A dozen of the most popular songs from this iconic British songstress! The price of this book includes access to online audio demonstration and backing tracks that allow instrumentalists to slow down the audio without changing pitch, loop for challenging parts, and more. Songs include: All I Ask - Chasing Pavements - Hello - Make You Feel My Love - Million Years Ago - Remedy - Rolling in the Deep - Rumour Has It - Set Fire to the Rain - Skyfall - Someone like You - When We Were Young. / Violon

Voici une partition musicale pour Violon que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique cette partition a pour titre KODAMA I (ESPRIT DE L'ARBRE). C'est l'éditeur Billaudot sous la référence GB4165 qui a les droits pour éditer cette partition. / Violon / Partition

to the violin concerto by Gyorgy Ligeti. Par ADES THOMAS. In a conversation with the violinist Peter Herresthal, we touched on the “invitation” in the score of Ligeti’s Violin concerto to provide a cadenza for the work. Peter suggested that I answer this invitation and I was happy to accept. I followed all the composer’s directions exactly: the cadenza may use material from all five movements, and should be of “hectic” character throughout. I also aimed to write a cadenza of which the closing orchestral coda would be an inevitable result. (Thomas Adès) The cadenza can also be composed by the soloist and can last up to 1-2 minutes. It should be hectic throughout (continuation of the appassionata agitato molto), but can incorporate melodic material ad lib. from all five movements. Towards the end, the tempo should be prestissimo with alternating arco and left hand pizz. in mad virtuosity. The cadenza has no real end and is suddenly interrupted by the orchestra at R (as agreed between soloist and conductor). This interruption occurs suddenly 'as if unprepared'. The soloist should at this point be playing in high positions (on the top string) at maximum velocity. The solo violin abruptly falls silent on the entry of the high woodblock. György Ligeti/ Répertoire / Violon

Par KLIPHUIS TIM. This book/CD set is the first method ever for learning Gypsy Jazz Violin in the style of Stéphane Grappelli. Have you, too, often listened to Grappelli's solos thinking 'I wish I could do that, but it is way over my head?” Here is the answer. Simple theory, licks and stylistic lessons point you towards your first authentic Gypsy Jazz improvisations, which you can try out with the swinging guitar-bass playalong CD rhythm section. Then prepare to tackle six classic Stéphane Grappelli solos, annotated and analyzed for your understanding. To grasp the finesses of sound and timing, there are many sample licks and solos by Tim Kliphuis on the CD as well. It is assumed the student reads music and has a basic command of the instrument. - First method ever for learning Gypsy Jazz Violin in the style of Stéphane Grappelli - Theory and stylistic lessons lead up to improvisation in authentic Gypsy Jazz style - Six classic Grappelli solos fully analyzed for study and understanding - Playalong rhythm section as well as violin licks and sample solos / Niveau : Débutant à Intermédiaire / Jazz - Solos / Recueil / Violon

The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music, listen to the demonstration tracks to hear how the violin should sound, and then play along using the separate backing tracks. The purchase price includes online access to audio for download or streaming. This volume features eight songs: Beyond the Sea · I Love Paris · If We Only Have Love (Quand on N'a Que L'amour) · If You Go Away · La Vie En Rose (Take Me to Your Heart Again) · Let It Be Me (Je T'appartiens) · Milord · Pigalle. Online audio is accessed at halleonard.com/mylibrary 1. Beyond The Sea 2. I love Paris 3. If We Only Have Love (Quand On N'A Que L'Amour) 4. If You Go Away 5. La Vie En Rose (Take Me To Your Heart Again) 6. Let It Be Me (Je T'Appartiens) 7. Pigalle 8. Milord / Violon / Hal Leonard

