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Flute, Oboe, Clarinet (trio) (24)
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Clarinette, Alto et Piano (21)
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Cor en Fa (21)
Cello, Guitar (duet) (21)
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Clavier ou Orgue Electronique (20)
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Violin, Horn and Piano (20)
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Bugle (19)
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Solistes SATBB, Choeur SATB, 2… (19)
Violin, Organ (19)
Saxophone Alto Solo (19)
Ensemble à Cordes (19)
2 French horns (duet) (19)
Reportage (19)
Oboe, Bassoon (duet) (18)
Euphonium ou Saxhorn Solo (18)
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Clarinette et Orchestre (18)
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Voice, String Quartet (18)
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DVD Show / Broadway (18)
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Libretto (18)
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Trompette en Sib (18)
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Guitare ou Luth (18)
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Ukulélé Soprano (18)
Hautbois Solo (18)
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Harp, Orchestra (14)
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Flute, Violin, Piano (13)
Clarinette Solo (13)
Double bass, Orchestra (13)
2 Violons, 2 Altos et 2 Violon… (13)
Sextuor à Cordes (13)
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Marimba, Piano (duet) (13)
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Alto Solo (13)
Guitare (Flatpick) Et Plectre (13)
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Violon ou Violoncelle, Violonc… (12)
Saxhorn en Sib (12)
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Euphonium ou Saxhorn en Clé d… (12)
Voice Soprano, Cello (12)
Voice, Clarinet, Piano (12)
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Flûte Traversière ou Flûte … (12)
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3 Violons et Basse Continue ou… (12)
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Saxhorn en Sib Basse Continue (12)
Instruments à Vent (12)
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Sextuor (12)
Accordéon et Quatuor à Corde… (12)
Choeur Mixte et Orchestre (12)
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Piccolo et 3 Flûtes (12)
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3 Hautbois et Cor Anglais (12)
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Partition D'etude (12)
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Base Musicale (11)
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SATBasse (2 Grands Choeurs Mix… (11)
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Vibraphone, Piano (11)
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Guitare Tablatures Flatpick et… (11)
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Grazyna Bacewicz: Concerto For String Orchestra: String Orchestra: Score
String Orchestra
PWM (Polskie Wydawnictwo Muzyczne)
Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969) ...
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Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969) the outstanding composer and violinist - was composed in 1948 and at once became one of the most frequently performed works of this Polish artist. This masterpieceof neoclassicism fascinates as much by its invention and virtuosic briliance as its harmonious combination of formal elements of a traditional nature with new tonal ideas. The form of the three-movement Concerto oscillates between that of the baroqueconcerto grosso and the early classical sonata cycle. The neoclassical tendency is evident above all in the articulation of the musical structure in keeping with the rigours of periodicity and the manner of developing thematic threads derived fromthem while the concertato character of particular movements and the generally linear texture indicate baroque connections. The first movement (Allegro) - in the form of an early classical sonata allegro - begins with a subject with energeticfigurations emblematic for the whole piece and based on a constant pendulum-like semiquaver movement anchored securely on D. It is precisely because of the nature of this subject that Bacewiczs work has been compared to the Brandenburg Concertosby Jan Sebastian Bach The second movement (Andante) while retaining its concertato charakter is at the same time an example of the composers ability to create emotionally serene lyrical moods and her sense of cantilena derived from the spiritof romantic song (a motto-subject presented at the beginning by cello solo). In this movement it is both the process of evolution and the instrumental colouring which constitute the constructional agents forming here a self-containedvalue. In thethird movement (Vivo) the composer returns to her favourite type of music understood as an expression of pure motion in the form of figural motives with infinite transformational possibilities. The spontaneity of the music the constant mutabilityof the tonal situations and the sophisticated acerbic harmonies - as Witold Lutosawski described them - form a colourful mosaic built in the structural skeleton of a sonata rondo. Concerto for String Orchestra is not only proof of thestylizing tendency of the composer but also of an unerring intuition concerning the technical and expressive possibilities inherent in a string instruments ensemble. [Magorzata Gsiorowska translated by Ewa Cholewka]
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John McCabe: Pilgrim Sextet For Strings (Parts): String Ensemble: Instrumental
String Orchestra
[Sheet music]
Novello & Co Ltd.
