Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Jesu, meine Freude qui a été écrite pourChoeur Mixte (SSATB) Et Instrument(s) Ad Lib. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence BA 5132 . / Choeur Mixte (SSATB) Et Instrument(s) Ad Lib / Partition

Nach Dem 2. Menuett Aus Bachs Partita In B, Bwv 825. Par BACH JOHANN SEBASTIAN / CORNELIUS PETER. based on the 2nd Minuet from Bach's Partita in B flat Major, BWV 825/ Répertoire / Choeur SATB

Par BACH JOHANN SEBASTIAN. This choral score BA 5037-91 completes the already available performance material for Johann Sebastian Bach?s St. John Passion. The choral score contains no solo parts or piano reduction. For a full vocal score see BA05037-90 / Date parution : 2022-02-10/ Répertoire / SATB sans Accompagnement

Cantata for Trinity Sunday. Par BACH JOHANN SEBASTIAN. Es ist ein trotzig und verzagt Ding BWV 176 Cantata for Trinity Sunday This cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after his Leipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed by Bach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne von Ziegler. It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo. - Urtext of the New Bach Edition - Performance material (BA10176), choral score (BA10176-91) & study score format 22. 5 x 16. 5cm (TP1176) available for sale/ Répertoire / Partition de Poche

Kantate zum Weihnachtsfest. Par BACH JOHANN SEBASTIAN. The Christmas cantata Gloria in excelsis Deo BWV 191, which has always presented researchers with many challenging problems, is among the few works to Latin words set by Johann Sebastian Bach. It consists of three sections - a finely-woven duet flanked by two festive choral movements - which we are to encounter again almost note for note in the world-famous Mass in B minor./ Répertoire / Choeur Mixte

Noël 2 is an exciting collection of Advent, Christmas and Epiphany music for mixed voice choirs, which follows on from the highly acclaimed Noël! Volume 1 (Catalogue No. NOV310800). The contents range from the Renaissance to the present: from Byrd and Sweelinck, via Bach, familiar settings of traditional and lesser known carols through the ages to Howells and Leighton, and work by today's composers including Richard Rodney Bennett, Eric Whitacre, John Tavener Tarik O'Regan and Richard Allain. Mixed voice choirs of all levels will find here new arrangements of favourite carols as well as stimulating works for the Christmas season, from the easy to learn to the more challenging and unconventional. Selected and edited by David Hill, Choral Advisor to Novello, Chief Conductor of the BBC singers, Musical Director of The Bach Choir, Chief Conductor of The Southern Sinfonia and Music Director of Leeds Philharmonic Society. He was awarded an honorary Doctorate by the University of Southampton in 2002 in recognition of his Services to Music. 'Noël was a welcome addition to the Christmas list for decent standard choirs - Noël 2 adds even more to the repertoire in a handy volume... The main enticements are some fantastic new arrangements of old favourites, a number of works previously only available in single sheets (Whitacre's Lux Arumque among others) and some fantastic new surprises. Adrian Peacock's Venite, Gaudete is a wonderfully original and vibrant setting, Richard Rodney Bennet's I Wonder as I Wander is both reflective and effective, and there are plenty more. Some of the pieces here will challenge your choir, but there's a vast amount to get the Christmas inspiration flowing. ' - Jonathan Wikeley, Music Teacher November 2009 '?an outstanding resource for Advent, Christmas and Epiphany ' Andrew Stewart, Choir and amp - Organ November/December 2010 Noel! 2 Interview With David Hill by Musicroom / Choeur SATB Et Orgue (Ou Piano)

Par BACH JOHANN SEBASTIAN. Version of 1736 (final version) Bach 's St. Matthew Passion passed through several stages in its progress towards its final form, stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas's Church, Leipzig, in a version of which the copy made by Bach 's son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version, which may probably be dated 1736, and on which the present edition is based. - Study score format 22. 5 x 16. 5cm - Urtext ofthe New Bach Edition - Full score, performance material (BA5038), vocal score (BA5038-90) and study score (TP196) available for sale / Musique religieuse / Répertoire / Solistes (T (Evangelist), B (Jesus), SATB), 2 Choe

Kantate Zum 2. Sonntag Nach Epiphanias. Par BACH JOHANN SEBASTIAN. J. S. Bach's Ach Gott, Wie Manches Herzeleid (BWV 3; A-Dur) for SATB./ Répertoire / Solistes SATB, Choeur SATB, (Cor et Trombone), 2 H

Nun danket alle Gott. Par BACH JOHANN SEBASTIAN. Nun Danket Alle Gott / Niveau : 2.5 / Hymnes et chorals / Date parution : 1905-06-25/ Répertoire / SATB

Nun danket alle Gott. Par BACH JOHANN SEBASTIAN. Nun Danket Alle Gott / Niveau : 2.5 / Hymnes et chorals / Date parution : 1905-06-25/ Répertoire / SATB

Kantate Zum Sonntag Septuagesimae. Par BACH JOHANN SEBASTIAN. J. S. Bach's Nimm, Was Dein Ist, Und Gehe Hin (BWV 144; h-Moll) for SATB./ Répertoire / Solistes SAT, Choeur SATB, 2 Hautbois/Hautbois d'A

Kantate Zum Epiphaniasfest. Par BACH JOHANN SEBASTIAN. This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus- the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias./ Répertoire / Choeur Mixte (SATB) et Piano