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Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Piano solo (22721)
Piano, Vocal and Guitar (19221)
Choral SATB (18086)
Concert band (15103)
Guitar notes and tablatures (7591)
Choral 3-part (5685)
Marching band (5492)
Guitar (5022)
Piano, Voice (5010)
String Quartet: 2 violins, vio… (4940)
Divers (4567)
Brass ensemble (4183)
Violin (3689)
Orchestra (3682)
Choral 2-part (3183)
Organ (2760)
Violin and Piano (2667)
Flute (2613)
Jazz Ensemble (2388)
String Orchestra (2200)
Flute and Piano (1976)
Clarinet (1960)
Trumpet (1701)
Drums (1604)
Cello (1426)
Alto Saxophone (1410)
1 Piano, 4 hands (1361)
Easy Piano (1328)
Bass guitar (1318)
Ukulele (1239)
Voice solo (1212)
Music Theory (1136)
Musical course - Solfege (1125)
Soli, Mixted choir and accompa… (1098)
Keyboard (1064)
Choral TTBB (1023)
Clarinet and Piano (1006)
Saxophone (1003)
Lyrics and Chords (1001)
Cello, Piano (927)
Trombone (907)
Melody line, (Lyrics) and Chor… (847)
Choral (787)
Viola (775)
Tenor Saxophone (646)
French horn (644)
Choral SSAA (640)
Trumpet, Piano (616)
Piano Trio: piano, violin, cel… (585)
Accordion (580)
Recorder (564)
Choral Unison (534)
High voice, Piano (530)
All Instruments (521)
Banjo (520)
Alto Saxophone and Piano (508)
Guitare (499)
Opera (494)
Chamber Orchestra (483)
Harp (468)
Wind ensemble (468)
Mandolin (449)
Viola, Piano (430)
Brass Quintet: 2 trumpets, hor… (423)
C Instruments (410)
Oboe (385)
Harmonica (379)
B Flat, E Flat, C and Bass cle… (376)
Double Bass (350)
Medium voice, Piano (343)
Woodwind Quintet: flute, oboe,… (328)
2 Pianos, 4 hands (328)
Low voice, Piano (324)
Soprano voice, Piano (315)
Piano and Orchestra (299)
Ensemble A Vent (297)
2 Violins (duet) (297)
Oboe, Piano (duet) (279)
French Horn and Piano (270)
Descant (Soprano) Recorder (255)
Conducteur (246)
Orchestra, Violin (241)
Trombone and Piano (241)
Percussion (235)
2 Flutes (duet) (224)
Flute and Guitar (222)
Bb Instruments (221)
Chant (217)
Tuba (206)
Bassoon (200)
Children choir (199)
Saxophone Quartet: 4 saxophone… (197)
Baritone voice, Piano (192)
Piano Accompaniment (190)
Bassoon, Piano (duet) (186)
Tenor voice, Piano (185)
String Trio: violin, viola, ce… (180)
Voice, Guitar (178)
Saxophone and Piano (176)
:: (174)
Choral SSAATTBB (170)
2 Clarinets (duet) (167)
Eb Instruments (166)
Travaux Pour Choeurs (164)
Tuba and Piano (162)
2 Guitars (duet) (160)
2 Saxophones (duet) (158)
2 Cellos (duet) (157)
Dulcimer (153)
Treble (Alto) Recorder (150)
Band Scores (150)
B Flat, E Flat and C Instrumen… (150)
Piano Quintet: piano, 2 violin… (142)
Double bass, Piano (duet) (139)
Mezzo-Soprano voice, Piano (139)
Harpsichord (136)
Piano Quartet: piano, violin, … (134)
CD (132)
Clarinet Quartet: 4 clarinets (131)
Biography (128)
Recorder Ensemble (127)
Violin, Cello (duet) (127)
Musical Awakening (123)
Parties Orchestrales (117)
Soprano voice (116)
Cello, Orchestra (116)
Partition de Poche (114)
Flexible Instrumentation (114)
ENS::Ensemble (113)
Snare drums (110)
Choral CD (109)
Clarinet, Orchestra (107)
2 Recorders (duet) (106)
Piano, Voice, Guitar tablature… (105)
Brass Quartet (101)
School Ensemble (101)
Children choir, Piano (101)
Flute ensemble (100)
Big band (100)
Choral SSATB (98)
Recorder Quartet (92)
Big Note Piano (92)
Flute, Orchestra (91)