The composer writes:Pilgrim was inspired it will be no surprise to learn by re...
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The composer writes:Pilgrim was inspired it will be no surprise to learn by reading Bunyan's Pilgrim's Progress - Vaughan Williams's great opera on the subject had fascinated me from its first performance yet it was a long time before I caught up with this essential item in any well-stocked library of English classics. It made a great impression not least because of its theme of a journey of self-discovery and a rediscovery or renewal of faith. These are ideas which have a strong interest for me not in religious terms but in their application to every aspect of human life (including great journeys) and this piece reflects my response in musical terms to this concern. The tempo of the whole piece which lasts about 18 minutes is basically slow. There are two quick episodes but these act somewhat like the trio sections of a classical scherzo save that the tempo relationships are inverted (the classical trios would have been slower not quicker) and the canvas is much larger being that of a single substantial slow movement. The form of the whole is perhaps fantasia-like rather than having any relationship to classical forms such as sonata or rondo - some motifs and themes are varied as the work develops and the opening chords are of primary importance throughout the work. There has been no attempt to convey any pictorial elements deriving from Bunyan's great book. There is however one feature which upon completion of the score struck me with some force which is that almost all the thematic material is essentially striving upwards - there is a constant upward movement (sometimes over a lengthy period) throughout the work. Pilgrim was commissioned by the Luton Music Club for the Raphael Ensemble with funds provided by the Eastern Arts Board and Bedfordshire County Council and is dedicated to the Luton Music Club. The first performance was given in Luton on February 10th 1997 and followed as part of a joint scheme by performances in the same week at the Music Clubs of Bedford and Leighton Buzzard.
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Michael Finnissy: Multiple Forms Of Constraint: String Ensemble: Instrumental
String Orchestra
Oxford University Press
In this piece a solo (for the first violin) runs parallel to a trio (violin vio...
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In this piece a solo (for the first violin) runs parallel to a trio (violin viola cello) but is independent in metre speed and style. The title is from Foucault: 'Truth is a thing of this world: it is produced only by virtue of multiple forms of constraint.' The work was commissioned in 1997 for the Kreutzer Quartet.
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Robert Washburn: Serenade for Strings: String Ensemble: Score
String Orchestra
Oxford University Press
Robert Washburn's Serenade For Strings for string orchestra or string quartet.
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Robert Washburn: Serenade for Strings: String Ensemble: Part
String Orchestra
Oxford University Press
Robert Washburn's Serenade For Strings for string orchestra or string quartet.
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Robert Washburn: Serenade for Strings: String Ensemble: Part
String Orchestra
Oxford University Press
Robert Washburn's Serenade For Strings for string orchestra or string quartet.
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Robert Washburn: Serenade for Strings: String Ensemble: Part
String Orchestra
Oxford University Press
Robert Washburn's Serenade For Strings for string orchestra or string quartet.
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Robert Washburn: Serenade for Strings: String Ensemble: Part
String Orchestra
Oxford University Press
Robert Washburn's Serenade For Strings for string orchestra or string quartet.
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Nicole Buetti: Sforza!: String Ensemble: Score and Parts
String Orchestra
[Score and Parts]
Forton Music
Sforza!
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Thea Musgrave: Green for twelve strings (Full Score): String Ensemble: Score
String Orchestra
[Sheet music]
Novello & Co Ltd.
Commissioned by the Scottish Ensemble first performed on 15th December 2008 at Q...
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Commissioned by the Scottish Ensemble first performed on 15th December 2008 at Queen’s Cross Church Aberdeen. Programme note 'This short work is about conflict – expressed here by the clash of opposing musical forces. One ‘force’ an ‘arioso’ is based around the harmonic field of E and is melodic tonal straightforward and at times emotional. It is mainly led by the first violin. The other ‘force’ led by the double bass is strongly discordant [at first a single note F latergradually growing to a giant cluster]. It is essentially chordal [non-melodic] static suffocating inexorable and impersonal. Its only contrast is getting louder or getting softer getting denser or less dense. The interruption of the opening ‘arioso’ by a single note F on the double bass is at first not very threatening and the reaction to it is one of surprise. Later as the threat increases so the reaction becomes stronger; at first one of irritation then anger. A passionate outburst on the violins follows which falls on deaf ears. Then a solo violin solo viola and solo cello all appeal in turn: still no response. Finally only fragments of the original ‘arioso’ are heard before dying away. Whereas near the
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Scarborough Fair - For Beginning String Orchestra: String Orchestra: Score and
String Orchestra
[Sheet music]
FJH
Arranged by Brian Balmages. Extensive harmonies and soaring melodic lines contri...
