The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano

Gustav Mahler's Ich bin der Welt abhanden gekommen expertly arranged for Baritone solo and 8-part Choir (SSAATTBarB) by Bo Holten (2010). Text by Friedrich Rückert. Programme note Gustav Mahler: Ich bin der Welt abhanden gekommen (arr.: Holten 2010) is an arrangement for baritone soloist and 8-part choir of one of Mahler’s Rückert-Lieder. There is already an often performed arrangement for 16-voice choir by Clytus Gottwald which Holten has himself conducted a few times. But Holten does not really think that Gottwald does justice toMahler’s song; among other things it lacks a soloist who can express the “Ich” that is so central to the text. Holten takes his cue from Mahler’s piano setting but with Mahler’s own sublime orchestral setting firmly in mind. The choir thus functions as an (orchestral) accompaniment for the soloist. Holten has taken pains to stay as close to the model as possible within the constraints of what in fact can be sung by a choir. And he has striven to function solely as an arranger and as far as possible to avoid mixing his own personality with Mahler’s.(Klaus Møller-Jørgensen 2012)

The famous words of Christina Rossetti and the music of Gustav Holst are beautifully set for a cappella voices by Jay Rouse. It begins with wind-like oos that are followed by a more contemporary choral setting. A stunningselection for your choir and audience. Duration: ca. 4:00.

Swansea Town is a lively and spirited folksong which has been beautifully arranged for SATB by Gustav Holst.A Piano Accompaniment part is also scored for rehearsal purposes.

English composer Gustav Theodore Holst most famous for his orchestral suite The Planets had a style many of his contemporaries even admirers found austere and cerebral. Love Is Enough is a four-part song composed by Holst with words written by William Morris. The sheet music has been arranged for SATB choir with a piano reduction for rehearsal only.

13 Jazz Standards for mixed choir (SATB)-With his series Jazz Im Chor Christoph Schönherr began a new genre twenty years ago with Gustav Bosse publishers. Despite numerous imitators his arrangements still retain their freshness. Barenreiter have now brought together the most attractive and frequently sung pieces in a single volume.Any choir interested in jazz now has everything together in one publication: energetic jazz standards heart-rending ballads and joyful gospel numbers. These are always challenging songs which are good to master and never miss the mark. A collection of lasting value which is always worth revisiting.Most songs are arranged for SATB with a couple for SAATB and onefor SSAB.

Over the years, the need for a new edition of Mahler's Symphony #2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made in September 1910). The second reason was the significant strengthening of the editorial standards of the critical edition in recent years. The music is now computer-generated. Previously, changes to the score could be made only by retouching the film of old engravings. Computerizationalso ensures a concurrence between the score and performance materials. Editorially, the new edition benefits from expanded texts that describe and assess the source materials, document and explain the editors' decisions and provide detailed information on the work's origin, the history of the published scores, performance practices, etc. Over the past five years, Renare Stark-Voit and Gilbert Kaplan, editors of the new edition of Symphony #2, have identified, evaluated and analyzed every significant source, and as a result of their work a substantial number of errors have been corrected. (Reinhold Kubik, taken from the preliminary note) Oh believe, my heart, oh believe:Nothing is lost with thee!Thine is what thou hast desired,What thou hast loved, what thou hast fought for!(Gustav Mahler in the Finale of Symphony #2) / Choeur Mixte (SATB) Et Piano

This accompanied anthem for SATB voices from classical composer Gustav Holst includes: A Babe Is Born; Now Let Us Sing; Jesu Thou the Virgin-born; The Saviour of the World Is Born.

Par GUNSENHEIMER GUSTAV. Jede dieser Motetten schildert in anschaulicher und eindrucksvoller Weise das Wirken Jesu. Es handelt sich dabei jeweils um Perikopentexte [die fünf erstgenannten in der Passionszeit]. Am Schluss dieser Motetten [Dauer jeweils zwischen 4 und 6 Minuten] steht immer ein Choralsatz. Eine lohnende Aufgabe für Chöre, die anspruchsvollere Werke darstellen können. Gehobene Gebrauchsmusik! Attraktiv für den Zuhörer!/ Répertoire / Choeur SATB

Tonalité : E-Moll - Op.: 44 #3 -. Par SCHRECK GUSTAV. Langue : Allemand/ Répertoire / Choeur SATB

Par GUNSENHEIMER GUSTAV. Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit - Langue : Allemand/ Répertoire / Choeur SATB

Par MERKEL GUSTAV ADOLF. Verwendung / Anlässe: Psalmvertonungen - / Psaumes / Répertoire / Choeur Mixte

Par SCHRECK GUSTAV / VOLBACH FRITZ / WEINREIS HEINRICH. Gattungen: Kirchenlieder, Sätze - Verwendung / Kirchenjahr: Advent, Wei cor achten -/ Répertoire / Choeur Mixte