Book with Audio and Video Access. Preface by Jay Ungar, composer of Ashokan Farewell. A Festival of Violin

Two fantasies on the thematic fragments from the string quartets.-'- Two fantasies on the thematic fragments from the 9th & 3rd string quartets of Paisiello.Matthias Pintscher was born in Marl in North Rhine-Westphalia Germany in 1971 and studied composition with Giselher Klebe and Manfred Trojahn. Formative influences were his encounters with Hans Werner Henze who invited him to Montepulciano in 1991 and 1992 and with Helmut Lachenmann Pierre Boulez and Peter Eötvös. Awards include first prize in the Hitzacker Composition Competition (1992) the Rolf Liebermann Prize and the Opera Prize from the Körber Foundation Hamburg (1993 and 1996) the Prince Pierre de Monaco Prize (1999) Composition Prize from the Salzburg EasterFestival and the Hindemith Prize from the Schleswig Holstein Music Festival (2000). In 2002 he was awarded the Hans Werner Henze Prize (Westphalian Music Prize). Pintscher first came to international attention with the opera Thomas Chatterton at the Semper Opera Dresden (1998) and later with his second opera L'espace dernier at the Opéra National de Paris (2004). He was composer-in-residence with the Cleveland Orchestra in 2002 the following seasons at the Konzerthaus Dortmund Lucerne Festival with the Radio Symphony Orchestra Saarbrücken at the Philharmonie Cologne and at the RSO Stuttgart . From 2010 onwards Pintscher is ?Artist-in-Association? at the BBC Scottish Symphony Orchestra since 2014 Artist-in-residence at the Danish Radio Orchestra. As a conductor Matthias Pintscher works regularly with leading orchestras and ensembles in Europe and the USA. From 2007 to 2009 he was Professor of Composition at the University of Music and Performing Arts Munich and 2010 to 2011 at the New York University. He is Music Director of the Ensemble intercontemporain and since the 2013 14 season. As of September 2014 he is Professor for composition at the Juilliard School of Music New York.

Music Minus One Violin-This Bach concerto is one of his most popular and a magical excursion for player and audience alike. Contains a printed score and a compact disc featuring the concerto in split-channel stereo with the violinist on the right channel then again in a stereo accompaniment version minus the solo violin part. Performed by Geoffrey Applegate violin Accompaniment: Vienna Festival Orchestra Conductor: Franz Litschauer

This unaffected but effective piece is a homage to the late Marjorie Linklater a much-loved friend from Orkney and a charming set-piece for violinists of moderate ability. The slow introductory adagio serves the function of afond elegy proving the simple effect of moving between D minor and D major. It serves the songful quality of the violin as does the wistful central episode of the main sequence; but an exuberant love of the dance is the essenceof the allegro with the high bright sonority of the instrument very much to the fore. It was first performed by Julia Robinson Dean at the St Magnus Festival Orkney on 21st June 1998. Arranged for solo violin. Durationc. 4 minutes.

Allerheiligentag V. Par LINJAMA JYRKI. The material for Jyrki Linjama's Allerheiligentag cycle is a Finnish folk chorale for All Saints' Day (no. 146 in the Finnish Hymn Book). The first work in the cycle is a string trio (2007), the second a piece for orchestra (2009), and the fourth and fifth are solo works for viola da gamba (2018) and Sonata for violin solo (2019). The composer tells: 'The choice of topic and material was originally influenced by the place where the string trio would be premiered ? the old church on the island of Seili (Själö) in the Turku archipelago. The bleak history of the mental hospital on the island invited images of suffering and death. I got so attached to the fine, bleak melody that this series of works began to emerge.' Lasting 17 minutes, the sonata for solo violin has three movements, all of them embracing the folk choral material and Béla Bartók?s influence in different ways. It was premiered by Kaija Saarikettu at the Kaustinen Chamber Music Festival in 2020. / Date parution : 2022-05-31/ Répertoire / Violon

Three Miniatures by George Benjamin for Violin solo. The first performance of A Lullaby For Lalit was given by the Jagdish Mistry in Mumbai Indian on 21st January 2002. The first performance of the complete work in its revised extended version was given by Irvine Arditti at the Jubilee Hall Aldeburgh as part of the Aldeburgh festival in June 2002.

