettes Sib, 1 Cor, 1 Tro… (72)
Violon 1 (6 parts) Violon 2 (6… (72)
Flûte Traversière Violoncell… (72)
Clarinette et Quatuor à Corde… (72)
Clavecin ou Harpe), 2 Violons … (72)
2 Violons, 2 Altos et 2 Violon… (72)
Piano Trio: Violin, Viola, Pia… (71)
Madrigaux (71)
Ensemble Moyen Contemporain (71)
Descant (Soprano) Recorder, Ba… (70)
Trumpet, Trombone, Piano (70)
Cor en Mib et Piano ou Orgue (69)
Trumpet, Trombone (duet) (69)
Djembe (69)
Ensemble Divers (69)
Choeur SATB, 2 Flûtes Travers… (69)
2 Oboes, Piano (68)
Défilé et parade (68)
Trompette, Trombone et Piano (68)
Percussions Diverses (68)
Clarinette, Violoncelle et Pia… (68)
Choeur A Cappella (66)
Clarinette, Alto et Piano (66)
Euphonium en Do et Piano (66)
Soprano Saxophone and Piano (66)
Cornet and Orchestra (65)
Trombone or Euphonium (65)
Choeurs (65)
Orchestres à Vent (65)
Choral, Orchestra (65)
Trio de Cuivres (65)
Duos (64)
Batterie-Fanfare (64)
Cajon (64)
2 Trombones et Piano ou Orgue (64)
Saxhorn or Euphonium (64)
Mandoline, Cordes et Basse Con… (64)
Mandolin, Guitar (duet) (64)
Saxophone Baryton (64)
Edition Critique des oeuvres d… (63)
Clarinette Et Cordes (63)
Euphonium en Clé de Fa Do ou … (63)
Flûte Et Instruments Divers (63)
Tuba en Mib et Piano ou Orgue (63)
Soprano Saxophone (63)
2 Flûtes Traversières et Vio… (63)
String Trio: 3 cellos (63)
Harp, Orchestra (63)
2 Violons, Violoncelle et Bass… (62)
Musique de film et télévisio… (62)
Lap Steel Guitar (62)
Ensemble A 4 Parties (Clavier,… (61)
Brass Trio (61)
Opéra (60)
Conga (60)
Quatuor à Cordes ou Orchestre… (60)
Trompette Sib 1 Cor en Fa 1 Tr… (60)
Basse En Eb Et Piano (60)
Ligne Mélodique/Instruments D… (59)
2 Percussions (59)
Choeur De Femmes (SMezA) (59)
Clavecin Et Cordes (59)
Flûte Traversière ou Hautboi… (59)
Handbells (58)
Clavier ou Orgue Electronique (58)
Quatuor Avec Piano (58)
Flûte Traversière Hautbois, … (58)
Solistes SBar, Choeur SATB, 2 … (58)
Clarinette (2 Clarinettes) Et … (58)
Saxhorn Basse, Tuba et Piano (57)
Vibraphone, Piano (57)
Baryton Et Orchestre (57)
Trompette ou Cornet à Pistons… (57)
2 Bassons et Piano ou Orgue (57)
Accordion and Orchestra (57)
Flûte Traversière, Hautbois,… (56)
Electric bass, Drums (56)
Flûte Traversière, Violon, V… (56)
Choeur d'Enfants (56)
Cordes (56)
Flûte à Bec Alto ou Flûte T… (55)
Réduction Piano (55)
Medium Voice (55)
Oboe, Organ (55)
String Trio: 2 violins, viola (55)
Choeur Mixte (SSATBB) (55)
Trumpet ensemble (55)
Flûte Traversière et Cordes (55)
Trio de Pianos, Salon Ensemble… (55)
Choeur SATB, (4 Instruments, C… (55)
Solistes SATB, Choeur SATB, 2 … (54)
Bugle (54)
Trompette ou Bugle ou Cornet o… (54)
Saxhorn Basse et Piano (54)
2 Cornets et Piano (54)
Recorder, Bass Continuo (54)
2 Bassons et Piano (54)
Choeur Mixte a Cappella (54)
Harp, Violin, Violoncello (54)
Flûte à Bec Alto ou Flûte T… (54)
Choeur d'Enfants, Solistes, In… (54)
Mezzo-Soprano ou Baryton et Pi… (53)
2 Tubas (53)
Chant Et Piano (Baryton Ou Mez… (53)
Cor d'Harmonie et Piano (53)
Voix et Piano Réduction (53)
Accordion, String(s) (53)
2 Trompettes et 3 Trombones (53)
Brass Quartet: 4 horns (52)
Clarinet, Guitar (duet) (52)
Flûte Traversière, Clarinett… (52)
3 Trombones Ténor et 1 Trombo… (52)
Lyrics only (52)
2 Trompettes ou Cornets et Cor… (52)
