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VIOLIN
AUTOHARP
Double bass, Piano (duet)
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:: (109)
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Quintette (20)
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CD (16)
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Voice solo (15)
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Guitar notes and tablatures (15)
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Mandolin (15)
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2 Flûtes à Bec Alto ou Flût… (14)
Oboe (14)
Partition D'Orchestre (14)
Violine und Orchester (14)
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Double bass, Piano (duet) (12)
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2 Saxophones (duet) (12)
2 Trompettes, Cordes Et Basse … (12)
Trompette Et Orchestre (12)
Guitare Electrique (12)
Scores (12)
Recorder (12)
ENS::Ensemble d'cole (12)
Clarinette, Violon et Piano (11)
Violin, Cello, Organ (11)
Tenor Saxophone (11)
SATBasse (2 Grands Choeurs Mix… (11)
Orchestre (11)
Violin ensemble (11)
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Trombone (10)
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Choeur SATB, 2 Violons et Bass… (10)
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Choeur SSAATTBB, 2 Cornetti, 3… (10)
Violin (band part) (10)
French horn (10)
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2 Violons Solo, 2 Violons, Alt… (9)
Solo instrument and Organ (9)
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Solistes SATB, Choeur SATB, 2 … (9)
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Accordion, String(s) (9)
Marching band (9)
Bassoon (8)
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Alto, Cordes et Orgue ou Clave… (8)
Choeur SATB, 2 Cors, Violon So… (8)
Violin and Marimba (8)
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Guitare (8)
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Horn, Violin, 2 Violas and Cel… (8)
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2 Flûtes à Bec ou Traversiè… (7)
Violon, Alto et Basse Continue… (7)
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Accordéon, Violoncelle et Vio… (7)
2 Cors, 2 Flûtes Traversière… (7)
Violon, Piano et Contrebasse (7)
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Hautbois ou Flûte Traversièr… (7)
2 Violons, Cordes et Basse Con… (7)
Violin and Percussion (7)
Solistes SATB, Choeur SATB, Fl… (7)
Violon ou Flûte Traversière/… (7)
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Violon 1 (7)
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Children choir, Instruments (6)
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Medium Voice (6)
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Mug (6)
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Musical course - Solfege (6)
Violin, Double bass (duet) (6)
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SCORE::Score (6)
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Instruments à Vent (6)
Flûte A Bec Soprano (Flûte T… (6)
Ensemble D'Altos (6)
Violon 2 (6)
2 Clarinettes Et Basson (6)
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Flûte à Bec ou Alto et Clavi… (5)
Saxophone and Piano (5)
2 Violons ou Flûte Traversiè… (5)
2 Instruments Solo (Flûte Tra… (5)
Viola and orchestra (5)
Solistes, Div. Instruments à … (5)
2 Violons, 2 Altos, 2 Violonce… (5)
3 Clarinets (trio) (5)
Flute and Strings Trio (5)
Clavecin, 2 Flûtes A Bec Et I… (5)
Violon, Viole Et Orchestre (5)
Flute, Oboe, Violin, Violoncel… (5)
Ensemble De Violon (5)
Orgue et Musique de Chambre (5)
Recorder, Violin (5)
2 Violons, Violoncelle, Cordes… (5)
FLT/VLN::Flute, Violin (5)
Ukulele (5)
Soli (T (Evangelist), B (Jesus… (5)
VLN/VLC/CONT::Violin, Cello, C… (5)
Opera (5)
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Voix, Violon et Piano (5)
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2 Clarinets (duet) (5)
2 Violons et Alto (5)
Flute, Orchestra (5)
2 Violons, Alto, Violoncelle e… (5)
Voix et Orchestre (5)
Violon II (5)
Medium voice, Piano (5)
Violon, Contrebasse et Piano (5)
Oboe, Basso continuo (4)
Violon, Orgue et Harpe (4)
2 Flûtes à Bec, 2 Cors, 2 Vi… (4)
Violon, Cor Anglais et Piano (4)
Clarinette et Trio à Cordes (4)
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Violon, Clarinette, Basson et … (4)
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Cor Anglais, 2 Violons et Viol… (4)