Pennywhistle (90)
Bass Clef Instruments (89)
Tenor Saxophone and Piano (88)
Descent (Soprano) Recorder, Pi… (86)
Flute Quartet: 4 flutes (85)
Flûte à Bec Alto ou Flûte T… (84)
Accordion ensemble (82)
Euphonium or Saxhorn and Piano… (81)
Percussion Ensemble (76)
2 Trumpets (duet) (75)
Flute, Clarinet (duet) (75)
Flute Trio: 3 flutes (75)
Clarinet Quintet: Clarinet, St… (74)
Soli (SATB), Choeur Mixte (SAT… (74)
Piano, Guitar (Chords) (74)
Low voice (73)
Mezzo-Soprano voice (71)
Vocal duet, Piano (71)
Recorder, Piano (70)
Violin, Viola (duet) (68)
2 Flutes, Piano (68)
Educatif (67)
Marimba (66)
Guitare Electrique (65)
4 Guitars (Quartet) (65)
Clarinet, Cello, Piano (trio) (63)
Clarinet Ensemble (63)
Piano Quintet: piano, violin, … (63)
Concert band, Choral (62)
Tenor voice (62)
High voice (61)
Tuba or Euphonium or Saxhorn (61)
Concert Band/Harmonie (61)
Quintette à vent (60)
Stationery (59)
Soprano voice, Orchestra (58)
Saxophone Ténor et Piano (58)
Guitare et Musique de Chambre (57)
Horn and Orchestra (56)
Accessoire (56)
DVD concert (55)
Dobro (55)
Quintette à Cordes (55)
Trio (54)
Euphonium (54)
Orchestres à Vent (54)
Chorale (52)
Fanfare Band (50)
Trombone or Euphonium (49)
Harp, Flute (duet) (49)
Treble (Alto) Recorder, Piano (49)
3 Recorders (trio) (49)
Brass Quartet: 4 trombones (48)
Partie Séparée (48)
A Cappella (48)
Scores (48)
Lap Steel Guitar (47)
3 Clarinets (trio) (47)
Guitar Ensemble (47)
Choral, Orchestra (46)
2 Trombones (duet) (46)
Euphonium, Piano (duet) (46)
Exemplaire Complet (45)
Trombone and Orchestra (45)
Baritone voice (45)
Piano, Guitar (duet) (44)
Saxhorn and Piano (44)
Cornet and Piano (44)
Trio avec Piano (43)
Trumpet, Orchestra (43)
Ensemble (43)
2 Euphoniums et Piano (42)
Oboe, Violin, Viola and Violon… (42)
Saxophone ensemble (42)
Voix Mixtes (42)
Flute, Cello, Piano (trio) (41)
Xylophone or Marimba or Vibrap… (41)
2 Violas (duet) (41)
Parties Supplémentaires (41)
Trompette ou Cornet, Cor en Mi… (40)
Trompette ou Cornet, Euphonium… (40)
Timpani (40)
Voice and Orchestra (40)
Woodwind Quintet (40)
Chamber Music (40)
Clavecin (40)
String Quintet: 2 violins, 2 v… (39)
Vibraphone (39)
Flute, Oboe, Clarinet, Bassoon… (39)
Diverses Formations (39)
Treble (Alto) Recorder, Basso … (39)
4 Euphoniums (38)
Lute (38)
Petit Ensemble Contemporain (38)
3 Guitars (trio) (37)
1 Piano, 6 hands (37)
Violon Solo, Violoncelle Solo,… (36)
Violon, Cordes et Basse Contin… (36)
Trio à Cordes (36)
Violin, Basso continuo (36)
Pocket, Study conductor (35)
Bass Trombone and Piano (35)
Organ, Trumpet (duet) (35)
Piccolo, Piano (35)
Ensemble Mixte (35)
Violin, Guitar (duet) (34)
Symphonic Band (34)
Percussions (34)
Livret (34)
Libretto (33)
Autoharp (33)
Handbells (33)
2 Violins, Piano (32)
Violin, Clarinet, Piano (trio)… (31)
Flute, Basso continuo (31)
Quintette de Cuivres (31)
Medium Voice (31)
3 Saxophones (trio) (31)
Cornet (30)
Chant et Guitare (30)
Cajon (29)
Solistes (SATB), Choeur Mixte … (29)
Ocarina (29)
String Trio: 2 violins, cello (28)
Lyrics only (28)
Clarinet, Violin, Cello, Piano… (28)
Brass Quartet: 2 trumpets, hor… (28)
Soprano, Piano (27)
Bass Clarinet (27)
2 Clarinets, Piano (27)
2 Trumpets, Keyboard (piano or… (26)
Saxhorn or Euphonium (26)
Solistes SBar, Choeur SSATB, 2… (25)
Bagpipe (25)
Quatuor (25)