2 Pianos, 8 hands (52)
Violon Principal, 2 Violons, 2… (52)
Solistes SATB, Choeur SATB, 2 … (52)
Tenor (52)
Flûte Traversière ou Hautboi… (52)
Flûte Traversière Alto et Gu… (51)
2 Trompettes, Cordes Et Basse … (51)
2 Cors en Mib et Piano (51)
Orchestre Scolaire (51)
Clarinette, Violon Et Piano (51)
Double Choeur Mixte (51)
Voix et Orchestre à vent (51)
Baryton (51)
Flûte Traversière, Cordes et… (51)
Ténor ou Soprano (51)
Clarinette et Orchestre à Ven… (51)
2 Violons, Alto et Basse Conti… (50)
Trompette ou Cornet ou Bugle e… (50)
3 Percussions (50)
Flute, Violin, Keyboard (basso… (50)
Balalaika (50)
Solistes SATB, Choeur SSATTB, … (50)
Quatuor De Cuivres Et Orgue (50)
2 Trompettes Et 2 Trombones (50)
Choeur et Orchestre (50)
2 Saxophones Ténor et Piano (50)
Soprano, Piano (50)
2 Saxophones Alto et Piano ou … (49)
Trombone ensemble (49)
Parties (49)
Flûte Traversière Violon, Vi… (49)
Clavecin Et Instruments A Cord… (49)
Saxhorn Basse ou Euphonium et … (48)
Flûte Traversière, Hautbois,… (48)
Cor, 4 Trompettes, 4 Trombones… (48)
Flute and String Quartet (48)
2 Violons, Alto, Violoncelle e… (48)
Alto (Partie séparée) (48)
Choeur De Femmes (SSA) Et Pian… (48)
Variétés françaises (48)
2 Hautbois, 3 Trompettes, Timb… (48)
Quatuor à Cordes et Guitare (48)
Trombone et Piano ou Orgue (48)
2 Clarinettes en Sib et Clarin… (48)
Flûte à Bec, Guitare et Musi… (48)
Quatuor à vent (48)
Drum Fanfare (48)
Trompette ou Cornet, Cor en Mi… (48)
3 Bassons (48)
Musique de chambre (48)
Cor en Mib (48)
Flûte à Bec et Piano (48)
Trombone Et Orgue (48)
Solistes STBB, Choeur SATTBB, … (47)
2 Cornets et Piano ou Orgue (47)
Violon, Alto et Piano (47)
Violon, Violoncelle et Alto (47)
Clarinette, Viola and Piano (t… (47)
2 Clarinettes et Piano ou Orgu… (46)
Oeuvres Théâtrales/Oratorios… (46)
Matériel d'Apprentissage (46)
3 Euphoniums (46)
Solistes SATB, Choeur SATB, Fl… (46)
Fac-similé (46)
2 Violons Et Orchestre (46)
Voix et Orff-Instruments (45)
Choeur De Femmes Ou D'Enfants … (45)
Clarinette, Violon, Violoncell… (45)
Violin, Horn and Piano (45)
4 Clarinettes et Piano ou Orgu… (45)
Saxhorn Basse, Euphonium, Tuba… (45)
Sextuor à Cordes (45)
Trombone Alto et Piano (44)
Flûte Traversière, 2 Violons… (44)
Orchestre de Chambre (Flûte … (44)
3 Trombones et Piano ou Orgue (44)
Violon, Instruments à Cordes … (44)
2 Trompettes Sib 1 Cor en Fa 1… (44)
Choeur SSATB, 2 Flûtes Traver… (44)
Timbales (44)
Hautbois Et Cordes (44)
Flûte Traversière, Instrumen… (44)
Marches militaires (44)
Flûte Traversière, Clarinett… (44)
Hautbois 1 Clarinette en Sib 1… (44)
2 Violons, Alto et Violoncelle… (44)
4 Parties Solo Et Orchestre (43)
Flûte Traversière, Clarinett… (43)
Trombone et Cordes (43)
Solistes SATB, Choeur SATB, 2 … (43)
2 Saxophones Ténor et Piano o… (43)
Flûte à Bec Soprano, Cordes … (43)
Violoncelle (Partie Séparée)… (43)
Oboe, Bassoon and Piano (43)
Violon 2 (43)
Solistes SSATTB, Choeur SATB, … (43)
2 Violons et Alto (43)
Solistes SATB, Choeur SATB, 4 … (43)
Violon 3 (Partie Séparée) (43)
Guitare Flatpick et Plectre (42)
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Organ Events: Organ: Instrumental Album
Organ
Barenreiter
Konzertante Orgelmusik aus vier Jahrhunderten - Concert Organ Music from four Ce...
