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Piano and Orchestra
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Piano solo (32998)
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Lyrics and Chords (1152)
Music Theory (1125)
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Musical Awakening (385)
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CD (315)
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Accessoire (271)
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:: (201)
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Flute Quartet: 4 flutes (178)
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Quatuor (164)
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Dulcimer (164)
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Viola and orchestra (145)
String Quartet : 4 violas (143)
Band Scores (140)
Pennywhistle (136)
Harp, Flute (duet) (135)
2 Violas (duet) (135)
2 Euphoniums et Piano ou Orgue… (132)
Recorder, Piano (132)
Euphonium, Piano (duet) (131)
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Concert Band/Harmonie (129)
Flute, Basso continuo (129)
Euphonium (127)
Viola, Cello (duet) (126)
String Trio: 2 violins, cello (126)
Saxophone ensemble (126)
Soprano voice, Orchestra (126)
Trio avec Piano (125)
Quintette (125)
Organ, Trumpet (duet) (124)
5 Part Ensemble (Clavier, Guit… (123)
Educatif (123)
Matériel D'Orchestre (122)
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Quintette à vent (116)
Flute, Clarinet (duet) (114)
Mezzo-Soprano voice (113)
Quintette à Cordes (112)
Saxophone Ténor et Piano (111)
Descent (Soprano) Recorder, Pi… (109)
2 Violas, Piano (107)
Partition de Poche (106)
Woodwind Quintet (105)
Timpani (105)
Mélodie, Chant Et Piano (104)
Violin, Guitar (duet) (104)
Piano Quintet: piano, violin, … (104)
Choral SSATTB (104)
Clavecin (104)
Treble (Alto) Recorder, Basso … (103)
Cornet and Piano (103)
Choeur SAM (103)
Flexible Instrumentation (102)
Flute Quartet: Flute, Violin, … (102)
Children choir, Piano (101)
Concert band, Choral (100)
Etudes (99)
3 Recorders (trio) (97)
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Quintette à vent et Percussio… (96)
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Flûte Traversière, Violon, A… (94)
Baritone Horn and Piano (92)
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3 Saxophones (trio) (92)
Ensemble à Cordes (91)
Clarinet, Cello, Piano (trio) (91)
Solistes SATB, Choeur SATB, 2 … (90)
Drum set and Piano (90)
Guitare et Musique de Chambre (89)
Clarinet Quintet: Clarinet, St… (87)
Marimba (87)
Vibraphone (87)
Flûte Traversière, Violon et… (86)
Baritone voice (86)
Soprano (86)
String Quintet: 2 violins, vio… (86)
Cornet (85)
ENS::Ensemble (85)
Stationery (85)
Voix Et Orchestre (85)
Piccolo, Piano (84)
Tambour (84)
2 Trombones (duet) (83)
Chant et Guitare (83)
Solistes SATB, Choeur SATB, Fl… (83)
Solistes SAT, Choeur SATB, 2 F… (82)
Viola da Gamba (82)
Book (82)
Tenor voice (82)
Solistes SATB, Choeur SATB, 2 … (82)
Trio à Cordes (80)
Bass Clef Instruments (79)
Soli (SATB), Choeur Mixte (SAT… (79)
Percussions (78)
Snare drums, Piano (78)
Drums-Marching band (77)
Flûte Traversière, Hautbois,… (76)
Choeur De Femmes (76)
Flûte à Bec Alto et Basse Co… (75)
Fanfare Band (74)
Dobro (74)
Guitare Electrique (74)
Big Note Piano (73)