Par FRANCES-HOAD CHERYL. The Sky Stretched Thin, a four-minute piece for baroque or modern violin, takes inspiration from a poem by Simon Armitage written during lockdown with the same title. The week that I read this newly published poem, I also swam in the (very cold!) saltwater of the River Crouch in Essex for the first time in the year. The view from the middle of the river of land, water and sky seemed to stretch for miles, and the waves of high tide were gentle yet powerful: in this short work I sought to convey the sense of peace and connection to nature that I experienced whilst swimming. ?Cheryl Frances-Hoad, 2021 / Date parution : 2022-09-07/ Répertoire / Violon

Critical Edition Violin Solo Part. Par KORNGOLD ERICH WOLFGANG. This new edition of the violin solo part to the Korngold Violin Concerto in D Major is the first-ever to include Jascha Heifetz's performance notations, edited by Endre Granat, one of his star proteges. Born in Austria, Korngold was forced into US exile by the annexation of Austria by the Nazis. He vowed to give up composing anything other than film music until Hitler was defeated. With the end of World War II, he retired from films to concentrate on music for the concert hall. The violin concerto was the first such work that Korngold wrote following some initial persuasion from violinist and fellow émigré Bronislaw Huberman. Korngold was hurt by the assumption that he had sold his integrity to Hollywood. He was thus determined to prove himself with a work that combined vitality and superb craftsmanship. Korngold composed his Violin Concerto in D major, Op.35, in 1945, dedicating it to Alma Mahler, the widow of his childhood mentor, Gustav Mahler. The work was premiered on February, 15 1947 by Jascha Heifetz and the St. Louis Symphony under conductor Vladimir Golschmann. It received the most enthusiastic ovation in St. Louis concert history at the time. On March 30, 1947, Heifetz played the concerto in Carnegie Hall with the New York Philharmonic conducted by Efrem Kurtz: the broadcast performance was recorded on transcription discs. Heifetz's performance launched the work into the standard repertoire, and it quickly became Korngold's most popular piece. Concerning Heifetz's performance of the work, the composer wrote, In spite of the demand for virtuosity in the finale, the work with its many melodic and lyric episodes was contemplated more for a Caruso than for a Paganini. It is needless to say how delighted I am to have my concerto performed by Caruso and Paganini in one person: Jascha Heifetz./ Répertoire / Violon

41 pieces including tangos, milongas, chamames, zambas and chacareras Ausgabe mit CD - CD - violin - English - German - French A beautiful and wide-ranging collection of 41 great tunes from all over Argentina. This collection features tangos, milongas, chamamés, chacareras, zambas and gatos as well as earlier styles and new compositions. Many pieces are presented as duets and there is the opportunity for the solo violinist to play along with the guitar or bandoneón and second violin accompaniment on the MP3 backing tracks. Summaries of the individual tunes and detailed notes on the music of Argentina enable you to get the best out of this exciting and colourful music. A CD of all pieces played by Ros Stephen accompanies the publication, which is suitable for grade 3 and above. MP3 play-along tracks can be downloaded from the Schott Music website. ?I would recommend this volume to anyone interested in exploring traditional music.? (Sarah Kekus (Chair National Association of Music Educators [NAME] 2010-11) ?This is a really appealing book, and great value for money.? (The Strad) ?Additionally, all pieces are expertly played by violinist Stephen. Her extensive notes on the different styles and tunes enable one to get the best out of this colourful and exciting music.? (Australian Strings Association Journal, Stringendo) Contenu - Por Una Cabeza - El Choclo - El Entrerriano - Comme Il Faut - El Marne - Retintin - Hasta El Dia Del Regresso - El Petirrojo - El Portenito - Milonga Rulito - Milonga Pampeana - Suerte Negra - Mas O Menos - Belgique - La Alabanza - El Rio Dulce - El Violin Del Gaucho - Chacarerea De Nuestros Adios - La Flor Del Chanar - La Pollana - Aguara Pope - Maria Pecuri - Chammame del Jacaranda - Naipi y Taroba - El Urutau - El Coati - Manchay Puito - Gato Cordobes - Gato Correntino - Los Amores - Viva Jujuy - El Cuando - La Arunguita - El Palito - El Escondido - La Remesura - Zamba de Vargas - Amame Mucho - La Familiar - Cuando La Luna Nace - La Gallina Alegre