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Konzertante Orgelmusik aus vier Jahrhunderten - Concert Organ Music from four Centuries-Conceived by Martin Weyer this edition ranges in style from 17th century Portuguese Organ music to French and American works of the 19th century. It also contains a selection of German Organ music including lesser-known works by Bach and other pieces from Robert Schumann to Ernst Pepping.In addition to the original compositions Organ arrangements have also been included. A detailed Foreword offers information on the music-historical context of each work and suggestions for its performance.- Original pieces and attractive arrangements for Organ.- Easy to moderately difficult concert music for Organ.- Includes a broad rangeof styles.From the contents:Braga ?Batalha sexti toni? / Bach ?Concerto in F major after Vivaldi? (BWV 978) and six Organ chorales (transposed to keys of the Lutheran hymnal) / Hoyer ?Fughetta no. 2 in C major? from op. 62 / Arnold Mendelssohn ?Partita ?Wir Christenleut?? from op. 104 / Pepping from ?Bohemian Organ Book II: Christus der uns selig macht? / Degen two preludes from the ?Oberrheinisches Orgelbuch? / Micheelsen ?Toccata? from ?Holstein Little Organ Book? / Yon ?Humoresque? / Rogers ?Toccatina? / Parker ?Risoluto? op. 68 no. 1 / Rogers ?Carillon? (finale from ?Sonatina in D major?)
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Praise And Thanks For Organ II: Organ: Instrumental Album
Organ
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Easy
Barenreiter
Collection of lesser known organ works suitable for all denominationsTried and t...
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Collection of lesser known organ works suitable for all denominationsTried and tested free organ compositions and chorale settings from the 19th centuryEasy to medium level of difficultyThis series of anthologies for the church year and important church occasions which is suitable particularly for non-professional church musicians has now been expanded by a second volume in response to frequent demand. The main focus of Praise and Thanks for Organ II lies in the 19th century repertoire. At its centre are chorale settings for the Hymns of Praise and Praise and Thanksgiving from the German Protestant Hymnbook as well as the Praise and Thanks section from the German CatholicHymnbook. Tried and tested freely-composed organ works are also included such as Christian Fink’s Festpostludium op. 63 and chorale fantasias. Already published:Praise and Thanks for Organ IBA 8496Christmas for Organ Volume I: BA 8495Volume II: BA 9258Passiontide and Easter for OrganBA 9210Organ Music for the End of Church YearBA 9266The Organ Funeral AlbumBA 9207Organ Music for CommunionBA 9265The Organ Wedding AlbumBA 8200
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Poul Ruders: Symphony No. 4: Orchestra: Score and Parts
Organ
Wilhelm Hansen
The organ part and reduced score Symphony No. 4 - An Organ Symphony (2008) by Po...
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The organ part and reduced score Symphony No. 4 - An Organ Symphony (2008) by Poul Ruders. Full score: WH31186 Orch. parts are available on hire: hire@ewh.dk Preface / Programme Note When introducing a large-scale symphonic work not only as a symphony but as an organ symphony it would be impossible not to think of and perhaps compare it with Camille Saint-Saëns’s famous SYMPHONY NO. 3 popularly known as the Organ Symphony. Well that is a risk I am prepared to take – and live with the consequences.Saint-Saëns however listed his work as a symphony avec/withorgan. The organ only appears in two out of the four sections of thepiece. In my symphony the instrument plays a far more significant part and is featured in all four movements. But it is not a concerto for organ and orchestra rather a symphony with organo obligato - a symphony with an organ part of a soloistic nature. So an Organ Symphony it is. The first movement PRELUDE is exactly that: a foreplay to what is in store for the rest of the symphony. It is slow (very slow!) and predominantly hushed: the organ and the orchestra wake up side-by-side getting to know one another.The second movement CORTÈGE is a slowly moving processional and it evokes extreme solemnity and austerity. Later on the music takes flight and the atmosphere lightens considerably a far more playful music emerging.This leads to the third movement ETUDE an exercise in instrumental virtuosity and technical challenge.The fourth and last movement is called CHACONNE but I could just as well have named it passacaglia (the definition of those two terms seems to blur even among the learned). Bearing in mind the last movement of Johannes Brahms´s SYMPHONY NO.4 which is universally agreed on as being a passacaglia I chose to avoid the Wrath of the Gods and opted for
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Compendium of Organ Performance Technique I and II: Organ: Instrumental Album
Organ
Barenreiter
Handbook of classical-modern organ playing-Handbook of classical-modern Organ pl...
