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Soli, Mixted choir and accompaniment
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Children choir, Instruments (15)
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
38.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
14.00 GBP - Sold by Musicroom UK
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Details
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
5.00 GBP - Sold by Musicroom UK
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Details
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
31.50 GBP - Sold by Musicroom UK
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Franz Schubert: Alfonso und Estrella D 732: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 Act...
(+)
Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 ActsIn late September or early October 1821 Schubert and his close friend Franz von Schober vacationed in the countryside of Lower Austria. Their first stopover was at Ochsenburg Castle which belonged to the Bishop of St. Pölten (a close relative of Schober?s) after which they moved on to St. Pölten itself. Roughly a year earlier two stage works by Schubert had been performed in Vienna: the one-act singspiel Die Zwillingsbrüder and the melodrama Die Zauberharfe. The librettos were both written by the seasoned Viennese playwright Georg von Hofmann who blamed the press for the indifferent reception the two works weregiven by the audience. Schubert and Schober now decided it would seem to write a grand romantic opera uninfluenced by the workaday world of the theatre and beholden solely to their own ideas of what an opera should be.Not until 24 June 1854 was the opera finally performed in Weimar under the baton of Franz Liszt. It only achieved success however in an arrangement by Johann Nepomuk Fuchs that was staged on many German and Austrian stages in 1881 2 allegedly with 'brilliant acclaim'.Urtext of the New Schubert EditionFull score (BA5540) and vocal score (BA5540-90) available for salePerformance material (BA5540-72) available for hire
752.00 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Alexander's Feast Or The Power Of Musick HWV 75: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Ode for St. Cecilia's Day-Alexander's Feast or The Power of Musick HWV 75Ode for...
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Ode for St. Cecilia's Day-Alexander's Feast or The Power of Musick HWV 75Ode for St. Cecilia's DayIn 1736 Handel composed ?Alexander?s Feast? or ?The Power of Musick? a two-part cantata based on John Dryden?s poem of the same name.Now in a revised edition. For the new edition of Handel?s ?Alexander?s Feast? the dynamic markings have been thoroughly revised. The three movements which Handel had added are published for the first time in the Vocal score. The readability of the edition has been much improved and the writing of the Piano part has become more idiomatic.- Clear straightforward Piano reduction in the Vocal score- Urtext of the Halle Handel Edition- Full score (BA4001) & Vocal score (BA400192) available for sale- Performance material available for hire
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Wolfgang Amadeus Mozart: Missa in C major K.257: Continuo: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
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Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
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Johannes Brahms: Ein deutsches Requiem: Mixed Choir
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
nach Worten der Heiligen Schrift-Since its first complete performance in 1868 in...
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nach Worten der Heiligen Schrift-Since its first complete performance in 1868 in the Cathedral of Bremen Brahms's Ein deutsches Requiem is without question one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther’s translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir the voice of the community in the center of this interdenominational celebration of the dead.
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John Tavener: Celtic Requiem: Soprano & SATB: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Chester
This work for soprano children's choir chorus and orchestra was commissioned b...
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This work for soprano children's choir chorus and orchestra was commissioned by the London Sinfonietta. the first performance was given by them in July 1969 at the Royal Festival Hall with the London Sinfonietta Chorus andChildren from Little Missenden Village School conducted by David Atherton. Duration c. 23mins. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.
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Franz Joseph Haydn: Mass In B-flat: Voice: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt i...
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Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reason ofthe prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Leonard Bernstein: On The Town - Musical Comedy In 2 Acts: Opera
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Vocal Score]
Boosey and Hawkes
Musical comedy in 2 acts-On the Town has been a classic since its original Broa...
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Musical comedy in 2 acts-On the Town has been a classic since its original Broadway run in 1944. In addition to the theatrical staging the work also exists in a concert version.
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Benjamin Britten: The World Of The Spirit (Full Score): SATB: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Score]
Chester
This concert version has been prepared by Donald Mitchell for Soprano Alto Ten...