Clavier Electronique et Ligne … (25)
2 Trombones, Piano (25)
Quintette avec Piano (25)
Soprano Saxophone and Piano (25)
2 Violons, Alto, Violoncelle e… (25)
Flûte Traversière et Cordes (25)
Batterie et Percussions (25)
Flute, Clarinet, Piano (trio) (24)
2 Clarinettes, 2 Violons, Orgu… (24)
2 Hautbois, 3 Trompettes, Timb… (24)
2 Hautbois, 2 Cors, 2 Clarinet… (24)
Trompette, Instruments à Cord… (24)
Basson, 2 Violons, 2 Altos et … (24)
Solistes SATB, Choeur SATB, 2 … (24)
String Quartet : 4 violas (24)
Voix Et Instruments Divers (24)
Baritone Ukulele (24)
Guitar Tab, Voice, Bass, Drum (24)
String quintet (24)
Guitar and Bass Tablatures, Ch… (24)
Piccolo (24)
Carte Postale (24)
String Quintet: 2 violins, vio… (24)
Soprano Saxophone (24)
String Trio: 3 violins (23)
Saxophone Baryton (23)
5 Part Ensemble (22)
Solistes SATB, Choeur SATB, 2 … (22)
Concert Band ou Harmonie et Ba… (22)
Baritone Saxophone (22)
Cello, String Bass (duet) (22)
Soli and Orchestra (22)
String trio (22)
2 Saxophones, Piano (22)
Horn Ensemble (22)
Brass Quartet: 4 trumpets (21)
Clavecin Et Instruments A Cord… (21)
Baryton et Orchestre (21)
Oboe and Orchestra (21)
Violon, Ensembles de Cordes et… (21)
Solistes SAT, Choeur SATB, 2 F… (21)
Tout Instrument (21)
Saxophone Quintet: 5 Saxophone… (21)
Clarinette, Cor Et Piano (21)
Vocal duet (21)
5 Recorders (21)
Conga (20)
Violin, Horn and Piano (20)
Guitare Tablatures Flatpick et… (20)
Piano, Bass, Drums (trio) (20)
Guitar, Orchestra (20)
Ensembles de Cordes et Piano (20)
Choeur d'Enfants SSA, Récitan… (20)
2 Choeurs Mixtes (SATB Et SATB… (20)
Soprano (20)
2 Bassoons (duet) (20)
Soli (SAB), Choeur Mixte (SATB… (20)
Voice, Clarinet, Piano (20)
Flûte Traversière, Clarinett… (20)
Saxophone and Orchestra (20)
Djembe (20)
2 Flûtes Traversières, Corde… (19)
Soli (ATB), Choeur Mixte (SATB… (19)
Solistes SATBB, Choeur SATB, 2… (19)
Partition D'Orchestre (19)
Voix Et Orchestre (19)
3 Trumpets (trio) (19)
Harpsichord and Strings (19)
Ensemble Instrumental et Petit… (19)
Trumpet, Trombone (duet) (19)
Percussion, Piano (duet) (19)
Choeur d'Enfants (19)
Solistes SATB, Choeur SATB, Ha… (18)
3 Trombones et Fanfare (18)
2 Tubas et Piano (18)
Viola da Gamba (18)
Violoncello, Basso continuo (18)
Viola and orchestra (18)
Choeur SATB, 2 Trompettes, 2 T… (18)
Violin, Viola and Orchestra (18)
Ensemble à Cordes (18)
Tuba and Orchestra (18)
Xylophone (18)
Gemischter Chor (SATB) und Orc… (18)
Percussions Diverses (18)
Guitare et Voix (18)
Solistes STBB, Choeur SATTBB, … (17)
Bass Clarinet, Piano (17)
Cor, Trombone et Piano (17)
Opéra (17)
Electric bass, Drums (17)
4 Bassoons (17)
Trumpet ensemble (17)
Solistes SATB, Choeur SATB, 2 … (17)
Ukulele Ensemble (17)
Fac-similé (17)
Voix Mixtes SAB et Piano (17)
Voix et Orff-Instruments (17)
Viola, Cello (duet) (17)
ENS::Ensemble d'cole (17)
Recorder, Guitar (duet) (17)
Clarinette et Quatuor à Corde… (16)
2 Saxophones Ténor et Piano (16)
Choeur De Femmes (SSA) Et Pian… (16)
Trompette ou Cornet, Trombone … (16)
Hautbois, Basson et Piano ou O… (16)
Violon, Alto, Violoncelle et C… (16)
Quintette (16)
Choeur à L'Unisson et Orgue (16)
2 Cors en Mib et Piano (16)
Voice, String Quartet (16)
Organ, Piano (duet) (16)
Flute, Piano Trio (bass, drum,… (16)
Opéra Full Score (16)
Piano, Chant et Guitare Tablat… (16)
Violon, Instruments à Cordes … (16)