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Handbook of classical-modern organ playing-Handbook of classical-modern Organ playing.Barenreiter's two-volume edition is the first to offer a reference work on Organ technique systematically subdivided into 60 exercise units. It provides an overview of all relevant topics on manual and pedal playing based on the tutors by Marcel Dupré Fernando Germani Charles-Louis Hanon and Johannes Brahms as well as on their sequels and supplements. There is also a comprehensive set of exercises to maintain the achieved performance level.This compendium is a tutor for all levels of expertise and training from ambitious semi-professional organists through to fully professional church musicians and conservatorystudents. Furthermore it is aimed at all of those who teach the Organ whether privately or at academies colleges conservatories or universities.Two-volume reference work on Organ technique (Ger/Eng)Covers all relevant areas of manual and pedal playingIncludes a comprehensive set of exercisesConcise introductory text (Ger/Eng)Index for topics and keywords on teaching and performing issuesFor every level of expertise and trainingPeter Wagner (b. Karlstadt 1967) studied Catholic church music (A-level certification) Organ improvisation concert Organ and music theory in Cologne Würzburg and Salzburg. His later career led him to a wide variety of teaching consultancy and jury activities in the areas of Organ playing music theory choral and orchestral conducting voice training and children?s choirs. He has also given concert tours in Germany and abroad. From 2001 to 2003 Wagner was an educational consultant and teacher at the Bavarian State Academy of Music in Hammelburg. Since then he has been cathedral organist and choral director in Minden as well dean church musician for the archbishopric of Paderborn.
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Historical Performance Practice in Organ Playing
Organ
[Sheet music]
Carus Verlag
Modern and Contemporary Music. Par . Now finally in English too: The third part ...
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Modern and Contemporary Music. Par . Now finally in English too: The third part of the organ method Historical Performance Practice in Organ Playing follows on from part two with contributions by Guy Bovet (on Jehan Alain), Hans-Ola Ericsson, Anders Ekenberg, Markus Rupprecht (Olivier Messiaen), Hans Fagius (Maurice Duruflé), Jeremy Filsell (Marcel Dupré), Bernhard Haas (Arnold Schönberg, Ernst Krenek, John Cage, György Ligeti, and others, plus the latest developments) and Armin Schoof (neoclassicism). As in the first two parts of the organ method, here too a representative selection of composers is discussed. Alongside mainly personal recollections (e.g. from Hans Fagius) there are analytical essays (including by Jeremy Filsell). Bernhard Haas has organised one section of his text as an introduction to the playing techniques and aesthetics of new music, beginning with pieces which are easy to play. This English edition contains new chapters by Kevin Bowyer (The Development of New Organ Music in Britain / Contemporary Organ Music in North America). Laukvik?s organ method Historical Performance Practice in Organ Playing has now become established as a standard work. It is aimed at organists who want to incorporate the latest thinking on historical performance practice into their interpretations of works. The three volumes provide a practical introduction in a detailed, scholarly and comprehensible form, by giving organists as precise a picture of the interpretative traditions and aims of previous and modern/ contemporary eras as possible. The editions are aimed not only at organists, but also at organ teachers who are looking for a manual to use in their teaching. / Date parution : 2022-05-03/ Recueil / Orgue
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Orgelwerke Band I/1 (BUXTEHUDE DIETERICH)
Organ
[Sheet music]
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is ...
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Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
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Orgelwerke Set Band I (BUXTEHUDE DIETERICH)
Organ
[Sheet music]
Breitkopf & Härtel
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the r...
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Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
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Shinichi Suzuki: Suzuki Organ School 5: Organ: Instrumental Tutor
Organ
The first classical Organ method for children the Suzuki Organ School is based ...
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The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book & CD is essential for Suzuki Organ lessons. In certain pieces the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique pedal melodies are included between every manual piece. The included performance CD for Volume 5 is a great tool for Suzuki Organ lessons encouraging practice while featuring recordings by Lars Hagström.Titles: 'Praeludium' 'Pastorella' (Marpurg) 'Madeleine's Song' 'Preparatory Exercise' (Buxtehude) 'Postlude' (Fischer) 'Cantilena' (Knecht) 'March' (Purcell arr. Hagström) 'Organ Prelude' (Mankell) 'Prelude' (Lübeck) 'Trio' (Sorge) 'March from A Midsummer Night's Dream' (Mendelssohn arr. Hagström) 'Prelude' (Krebs). 'Madeleine's Song ' 'Pastorella ' 'Postlude ' 'Praeludium ' and 'Trio' are Federation Festivals 2016--2020 selections.
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Shinichi Suzuki: Suzuki Organ School 6: Organ: Instrumental Tutor
Organ
The first classical Organ method for children the Suzuki Organ School is based ...
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The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book & CD is essential for Suzuki Organ lessons. In certain pieces the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique pedal melodies are included between every manual piece. The included performance CD for Volume 7 is a great tool for Suzuki Organ lessons encouraging practice while featuring recordings by Lars Hagström and Jeremy Chesman.Titles: 'New and Effective Education in Music' 'Suzuki Method for Organ' 'Trumpet Voluntary' (Clarke) 'Piéce d'Orgue' (Franck) 'Praeludium' (Buxtehude) 'Sortie' (Franck) 'Prelude' (Bach) 'Trio' (Lemmens) 'Preparatory Exercise' (Walthier) 'Ouverture' (Schmügel) 'Toccata' (Rönnberg) 'Praeludium' (Walther) 'Prelude' (Bach) 'Sortie' (L. Boëllman) 'Toccata' (Rönnberg). 'Piéce d'Orgue ' 'Sortie ' and 'Toccata BuxWV 157' are Federation Festivals 2016--2020 selections.