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Arranged by Brian Balmages. Extensive harmonies and soaring melodic lines contribute to this sensitive setting of the ever-popular song Scarborough Fair. The opening lines hint at the melancholy nature of the music which eventually transforms into a rich sonority of sweeping harmonies and countermelodies. Although scored for beginners the work is orchestrated so that advanced groups will enjoy playing it as well. Forever memorable!
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Béla Bartók: Divertimento For String Orchestra: String Orchestra: Study Score
String Orchestra
Boosey and Hawkes
The study score of Bela Bartok's Divertimento for String Orchestra. Written in 1...
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The study score of Bela Bartok's Divertimento for String Orchestra. Written in 1939 the piece is the last of Bartok's European writing before his intended flee to America to escape the war. Characterised by his fascinating use of Balkan harmonies and tonalities the writing represents Bartok's increasingly classical clarity of form and texture. The small-format study score is ideal for students of music or as a convenient reference for conductors and musicians. Hawkes Pocket Score edition 28.
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Orff Carl - Music From Carmina Burana (o Fortuna) - String Orchestra With Piano And Percussion
String Orchestra
Schott
for string orchestra with piano and percussion Instrumentation : string orchest...
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for string orchestra with piano and percussion Instrumentation : string orchestra with piano and percussion Version : score and parts Description : This arrangement of the world-famous hit 'O Fortuna' is intended for school orchestra and amateur ensembles, allowing amateur orchestras to give impressive performances of Orff's masterpiece. For this purpose, the violins can be played in the first or third register throughout. Additional parts, also for violins, have been added as a replacement or reinforcement of the viola section. As usual, the sound can be reinforced by means of additional instruments (piano and a little percussion).Date de parution : 26/03/2007 Nombre de pages : 46 Format : New Edition portrait
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John McCabe: Pilgrim String Sextet: String Ensemble: Score
String Orchestra
[Sheet music]
Novello & Co Ltd.
The composer writes:Pilgrim was inspired it will be no surprise to learn by re...
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The composer writes:Pilgrim was inspired it will be no surprise to learn by reading Bunyan's Pilgrim's Progress - Vaughan Williams's great opera on the subject had fascinated me from its first performance yet it was a long time before I caught up with this essential item in any well-stocked library of English classics. It made a great impression not least because of its theme of a journey of self-discovery and a rediscovery or renewal of faith. These are ideas which have a strong interest for me not in religious terms but in their application to every aspect of human life (including great journeys) and this piece reflects my response in musical terms to this concern. The tempo of the whole piece which lasts about 18 minutes is basically slow. There are two quick episodes but these act somewhat like the trio sections of a classical scherzo save that the tempo relationships are inverted (the classical trios would have been slower not quicker) and the canvas is much larger being that of a single substantial slow movement. The form of the whole is perhaps fantasia-like rather than having any relationship to classical forms such as sonata or rondo - some motifs and themes are varied as the work develops and the opening chords are of primary importance throughout the work. There has been no attempt to convey any pictorial elements deriving from Bunyan's great book. There is however one feature which upon completion of the score struck me with some force which is that almost all the thematic material is essentially striving upwards - there is a constant upward movement (sometimes over a lengthy period) throughout the work. Pilgrim was commissioned by the Luton Music Club for the Raphael Ensemble with funds provided by the Eastern Arts Board and Bedfordshire County Council and is dedicated to the Luton Music Club. The first performance was given in Luton on February 10th 1997 and followed as part of a joint scheme by performances in the same week at the Music Clubs of Bedford and Leighton Buzzard.
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Sound Innovations For String Orchestra: Sound Development (Advanced)
String Orchestra
Alfred Publishing
Sound Innovations: développement sain for Advanced String Orchestra poursuit l'...
