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Viola da Gamba
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Balalaika (10)
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Abel C.f. - The Drexler Manuscript - Viole De Gambe
Viola da Gamba
Guntersberg
29 pieces for viola da gamba solo A1:5?33, edited by Leonore and Günter von Zad...
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29 pieces for viola da gamba solo A1:5?33, edited by Leonore and Günter von Zadow. In our edition for practical use, the few mistakes are corrected and documented in an extensive Critical Report. In the main section, we have retained the original treble clef. A supplement that is notated in alto and bass clefs as is usual today is enclosed. Edition Güntersberg
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Jean-Louis Charbonnier: Jouer et apprendre la viole de gambe: Viola da Gamba:
Français
Viola da Gamba
Heugel
As a significant string player Jean-Louis Charbonnier had extensive knowledge o...
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As a significant string player Jean-Louis Charbonnier had extensive knowledge of the musical family and was significantly instrumental in the revival of the Viola de Gamba. He compiled numerous prolific books for the instrument Play and Learn the Viola de Gamba being no exception. The Viola de Gamba characteristically has straight back and six or seven strings. However Charbonnier's Play and Learn the Viola de Gamba provides excellent and clear instruction to progression on the instrument. The book addresses general principles of the Viola de Gamba including a diagram of the instrument how to hold theinstrument tuning changing the frets how to hold the bow bowing technique and advice concerning works and editions. For all aspiring players of the Viola de Gamba Charbonnier's Play and Learn the Viola de Gamba provides excellent insight and instruction for beginners.
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Telemann G.p. - 12 Fantaisies - Viole De Gambe
Viola da Gamba
Guntersberg
Editor: Thomas Fritzsch and Günter von Zadow, publication date: 2016-03, source...
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Editor: Thomas Fritzsch and Günter von Zadow, publication date: 2016-03, source: print Hamburg 1735 Description For more than two hundred years, Telemann's unique Fantasias for solo viol remained hidden from the general public until a copy of the original 1735 print was discovered in 2014. We are very happy to be able to make them accessible now to all gambists, and are certain that these Fantasias will soon belong to the standard repertoire of all friends of the viola da gamba. In addition to a preface by Carsten Lange and Thomas Fritzsch, our edition includes a complete facsimile and a modern edition for practical music-making.
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Ortiz Diego - Trattado De Glosas
Viola da Gamba
Barenreiter
Diego Ortiz?s Trattado is a classic in the art of musical ornamentation. Part 1 ...
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Diego Ortiz?s Trattado is a classic in the art of musical ornamentation. Part 1 provides examples of every cadence while part 2 discusses the interplay between viola da gamba and harpsichord, including many pieces for this combination of instruments as illustrations. All lovers of early music are familiar with Ortiz?s standard work, but how many of them have actually read it? This new edition makes the work more accessible by choosing a synoptic layout: the original Spanish and Italian are printed on a double-page spread along with translations into modern German and English. An introduction by Annette Otterstedt explains the Trattado and its origins, the various tunings, and questions regarding the instrument. The musical section has been freshly engraved, and a separate viol part simplifies performances with a keyboard instrument. For the first time, Ortiz?s text is now available to an international readership in the original and in translation at the same time. The Editor Annette Otterstedt is a concert gamba player and musicologist presently employed as an assistant curator at the Music Instrument Museum in Berlin . She has published several books, including Die Gambe (1994; Eng. trans. as The Viol, 2002) and a great many articles on early music. Ortiz, Diego Trattado de Glosas Edition no. BVK 1594 ISBN 9783761815946 Detailed product information Editor Otterstedt, Anette Language(s) of work Spanish, Italian, English, German Product format Book Binding Hardback Pages / Format 125/24 S. - 33,0 x 25,0 cm
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Jean-Louis Charbonnier: LArt de Jouer La Basse de Viole - Vol. 1: Viola da
Viola da Gamba
Heugel
Written in French by Pierre Jacquier and Jean-Louis Charbonnier L'Art De Jouer...
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Written in French by Pierre Jacquier and Jean-Louis Charbonnier L'Art De Jouer La Basse De Viole ? Vol. 1 is a method for beginners who want to discover this instrument. The book introduces the player to the history of the Viola da Gamba and to the necessary techniques to be able to play. The book is divided as per below as if it were a game: the first part ?Pieces of the game? explains where the instrument comes from and the ?Rules of the Game? part gives directions to follow to be able to play the instrument. It includes scales studies scales and small pieces as well asadvice. This really interesting volume requires some solid music theory knowledge.
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Sainte-colombe - Pour La Basse (manuscrit De Tournus) - Viole De Gambe
Viola da Gamba
Guntersberg
Sainte-Colombe (2nd half of 17th century) Pour la Basse The pieces for Viola da ...