Oboe, Violin, Piano (4)
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2 Flûtes à Bec Alto, 2 Flût… (4)
Clarinette, Violon, Alto, Viol… (4)
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Educatif (4)
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3 Violons et Basse (4)
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Violon, Viole et Violoncelle (4)
2 Violons, Instruments A Corde… (4)
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2 Violons, Orchestre à Cordes… (4)
English horn, Piano (4)
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2 Flûtes à Bec, 2 Violons et… (4)
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Flûte traversière (4)
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Flûte Traversière ou Violon)… (4)
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4-6 Instruments à Cordes (4)
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Violon I (4)
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Chant (4)
Education musicale (4)
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Violon, saxophone Alto et Pian… (4)
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Flûte à Bec Alto ou Flûte T… (4)
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All Instruments (4)
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Violes de Gambe et Orgue (4)
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Violon ou Flûte Traversière … (4)
Violon Solo (4)
Tenor voice, Piano (4)
Flûte Traversière, Clarinett… (3)
Choral SSATB (3)
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Flûte Traversière Violon et … (3)
Flûte A Bec Alto (Ou Flûte T… (3)
Flute, Clarinet and Bassoon. (3)
French Horn and Piano (3)
3 Saxophones (trio) (3)
Violon 3 (3)
Viola da Gamba (3)
Klarinette, Fagott, Horn, Vio… (3)
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Solo à (B), Violon et Basse C… (3)
Violon, Violoncelle et Harpe (3)
Soprano, Clarinette Et Piano (3)
Flute, Oboe, and Cello (3)
Flûte Traversière Ou Hautboi… (3)
Woodwind Quintet (3)
Flûte Traversière Violon et … (3)
Flûte, Hautbois, Clarinette, … (3)
Musique de chambre (3)
3 Violes De Gambe (3)
Piano (Accompagnement) (3)
Clavecin et Instruments à Cor… (3)
Music Theory (3)
Tuba and Piano (3)
Livre Edition Complète (3)
5 Voix (SSATB), 2 Violons et B… (3)
2 Oboen (oder Violine und Obo… (3)
Flûte Et Violon (3)
Violon et Cordes (3)
2 Trumpets, Keyboard (piano or… (3)
Flöte, Klarinette, Violine, … (3)
Soprano voice, Orchestra (3)
2 Recorders (duet) (3)
Klavier (Cembalo), 2 Violinen… (3)
3 Trompettes Et Timbale(s) (3)
2 Flûtes à Bec Alto ou Flût… (3)
2 Mandolins (duet) (3)
Flute Quartet: 4 flutes (3)
Flûte Traversière ou Hautboi… (3)
Marimba (3)
Choeur De Femmes A 3 Voix (Cho… (3)
Flûte Traversière, Clarinett… (3)
Harp (3)
Xylophone or Marimba or Vibrap… (3)
Melody line, (Lyrics) and Chor… (3)
Strings - Violin / Viola / Vi… (3)
Gemischter Chor (SSATB/SSATB/S… (3)
String Quintet : Violin, 2 vio… (3)
DVD concert (3)
VLN/CHAM::Violon, Musique De C… (3)
Ensemble de Violons (3)
Eb Instruments (3)
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Alto et Orgue (3)
InstrSolo, Streicher, Basso c… (3)
Voix et Instruments Divers (3)
Trompette Ou Cornet (3)
5TET/STR ENS::Quintet, String … (3)
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Instrument (3)
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Violon et Instruments Variés (3)
Clarinet, Bass Clarinet, Violi… (2)
Voice and Violin (2)
Oboe and Orchestra (2)
Saxophone ensemble (2)
Flöte, Violine und Cembalo (… (2)
Viola, Guitar (duet) (2)
Orchestre à Cordes et Claveci… (2)
Flûte à Bec Soprano ou Violo… (2)
Klavier und Flöte (Violine) (2)
Orgue Sans Pédale (2)
Cello, String Bass (duet) (2)
Violoncello, Basso continuo (2)
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SOP/BAR/ENS::Soprano, Baritone… (2)
Hohe/Mittlere/Tiefe Singstimm… (2)
2 Violes (Violon Et Viole) Et … (2)
Chanson (2)
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Clarinette et Violon (2)
Violin/Continuo (2)
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2 Ou 4 Voix Mixtes Et Piano (O… (2)
Soli (SATB), Gemischter Chor (… (2)
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Horn (oder Violine, Viola, Vi… (2)
Partition D'Orchestre In 16 Po… (2)
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Monti V. - Czardas - Double Bass And Piano
Double bass, Piano (duet)
Recital Music
Arranger : David Heyes The Transcriptions Series series Recital Music publish ...