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Sound Innovations: développement sain for Advanced String Orchestra poursuit l'accent sur ??la lecture avec une caractéristique, belle sonorité, mais aussi met l'accent sur ??des échelles 3 d'octave, en particulier les échelles que les étudiants auront besoin pour les auditions régionales et tous-Etats. Compétences techniques avancées sont présentées en quatre niveaux, conformément à la structure des innovations de son révolutionnaire: (1) Tone Sound, (2) Son archet, (3) Son décalage et (4) Balances sonores et arpèges. Les niveaux peuvent être utilisés dans l'ordre qui est le mieux pour vos élèves, comme chaque warm-up, ou sous forme d'unités structurées. Le livre idéal pour suivre un développement judicieux pour Intermediate String Orchestra, ou pour tout un ensemble de cordes avancé ou apprenant individuel, vos élèves perfectionnera la bonne utilisation de l'arc, coups d'archet, déplacement, et les échelles 3 d'octave. / Orchestre A Cordes
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Exhiliration (FORD COOPER)
String Orchestra
[Score and Parts]
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Beginner
Alfred Publishing
Par FORD COOPER. Many special experiences are joyful or thrilling, such as flyin...
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Par FORD COOPER. Many special experiences are joyful or thrilling, such as flying for the first time, a big sports moment, or the excitement of a first concert. Whatever it might be, Cooper Ford's Exhilaration is a musical expression of the emotions that come from these memorable moments. Young musicians should find this both easily accessible and fun to play, as melodies are passed around to different sections while reinforcing foundational rhythms, notes within a D major scale, and playing with a big sound. Written with the young orchestra in mind, 2nd violin and viola parts are doubled, as well as cello and string bass. (1:40) This title is available in SmartMusic. / Date parution : 2022-10-12/ Répertoire / Orchestre à Cordes
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Vagn Holmboe: Concerto No.11 Op.44 For Trumpet And Orchestra: String Orchestra:
String Orchestra
Wilhelm Hansen
Vagn Holmboe's Concerto No.11 Op.44 For Trumpet And Orchestra is part of a serie...
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Vagn Holmboe's Concerto No.11 Op.44 For Trumpet And Orchestra is part of a series of 'Chamber' concertos written for soloists with smaller accompaniment groups. Concerto no.11 is based upon the concertos of Joseph Haydn and features the fast-slow-fast formal structure typical of the Classical concerto. Holmboe's melodic writing is modelled upon the motivic and thematic developments that are highly characteristic of Haydn's melodic constructions lending the work a timeless air.
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Mack Wilberg: Lament: String Orchestra: Full Score
String Orchestra
Oxford University Press
Lament by Mack Wilberg for String Orchestra with optional Organ.This moving pie...
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Lament by Mack Wilberg for String Orchestra with optional Organ.This moving piece for String Orchestra is full of pathos and emotion. Stylistically evocative of Samuel Barber's Adagio for Strings and the distinctive musical language of Arvo Pärt Lament is based around a two-bar arching ostinato artfully developing musical fragments and enriching the texture to reach a powerful central climax. This is a welcome addition to the String Orchestra repertory.This piece was recorded on the 2019 Mormon Tabernacle Choir and Orchestra CD Tree of Life under the title 'And Wept Bitterly (Lament on an Ostinato for StringOrchestra)'.
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Mack Wilberg: Lament: String Orchestra: Parts
String Orchestra
Oxford University Press
Lament by Mack Wilberg for String Orchestra with optional Organ.This moving pie...
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Lament by Mack Wilberg for String Orchestra with optional Organ.This moving piece for String Orchestra is full of pathos and emotion. Stylistically evocative of Samuel Barber's Adagio for Strings and the distinctive musical language of Arvo Pärt Lament is based around a two-bar arching ostinato artfully developing musical fragments and enriching the texture to reach a powerful central climax. This is a welcome addition to the String Orchestra repertory.This piece was recorded on the 2019 Mormon Tabernacle Choir and Orchestra CD Tree of Life under the title 'And Wept Bitterly (Lament on an Ostinato for StringOrchestra)'.This complete set of parts includes: 4 x vln I 4 x vln II 3 x vla 2 x vc and 1 x db.