This book presents transcriptions with detailed bowings in tandem with three recorded festival versions (played very slowly at a modest tempo and up-to-tempo) of 35 Appalachian Fiddle tunes. A clearly written description ofold-time style focuses on developing a rhythmic bow by presenting default bowing systems (Nashville shuffle 3-1 bowing bow rocking ghost bows) and other techniques and topics such as anticipations left-hand ornamentation drones chording dissonances altered tunings the concept of swing tips on learning by ear and more.This book and accompanying online audio are designed to be accessible and appropriate for all levels ofplayers.

Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorák used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorák scholar Klaus Döge succeeded in tracking down its location and evaluating this important source for the first time. It contains the 'Fassung letzter Hand' and, moreover, offers valuable insights into Dvorák's conducting workshop. It served as the principal source for the Breitkopf Urtext edition./ Répertoire / Violon 1 (Partie Séparée)

Cette oeuvre fut écrite pour la violoniste suisse Noëmi Schindler à partir du long solo présent dans Messe un jour ordinaire (1994).Elle en donna la création au Kongresshaus de Zurich en mai 1995 et dans sa version définitive au Festival Présence de Radio-France en février 1996.Fauve signifie tout autant une couleur située entre le jaune et le roux, un animal sauvage, qu'un mouvement de peinture ou l'idée du ' non apprivoisé '.Si tout au long du parcours, les pièces ne font pas référence avec l'une ou l'autre de ces définitions, il y a dans cette musique de toute évidence, une résonance implicite avec chacune d'entre elles.Des six pièces, la troisième et la quatrième reprennent thématiquement les éléments des deux premières. Il est ainsi possible d'enchaîner ces pièces de manière à constituer un cycle plus court : 1 - 2 - 5 6 ou 3 - 4 - 5 - 6. / Violon

A vous rêve la nuit dernière qui vous se trouvait près d'un grand violoniste alors qu'il jouait chacun lécher, chaque coup, chaque doigté reprises au ralenti ? Gros plans de doigté et de s'incliner étudient style de rendre l'apprentissage Kenny facile ! Kenny couvre 11 de ses mélodies a demandé la plupart, y compris Jérusalem Ridge - Windy City - Festival Waltz - premier jour dans la ville - herbeux Fiddle Blues - Denver Belle - route de Columbus - Kelly Lynn Waltz - Indien tué un Woodcock - danse avec Me Kenny - et Shushi. DVD inclut la notation musicale à l'écran et en format PDF imprimable sur le DVD. / Violon (Traditionnel) / 60 pages / niveau : Intermédiaire / Dvd - Format: 7,5 X 5,25

Par BUTTERWORTH HELEN. This second volume of Helen Butterworth\'s Gems series continues in the vein of the original collection, that of entrancing, original pieces designed for young violinists (with piano or CD accompaniment) in either a reading-based or Suzuki group lesson environment. Both volumes enable players of different levels to perform together; many of the pieces include parts for beginner, elementary, and more advanced players, and can be played successfully in different combinations. The CD includes a full performance of each piece as well as piano accompaniment tracks. Includes reproducible violin parts. Book 1 is available as item 00-35171. A Federation Festivals 2020-2024 selection. / Ensemble Music, Methods

In addition to the many large-scale works for which he is celebrated Elgar also wrote a plethora of songs among them approximately fifty part-songs. Fly Singing Bird is one part of a two-part work that sets the poetry of the composer’s wife. Alice Elgar had published an epic poem Isabel Trevithoe a Cornish love story from which the words of Fly Singing Bird were excerpted.Fly Singing Bird is a delightful early Elgar work that has been popular with Choral concerts and festivals.

In addition to the many large-scale works for which he is celebrated Elgar also wrote a plethora of songs among them approximately fifty part-songs. Fly Singing Bird is one part of a two-part work that sets the poetry of the composer’s wife. Alice Elgar had published an epic poem Isabel Trevithoe a Cornish love story from which the words of Fly Singing Bird were excerpted.Fly Singing Bird is a delightful early Elgar work that has been popular with Choral concerts and festivals.

Julien Bret Sonatine pour violon et clavier De la Seine à la Mer Noire (2015) Cette œuvre commande des Editions Le Chant du Monde a été créée le 14 février 2015 lors du Winter International Arts Festiv