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Arranger : David Heyes The Transcriptions Series series Recital Music publish a wealth of original works for double bass alongside a popular, accessible and growing range of transcriptions for bassists of all ages and abilities. Most transcriptions published by Recital Music are by David Heyes, who has a successful and proven track record when arranging for double bass. Czardas for violin and piano is Monti's only famous work, believed to have been composed in the early years of the 20th-century, and has been composed for almost every instrument, every instrumental combination, and performed by every gipsy orchestra or ensemble. The slow rhapsodic introduction quickly leads into the main theme which is full of rhythmic fire and gipsy passion. A slow section, primarily in double stops, is then repeated in high harmonics before a brief return of the fast viruosic music which leads into a reprise of the Czardas material, but now in the tonic major. A fast and energetic finale brings the piece to a rousing and successful conclusion. This exciting new arrangement by David Heyes offers musical and technical challenges in equal measure and the edition includes accompaniments for both solo and orchestral tunings. An arrangement for double bass quartet is in preparation. Italian composer, conductor and violinist, Vittorio Monti was born in Naples on 6 January 1868 and died on 20 June 1922. He studied at the Conservatorio di San Pietro a Majella with F. Pinto (violin) and Paolo Serrao (composition) and moved to Paris in 1886 where he studied violin with Camillo Sivori, Paganini's most famous pupil. For many years Monti was a member of the Lamoureux Orchestra in Paris, also conducting the orchestra on occasions, and composed ballets, operettas and instrumental music during his years in the French capital.
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Concerto No.2 'Haydn' A series of works based on the surviving two bars of Hayd...
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Concerto No.2 'Haydn' A series of works based on the surviving two bars of Haydn's 'lost' Double Bass Concerto. Based on the two surviving bars of Haydn's 'lost' Double Bass Concerto and dedicated to David Heyes, this magnificent new concerto is a tour-de-force from a respected and leading Czech bassist-composer. In a tonal and accessible style, there are musical and technical challenges for the advanced bassist and this edition is only available in solo tuning. Influenced by the late 18th-century style, but imbued with Czech lyricism and influences, this new three-movement concerto is a major addition to the repertoire and utilises the entire range of the double bass. The concerto has been performed throughout Europe many times, most recently in Macedonia and Serbia by the composer. Miloslav Gajdos has composed and transcribed many works for double bass in a 40 year career and is Professor of Double Bass at the Vejvenovsky Conservatoire in Kromeriz (Czech Republic) alongside many international recitals and masterclasses. Concerto No.2 'Haydn' is available in three orchestrations alongside the published edition with piano. Please contact the publishers for more information about the various orchestrations. Performance Level: Advanced Miloslav Gajdos is one of Europe's most active and inventive bassist-composers. He was born in northern Moravia in 1948 and initially learned violin before transferring to the double bass, studying with Alois Kriz, Jiri Bortlicek and Ludwig Streicher. He has been Professor of Double Bass at the Vejvenovsky Conseravtoire in Kromeriz (Czech Republic) since 1971, and was a member of the Olomouc Symphony Orchestra for a number of years. He is Director of the Gregora International Double Bass Competition, founded in 1979 and held every two years in Kromeriz, and has been a juror at many competitions in Hungary, Germany and the Czech Republic. Miloslav Gajdos is a prolific composer and arranger and, for almost 40 years, has produced a vast body of original works and transcriptions for double bass which are performed worldwide. His original works combine Czech lyricism and melody with brilliant technical demands, and music from one to sixteen double basses. He writes in a traditional and accessible style, producing music for every level of performer, particularly for the advanced bassist, and his many works for unaccompanied double bass are frequently chosen as international competition repertoire. Miloslav Gajdos was Recital Music's Featured Composer in 2007 and has recently revised a number of earlier works for the intermediate bassist which will be published by Recital Music.
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Gajdos M. - Zingaresca - Contrebasse Et Piano
Double bass, Piano (duet)
Recital Music
Zingaresca A czardas-influenced work which is full of the fire and passion of t...