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Antonio Vivaldi: Concerto for Three: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
Taken from Concerto Grosso Op. 3 (also known as L'estro Armonico “Harmon...
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Taken from Concerto Grosso Op. 3 (also known as L'estro Armonico “Harmony of the Soul”) this unique edition offers the opportunity to feature three of your best players (two violins and one viola) as asoli group accompanied by the larger string orchestra. A great opportunity to perform a distinctive Baroque work in a setting that's refreshingly different than the standard string orchestra format. Dur: 2:30
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Stephen Schwartz: For Good (Duet Feature from Wicked): String Ensemble: Score &
String Orchestra
Hal Leonard
The musical Wicked continues its phenomenal run placing it clearly in the upper...
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The musical Wicked continues its phenomenal run placing it clearly in the upper ranks of Broadway successes. This memorable duet between characters Glinda and Elphaba is transformed into a dramatic moment for stringorchestras. Jim's flexible format allows you to feature either two violins or a violin and viola. The ensemble accompaniment can also be used with two vocalists.
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Carl Orff: Music from Carmina Burana (O Fortuna): String Orchestra: Score
String Orchestra
Schott
for string orchestra with piano and percussion-Carl Orff's Music From Carmina Bu...
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for string orchestra with piano and percussion-Carl Orff's Music From Carmina Burana (O Fortuna) for String Orchestra with Piano and Percussion.
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Sadie Harrison: Via Della Fortuna: String Orchestra: Parts
String Orchestra
University Of York Music Press
Via Della Fortuna by Sadie Harrison. Written in 2013 especially for the St. Chri...
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Via Della Fortuna by Sadie Harrison. Written in 2013 especially for the St. Christopher Chamber Orchestra and Donatus Katkus.6; for String OrchestraWorld premiere: 25th April 2013 St. Katharine'sChurch Vilnius St. Christopher Chamber Orchestra conducted by Donatus Katkus.UK premiere: 10th May 2013 Cardiff Millennium Centre Vale of Glamorgan Festival.I - Casa di Caccia Antica (The House of the AncientHunt)II - Casa degli Amorini Dorati (The House of the Golden Cupids)III - Casa del poeta tragico (The House of the tragic poet)IV - Return to the Casa di Caccia Antica and northwards to Lithuania and the Amber Road(Gintaro Kelias)The piece is in four short movements each taking its title from one of the houses that line the main streets in Pompeii. Borrowing Mussorgsky's 'Promenade' from Pictures at an Exhibition the piece has twowalkers (violas) who take the listener with them onto the Via Della Fortuna then lead them from house to house. Several amber objects were found within the houses linking Pompeii with Lithuania. The lastmovement returns to the House of the Ancient Hunt then heads northwards along the Gintaro Kelias. The jubilant closing music refers to an earlier work (Geda's Weavings) based on Lithuanian folksongs.
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Sadie Harrison: Via Della Fortuna: String Orchestra: Score
String Orchestra
University Of York Music Press
Via Della Fortuna by Sadie Harrison. Written in 2013 especially for the St. Chri...
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Via Della Fortuna by Sadie Harrison. Written in 2013 especially for the St. Christopher Chamber Orchestra and Donatus Katkus.6; for String OrchestraWorld premiere: 25th April 2013 St. Katharine'sChurch Vilnius St. Christopher Chamber Orchestra conducted by Donatus Katkus.UK premiere: 10th May 2013 Cardiff Millennium Centre Vale of Glamorgan Festival.I - Casa di Caccia Antica (The House of the AncientHunt)II - Casa degli Amorini Dorati (The House of the Golden Cupids)III - Casa del poeta tragico (The House of the tragic poet)IV - Return to the Casa di Caccia Antica and northwards to Lithuania and the Amber Road(Gintaro Kelias)The piece is in four short movements each taking its title from one of the houses that line the main streets in Pompeii. Borrowing Mussorgsky's 'Promenade' from Pictures at an Exhibition the piece has twowalkers (violas) who take the listener with them onto the Via Della Fortuna then lead them from house to house. Several amber objects were found within the houses linking Pompeii with Lithuania. The lastmovement returns to the House of the Ancient Hunt then heads northwards along the Gintaro Kelias. The jubilant closing music refers to an earlier work (Geda's Weavings) based on Lithuanian folksongs.
