| Maurice Duruflé:
Prélude Récitatif et
Variations Opus 3: Flute
& Viola: Score Flute, Viola and Piano [Sheet music] Durand
Score and individual parts for Maurice Durufle's Prelude Recitatif Et Varations...(+)
Score and individual parts for Maurice Durufle's Prelude Recitatif Et Varations Op.3 for Flute Viola and Piano.
33.99 GBP - Sold by Musicroom UK | |
| Hugh Wood: Trio For Flute
Viola And Piano Op. 3:
Chamber Ensemble: Score
and Flute, Viola and Piano [Sheet music] Chester
Work commissioned by the John Lewis Partnership. Duration 12 minutes.
15.99 GBP - Sold by Musicroom UK | |
| Händel G. F. - Mi
Palpita Il Cor Hwv 132 -
Alto Et Instruments Flute, Viola and Piano [Sheet music] Musica Rara
For alto, flute and basso continuo, ed. by A. Knipschild Mi palpita il cor HWV ...(+)
For alto, flute and basso continuo, ed. by A. Knipschild Mi palpita il cor HWV 132 is a secular cantata dating from the years 1706-1710, which the young Handel spent in Italy. This work is known in three different versions, all of which had been published in the 19th century as part of the Händel-Gesellschaft edition. This new edition gives priority to the setting for alto and obbligato flute (HWV 132c) transmitted in several contemporary copies.
18.90 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| 5 Argentinean Folk Pieces Français Flute, Viola and Piano Billaudot
This short suite, much inspired by Bartók's Six Romanian Folk Dances, is based ...(+)
This short suite, much inspired by Bartók's Six Romanian Folk Dances, is based on traditional dances and songs of Argentina. Although the original rhythms and melodies are often transformed by the use of contemporary techniques, the piece preserves the authentic spirit of each of these folk forms.Zamba de Vargas, a well known folk song, refers to a battle in Argentina between two armies of gauchos during the civil wars of the nineteenth century.Ojos Azules (Blue Eyes) is an introspective lament for lost love of Quichua origin (Northwest of Argentina). It was first collected by musicologist Leda Valladares.Both the Milonga and the Valsecito Criollo, (folk forms which developed in rural areas and then made it to the outskirts of Buenos Aires at the turn of the century) are original themes written by me based on my own personal understanding of the genre.Lastly, the Baguala is inspired on a transcription documented by Isabel Aretz which was reproduced in Las Canciones Folklóricas de la Argentina and published by Instituto Nacional de Musicología of Buenos Aires in 1969.Commissioned by and dedicated to the Minnesota Sinfonia and to its Music Director, Jay Fishman. / Flûte, Alto Et Piano
31.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
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