Pocket, Study conductor (73)
Horn and Orchestra (72)
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Clarinette et Orchestre (72)
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Oboe, Clarinet, Bassoon (trio)… (72)
English horn, Piano (72)
Musique Légère (71)
Piano Trio: Violin, Viola, Pia… (71)
Horn Ensemble (71)
4 Euphoniums (70)
2 Euphoniums (69)
Low voice (69)
Choeur SATB, 2 Flûtes Travers… (69)
2 Violins and Basso (69)
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Xylophone or Marimba or Vibrap… (68)
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2 Violons, Alto, Violoncelle e… (67)
Symphonic Band (67)
Scores (67)
High voice (66)
Bass Clarinet (66)
Euphonium en Do et Piano (66)
2 Cellos, Piano (66)
Livre Musical (65)
1 Piano, 6 hands (65)
Trompette ou Cornet, Euphonium… (64)
Trompette, Trombone et Piano (64)
Batterie et Percussions (64)
2 Violins, Piano (63)
Flute, Cello, Piano (trio) (62)
2 Cornets, Cor en Mib et Tuba (62)
Ensemble A 4 Parties (Clavier,… (61)
Lap Steel Guitar (61)
Voix et Instruments Divers (61)
Violin, Organ (60)
Petit Ensemble Contemporain (60)
Djembe (60)
Flûte Traversière ou Hautboi… (59)
2 French horns (duet) (59)
Clavier ou Orgue Electronique (58)
Solistes SBar, Choeur SATB, 2 … (58)
Alto et Orchestre (58)
Treble (Alto) Recorder, Piano (58)
Saxhorn Basse, Tuba et Piano (57)
Trombone or Euphonium (57)
Orchestres à Vent (57)
Livres (57)
Flûte Traversière, Violon, V… (56)
Guitar, String Quartet (56)
Lute (56)
Flûte à Bec Alto ou Flûte T… (55)
Quintette avec Piano (55)
Choeur SATB, (4 Instruments, C… (55)
Choral CD (55)
Xylophone (55)
Cajon (55)
String Trio: 2 violins, viola (55)
Guitare ou Luth (55)
Solistes SATB, Choeur SATB, 2 … (54)
Choeur d'Enfants, Solistes, In… (54)
Vocal duet, Piano (54)
2 Cornets et 2 Tubas (54)
Cello Ensemble (53)
3 Cornets (53)
Flûte Traversière, Clarinett… (52)
Quatuor à Cordes ou Orchestre… (52)
Flûte Traversière ou Hautboi… (52)
Bugle (52)
3 Trombones Ténor et 1 Trombo… (52)
Solistes SATB, Choeur SATB, 2 … (52)
3 Trombones (trio) (52)
2 Bassoons (duet) (51)
Saxophone Quintet: 5 Saxophone… (51)
String Trio: 3 violins (51)
Solistes SATB, Choeur SSATTB, … (50)
Orchestre Scolaire (50)
Flûte à Bec Alto ou Flûte T… (50)
Trompette ou Cornet ou Bugle e… (50)
String quintet (50)
Voix Mixtes (50)
2 Trompettes ou Cornets et Cor… (50)
Cor d'Harmonie et Piano (49)
Cor en Fa (49)
Conga (49)
Cor, 4 Trompettes, 4 Trombones… (48)
Flute and String Quartet (48)
Saxhorn Basse et Piano (48)
2 Hautbois, 3 Trompettes, Timb… (48)
Violin, Clarinet, Piano (trio)… (48)
Flute, Violin, Keyboard (basso… (48)
Voice and Orchestra (48)
Solistes STBB, Choeur SATTBB, … (47)
Clarinette, Viola and Piano (t… (47)
Ensemble Instrumental et Petit… (47)
Percussions et Piano (47)
Guitar, Orchestra (47)
Solistes SATB, Choeur SATB, Fl… (46)
Brass Quartet: 2 trumpets, hor… (46)
Soli and Orchestra (46)
Trumpet, Orchestra (46)
Clarinette, 2 Violons, Alto et… (46)
Mélodies (46)
Electric bass, Drums (46)
Oboe, Bassoon (duet) (46)
Choral, Orchestra (46)
2 Bassons et Piano ou Orgue (45)
2 Trombones et Piano ou Orgue (45)
Trio A Cordes (45)
Saxhorn Basse, Euphonium, Tuba… (45)
2 Violons, Alto, Violoncelle e… (44)
Orchestre de Chambre (Flûte … (44)
Choeur SSATB, 2 Flûtes Traver… (44)
Trompette ou Bugle ou Cornet o… (44)
Flûte à Bec Soprano, Cordes … (43)