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Shinichi Suzuki: Suzuki Organ School 7: Organ: Instrumental Tutor
Organ
Alfred Publishing
The first classical Organ method for children the Suzuki Organ School is based ...
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The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book
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Richard Wagner: Pilgerchor: Organ: Instrumental Work
Organ
[Sheet music]
-
Intermediate
Schott
from the Opera 'Tannhauser'-During his time in Weimar (1848 1861) Liszt develop...
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from the Opera 'Tannhauser'-During his time in Weimar (1848 1861) Liszt developed a then entirely new organ style which stands out for both orchestral and pianistic elements. Together with the choirmaster Alexander Wilhelm Gottschalg (1827 1908) from Tiefurt he regularly initiated so-called 'organ conferences'. And it was at the suggestion of Gottschalg that the present arrangement of the Pilgrim's Choir from the opera 'Tannhäuser' was written. With his version for organ Liszt by means of this example laid the foundations for the (not always undisputed) tradition extending to the present day of organ transcriptions from the operas of Wagner. 'Organistic' elements in the Pilgrims' Choir are theclassical chorale theme the solemn 'sacred' atmosphere of the solemn tempo as well as the expressive cantability. The linear intensification from the antiphonal-organ-like piano dolce of the beginning to the 'full organ' can be realized in a convincing manner with an orchestrally conceived three-manual organ with the sensitive use of the swell box and the successive seamless build-up of the crescendo pedal being of particular significance. Important repertoire piece marking the 200th birthday of Richard Wagner in 2013.
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H. Distler: Samtliche Orgelwerke 3: Organ: Instrumental Album
Organ
[Score]
Barenreiter
30 pieces for small Organ Op.18 No.1 and Organ Sonata Op.18 No.2. Hugo Distler s...
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30 pieces for small Organ Op.18 No.1 and Organ Sonata Op.18 No.2. Hugo Distler studied Organ with Günther Ramin and composition with Hermann Grabner in Leipzig. He then worked as cantor and organist at St. Jacobi in Lübeck and taught composition and organ at the Stuttgart Musikhochschule from 1937 onwards. In 1940 he took up the same position at the Berlin Musikhochschule and also became director of the Berlin Cathedral Choir in 1941. Considerably influenced by the Lübeck Stellwagen Organ at St. Jacobi he championed the characteristic pre-Baroque and Baroque sound of the Organ and the forms which best suited it. His stylisticpreference was for a specifically neo-Baroque functional-objective type of sound. This 3-volume critical edition with previously unpublished works includes the forewords of the first editions facsimiles a critical commentary for each volume as well as a list of sources. - First Urtext edition of Hugo Distler’s Organ works. - Includes previously unpublished works. - Reflects the latest state of research. - Detailed foreword critical commentary (Ger/Eng) facsimiles and tips on performance practice.
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Shinichi Suzuki: Suzuki Organ School 2: Organ: Instrumental Tutor
Organ
The first classical Organ method for children the Suzuki Organ School is based ...
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The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book & CD is essential for Suzuki Organ lessons. In certain pieces the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique pedal melodies are included between every manual piece. The included performance CD for Volume 2 is a great tool for Suzuki Organ lessons encouraging practice while featuring recordings by Lars Hagström.Titles: 'Allegro' (Suzuki) 'Amaryllis' (Ghys) 'Anthem' (Traditional) 'Bells' (French Folk Song) 'Cinderella' (French Folk Song) 'Claire de Lune' (Lully) 'Folk Song' (Icelandic Folk Song) 'French Folk Song' (Traditional) 'Goodbye to Winter' (Folk Song) 'London Bridge' (Folk Song) 'Long Long Ago' (Bayly) 'Lullaby' (Schubert) ' Musette' (Anonymous) 'O Come Little Children' (Traditional) 'Prelude' (Charpentier). 'French Folk Song ' 'O Come Little Children ' and 'Prelude (from 'Te Deum')' are Federation Festivals 2016--2020 selections.
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Felix Mendelssohn Bartholdy: Complete Organ Works Volume III: Organ:
Organ
[Sheet music]
Novello & Co Ltd.
Mendelssohn produced an early work for Organ in 1837 but it was a London music ...
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Mendelssohn produced an early work for Organ in 1837 but it was a London music publishing firm who commissioned the first of his mature Organ works. The second half of the commissioned pieces are published in this volume. Mendelssohn himself saved all his manuscripts and they have survived in libraries in Berlin and Krakow providing the subtitle of this book.Eleven movements are included here all written in 1844 and 1845. What were originally commissioned as ‘Voluntaries’ were changed at the composer’s request to ‘Sonatas’. Whether one considers these movements as drafts and sketches or as distinct musical entities in their own right the works are not identical tothe final printed versions. For those who appreciate or study the Mendelssohn Organ oeuvre this volume is of immense interest.While the Organ never completely fell from grace as the instrument of church and religious music it is the editor’s belief that in the century dividing JS Bach from these works of Mendelssohn fashion and church practice had greatly diminished its importance and few works of real note were produced. Mendelssohn was introduced to the Organ early in his prodigious career and found a warm audience for his Organ performances in Engand to which he returned nine times over nearly twenty years.