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Great Music for String Orchestra: String Orchestra: Part
String Orchestra
Meredith Music
A Conductor's Guide to Program Development Featuring the Top 100 Intermediate an...
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A Conductor's Guide to Program Development Featuring the Top 100 Intermediate and Advanced Works-This comprehensive guide of intermediate and advanced repertoire highlights 100 of the best compositions and arrangements in print. Annotated in detail – metric and key design performance and program notes alternatechoices of music – it represents all styles of classical and popular music. A grading scale considers both stylistic and technical challenges. Performance topics include repertoire selection program design rehearsaltechniques and score preparation. Music lists from the Renaissance string folios patriotic music arranged for string orchestra and a current contact list of publishers/distributors are included. An invaluable resource for thestring teacher performer and conductor.
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William Lloyd Webber: The Moon - a miniature for string orchestra: String
String Orchestra
Spartan Press
a Miniature for String Orchestra-Full score plus set of 10 parts: 3 x vln1 2 x ...
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a Miniature for String Orchestra-Full score plus set of 10 parts: 3 x vln1 2 x vln2 2 x vla 2 x vcl 1 x db. Separate parts available individually promptly and at little cost. Julian writes: 'My father composed his four part song 'The Moon' in 1959 to words by W.H Davies. The text as in so many of his word settings equates nature with humanity: 'Thy beauty haunts me heart and soul'. Although 'The Moon' remained unperformed until his centenary year in 2014 he evidently felt strongly enough about it to create this miniature for string orchestra.'
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Andrew H. Dabczynski: Return To Waterford: String Orchestra
String Orchestra
[Score and Parts]
Alfred Publishing
This tender flowing waltz conveys a sense of peaceful nostalgia reflecting his...
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This tender flowing waltz conveys a sense of peaceful nostalgia reflecting his family's long association with the pastoral village of Waterford Maine. This enchanting piece provides an opportunity for young string players to master graceful phrasing and smooth legato bowing. Totally approachable for intermediate players yet appropriately challenging for more advanced musicians it includes a delightful optional harp/piano part. An original fiddle waltz written to celebrate the wedding of the composer's daughter this piece will transport audiences and complement any string orchestra program.
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Karl Heinz Keinemann: Forum Zupfmusik: Mandolin Ensemble: Score
String Orchestra
[Sheet music]
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Intermediate
Peer Musik Verlag
Toccatissimo-Toccata (from the Italian toccare 'to touch to hit') is one of the...
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Toccatissimo-Toccata (from the Italian toccare 'to touch to hit') is one of the oldest names for instrumental pieces and describes a musical form that is usually comprised of several parts. Each part is constructed from a musical idea such as for example chords runs or imitations of a short motive.Toccatissimo is a composition that consists of several parts executed in different tempos. The main key is G-major. The work begins with fast runs that move in upward and downward sequences. After this a quiet motive follows with fast interjections following from the first part this time however in A-major. The next theme in A minor alternates between 4/4and 3/4 measures. After a short cadence a merry waltz sounds which is then followed once again by the first part in G-major. After a short cadence a blues is performed that is interrupted by a rhythmic block. The quiet section that now follows segues to the first motive as a fiery finale.
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Antonín Dvo?ák: Serenade for String Orchestra E major op. 22: String Orchestra:
String Orchestra
Barenreiter
Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular an...
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Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular and frequently played works. It was written in the spring of 1875 when he had just experienced his first successes at the conductor?s podium and had received a state arts scholarship. The score and parts were published by Bote & Bock Berlin in 1879.This Urtext edition is based on the composer?s autograph score. It corrects mistakes found in the first edition and so for the first time the editor incorporates omitted passages from the autograph marking them with Vi-de. This reconstruction makes it possible to clarify the piece?s structure. The author of theForeword Kate ina Nová is head of the Dvo ák Museum in Prague.Detailed Foreword by Kate ina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng)Including Vi-de passages from the autograph scoreFull score & parts (BA10423) available for sale
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