Par MAGALIF EUGENE. Ave Maria for Flute Choir by Eugene Magalif. From the composer: 'The creation of a new Ave Maria requires a certain amount of courage from composers. There are many versions of Ave Maria in the world and it is very risky to compete with Schubert, Bach or Caccini (Vavilov). I did not begin to compose another aria, but composed a polyphonic version, in which the intertwining voices, harmony, unusual rhythm changes and a wide palette of shades play the main role. My Ave Maria turned out to be very unusual, but if you follow my instructions of tempo, dynamic shades, perform it very gently and without forcing the sound, then the piece will show its beauty.' / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

for Flute Choir. Par LUIGINI ALEXANDRE. Ballet Égyptien (Suite No. 1, Op. 12) for Flute Choir, by Alexandre Luigini, arranged for flute choir by Paige Dashner Long, is the first movement of Luigini's most well-known orchestral work. While working as the conductor of the orchestra of the Grand Theatre in Lyon, France, he was expected to compose music for ballets, operas and orchestral suites, thus leading to the creation of this work. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

for Low Flute Quartet or Choir. Par LOTTI ANTONIO. Antonio Lotti originally composed this Miserere Mei around 1730, scored for four voices. Frequently only performed as the opening 27 measures, the entire work has been arranged here for low flute quartet or choir by Cathi Marro. The text of the setting, from Psalm 50, is typically the final psalm sung at Tenebrae, an ancient Good Friday service. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes Basses

Music Medals Flute Ensemble Pieces are five volumes of enjoyable and accessible repertoire for the developing ensemble progressively graded Copper Bronze Silver Gold and Platinum. They contain original pieces and imaginative arrangements for duets trios and quartets.

Music Medals Flute Ensemble Pieces are five volumes of enjoyable and accessible repertoire for the developing ensemble progressively graded Copper Bronze Silver Gold and Platinum. They contain original pieces and imaginative arrangements for duets trios and quartets.

Turlough O'Carolan (1670-1738) is regarded as one of the last great harp-players of Ireland and seems to be surrounded by an almost mystical aura. Numerous anecdotes exist which testify to a strong personality and a tremendous musical talent as well as enormous self-confidence. Unlike any other he knew how to combine old Irish music with Italian Baroque music creating numerous compositions about 200 of which have survived. 16 of them have been chosen and arranged by Patrick Pf??? for the delightful instrumentation of two Flutes and Alto Flute.Content:O'Carolan's ConcertoLady GethinJohn JamesonBlind MaryJohnDrury (Second Air)Colonel O'HaraCharles O'ConorO'Carolans Farewell to Music - O'Hara's CupThomas Leixlip the ProudMadam MaxwellReceipt for DrinkingPrincess RoyalMrs. Garvey (First Air)Lament for Owen Roe O'NeillMichael O'Connor (First Air)

Par MOLNAR-SUHAJDA ALEXANDRA. A Lantern Lit With Borrowed Light by Alexandra Molnar-Suhajda, was commissioned by Pam Youngblood for the Texas Woman's University Flute Choir and was premiered at the 50th Annual Convention of the National Flute Association in 2022 (Chicago, Illinois). In four movements: Stag Moon (The Monarch of the Glen), Flower Moon (Yozakura), Falling Leaves Moon (October), and Hare Moon (Luckiest of All!). / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par AVIDAN LOUKE PHYLLIS. A Journey with Love was commissioned by the Raleigh Flute Choir and the Raleigh Area Flute Association in memory of Kim Kittner, a longtime member of the Raleigh Flute Choir. Active in the Raleigh flute community, Kim?s love of music, particularly playing the alto flute, her positive attitude, and life of public service is brought out in the joyful, opening of A Journey with Love. The alto flute is prominent in this piece with several tutti and solo passages. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Arrangeur: Gudrun Hinze. Par BRANDTS-BUYS JAN. Originally composed for flute and string quartet, the Quintett in D Major, Op. 21 is a work by Dutch composer Jan Brandts-Buys. Each movement, bearing a quotation from the Biblical Christmas story at the top, quickly leads us out of the colorful, vividly painted initial feeling of the respective 'motto” and into an agitated reworking of the motive. It has been adapted by Gudrun Hinze for three C Flutes, Alto Flute and Bass Flute. Originally composed for flute and string quartet, the Quintett in D Major, Op. 21 is a work by Dutch composer Jan Brandts-Buys. Each movement, bearing a quotation from the Biblical Christmas story at the top, quickly leads us out of the colorful, vividly painted initial feeling of the respective 'motto” and into an agitated reworking of the motive. It has been adapted by Gudrun Hinze for three C Flutes, Alto Flute and Bass Flute./ Répertoire / 5 Flûtes Traversières