Matériel D'Orchestre (16)
Cello Ensemble (16)
4 Cellos (16)
Solo SATB, Choeur SATB, Hautbo… (15)
Violin, Organ (15)
Solistes SATB, Choeur SATB, 4 … (15)
Children choir, Instruments (15)
2 Cornets, Cor en Mib et Tuba (15)
Soli (ATB), Choeur Mixte (SATB… (15)
3 Euphoniums et Piano ou Clavi… (15)
Flûte Traversière, Hautbois,… (15)
Music Theory Et Resources (15)
Saxophone Alto et Orchestre à… (15)
Gemischter Chor (SSATB/SSATB/S… (15)
Voix et Piano Réduction (15)
2 French horns, Piano (15)
Brass ensemble, Organ (15)
Hautbois, Clarinette et Basson… (15)
Cello, Guitar (duet) (15)
Brass Quartet: 4 horns (15)
Choeur de Femmes (15)
Flûte à Bec et Piano (15)
3 Violons, Instruments à Cord… (14)
SB, 4 Parties Mixtes et Orches… (14)
Solistes SAB, Choeur SATB, 2 H… (14)
Flûte Traversière, Violon, I… (14)
Livre Musical (14)
Tenor Banjo (14)
Choral, Organ (14)
2 Violons, Alto, Violoncelle (14)
Bassoon, Orchestra (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
Voice, Organ (14)
2 French horns (duet) (14)
Choeur SSATB et Basse Continue… (14)
2 Cellos, Piano (14)
Brass Quartet: 2 trumpets, 2 t… (14)
Bass Trombone (13)
Choeur SATB, Flûte Traversiè… (13)
2 Bassons et Piano ou Orgue (13)
Choeur D'Enfants (SMezA) Avec … (13)
2 Trompettes ou Cornets et Tub… (13)
Flûte à Bec Alto et Basse Co… (13)
Ensemble A 4 Parties (13)
Piano et Orchestre (13)
Voix et Orchestre à vent (13)
Cor en Fa (13)
Fake Book (13)
Trio de Pianos, Salon Ensemble… (13)
Solo instrument and Organ (13)
Concert Band ou Harmonie et 3 … (13)
3 Trombones (trio) (13)
Bodhran (13)
Guitare ou Luth (13)
Choeur Mixte Et Instruments Di… (13)
Cello, Organ (12)
4 Parties Mixtes, Instruments … (12)
Oboe and String quartet (12)
Flute, Viola and harp (12)
Flûte Traversière, Clarinett… (12)
Piano Quartet: piano, 2 violin… (12)
Solistes, Choeur d'Enfants, Fl… (12)
Choeur SATB, 2 Violons, Violon… (12)
Quatuor avec Piano (12)
Quintette à vent et Percussio… (12)
Solo S, Choeur d'Enfants SSA, … (12)
Quatuor à Cordes, Harpe et Ba… (12)
Choeur d'Enfants, Flûte Trave… (12)
Choeur d'Enfants à 2 Parties … (12)
Saxophone, Clarinet (duet) (12)
2 Oboes, 2 Horns and 2 Bassoon… (12)
Voix Seule (12)
Guitare (Fingerpick) (12)
Guitare Flatpick et Plectre (12)
Trompette en Sib (12)
Descant (Soprano) Recorder, Ba… (12)
Clarinet and Accordion (12)
English horn, Piano (12)
Basse (12)
Tuba en Mib et Piano ou Orgue (12)
Flûte Traversière, Hautbois … (12)
Bongos (12)
Solistes SATB, Choeur SATB, 2 … (11)
Solistes ATB, Choeur SATB, 2 H… (11)
Flügelhorn (11)
Soli (STB), Choeur Mixte (SSAT… (11)
Ensemble De Contrebasse (11)
Solo A, Choeur SATB/SATB, 2 Or… (11)
Solistes SBar, Choeur SATB, 2 … (11)
Cithare (11)
Partition d'Orchestre (A4) (11)
Guitare Tablatures Classique (11)
Choeur SATB, 2 Violons, Alto, … (11)
Solo B, Choeur SATB, 2 Flûtes… (11)
Choeur D'Enfants (Mez) Avec Fl… (11)
Solistes SATB, Choeur SATB, 3 … (11)
Violon, Instruments A Cordes E… (11)
Solistes ATB, Choeur SATB, Tro… (11)
Choral SSATBB (11)
Brass Trio (11)
Gemischter Chor (SSAATBB) und … (11)
2 Trompettes, Cordes Et Basse … (11)
Instruments A Vent (11)
Harmonie (11)
Voice Mezzo-Soprano, Orchestra… (11)
Concertina (11)
Guitare Tablatures Electrique (11)
Guitare Fingerpicking (11)
Choeur (SATB) et Brass Band (11)
Saxophone (band part) (11)
Woodwind Quartet (11)