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Shinichi Suzuki: Suzuki Organ School 8: Organ: Instrumental Tutor
Organ
Alfred Publishing
The first classical Organ method for children the Suzuki Organ School is based ...
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The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book & CD is essential for Suzuki Organ lessons. In certain pieces the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique pedal melodies are included between every manual piece. The included performance CD for Volume 8 is a great tool for Suzuki Organ lessons encouraging practice while featuring recordings by Lars Hagström and Jeremy Chesman.Titles: 'Praeludium' (Bach) 'Air from Orchestral Suite No. 3 BWV 1068' (J. S. Bach / arr. Hagström) 'Postlude' (Guilmant) 'Le cygne from Le carnaval des animaux' (Saint-Saëns) 'Pedal--Exercitium BWV 598' (Bach) 'Prelude in E. Minor' (Bruhns) 'Menuet gothique' (Boëllmann) 'Marche--Sortie' (Dubois) 'Prelude in C' ( Kellner) 'Cortège' (Vierne) 'Verset--Fantaisie' (Guilmant) 'Radetzky March' (Strauss / arr. Hagström) 'Fugue in D Minor BWV 565' (Bach).
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Shinichi Suzuki: Suzuki Organ School 1: Organ: Instrumental Tutor
Organ
The first classical Organ method for children the Suzuki Organ School is based ...
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The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person.This Suzuki Book & CD is essential for Suzuki Organ lessons. In certain pieces the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons encouraging practice while featuring recordings by Lars Hagström.Titles: 'A Little Fairytale' (Rönnberg) 'Allegretto' (Czerny) 'Amaryllis' (Ghys) 'Chant Arabe' (Anonymous) 'Cuckoo' (German Folk Song) 'Go Tell Aunt Rhody' (Folk Song) 'Gossip Tune' (German Folk Song) 'Herdsman's Song' (Danish Folk Song) 'Hippopotamus' (Rönnberg) 'Hot Dog' (English Folk Song) 'Lightly Row' (German Folk Song) 'Little Playmates' (Chwatal) 'Little Snail' (Traditional) 'London Bridge' (English Folk Song) 'Lullaby' (German Folk Song) 'Mary Had a Little Lamb' (Folk Song) 'My School Day' (Folk Song) 'Paris' (French Folk Song) 'Piglet' (G. Rönnberg 'Song of the Wind' (Folk Song) 'Spain' (Traditional) 'The Fly' (Traditional) 'The Musical Box' (Rönnberg) 'Twinkle Twinkle Little Star Theme and Variations' (Suzuki). 'Allegretto ' 'Go Tell Aunt Rhody ' and 'Lullaby' are National Federation of Music Clubs Festivals Bulletin 2016--2020 selections.
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Gerard Bunk: Complete Organ Works Volume VI: Organ: Instrumental Album
Organ
[Sheet music + CD-ROM]
Barenreiter
The complete edition of Bunk?s Organ music comes to an end with the publication ...
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The complete edition of Bunk?s Organ music comes to an end with the publication of volume VI which contains organ works of a primarily liturgical nature. The quality of the music can be compared with compositions by Max Reger and Sigfrid Karg-Elert.This Urtext edition prepared by the composer?s grandson is the result of a thorough study of the sources based on the latest findings of musical scholarship. Each volume includes a detailed foreword a Critical Commentary and many facsimiles and illustrations.Inserted in the volume is a CD which shows a facsimile reproduction of the first edition of Gerard Bunk?s Liebe zur Orgel. Thisreference book by the late Romantic composer which was highly regarded by none less than Albert Schweitzer and which affords valuable insights into the art of Organ building and Organ playing in Germany during the first half of the 20th century has hence been made available again to interested organists and church musicians.- First complete Urtext edition of Bunk?s Organ works.- Edited by the composer?s grandson.- Detailed foreword and Critical Commentary for each volume (Ger/Eng).- Many facsimiles and illustrations.Contents:?Wilhelmus van Nassouwe en Choral? ?Nun danket alle Gott?.?Kleine Fantasie über C.H.D.B.? for Organ or Piano.Chorale prelude ?Wachet auf ruft uns die Stimme? (trio for 2 manuals and pedals).37 short chorale improvisations for liturgical use.
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Miloslav Kabelác: Two Fantasies for Organ op. 32: Organ: Instrumental Work
Organ
Barenreiter
Fantasy in D minor (No. 1) was written in 1957 by one of the most effectual comp...