Par NISHIMURA JUDY. Flights of Passage by Judy Nishimura for Flute Choir. From the composer: 'In all of our lives there are rites of passage that mark milestones of achievement or herald stages of emotional maturity. In this composition, these ?rites of passage? are celebrated as ?Flights of Passage,? soaring and happy melodies with the occasional minor-key episode thrown in, as in life.' In four movements: First Birth, First Steps, First Love, and First Flight. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par DASHNER LONG PAIGE. Bach to the Fluture for Flute Choir by Paige Dashner Long. In three movements: Sebastian Sheep, Big Eoin Kisses the Blarney Stone, and Johnny B. Bach. Can also be performed with a low flute choir, substituting Alto Flute for each of the C Flute parts using the parts provided. / Date parution : 2022-11-29/ Répertoire / Ensemble de Flûtes

Par . This album contains 12 pieces arranged for six C flutes by Cathi Marro: The Cloud-cap't Towers, Nun liebe Seel, nun ist es Zeit, Maria wallt zum Heiligtum, Frisch auf, ihr Menschenkinder, Quodlibet, If Beauty be a Treasure, Un tempo sospirava, Der Heilig Geist vom Himmel kam, Es springen und singen, Io morirò d'Amore, Ich klag den Tag und alle Stund, and Viva la Musica. / Date parution : 2022-11-29/ Recueil / Ensemble de Flûtes

Le projet ' Histoire du Jazz en France ', a réuni pendant trois années un grand nombre de chercheurs, dans et hors l'université, en France et à l'étranger. Plusieurs rencontres ont permis de confronter les points de vue et de préciser ce que pourrait être une histoire générale du jazz en France. Ce premier volume réunit les plus significatifs des travaux issus de ces débats.Quatre champs complémentaires se sont dégagés. Le premier est chronologique?: les années 1920, particulièrement fécondes pour la réflexion. Qu'il s'agisse de l'effet d'étrangeté provoqué par l'orchestre militaire de James Reese Europe, de la danse, du rôle de ' Bricktop ' sur la scène parisienne, du lien au jazz d'un écrivain comme Pierre Mac Orlan ou des relations à la France de l'orchestre anglais le plus célèbre de l'époque, celui de Jack Hylton, cette décennie apparaît bien comme celle de toutes les naissances, d'un intense foisonnement créé par l'irruption du nouveau-né. Médiateurs et médiations ensuite?: le jazz ne s'est pas seulement imposé par ses musiciens mais par tous ceux qui l'ont fait connaître. Outre des réflexions sur la nature de ces médiations et sur les rapports du jazz et de la philosophie, on retrouve la radio sous l'Occupation et l'action d'Hugues Panassié, Charles Delaunay, Boris Vian ou Sim Copans. La musique et les musiciens ne sont pas pour autant oubliés. Django Reinhardt, André Hodeir, Bernard Peiffer, Barney Wilen, Michel Petrucciani, Martial Solal en premier lieu, mais aussi les grandes formations de l'après-Deuxième Guerre mondiale. Les régions enfin?: la France ne se réduit pas à Paris, même si la capitale attire la lumière avec un naturel toujours renouvelé. La tâche est ardue, tant les traces sont rares, les sources réduites. Elle est ici abordée pour la Bourgogne, la région lilloise et Marseille. Premier volume de la collection ' Jazz en France ' , cet ouvrage se propose de poser des jalons, d'ouvrir des pistes nombreuses pour une histoire plus vaste, encore à écrire. / Livre