Percussion Ensemble. The novel cartoon theme that's a grin arranged for percussion ensemble with optional piano accompaniment.

This beautiful ballad, by Carole Bayer Sager and David Foster, has been performed and recorded by many artists, including Celine Dion, Andrea Bocelli, and Josh Groban. Originally written for the movie soundtrack to Quest for Camelot, it was nominated for an Academy Award and won the Golden Globe Award for Best Original Song in 1998. This medium-advanced arrangement for percussion ensemble requires four mallets by both the vibraphone and marimba players. Programming this emotional piece at your next concert is sure to be a hit with your students and the audience. / Percussions

Par SLAWSON BRIAN. In Santa’s Strut, Brian Slawson combines a funky drumset beat and blues-like melodies to form an easy level percussion ensemble piece that’s perfect for a holiday-themed concert requiring minimal rehearsal time. After a brief introduction, the central section of the piece features the mallet instruments playing melodies based on a blues scale, which are contained in a 12-bar blues. These melodies are supported by a lot of fun, toy-like percussion accessories in the background such as sleigh bells, ratchet, temple blocks, vibraslap, and a whip crack. These are important musical concepts to introduce to young performers and Slawson does this in an accessible and fun way. Santa’s Strut comes as a professionally printed and bound score and includes individual parts in PDF format for printing or for tablet viewing. / Niveau : Facile / Date parution : 2021-11-03/ Répertoire / Ensemble de Percussions

A Tale of Death a Tale of Life-Belgian composer Kevin Houben wrote this work for the following instrumentation: Glockenspiel Xylophone Vibraphone Marimba 1 Marimba 2 Bass Marimba Timpani Tubular Bells Whip Bell Plates Aquaphone Thunder Plate 1 Thunder Plate 2 Snare Drum Cymbal Triangle Tambourine Boo Bams Barchimes Woodblock Crotales Templeblocks Finger Cymbal Low Tom Tam Tam Cymbals à2 Suspended Cymbal Bass Drum.

Written for multi percussion.  Like much of the percussion repertoire time (rhythm) takes center stage as the primary compositional element namely though various additive procedures. These additive procedures however are clouded or actually they're 'coloured ' by Nico's enormous and infectious personality as is the pitch material orchestration and form. 

The Louisville Leopard Percussionists an ensemble founded and directed by Diane Downs has been wowing audiences at national and regional PAS and MENC conventions for several years. Using music arranged by Diane these youngstersperform with a degree of enthusiasm and skill that is truly amazing. For the first time these distinctive arrangements are available in print – carefully edited by well-known educator/author Rick Mattingly.Eacharrangement is written with a flexible instrumentation based around mallet instruments drum set and a variety of Latin instruments. If you are looking to start up a percussion ensemble or need some entertaining program piecesfor your existing group this series is definitely for you!

One of the most well-known Star Wars themes is now available for percussion ensemble! John Williams' classic composition, from the Mos Eisley Cantina scene in Star Wars Episode IV: A New Hope, is arranged in a big band swing style that will be sure to get your audience in a toe-tappin' mood. This seven-player arrangement will definitely become a favorite for fans of all ages! Instrumentation includes orchestra bells, xylophone, vibraphone, marimba 1, marimba 2, optional bass guitar, and drumset. / Ensemble De Percussions

Latinology takes the basic drum set beats from five Latin dance rhythms (Beguine Cha-Cha Tango Bossa Nova and Samba) and divides them among five percussionists. When playing latin rhythms keep individual parts simple so when combined and authentic 'feel' results. Optional improvisation for guiro and cowbell occurs during the Samba. Additional players can also improvise as long as the Samba 'feel' is maintained. The four measure repeat may be played as written or repeated as many times as needed. At the conclusion of the repeat the ensemble should be cued in by the conductor and all players complete the final seven measures as written.