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Zingaresca A czardas-influenced work which is full of the fire and passion of the typical Gipsy idiom. Zingaresca offers much for the advanced bassist and would be ideal for conservatoire or university students who are confident playing throughout the solo range of the instrument. A slow and lyrical introduction leads into a rhythmic and lively czardas these with opportunities to demonstrate both musical and technical prowess in equal measure. Ideal as the final work in a recital and performed many times by the composer. The edition includes piano accompaniments for both solo and orchestral tunings. Performance Level: Advanced Miloslav Gajdos is one of Europe's most active and inventive bassist-composers. He was born in northern Moravia in 1948 and initially learned violin before transferring to the double bass, studying with Alois Kriz, Jiri Bortlicek and Ludwig Streicher. He has been Professor of Double Bass at the Vejvenovsky Conseravtoire in Kromeriz (Czech Republic) since 1971, and was a member of the Olomouc Symphony Orchestra for a number of years. He is Director of the Gregora International Double Bass Competition, founded in 1979 and held every two years in Kromeriz, and has been a juror at many competitions in Hungary, Germany and the Czech Republic. Miloslav Gajdos is a prolific composer and arranger and, for almost 40 years, has produced a vast body of original works and transcriptions for double bass which are performed worldwide. His original works combine Czech lyricism and melody with brilliant technical demands, and music from one to sixteen double basses. He writes in a traditional and accessible style, producing music for every level of performer, particularly for the advanced bassist, and his many works for unaccompanied double bass are frequently chosen as international competition repertoire. Miloslav Gajdos was Recital Music's Featured Composer in 2007 and has recently revised a number of earlier works for the intermediate bassist which will be published by Recital Music.intermediate bassist which will be published by Recital Music.
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Giovannino: Sonate A: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Score and Parts]
Yorke Edition
Very little is known about the two sonatas which appear here in their original k...
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Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata à Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata à Violino e Violoncino … di Giovannino del Violone. Giovannino(=Little or Young John) must have been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that
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Tchaikovsky P.i. - Canzonetta - Contrebasse Et Piano
Double bass, Piano (duet)
Tchaikovsky - Canzonetta from the Violin Concerto, Op. 35 For Double Bass and P...
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Tchaikovsky - Canzonetta from the Violin Concerto, Op. 35 For Double Bass and Piano Tchaikovsky - CanzonettaMore Details Concert Score (6 pages) Double Bass Part in Solo Tuning (2 pages) Arranged and Transcribed for Double Bass by Michael Hovnanian Second Edition (Urtext), © 2008
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Eugène Bozza: Prélude And Allegro: Double Bass: Instrumental Work
Français
Double bass, Piano (duet)
[Sheet music]
Leduc, Alphonse
Contrebasse Et Piano-Composed by Eugène Bozza Prélude And Allegro can be play...
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Contrebasse Et Piano-Composed by Eugène Bozza Prélude And Allegro can be played by Double Bass Tuba or Saxhorn with a Piano accompaniment. Written in F for the Double Bass Tuba or Saxhorn this piece has an intermediate level of difficulty. Really enjoyable for the players and audiences Prélude and Allegro would be ideal for a recital. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.
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Paul Ramsier: Pieces for Friends Vol. 2: Double Bass
Double bass, Piano (duet)
Boosey and Hawkes
Violin Piano. Ramsier P
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Franz Anton Hoffmeister: Concert 1 ( Mit Obligater Violine ): Double Bass:
Double bass, Piano (duet)
[Reduction]
G. Henle
Ce concerto est devenu en raison de sa richesse d'invention de la qualité de ...
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Ce concerto est devenu en raison de sa richesse d'invention de la qualité de sa technique d'écriture ainsi que de ses exigences sur les plans technique et musical l?une des oeuvres fréquemment requises pour les concours. L'édition répond tous les désirs : la partie de contrebasse est donnée pour l'instrument avec accord de solo et d'orchestre avec réduction pour piano en Ré majeur et en Ut majeur. En outre une deuxième partie en «notation par doigtés» spécialement conçue en fonction de l'«accord viennois» en usage l'époque de Hoffmeister permet l'instrumentiste de jouer directement sans réapprentissage fastidieux selon l'accord historique.?
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Konzert Nr. 1 Für Kontrabass Und Orchester (Mit Solovioline) /Kla
Double bass, Piano (duet)
[Sheet music]
Hofmeister Musikverlag
/ Contrebasse Et Piano / Partition
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