Solistes SATB, Choeur SATB, 2 … (43)
Solistes SSATTB, Choeur SATB, … (43)
Solistes SATB, Choeur SATB, 4 … (43)
2 Violons, Alto et Basse Conti… (43)
2 Saxophones Ténor et Piano o… (43)
Violoncello, Basso continuo (43)
Chanson (43)
Choeur SATB et Basse Continue (42)
Ensemble Instrumental (42)
Tuba en Do et Piano (42)
Partition D'Orchestre In 16 Po… (42)
2 Clarinettes et Piano ou Orgu… (42)
Quintette de Cuivres (41)
Choeur SATB, 2 Hautbois, 2 Cla… (41)
2 Flûtes Traversières ou Fl… (41)
3 Flûtes Traversières et Pia… (41)
3 Saxophones (Alto, Ténor) et… (41)
Saxophone Baryton (41)
Choeur d'Enfants (41)
4 Instruments à Cordes (4 Boi… (40)
Orgue, 2 Flûtes Traversières… (40)
2 Violons, Alto et Violoncelle… (40)
Trombone and Orchestra (40)
Clarinette, Violoncelle et Pia… (40)
Oboe and Orchestra (40)
Percussions Diverses (40)
Guitare Flatpick et Plectre (40)
4 Cellos (40)
Flute, Violin and Violoncello (39)
Cello, String Bass (duet) (39)
Xylophone, Piano (39)
Flûte à Bec Alto, Cordes et … (38)
Bass Trombone and Piano (38)
Brass Quartet: 2 trumpets, 2 t… (38)
Brass Quartet: 4 trumpets (38)
Viola, Guitar (duet) (38)
Guitare Tablatures Flatpick et… (38)
Solistes SATB, Choeur SATB, 2 … (38)
Piccolo (38)
2 Cornets et Piano ou Orgue (38)
Partition D'Orchestre (38)
Accordion, String(s) (38)
3 Trumpets (trio) (38)
Choeur SATTB (37)
Libretto (37)
Lecture Chantée/Formation de … (37)
Saxophone Sib et Piano (37)
Choeur SATTB et Basse Continue… (37)
Trompette, Hautbois D'Amour, V… (36)
Violon Solo, Violoncelle Solo,… (36)
2 Hautbois, 2 Cors, 2 Clarinet… (36)
Violon, Alto et Piano (36)
Saxhorn Basse ou Euphonium et … (36)
Choeur Mixte et Orchestre (36)
Clarinet, Violin, Cello, Piano… (36)
Clavier Electronique et Ligne … (36)
String quartet: 4 violins (36)
Balalaïka Et Piano (36)
2 Hautbois, Cor Anglais et Bas… (35)
2 Flûtes Traversières et Vio… (35)
2 Trombones et Clavier ou Pian… (35)
Piano, Bass, Drums (trio) (35)
Descant (Soprano) Recorder, Ba… (35)
Soprano Saxophone and Piano (35)
Duos (34)
Chorale (34)
Solistes SATB, Choeur SATB, 2 … (34)
Batterie-Fanfare (34)
Trumpet, Trombone (duet) (34)
Clarinette, Alto et Piano (34)
Soprano Saxophone (34)
Ensemble de Vents (33)
2 Hautbois, 2 Violons, Alto, V… (33)
Solistes SATB, Choeur SATB, Ha… (33)
2 Violons et Alto (33)
3 Clarinettes Sib et Clarinett… (33)
2 Saxophones, Piano (33)
Solistes SATB, Choeur SATB, 2 … (33)
Voice, Organ (33)
Chamber Music (33)
2 Flûtes Traversières, 2 Cor… (32)
Solistes ST, Choeur SATB, Flû… (32)
2 Hautbois, 2 Clarinettes, Tim… (32)
2 Flûtes Traversières ou 2 F… (32)
Flûte Traversièreou Piccolo,… (32)
Solo S, Choeur SATB, 2 Flûtes… (32)
Concert Band ou Harmonie et Ba… (32)
Bassoon, Orchestra (32)
DVD Opera and Ballets (32)
Flute, Viola and harp (32)
Batterie Fanfare En Sib (32)
4 Voix Mixtes (32)
Flute and Strings Trio (32)
Défilé et parade (32)
Choeur SS (B) ou SA (B), 2 Vio… (32)
Saxophone en Mib et Piano (32)
Choeur SSATTB, (6 Instruments,… (31)
Clarinette et Cordes (31)
Clavier Ou Piano (31)
2 Percussions (31)
Ensemble Divers (31)
Lyrics only (31)
Flûte à Bec Alto, 2 Flûtes … (30)
2 Violons, 2 Altos et 2 Violon… (30)
Recorder, Bass Continuo (30)
Cello, Organ (30)
Bass Clarinet, Piano (30)
Flûte Traversière et Cordes (30)
Batterie Fanfare En Mib (30)
Quatuor avec Piano (30)
5 Recorders (30)
