ABRSM brillant laiton est une série passionnante de pièces de répertoire et des études graduées qui peuvent être joués par n'importe quel instrument en laiton. Brillant 2 Réservez en laiton contient 18 pièces dans une variété de styles différents, spécialement commandées à partir de sept des plus grands compositeurs de la musique pour cuivres écrit aujourd'hui.principales caractéristiquesdeux pièces de chacune des listes A, B et C de la 4 e et 5 de la ABRSM 2013 syllabus pour Eb Horn, Baryton, Euphonium et Tubaun livre pièce unique qui peut être utilisé par des aigus et des basses clef en laiton dont Eb TubaCD contenant des représentations et toutes les pistes d'accompagnementséparée Sib, Mib et livres F accompagnement de piano / Instruments A Cuivres

Par MOZART WOLFGANG AMADEUS. Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a 'donkey” in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well. Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann André. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition./ Répertoire / Conducteur

This is the acoustic Guitar method students and teachers have been waiting for. Learn strumming patterns with songs like 'Across the Universe? and 'Crazy on You,? fingerpicking with artists like Jewel and Metallica, riffs and licks with classics by Red Hot Chili Peppers and Tom Petty, and much more. The method's unique, well-paced, and logical teaching sequence will get students playing more easily than ever before, and music from popular artists like the Rolling Stones, Rush, and John Denver will keep them playing and having fun.Book Two also includes: easy-to-follow tablature- fingerpicking- sixteenth notes- triplets- major scale- basic music theory- the minor pentatonic scale- add and sus chords- lead licks- Travis picking- 6/8 time- using a capo- and more! Also includes nearly 80 riffs and songs with online audio demos of every example. / Guitare

This book is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn. Think of Hip Licks for Saxophone Volume 2 as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing. Hip Licks for Saxophone Volume 2 is an indispensable resource that shows you how a professional player would deal with many of the complex chord progressions found in popular standards and jazz compositions. Special Features of Hip Licks for Saxophone Volume 2 by Greg Fishman: • 120 Hip Licks – Each lick is unique and customized for each key, based on the best timbre, register and playability on the horn. • Idiomatic Construction – Alto and Tenor read the same written part, while the rhythm section is recorded in two different keys, ensuring that each lick lays perfectly on all saxophones. • Slow Tempo and Fast Tempo Play-Along CDs are included for both Alto and Tenor – 4 CDs included: 2 Alto CDs and 2 Tenor CDs, providing over four hours of play-along tracks. All licks at 208 BPM (and above) are recorded at both slow and fast tempos. • Hip Licks for Saxophone Volume 2 features great licks over the following chord progressions: • V7#11 chords [C7#11] x 12 keys • ii mi7 / V7 [C mi7 / F7 ] x 12 keys • ii mi7b5 / V7b9 [C mi7b5 / F7b9] x 12 keys • iv mi7 / bVII7 / I Maj7 ( 2 bar and 4 bar phrases) [F mi7 / Bb7 / C Maj7] x 12 keys • b vi mi7 / bII7 / I Maj7 [Ab mi7 / Db7 / C Maj7] x 12 keys • #iv mi7 / VII7 / I Maj7 [F#mi7 / B7 / CMaj7 x 12 keys • Turnaround Licks (4 beats per chord – 4 bar phrases [C Maj7 / A7b9 / Dmi7 / G7] x 12 keys • V7#9#5 / i mi [C7#9#5 / F mi ] x 12 keys • Turnaround Licks (2 beats per chord – 8 bar phrases] [C Maj7 Ami7 / Dmi7 G7 ] x 12 keys • Modular Design – The licks are self-contained, easily taken out of the book to be used in a wide variety of songs. • Interactive Call and Response Format, perfect for ear training and developing your musical memory. Each lick is played twice in a row on the Play-Along CDs, so you can hear the lick and then immediately play along. • Twelve Key Approach – Each CD track takes you through all twelve keys. • Rhythm-Section-Only Tracks let you experiment with your own variations on the licks and improvise over a wide variety of harmonic settings. These tracks are also excellent backgrounds for practicing all of your chords and scales. • Technique Builder – Use Hip Licks for Saxophone as part of your daily practice routine to dramatically increase your technical command of the saxophone. Hip Licks for Saxophone Volumes 1 & 2 were designed to work well together. The lick numbers in volume two start where volume one left off, beginning with lick number 169. This will help you easily keep track of your favorite licks, with no confusion from duplicate lick numbers. Using Volume 1 and 2 together will you have 288 hip licks, many of which can be mixed and matched, creating even more licks. 36 pages, 4 Play-Along CDs included