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This concert version has been prepared by Donald Mitchell for Soprano Alto Tenor and Baritone soloists 1 or 2 speakers SATB choir and Orchestra. The text has been compiled by R. Ellis Roberts.The first performance ofthis concert version was given on 27th June 1998 in the Snape Maltings Concert Hall as part of the Aldeburgh Festival by Janice Watson (Soprano) Catherine Wyn-Rogers (Mezzo-Soprano) Timothy Robinson (Tenor) Neal Davies(Baritone) and David Evans (Speaker) with the Joyful Company of Singers and the City of London Sinfonia conducted by Steuart Bedford.Orchestration is for 2 Flutes2 Oboes2 Clarinets in B flat2Bassoons4 Horns in F2 Trumpets in C3 TrombonesTubaTimppaniSuspended CymbalClashed CymbalsGongSide DrumBass DrumTambourineHarpOrganStrings
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O Wie Selig Seid Ihr Doch, Ihr Frommen (REGER MAX)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Choralkantate. Par REGER MAX. The choral cantatas are Reger's most personal and ...
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Choralkantate. Par REGER MAX. The choral cantatas are Reger's most personal and most substantial contribution to one of the principal categories of Protestant church music, and they are only major works in this field by one of the foremost composers of his time. This is true despite the fact that Reger himself does not appear to have considered the cantatas to figure among his principal compositions, as he gave them no opus numbers. In contrast to the three other chorale cantatas of Reger which exist in a definitive form, there is no record of the place or date of the first performance of 'O wie selig', or indeed of any performance of it during the composer's lifetime./ Répertoire / Solistes SATB, Choeur SATB, Paroisse, 2 Violons, A
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Georg Friedrich Händel: Ode For The Birthday Of Queen Anne: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Barenreiter
Friedensode-Although presumably written to celebrate the Queen's birthday on 6 F...
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Friedensode-Although presumably written to celebrate the Queen's birthday on 6 February most probably in 1713 there is no record of the first performance of Handel's Ode. The nine movements contain much variety but it is the first movement 'Eternal source of light divine' where Handel prodces some of his most inspired writing. - Urtext of the Halle Handel Edition - Full score (BA4007) and vocal score (BA400790) available for sale - Performance material (BA400772) available for hire
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Christopher Norton: Micromusicals - A Christmas Carol: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Boosey and Hawkes
Raising the curtain on Christopher Norton’s Micromusicals – exciting...
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Raising the curtain on Christopher Norton’s Micromusicals – exciting and accessible musicals for schools based on popular classroom teaching topics from the creator of the internationally-acclaimed Microjazz series. Designed for children aged 6-12 each production lasts around 30 minutes and can be learned rehearsed and performed in as little as 2 days.Stage a real class act with this comprehensive and flexible resource:* Succinct casting and direction suggestions * Optional props list with a wealth of additional downloadable resources * Straightforward and catchy songs with complete demonstration and backing tracks on an accompanying CD * Voice and piano scoreswith guitar chords * A wide range of flexible easy band and orchestral parts available to download which can be played in conjunction with the backing tracks or as part of an independent live orchestral or band * Photocopiable lyric sheets (also available as downloads for printing or projection) * Wide-ranging cross-curricular teaching and classroom activity suggestions * A customisable poster to publicise performances A Christmas Carol is an English literary classic written by Charles Dickens and was first published in December 1843. The popular novella is studied at Key Stage 2 and 3 as part of the National Curriculum in England as well as at schools and colleges elsewhere in the UK and around the world. In this new Micromusical adaption the abridged story is told through drama and song.TestimonialsThe micro-musicals have enriched our curriculum and have enabled the topics taught in class to come alive. Through the micro-musicals the children have gained a deeper and broader understanding of the curriculum and have developed a bank of rich language which has supported their writing outcomes. The micro-musicals have provided an excellent opportunity to teach music through all areas of the curriculum and we have been able to use music as a platform to learn history science geography and literature. They have been a good value for money and a valuable resource.-Bronwen Chalmers Head Teacher Davies Lane Primary School
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Giuseppe Verdi: Quattro Pezzi Sacri: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Carus Verlag
Giuseppe Verdi's Quattro Pezzi Sacri for SATB and Piano.The single works forming...
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Giuseppe Verdi's Quattro Pezzi Sacri for SATB and Piano.The single works forming the sacred music cycle 'Quattro pezzi sacri' were composed as independent pieces between 1889 and 1897. The scoring ranges from solo voices a cappella to double choir with large orchestra. In 1898 the year of their first joint performance Verdi had them published together as 'Quattro pezzi sacri'. With the composition of the 'Quattro pezzi sacri' in the last years of his life Verdi thus returned to his church musician origins. Already at the age of 10 Verdi performed the duties of organist in his home congregation and later in Busseto where he received his first music lessons. Themasses at the collegiate church in Busseto formed some of his most important musical impressions. During the time Verdi composed 'Falstaff' his last opera he was once again composing sacred music this time in a conscious encounter with historical models such as Palestrina and Bach.