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Sainte-Colombe (2nd half of 17th century) Pour la Basse The pieces for Viola da Gamba solo from the manuscript M.3 of the Bibliothèque municipale of Tournus In 1992, in the French town of Tournus, an extensive anonymous music manuscript was discovered, which for insiders was nothing less than a sensation. For it turned out that 143 of the pieces in this collection of music for viola da gamba solo were by Sainte-Colombe, the most important viol player and composer in France before Marin Marais. Since, for various reasons, the manuscript is not easy to read for today?s players, we present here for the first time a practical edition that contains all of Sainte-Colombe?s pieces from the Tournus manuscript. The transcription into modern notation has been done with great care, and the original notation retained wherever possible. Sainte-Colombe?s music is so interesting for the performer because it violates many compositional and musical rules, and as a result often seems improvised. Its soothing and frequently melancholy character is unique. It represents a challenge that every viola da gambist should take upon him/herself.
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Gruemmer P. - Viola Da Gamba School
Viola da Gamba
Simrock
For Violoncellists and Lovers of the Viola da gamba viola da gamba - German - En...
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For Violoncellists and Lovers of the Viola da gamba viola da gamba - German - English - French composer: Gruemmer, Paul
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Allerheiligentag IV für Viola da gamba (LINJAMA JYRKI)
Viola da Gamba
[Sheet music]
Fennica Gehrman
Allerheiligentag IV for viol. Par LINJAMA JYRKI. The material for Jyrki Linjama'...
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Allerheiligentag IV for viol. Par LINJAMA JYRKI. The material for Jyrki Linjama's Allerheiligentag cycle is a Finnish folk chorale for All Saints' Day (no. 146 in the Finnish Hymn Book). The first work in the cycle is a string trio (2007), the second a piece for orchestra (2009), and the fourth and fifth are solo works for viola da gamba (2018) and violin. The composer tells: 'The choice of topic and material was originally influenced by the place where the string trio would be premiered - the old church on the island of Seili (Själö) in the Turku archipelago. The bleak history of the mental hospital on the island invited images of suffering and death. I got so attached to the fine, bleak melody that this series of works began to emerge.' / Date parution : 2022-05-31/ Répertoire / Viole de Gambe
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Coprario J. - The Six-part Pieces - Ensemble De Violes
Viola da Gamba
Prb productions
Eight six-part viol consorts in Italian madrigal style, edited by Richard Charte...
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Eight six-part viol consorts in Italian madrigal style, edited by Richard Charteris. Two of the consorts have Italian text underlay, which is included in the parts. Extensive introduction, textual commentary, and translations of the two texts.
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Marais M. - Suite G Major - Viole De Gambe
Viola da Gamba
Guntersberg
Marin Marais (1656-1728) Compositions from the First Book for two violas da gamb...
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Marin Marais (1656-1728) Compositions from the First Book for two violas da gamba and basso continuo Editor: Günter and Leonore von Zadow, publication date: 2014-06, continuo realization: Dankwart von Zadow, source: Pieces a une at a deux violes [Premier Livre], Paris 1686-1869 Description Marais' music represents for many the pinnacle of the French viol literature, and the facsimile reproductions of his five books are widely distributed among gambists. For all those who prefer not to play from facsimiles, Edition Güntersberg has issued the suites for two viols from the First Book in modern practical editions. Besides the three part books our editions contain a score, which serves for a better orientation of the continuo players. In addition, for harpsichord players who want to get used to this music we provide a second score, which contains a thoroughly conceived continuo realization. Our viol parts show all performance instructions of the original and are structured in such a way that players as far as possible need not turn pages within movements. The editions contain an instructive introduction in German, English and French.
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Maynard J. - Seven Pavins For Lyra V& Bass Viols
Viola da Gamba
Prb productions
John Maynard (b. 1577) composed these seven pavans, for lyra viol and bass viol,...
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John Maynard (b. 1577) composed these seven pavans, for lyra viol and bass viol, as a supplement to his 12 Wonders of the World, a collection of lute songs. Edited by Joëlle Morton.
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Complete and progressive Method for Viol 1: Instrumental Tutor
Viola da Gamba
Ut Orpheus
Complete and Progressive Method for the Viol by Paolo Biordi and Vittorio Ghielm...
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Complete and Progressive Method for the Viol by Paolo Biordi and Vittorio Ghielmi - Volume 1. Contents: 1. Open strings 2. Left hand first position 3. Bowing and barring 4. Slurring and bowing 5. String crossings 6. Slurring across two strings 7. Extension of the first finger 8. Half position 9. Horizontal fingering 10. Changing positions (first and half positions) 11. Advanced position 12.Review 13. More on string crossings 14. Exercises for the left hand and bowing strokes 15. Alto clef 16. Double stops 17. Review 18. Staccato and dotted notes 19. Exercises and bowing strokes 20. Fourth position Appendix: Scales and arpeggios Progressions in each tonality
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Viole De Gambe - 3ème Cycle - Vol.1
Viola da Gamba
Anne Fuzeau Productions
Simpson - Telemann - Schenk - Dollé - CouperinTable des matières :Christopher ...