Instrument : violin Type : performance book Nombre de Pages : 24 Part 2 of Sheila Nelson's Tetratunes Series. Stringsongs develops reading skills begun in Tetratunes, by the use of singing and part-playing. The edition is part of the ABRSM syllabus (grade 2). Content : Anon: Sound for us - Traditional: London's burning - Sheila M. Nelson: Drummer's march - Traditional: Fiddle and flute - Anon: Favourite round - T.H. Bayley: Long, long ago - Traditional: My dame hath a lame, tame crane - Thomas Tallis: Tallis' canon - Sheila M. Nelson: Summer song - Anon: Summer is a-coming in - Sheila M. Nelson: Echo dance - Anon: Ave Maria - Sheila M. Nelson: Idle cowboy - Traditional: Three blind mice - G.F. Handel: Gavotte - Sheila M. Nelson: I sing when I'm happy - Philip Hayes: The rose - Anon: Oh, how lovely is the evening - Sheila M. Nelson: Rumba time - John Jenkins: A boat, a boat - John Arnold: Haste thee, nymph - L. van Beethoven: The flower wondrous-fair - John Hilton: Come, follow - Anon: O my love - Country dance: The four posted bed - Johann Strauss: Emperor waltz - R.A. Eastburn: Little brown jug

Allerheiligentag V. Par LINJAMA JYRKI. The material for Jyrki Linjama's Allerheiligentag cycle is a Finnish folk chorale for All Saints' Day (no. 146 in the Finnish Hymn Book). The first work in the cycle is a string trio (2007), the second a piece for orchestra (2009), and the fourth and fifth are solo works for viola da gamba (2018) and Sonata for violin solo (2019). The composer tells: 'The choice of topic and material was originally influenced by the place where the string trio would be premiered ? the old church on the island of Seili (Själö) in the Turku archipelago. The bleak history of the mental hospital on the island invited images of suffering and death. I got so attached to the fine, bleak melody that this series of works began to emerge.' Lasting 17 minutes, the sonata for solo violin has three movements, all of them embracing the folk choral material and Béla Bartók?s influence in different ways. It was premiered by Kaija Saarikettu at the Kaustinen Chamber Music Festival in 2020. / Date parution : 2022-05-31/ Répertoire / Violon

10 Virtuoso Pieces for Solo Violin. Par IGUDESMAN ALEKSEY. Challenging and unusual concert pieces for the more advanced violinist Aleksey Igudesman takes us to his homeland and then around the world with his own arrangements and humorous compositions for solo violin. Aleksey Igudesman's solution, when considering mistakes that could be made when performing well-known virtuoso pieces, was to '…write my own virtuoso pieces so that in performance I could make my own mistakes without anyone judging me.' He generously invites performers of these works to 'feel free to alter them in any way, be it the rhythm, articulation or even the notes and form.' Performed with great success by Aleksey Igudesman himself Here is the chance to perform these unique and thoroughly enjoyable pieces - just as they are and also have the chance, if desired, to make some creative changes and deliver your own personal message to your audience. Performances of some of these pieces may be viewed at www.alekseyigudesman.com and www.universaledition.com/ue36700 The CD of this sheet music is availble at Orlando Records./ Recueil / Violon

Titres : Gavotte (Bach) Concerto In A Minor / 2nd Movement (Vivaldi) Concerto In G Minor (Vivaldi) Country Dance (Weber) German Dance (Dittersdorf) Gigue From Sonata In D Minor (Veracini) Concerto For Two Violins / 1st Movement , Violin I (Bach)

Part of Eta Cohen's successful Violin Method, these attractive duets are written and arranged by Christine Brown and edited with helpful teaching notes by Eta Cohen. The two equally easy parts use only one finger pattern and are carefully graded to be played along side Starting Right and Book I of the Method The score format helps awareness of the two parts, and the simplicity also allows pupils to concentrate on posture and intonation. / Violon