Trumpet ensemble (30)
2 Clarinettes en Sib et Clarin… (30)
2 Violons, Cordes Et Basse Con… (30)
Solistes SST, Choeur SSAATB, 2… (29)
Ocarina (29)
Flûte Traversière Violoncell… (29)
Trompette ou Cornet à Pistons… (29)
Balalaika (29)
Recorder, Guitar (duet) (29)
2 French horns, Piano (29)
Tenor (29)
Violin, Horn and Piano (29)
Trio de Pianos, Salon Ensemble… (29)
Choeur SATB/SATB, (Basse Conti… (29)
Flûte à Bec F1, C1, 2 Violon… (28)
Solo Flûte à Bec F1, 2 Violo… (28)
2 Clarinettes, 2 Violons, Orgu… (28)
Flûte Traversière, Violon, 2… (28)
Trompette ou Flûte à Bec ou … (28)
Violon, 2 Altos et Violoncelle… (28)
Flûte à Bec Alto ou Flûte T… (28)
Trombone, Organ (28)
Marches militaires (28)
Saxhorn or Euphonium (28)
Voix Et Orff-Instruments (28)
2 Violons, 2 Altos ou 3 Violon… (28)
Variétés françaises (28)
Orgue, 2 Hautbois, 2 Violons, … (28)
Flûte Traversière, Alto et V… (28)
Flûte à Bec F1, Violon et Ba… (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Hautbois, Clarinette et Basson… (28)
Flûte à Bec, Guitare et Musi… (28)
Plectrum Orchestra (28)
Instruments Acoustiques (28)
2 Trompettes (duo) (28)
Euphonium en Clé de Fa Do ou … (27)
SATB, (4 InstrumentS Basse et … (27)
2 Cornets (27)
Solistes STTBB, Choeur SATB, 2… (27)
Flute, Oboe, Clarinet, Bassoon… (27)
Concert Band ou Harmonie et Cl… (27)
4 Parties Mixtes (27)
Guitare (Fingerpick) (27)
Voice, String Quartet (27)
Solistes SATB, Choeur SATB, 2 … (27)
Solistes SATB, Choeur SATB, 2 … (27)
Flûte Traversière, Hautbois,… (27)
Choeur SATB, 2 Trompettes, 2 T… (27)
Mandolin, Piano (duet) (27)
Ensemble D'Altos (27)
Edition Critique des oeuvres d… (27)
Piano et Orchestre (27)
Baryton et Orchestre (27)
Petit Choeur SATB, Contrebasse… (26)
Solistes STBar, Choeur SATB, 2… (26)
Solistes SATB, Choeur SATB, Tr… (26)
Flûte Traversière, Hautbois,… (26)
Choral Soprano solo, SATB, Key… (26)
Ukulélé Soprano (26)
Solistes SST, Choeur SATB, 2 F… (26)
5 Voix (SSATB) et Basse Contin… (26)
Solistes SBar, Choeur SSATB, 2… (25)
Choeur SATB, 2 Violons, Alto e… (25)
Solistes SATB, Choeur SATB/SAT… (25)
Choeur SATB/SATB, (8 Instrumen… (25)
Violon, Instruments à Cordes … (25)
2 Violons, Alto, Violoncelle o… (25)
Choeur SSATTB et Basse Continu… (25)
Guitar Tab, Voice, Bass, Drum (25)
Autoharp (25)
Choeur Mixte (SATTB/SATTB), So… (25)
Flûte Traversière, Clarinett… (25)
Flûte Traversière, Alto et G… (25)
Choeur SAT (25)
Voix et CD Playback (25)
Musique de chambre (25)
Voix, Flûte à Bec et Basse C… (25)
2 Trompettes et 3 Trombones (25)
2 Violons, Violoncelle Et Bass… (25)
String Trio: 3 cellos (25)
Medium Voice (25)
Flûte à Bec et Piano (25)
2 Trompettes Sib, 1 Cor, 1 Tro… (24)
Flûte à Bec, 2 Violons, Alto… (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
Hautbois, Flûte à Bec F1 ou … (24)
Quartette Pour Flûtes à Bec … (24)
Flûte Traversière, Hautbois,… (24)
Flûte Traversière, Hautbois,… (24)
Flûte à Bec F2, 2 Violons et… (24)
2 Violons, 2 Altos, Violon ou … (24)
Clarinette ou Trompette ou Vio… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Flûte Traversière, Violon, V… (24)
2 Violons, Alto, Violoncelle e… (24)
Hautbois ou Flûte Traversièr… (24)
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Lamentate (PART ARVO)
Piano and Orchestra
[Study Score / Miniature]
Universal Edition
Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt ab...