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Fantasy in D minor (No. 1) was written in 1957 by one of the most effectual composers of the twentieth century Miloslav Kabelá (1908–1979) on the initiative of the prominent Czech organist Ji í Reinberger (1914–1977). It was the composer’s first work for solo organ and he later confessed that “… my love of the organ began with this Fantasy and did not end.”He composed Fantasy in D minor in the same year that he completed his cult classics Mysterium asu (Mystery of Time) and Symphony No. 3 (with organ) and the piece soon became a staple of organ repertoire at home andabroad. The following year he composed Fantasy in G minor (No. 2) by commission for the 1st International Organ Competition of Prague Spring 1958.Although Kabelá joined both fantasies into one opus 32 they had as yet been published separately. The present edition is the first to include the whole of Op. 32 in one volume. It is part of the Complete Critical Edition of the Works of Miloslav Kabelá and edited by Jan Hora (1936) a leading Czech organist and expert on Kabelá ’s organ works which he recorded in their entirety.- Permanent repertoire piece for organists all over the world- First edition to include both fantasies of Op.32 in one volume- Part of the Complete Critical Edition V/12 edited by eminent Czech organist Jan Hora
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Charles-Marie Widor: Symphonie For Organ No.6 Op.42 No.2: Organ: Instrumental
Organ
Hamelle
Charles-Marie Widor’s Symphonies for Organ Op.42 No.2. Charles-Marie Wido...
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Charles-Marie Widor’s Symphonies for Organ Op.42 No.2. Charles-Marie Widor (b. Lyons 1844 d. Paris 1937) first began his studies in his hometown but later pursued them in Brussels taking lessons with Nicolas-Jacques Lemmens on the Organ and composition lessons with François-Joseph Fétis. In 1868 he inaugurated the Organ at Notre-Dame Cathedral in Paris. He also deputized for Saint-Saëns at the Organ of La Madeleine and then in 1870 he was provisionally nominated organist at Saint-Sulpice. It was not until 1933 that he relinquished this post in favour of his pupil Marcel Dupré. Followingthe death of César Franck in 1890 it was Widor who was requested to direct Organ studies at the Paris Conservatoire and he followed this by taking charge of the composition class in 1896. Among his very many students were figures such as Louis Vierne and Charles Tournemire. Widor was a founder member of the Casa Velasquez in Madrid and the American Conservatoire in Fontainbleu. He was an exceptional virtuoso who could be heard in concerts in France and throughout the whole world. He left numerous works but it is above all his Organ music that is most performed today.
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Ars Organi Vol. 3 (PEETERS FLOR)
Organ
Schott
Complete theoretical and practical method for organ-playing in three parts. Par ...
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Complete theoretical and practical method for organ-playing in three parts. Par PEETERS FLOR. Flor Peeters, born in Belgium in 1903, is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen, he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986, Peeters gave concerts all around the world, held numerous master classes and received several awards and prizes for his achievements as a composer, organist and teacher. In his successful three-volume educational work 'Ars Organi', Peeters combines theoretical knowledge and practical exercises on all aspects of organ playing, starting with basic information on the instrument, manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing, Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation, touch, interpretation, registration and organ specifications - a valuable compendium for every organist. / Méthode / Date parution : 1954-11-20/ Méthode / Orgue
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Órgano Hispano: Organ: Instrumental Work
Organ
Schott
10 Orgelwerke Aus 4 Jahrhunderten-New Music on old instruments and new organ lit...
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10 Orgelwerke Aus 4 Jahrhunderten-New Music on old instruments and new organ literature in dialogue with historical Iberian works. The present edition contains a collection of works composed for an authentically rebuilt historical Spanish organ and covering a wide range of styles which adds new sounds to the purely Baroque repertoire.With works by José Blasco de Nebra Francisco Correa de Arauxo Antonio de Cabezón Pedro de Araujo and new compositions by Guy Bovet Michael Kapsner Pavel Klimashevsky Zsigmond Szathmáry and Alfred Müller-Kranich.The new Spanish organ of the Hochschule für Musik Mainz as an authentically rebuilt historical instrumentfrom the workshop of the organ builder Joaquín Lois from Tordesillas in Castile shall both adequately reproduce early music and be a source of inspiration for contemporary music. For this reason the Hochschule für Musik Mainz commissioned five composers to write modern compositions according to the motto 'Early music in dialogue with New Music' which are a valuable addition to the repertoire of historical instruments of the 'Siglo de Oro'.Certain specifications had to be taken into account: e. g. a limited pitch range half stops for treble and bass registers the short octave as well as a mean-tone temperament. In addition each composition is based on a work of the Iberian organ literature; sometimes the work found its way into the new composition sometimes it only served as an inspiration.The pieces can also be played on a modern organ although there is a special charm in playing and hearing them played on an appropriate historical instrument. Encompassing a broad range of styles the resulting collection adds new sounds to the purely Baroque repertoire.