Seven custom arrangements made especially for The Canadian Brass, the world s favorite brass ensemble, recorded on the 2013 CanadianBrass release Christmas Time Is Here. Includes: 'Angel Choir and the Trumpeter,? 'Bach's Bells,? 'Hark, the Herald Angels Sing,? 'My Little Drum,? 'O Tannenbaum,? 'Skating,? and 'What Child Is This?? There are separate part books for Trumpet 1 (00122451), Trumpet 2(00122453), Horn in F (00122454), Trombone (00122458), Tuba (00122459), and a Conductor's Score (00122462). / Cor (pour Quintette De Cuivres)

Par HORNER JAMES. Cet album, pour trombone et piano, arrangements facile de caractéristiques des sélections instrumentales de la bande originale de blockbuster de 1997 de James Cameron sur le naufrage du Titanic, qui avait Leonardo DiCaprio et Kate Winslet comme les personnages de fiction Jack Dawson et Rose DeWitt Bukater - deux membres de différentes classes sociales qui tombent amoureux à bord de l'infortuné voyage inaugural de 1912 du navire. La sélection comprend My Heart Will Go On, le thème de l'amour du film./ Feuillet / Trombone et Piano

Par HORNER JAMES. Cet album, pour alto et piano, arrangements facile de caractéristiques des sélections instrumentales de la bande originale de blockbuster de 1997 de James Cameron sur le naufrage du Titanic, qui avait Leonardo DiCaprio et Kate Winslet comme les personnages de fiction Jack Dawson et Rose DeWitt Bukater - deux membres de différentes classes sociales qui tombent amoureux à bord de l'infortuné voyage inaugural de 1912 du navire. La sélection comprend My Heart Will Go On, le thème de l'amour du film. / Date parution : 2005-06-27/ Recueil / Alto et Piano

Par ZEHM FRIEDRICH. Détails de la formation instrumentale: 1. Stimme in B (Trompete, Flügelhorn in B), 2. Stimme in B (Trompete, Flügelhorn in B), 3. Stimme in B (Tenorhorn in B), 3. Stimme in B (Trompete, Flügelhorn in B), 3. Stimme (Posaune), 4. Stimme (Posaune, Baryton) -/ Répertoire / 4 Cuivres

Par ZEHM FRIEDRICH. Détails de la formation instrumentale: 1. Stimme in B (Trompete, Flügelhorn in B), 2. Stimme in B (Trompete, Flügelhorn in B), 3. Stimme in B (Tenorhorn in B), 3. Stimme in B (Trompete, Flügelhorn in B), 3. Stimme (Posaune), 4. Stimme (Posaune, Baryton) -/ Répertoire / 4 Cuivres

The Flex-Ability series, arranged by Victor Lopez, fills the need for multi-level instrumentalists to play popular music together. Each instrument book includes 11 songs in four-part score form. The top line (solo) is for level 2 1/2-3. The second line (duet/harmony) is for level 2-2 1/2. The third line (trio/harmony) is for level 1 1/2. The bottom line (harmony or bass line) is for level 1/2-1 (only whole, half, dotted half, and quarter notes and rests). The arrangements are carefully crafted to be educationally sound. Optional octaves and cue notes are included to allow for range flexibility. The songs are: Jingle Bells * Santa Claus Is Comin' to Town * Have Yourself a Merry Little Christmas * (I'm Gettin') Nuttin' for Christmas * Frosty the Snowman * I'll Be Home for Christmas * Angels We Have Heard on High * Joy to the World * We Wish You a Merry Christmas * Auld Lang Syne * Chanukah Medley: Chanukah/I Have a Little Dreydl.

La référence GB4447 de l'éditeur Billaudot dont l'auteur célèbre est Damase Jean-Michel, qui a pour titre AUTOMNE, a été écrite et composée pour Tuba, Euphonium et Saxhorn et plus particulièrement pour Tuba Et Piano. Cette partition musicale appartient à la catégorie Classique. / Tuba Et Piano / Partition

Flexi-Brass (5 Parts). Par ALBINONI TOMASO. / Niveau : Elémentaire / Répertoire / 2 Trompettes, Cor, Trombone et Tuba

Par DRUMM SIEGFRIED / ALEXANDRE JEAN FRANCOIS. Sorti à l'automne 2012, ce 8ème volume de la célèbre série de formation musicale des éditions Combre écrite par Drumm S. et Alexandre J. Fr., Symphonic FM se décline comme habituellement dans toutes les formations (Accordéon, alto, basson, clarinette, contrebasse, cor, flûte, flûte à bec, guitare, harpe, hautbois, percussion, piano, saxhorn, saxophone, trombone, trompette, violon et violoncelle. / méthode - études / Méthode / Formation Musicale