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Simpson - Telemann - Schenk - Dollé - CouperinTable des matières :Christopher SIMPSON - : The Division-Viol - London, 1659Ground en Ré majeurGeorg Philipp TELEMANN - : Der Getreue Music-Meister - Hamburg, 1728Fünfzehnte Lection (Andante, Vivace)Johann SCHENK - : L'Echo du DanubeSonata VCharles DOLLE - : Pièces de viole - Paris, 1737FantaisieFrançois COUPERIN - : Nouveaux Concerts- Paris, 1724Douzième Concert à deux violes / Viole De Gambe / 16 pages / niveau : 1 / Fac-Similés - Format: 22 X 31
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Giner Bruno : Plainte Pour Basse De Viole
Viola da Gamba
Dhalmann
Collection Maïa, musique d'aujourd'hui sur instruments anciens, dirigée par Er...
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Collection Maïa, musique d'aujourd'hui sur instruments anciens, dirigée par Eric Fischer' La vision première de l'oeuvre est sonore, fugace, violente et définitive. Et puis... et puis vient le temps de l'écriture...une errance chargée d'encre et de papier, tentative d'écrire dans sa propre langue ce qu'on ne sait pas encore écrire 'Né en 1960 à Perpignan, Bruno Giner commence ses études musicales à Toulouse, puis dans sa ville natale et à Barcelone. A Paris, il suit régulièrement les cours de Pierre Boulez au Collège de France et travaille la composition (électroacoustique et instrumentale) successivement avec Luis de Pablo, Ivo Malec et Brian Ferneyhough.Aujourd'hui, ses oeuvres sont jouées dans de nombreux festivals français et internationaux, et sont interprétées par différents ensembles de musique contemporaine (Aleph, Sic, Fa, L'instant donné, Grame, Nomos, Motus, Intercontemporain, Quatuor Arditti, Klangheimlich, Frullato, Xasax, Ars Nova Nürnberg, Ixtla, Slowind). ' Ce n'est pas la moindre qualité de la musique de Bruno Giner que de nous permettre de mesurer l'étendue de nos préjugés (enfin, je parle pour moi), a écrit Bertrand Dubedout. Restons à l'écoute. Ce compositeur, dont la réflexion et la démarche se nourrissent aussi bien de Boulez ou Ferneyhough, que de Schaeffer ou de Malec, et qu'une insatiable curiosité conduit aussi bien chez Schumann ou Machaut que chez les Pygmées, nous réserve encore bien des surprises, nous mijote bien des émerveillements 'Son catalogue comporte des pièces pour solistes, des partitions de musique de chambre, de la musique vocale, orchestrale, des oeuvres pour l'apprentissage, etc. Sa musique révèle un caractère charnel, parfois virtuose, une énergie canalisée par la formalisation d'une écriture rigoureuse qui n'empêche pas un travail plus empirique sur la morphologie et la matière sonore.En 1998, Bruno Giner reçoit le Prix Hervé Dugardin décerné par la SACEM pour l'ensemble de son oeuvre.Parmi ses dernières compositions, citons Paraphrase sur ' Guernica ' de Paul Dessau pour clarinette, violoncelle, piano et percussions (2003), TCP 17 pour harpe, guitare et mandoline (2005), Clameurs, concertino pour deux percussions et ensemble à vents (2006), Charlie opéra de chambre d'après Matin brun de Franck Pavloff (2007), Extra pour huit violoncelles (2007-2008), Quatuor #3 pour quatuor à cordes et percussion (2008). Parallèlement à ses activités compositionnelles, Bruno Giner a régulièrement collaboré à différentes revues musicales, encyclopédies ou labels discographiques (The New Grove, La Lettre du Musicien, Les cahiers du CIREM, Musica falsa, Motus, etc). Par ailleurs, il signe trois livres : Musique contemporaine : le second vingtième siècle (Editions Durand, 2000), Toute la musique ? (Editions Autrement Junior, 2003), De Weimar à Térézine 1933-1945 : l'épuration musicale (Editions Van de Velde, 2006). / Cordes, Viole De Gambe Et Solo
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Art De Jouer La Basse De Viole Vol.1 (CHARBONNIER / JAQUIER)
Viola da Gamba
[Sheet music]
Heugel
Par CHARBONNIER / JAQUIER. Written in French by Pierre Jacquier and Jean-Louis C...
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Par CHARBONNIER / JAQUIER. Written in French by Pierre Jacquier and Jean-Louis Charbonnier, L'Art De Jouer La Basse De Viole
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Sonata And 2 Other Pieces
Viola da Gamba
Schott
/ Alto De Gambe
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12 Lessons On The
Viola da Gamba
Schott
/ Alto De Gambe
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The Division Viol
Viola da Gamba
[Sheet music]
Hofmeister Musikverlag
/ Alto De Gambe / Partition
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