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The Oxford Book of Organ Music by Women Composers
Organ
Oxford University Press
The Oxford Book of Organ Music by Women Composers presents a comprehensive surve...
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The Oxford Book of Organ Music by Women Composers presents a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned works. The music is stylistically varied and encompasses secular and sacred repertoire from a range of periods. In addition to original organ repertoire, the collection also contains several organ transcriptions in new arrangements for the instrument. ? 42 pieces for manuals and pedals, in a variety of musical forms, suitable for use at church services or as recital repertoire ? Original music for the instrument, spanning the sixteenth century to the present day, including compositions by Amy Beach, Clementine de Bourges, Nadia Boulanger, Jeanne Demessieux, Cecilia McDowall, Clara Schumann, and Ethyl Smyth, plus commissions from Kristina Arakelyan, Miriam Carpinetti, Ghislaine Reece-Trapp, Isabelle Ryder, Amy Summers, and Rebecca Groom te Velde ? Standalone miniatures, movements from organ sonatas and symphonies, transcriptions of piano, harpsichord, and flute pieces, and an orchestral opera overture ? A variety of difficulty levels, from ABRSM Grades 2-3 through to Diploma standard, with a graded index provided
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Johann Sebastian Bach: Complete Organ Works - Volume 4: Organ: Instrumental Work
Organ
Breitkopf & Härtel
Toccaten und Fugen/Einzelwerke - mit CD-ROM-Bach: Complete Organ Works Vol. 4 - ...
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Toccaten und Fugen/Einzelwerke - mit CD-ROM-Bach: Complete Organ Works Vol. 4 - Toccatas (And Fugues) contains the famous D-minor Toccata BWV 565. The editor of this volume the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. Of particular interest in this book is the Canzona in d BWV 588. Written before 1707 this early work is found in a contemporary copy by Johann Gottlieb Preller with embellishments fingerings and a closing cadenza; this version is printed in the Appendix.The enclosed CD-ROM* contains early versions further ornamented versions and pieces that can clearly no longer be attributed to Bach.*Important Note for MAC usersThe version of the Edirom program delivered on CD can only run on Apple computers under the current operating system Mac OS X 10.6 (Snow Leopard).The installation of the Bach volume on Intel-based 64-bit-capable processors with Mac OS X 10.5 (Leopard) systems is only possible with an update which you can download here (c. 150 KB).Due to outdated Java versions older operating systems (Mac OS X 10.4 Tiger) unfortunately cannot be supported.
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Complete Organ Works Vol.3
Organ
Novello & Co Ltd.
Mendelssohn produced an early work for Organ in 1837, but it was a London music ...
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Mendelssohn produced an early work for Organ in 1837, but it was a London music publishing firm who commissioned the first of his mature Organ works. The second half of the commissioned pieces are published in this volume. Mendelssohn himself saved all his manuscripts and they have survived in libraries in Berlin and Krakow, providing the subtitle of this book.Eleven movements are included here, all written in 1844 and 1845. What were originally commissioned as 'Voluntaries' were changed at the composer's request to 'Sonatas'. Whether one considers these movements as drafts and sketches or as distinct musical entities in their own right, the works are not identical to the final, printed versions. For those who appreciate or study the Mendelssohn Organ oeuvre, this volume is of immense interest.While the Organ never completely fell from grace as the instrument of church and religious music, it is the editor's belief that in the century dividing JS Bach from these works of Mendelssohn, fashion and church practice had greatly diminished its importance and few works of real note were produced. Mendelssohn was introduced to the Organ early in his prodigious career and found a warm audience for his Organ performances in Engand, to which he returned nine times over nearly twenty years. / Orgue
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Shinichi Suzuki: Suzuki Organ School 4: Organ: Instrumental Tutor
Organ
Alfred Publishing
The first classical Organ method for children the Suzuki Organ School is based ...
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The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book
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Johann Sebastian Bach: Oxford Bach Books for Organ: Manuals and Pedals: Organ:
Organ
Oxford University Press
Book 3-Oxford Bach Books For Organ is a 5-volume graded series of Organ music c...
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Book 3-Oxford Bach Books For Organ is a 5-volume graded series of Organ music composed by J. S. Bach and arranged by Anne Marsden Thomas. This varied collection includes the essential pieces in all genres including choral preludes fugues toccatas and trio sonata movements alongside several of the composer’s lesser known works.Each volume contains a general introduction for players with advice on registration tempo ornamentation touch and articulation fingering pedalling and more. There are also concise notes on each piece by the renowned Bach scholar Professor Russell Stinson - addressing source issues structure and symbolism and forthe chorale preludes information on the original hymn melody and text on which the piece based.An authoritative introduction to this cornerstone of the Organ repertoire Oxford Bach Books For Organ presents pieces in a highly practical format that is perfect for teachers and students.This third volume contains 11 pieces for the manual or pedal Organ suitable for musicians at a Grade 7-8 level.
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