Voix et Piano ou Guitare (11)
SATBasse (2 Grands Choeurs Mix… (11)
Choral Soprano solo, SATB, Key… (11)
Flute and String Quartet (10)
Chant, Accords Et Piano (10)
Solistes STB (SB/TB/SATB), Cho… (10)
S, A, A, T, B, Choeur Mixte A … (10)
Solistes SATB, Choeur SATB, 2 … (10)
Solistes (STB), Choeur Mixte (… (10)
Solistes SST, Choeur SSAATB, 2… (10)
Base Musicale (10)
Flûte à Bec Alto ou Flûte T… (10)
4 Tubas (10)
Solistes STB, Choeur SATB, 3 C… (10)
2 Trumpets, Horn, Trombone an… (10)
2 Pianos, 8 hands (10)
2 Hautbois, Cor Anglais et Bas… (10)
Double bass, Orchestra (10)
Clarinette, Violon et Piano (10)
Solistes SAB, Choeur SATB, 2 F… (10)
Solistes SB, Choeur SATB, 2 Ha… (10)
Solistes SAB, Choeur SATB, 4 F… (10)
Trumpet, Horn and Piano (10)
Solistes et Choeur SSATTB, 2 V… (10)
Solistes SATB, Choeur SATB, Fl… (10)
Set de Cordes (10)
Paroisse, Choeur SATB, 2 Tromp… (10)
Solistes STBarB, Choeur SATB, … (10)
Balalaika (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
2 Saxophones Alto et Piano ou … (10)
Choeur d'Enfants SSA, 2 Récit… (10)
Instrument Cuivre En Sib (10)
Clarinette, Viola and Piano (t… (10)
Accordion - Piano, Voice, Guit… (10)
Solistes SATB, Choeur SATB, 2 … (10)
Narrateur, Solistes, 3 Parties… (10)
Solistes SATB, Choeur SATB, 2 … (10)
Guitar and String Quintet (10)
Solistes, Choeur d'Enfants SSA… (10)
Cornet et Brass Band (10)
4 Instruments Cuivre (Trompett… (10)
Violon 2 (10)
Solo S, Choeur SATB, 2 Clarine… (10)
String Trio: 2 violins, viola (10)
Choeur SSAATTBB, 2 Cornetti, 3… (10)
Clarinette et Orchestre (10)
Choeur SATB, 2 Violons et Bass… (10)
Choral SSAB, Piano (10)
Flute, Violin, Piano (10)
Clarinette, Violoncelle et Pia… (10)
5 Part Ensemble (Clavier, Guit… (10)
Voix à L'Unisson et Piano (10)
Choeur SATB et Orchestre (10)
Trompette, Cordes Et Basse Con… (10)
3 Flûtes A Bec Alto (10)
Piano/Vocal/Guitare (PVG) (10)
Trompette Et Orchestre (10)
Flute, Violoncello (10)
Harp, Voice (10)
Zither (10)
Choeur Mixte et Orchestre (10)
Trompette et Concert Band ou H… (10)
Trompette 3 (10)
Tenor (10)
Violon II (10)
Choeur SA Et Piano (9)
Clavier ou Orgue Electronique (9)
Solistes SST, Choeur SATB/SATB… (9)
Solo T, Choeur SATB, Hautbois,… (9)
Solistes SATB, Choeur SATB, Tr… (9)
2 Violons Solo, 2 Violons, Alt… (9)
Solistes SATB, Choeur SATB, Fl… (9)
Solistes SATB, Choeur SATB, Fl… (9)
Orchestre: Solistes SATB, Choe… (9)
Solistes SATB, Choeur SATB, 3 … (9)
Choeur SATB, 2 Trompettes, 2 T… (9)
Choeur SATB/SATB, 2 Hautbois (… (9)
2 Euphoniums et Piano ou Orgue… (9)
Trumpet, Trombone, Piano (9)
Solistes, Choeur SATB, 2 Flût… (9)
Cordes, 2 Clarinettes et Timba… (9)
SATB, 4 Parties Mixtes et Inst… (9)
Trompette, Cor et Piano (9)
Solistes SATB, Choeur SATB, 2 … (9)
Solistes SAB, Choeur SATB, 3 F… (9)
Choeur SATB, 2 Flûtes Travers… (9)
Trombone et Orchestre à Vent (9)
Choeur SATB, 2 Litui (2 Cors),… (9)
Solistes SATB, Choeur SATB, Fl… (9)
Oboe, Clarinet, Bassoon (trio)… (9)
Solistes SATB, Choeur SATB, 2 … (9)
Solistes S (A) TB, Choeur SATB… (9)
Flute, Violin, Keyboard (basso… (9)
Solistes SATB, Choeur SATB, 2 … (9)
DVD (9)
Guitare Flatpick et Fingerpick… (9)
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Johann Sebastian Bach: St Mark Passion BWV247: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
Barenreiter
Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247):...
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Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247): A reconstruction.Recitatives and turbae by Reinhard Keiser (1674-1739). Although all that survives of Bach's “St. Mark Passion” is Picander's libretto virtually all the arias and choruses can be reconstructed from “parody” versions. The original recitatives and turbae however are probably lost forever. Rather than rewriting these numbers “in Bachs's style” the editor Austin Harvey Gomme has added passages from Reinhard Keiser's setting of the Passion (a setting highly esteemed by Bach who performed it several times) thereby allowing this lost work to be performed in its entirety. A detailed prefacesheds further light on this unique reconstruction based on the New Bach Edition. Full score (BA5209) and vocal score (BA5209-90) available for sale Performance material (BA5209-72) available for hire.
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Johann Sebastian Bach: Cantata BWV 80 Ein feste Burg ist unser Gott: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mig...
(+)
Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for the Feast of ReformationThere are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burg ist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements.Urtext ofthe New Bach EditionPerformance material (BA10080) vocal score (BA10080-90) & study score format 22.5 x 16.5cm (TP1080) available for sale
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Continuo: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
14.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
6.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
(+)
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
(+)
Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of...
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Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Vocal Score
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The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for...
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The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of...
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Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Nicolai Mass-The name of the “Missa Sancti Nicolai” refers to the co...
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Nicolai Mass-The name of the “Missa Sancti Nicolai” refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas. It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work. As with the “Great Organ Mass” these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can beperformed. Urtext from the Haydn Complete Edition Performable in both versions Full score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of...
(+)
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of...
(+)
Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
(+)
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
(+)
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
(+)
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
(+)
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Parts
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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