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Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt about Lamentate: 'Lamentate is music for piano solo and orchestra. With respect to its form, however, the composition cannot really be described as a typical piano concerto. I chose the piano to be the solo instrument because it fixes our attention on something that is 'one'. This 'one' could be a person, or perhaps a first-person narrative. Just as the sculpture leaves the viewer with a light and floating impression in spite of its overwhelming size, the piano, as a large instrument, allowed me to create a sphere of intimacy and warmth that no longer seems anonymous or abstract. Overall, it could be said that my work is marked by two diametrically opposed moods. By way of slight exaggeration, I would characterize these two poles as being 'brutal-overwhelming' and 'intimate-fragile'. The two characters are not simply placed opposite one another, much rather being left to develop themselves in a conflict that runs throughout the entire work.'/ Répertoire / Piano et Orchestre
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Chamber Ensemble:
Piano and Orchestra
Barenreiter
for Piano and Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 4...
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for Piano and Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been preparedusing clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Piano: Score
Piano and Orchestra
[Sheet music]
Barenreiter
Piano or Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Pi...
(+)
Piano or Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulatedscholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Piano: Part
Piano and Orchestra
Barenreiter
Violoncello or Contrabass-Concerto For Piano And Orchestra No.22 E-flat major K....
(+)
Violoncello or Contrabass-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycritical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Piano: Part
Piano and Orchestra
Barenreiter
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Cl...
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Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycritical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Piano: Part
Piano and Orchestra
Barenreiter
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Cl...
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Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycritical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Piano: Parts
Piano and Orchestra
Barenreiter
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Cl...
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Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulatedscholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.9 In E-Flat K.271 - Jeunehomme:
Piano and Orchestra
[Sheet music]
Barenreiter
for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.P...
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for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologistsas well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Hans Abrahamsen: Concerto For Piano And Orchestra: Piano: Score
Piano and Orchestra
Wilhelm Hansen
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by comm...
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Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general
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Philip Glass: Piano Concerto No.2: Piano: Score
Piano and Orchestra
[Sheet music]
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Intermediate/advanced
Dunvagen Music Publishers
Internationally renowned minimalist Philip Glass composed this Piano concerto in...
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Internationally renowned minimalist Philip Glass composed this Piano concerto in the traditional three-movement form. The first movement titled ‘The Vision’ is classic Glass with a steamroller quality that suggests the immensedrive and ambition the two explorers needed to draw on for their journey into the wilderness. At the beginning of the second movement the theme in the solo Indian Flute musically represents the name ‘Sacajawea’ the ShoshoneIndian mother and guide who assisted the explorers on their way for whom the movement is named.The final movement entitled ‘The Land’ is an exploration of expansiveness both of the land that was being explored but also of thegeologically expanded time over which the landscape has evolved and the great changes that followed Lewis and Clark’s journey.This concerto is designated as part of The Concerto Project recording series started by Glass in theyear 2000 currently in four volumes and including eight concerti.American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as aminimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small andlarge ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
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Robert Schumann: Great Works For Piano And Orchestra: Piano: Score
Piano and Orchestra
Dover Publications
Clara Wieck’s sincerest wish was that her future husband Robert Schumann ...
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Clara Wieck’s sincerest wish was that her future husband Robert Schumann turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839 just one year before her marriage she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano andOrchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score including the A Minor Piano Concerto one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music diverting substantially from the classic models of the day and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor Op. 54 (published 1846) Concertstück Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians music lovers and students as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at
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Kevin Volans: Piano Concerto No.4: Orchestra: Score
Piano and Orchestra
Chester
POD-Kevin Volans' Piano Concerto No.4 was commissioned by Birmingham Contemporar...