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Franz Joseph Haydn: The Creation: SATB
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
The Creation
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Patrick Hawes: The Blue Bird Variations: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Novello & Co Ltd.
Theme with five variations for solo soprano mixed voices and orchestra based o...
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Theme with five variations for solo soprano mixed voices and orchestra based on Stanford's setting of Mary Coleridge's poem. Theme with five variations for solo soprano mixed voices and orchestra based on Stanford's setting of Mary Coleridge's poem.
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Claudio Monteverdi: Vespro Della Beata Vergine 'Marienvesper': Vocal Ensemble:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
2 Solo Sopranos 2 Solo Altos 3 Solo Tenors 2 Solo Basses Mixed Choir and Orc...
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2 Solo Sopranos 2 Solo Altos 3 Solo Tenors 2 Solo Basses Mixed Choir and Orchestra-Scholarly-critical Urtext edition orientated towards performance practice.Detailed critical commentary (Eng) in the full score.Movements 10 13 and 14 are included in their original high clef in the appendix of the full score.These movements are also available with Piano reduction as print-on-demand.Claudio Monteverdi?s ?Vespro della Beata Vergine? is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas under thedirection of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led for instance to a divergent evaluation of the ?Lauda Jerusalem? oriented towards performance practice with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.Full score & performance material available for sale.
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Paul Mealor: Farthest Shore: Ensemble: Score
Soli, Mixted choir and accompaniment
[Sheet music]
Novello & Co Ltd.
The Piece Farthest Shore was expertly composed by British composer Paul Mealor....
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The Piece Farthest Shore was expertly composed by British composer Paul Mealor. Farthest Shore was commissioned by the John Armitage Memorial Trust St Davids Festival and Edinburgh Royal Choral Union and first performed at St Cuthbert's Church Edinburgh conducted by Michael Bawtree.Mealor was catapulted to international attention when 2.5 billion people heard his motet Ubi caritas performed at the Royal Wedding Ceremony of His Royal Highness Prince William and Catherine Middleton at Westminster Abbey 29th April 2011.
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: Voice: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 61Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 61Cantata for the First Sunday of AdventBach began two of his cantatas with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. One of the most gripping solo parts (following the pattern recitative – aria – recitative – aria) is the bass recitative on the words of the Revelation with its highly expressive declamation of the vocal line and the naive graphicness of the pounding string accompaniment.Equally captivating is the following soprano aria which 'opens its heart' upon the Saviour's 'knocking' in a melody full of thecheerful tidings of Advent. The cantata ends brilliantly with a lovely figurative chorale movement enhanced by the interplay of a lively bustling violin part which ultimately soars upward to breathtaking heights.- Urtext of the New Bach Edition
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Dido and Aeneas (PURCELL HENRY)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Score]
Barenreiter
Par PURCELL HENRY. Purcell Dido and Aeneas (Full Score, paperback) The opera ?Di...
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Par PURCELL HENRY. Purcell Dido and Aeneas (Full Score, paperback) The opera ?Dido and Aeneas?, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcell and his librettist Nahum Tate, who combined an overriding tragic theme with masterfully inserted comic episodes. Long believed to have been conceived in 1689 for a performance at a ?School for Young Gentlewomen?, scholars have debated the origins of ?Dido? in recent decades, a process hampered by the lack of early musical sources. This edition addresses these challenges and evaluates the earliest sources that reproduce the opera in its surviving form. Surprisingly, these date from the 1770s and 80s, some ninety years after the work was written. Three key manuscripts ? now held at the Bodleian Library in Oxford (UK), at Tatton Park Library which is a National Trust property near Manchester (UK), and at the Wakayama Prefectural Library (Japan) - were all copied from the same original, most likely a handwritten score from 1704 which reappeared in the early 1770s, only to disappear again. This is the first 'Dido' edition based on the Tatton Park manuscript as the main source. It was produced during the second half of the 18th century by Philip Hayes, one of England's most prominent musicians. He was known in musicology for his meticulous copies of Purcell's music, often from the autograph manuscripts. The Bodleian and Wakayama manuscripts are presented in a new light and their role in this edition has been reassessed accordingly. - Urtext edition based for the first time on the Tatton Park manuscript as the main source - Informative Foreword (Eng/Ger) on the genesis, transmission, reception and performance practice - Complete facsimile reproduction of the Chelsea libretto / Date parution : 2023-06-01/ Répertoire / Solistes, Choeur Mixte et Orchestre
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