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POD-Kevin Volans' Piano Concerto No.4 was commissioned by Birmingham Contemporary Music Group with financial assistance from Arts for All and many individuals through BCMG's Sound Investment Scheme. The world premier took place on 11th November 2016 performed by Barry Douglas (Piano) with Birmingham Contemporary Music Group conducted by Geoffrey Paterson.
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Hans Abrahamsen: Left Alone: Piano: Score
Piano and Orchestra
[Sheet music]
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Intermediate/advanced
Wilhelm Hansen
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen ...
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Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements – in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans
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Konzertante Werke Op. 32 Wev N.15
Piano and Orchestra
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
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Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano Et Orchestre
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Immobilité Sérieuse I Pour Piano Et Orchestre A Cordes (Conducteur)
Français
Piano and Orchestra
Delatour France
Immobilité sérieuse I ', écrite en 2013, est la première d'une série de pi...
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Immobilité sérieuse I ', écrite en 2013, est la première d'une série de pièces pour instrument solo et orchestre à cordes de Sophie Lacaze, Hommage à Erik Satie, ' Immobilité sérieuse I ' est basée sur un motif tiré des ' Vexations ' que Satie avaient composées pour le piano, et qui avaient été créées à New York par John Cage et plusieurs de ses amis pianistes le jour de la naissance de la compositrice,' Pour se jouer 840 fois de suite ce motif, il sera bon de se préparer au préalable, et dans le plus grand silence, par des immobilités sérieuses ', Erik Satie, / Piano Et Orchestre
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Immobilité Sérieuse I Pour Piano Et Orchestre A Cordes (Materiel)
Français
Piano and Orchestra
Delatour France
Immobilité sérieuse I ', écrite en 2013, est la première d'une série de pi...
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Immobilité sérieuse I ', écrite en 2013, est la première d'une série de pièces pour instrument solo et orchestre à cordes de Sophie Lacaze, Hommage à Erik Satie, ' Immobilité sérieuse I ' est basée sur un motif tiré des ' Vexations ' que Satie avaient composées pour le piano, et qui avaient été créées à New York par John Cage et plusieurs de ses amis pianistes le jour de la naissance de la compositrice,' Pour se jouer 840 fois de suite ce motif, il sera bon de se préparer au préalable, et dans le plus grand silence, par des immobilités sérieuses ', Erik Satie, / Piano Et Orchestre
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Debussy Clarinet And Saxophone Rhapsodies Piano And Orch. Versions
Piano and Orchestra
Hal Leonard
La première Rhapsodie de Debussy pour clarinette, et sa Rhapsodie pour saxophon...
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La première Rhapsodie de Debussy pour clarinette, et sa Rhapsodie pour saxophone ont toutes deux été composées à l'origine que des oeuvres de chambre avec accompagnements de piano. Plus tard, le compositeur disposées deux pièces pour grand orchestre, et ce volume unique contient la partition orchestrale et de chambre de l'arrangement de piano de ces deux oeuvres.En tant que compositeur principal considérée comme faisant partie du mouvement impressionniste français, la musique de Debussy est caractérisée par quelques innovations profondes dans l'orchestration et le mélange des tons instrumentale, privilégiant la chaleur du vent sur ??les cordes qui prédominait auparavant. Cette édition offre une occasion rare d'étudier l'utilisation de Debussy du timbre orchestral, en comparant chaque score à sa version de chambre d'origine. Par ailleurs, les versions piano de chaque oeuvre, dépouillé à l'essentiel très, fournissent un aperçu fascinant et franche dans l'approche harmonique de Debussy. / Scores
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Quasi una bagatella (FRANCESCO FILIDEI)
Piano and Orchestra
[Score]
Ricordi
per Pianoforte ed Orchestra (2019). Par FRANCESCO FILIDEI. Imprimé à la demand...
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per Pianoforte ed Orchestra (2019). Par FRANCESCO FILIDEI. Imprimé à la demande, délai 2-3 semaines / Date parution : 2023-06-01/ Répertoire / Orchestre et Piano
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