Par VERSINI JEAN-MARC. 10 morceaux enregistrés avec Charly Mc Coy, Andy Reiss, Wanda Vick, Russ Hicks, Jean-Yves Lozac'h, Bob Patin, Larry Paxton et Bob Mater Cet ouvrage propose dix blues instrumentaux écrits dans diverses tonalités et sur des rythmes très variés. Il est composé d'un livre et d'un disque compact contenant tous les enregistrements. Ces dix blues ont été enregistrés en avril 2012 avec les plus grands musiciens de Nashville, sous la direction du célèbre harmoniciste Charlie McCoy qui a supervisé avec brio toutes les sessions d'enregistrement. Pour chacun des titres, nous entendons d'abord la guitare lead de Jean-Marc Versini qui expose les différents thèmes. Viennent ensuite les chorus des autres instrumentistes avec harmonica, dobro, pedal steel guitar, electric guitar, piano, fiddle, le tout étant accompagné par une solide rythmique basse et batterie. Dans le recueil, les thèmes de la guitare lead sont retranscrits note pour note en partitions et en tablatures, ceci permettant de jouer ces blues à l'identique avec une seule guitare, sans avoir recours à un accompagnement. De plus des conseils techniques et les nombreux diagrammes d'accords faciliteront la tâche des plus novices pour étudier ces morceaux dans les moindres détails et les reproduire tels qu'ils ont été composés et joués par son auteur. / variété - jazz / Recueil / Guitare

Par ROOKSBY RIKKY. The user-friendly CD and Book package, packed with riffs, licks and tricks you can learn now ...and easily incorporate into your own playing style. Playing good blues solos depends on musical understanding. Unlike other books, Fast Forward Blues Guitar will show you what and how to play. Hear what can be done with only five notes. Learn the all-important secret of mixing scales - the way the pros do. Play as you learn with the pro-quality CD backing tracks. / Niveau : Elémentaire / Méthode en anglais / Méthode / Guitare Tablatures

The blues is a language and everyone musician speaks it with their own unique voice and accent. This exciting book explores the vocabulary of 17 blues guitar giants and lets you compare their styles and licks through multiple versions of a dozen top songs. Also provides detailed instruction for a myriad of different blue techniques. Featured artists include Eric Clapton Buddy Guy Jimi Hendrix Albert King B.B. King Otis Rush Muddy Waters and more!

Douze chansons de Fogerty s acclamé nouvel album : Blue Moon nuits o Bring Down de Jelly Roll o Hot Rod coeur o Joy of My LIfe o garçon turbulent o crotale Highway o Swamp rivière jours o marcher dans un o ouragan plus. / Guitare

Rev. Gary Davis was a musical giant. His ideas spanned a wide range of techniques and styles and his repertoire featured blues rags show instrumentals and gospel songs.Davis playedwith his thumb and index finger to pick out complex melodies rhythmic licks and lightning fast single-string runs. In this book seven of Rev. Davis's blues are presented. These arrangements have beenperformed and recorded by a host of great artists including Bob Dylan Taj Mahal Hot Tuna David Bromberg John Renbourn Bert Jansch and many others.These lessons are for the intermediate to advanced fingerstyleguitarist. The accompanying three CD lessons teach these arrangements phrase by phrase as well as presenting the original recordings.Lesson one highlights two of Rev. Davis's most popular bluesarrangements. Hesitation Blues is played in the key of C. Baby Let Me Follow You Down is played in the key of G.Lesson two explores the party tune Sally Where'd You Get Your Liquor From (madepopular by Hot Tuna). Rev. Davis used to joke that he could play Candyman in so many different ways that he would be able to play it nonstop for at least 8 hours without repeating himself. We look at twoversions of this very popular folk blues with the regular Candyman followed by the Two-Step Candyman.In lesson three all 14 verses from Raggin' the blues are transcribed and studied on how thisarrangement develops.

Par MARSHALL DAVE. Dropped D Guitar: Bach to Blues provides in-depth strategies to help the seasoned beginner to intermediate guitarist gain familiarity with the patterns of dropped D, utilizing a series of hands-on exercises for playing in dropped D tuning. Actual music is provided (no scales here) in the major keys of C, G, D, A, and the minor keys of Dm, Am, and Em. In addition, the guitarist is given a wide-ranging source of music, in a variety of musical styles and keys. There are works written by classical masters, traditional music, and early blues - all arranged for fingerstyle guitar in dropped D tuning in both standard notation and tablature. Background narrative is given on musical periods, composers, and the music to add to the reader\'s understanding and interest. All instructional and solo material is played by the author on the accompanying CD. / Niveau : Débutant à Intermédiaire / All Styles - Methods / Tablatures / Guitare Tablatures Flatpick et Fingerpick

Par SILVERMAN JERRY. This is a great resource for the guitarist interested in blues. Jerry Silverman has picked out 31 all time favorite blues classics. Each songs is presented in two ways: First with the melody line, lyrics and chords and with a written fingerpicking accompaniment part - secondly as a fingerpicking blues guitar solo in notation and tablature. / Niveau : Débutant à Intermédiaire / Blues - Songbooks / Tablatures / Guitare Tablatures

10 Duette im Stil von Romantik, Blues, Bossa Nova, samba, Pop und Folklore. Par JUERGEN KUMLEHN. This book is for all guitarists who are looking for something new to play and who don't want to limit themselves exclusively to the more traditional type of duet music that's available. Stylistically, the pieces range from romantic, blues and bossa nova to samba, pop and folklore. The included CD contains every piece in two different versions as well as a preparatory exercise. First, there's a complete version for listening with an expanded and properly mixed arrangement. In this version, supporting instruments such as percussion, electric piano, strings, or acoustic bass are added in an appropriate manner for the style and mixed in softly without distracting the focus from the two guitars. After every listening version, a 'picking pattern' follows: the rhythm guitar performs and stays with this picking pattern throughout the entire piece and it forms the common thread that represents the actual core of each composition. This pattern is also presented on the CD in a slow version of a representative section of each song which you can analyze and play along with. Finally, you'll find the play-along version. This version has been reduced to only the two guitars, with one guitar on the left channel and the other on the right. Written in notation and tablature. Text in English and German. / Niveau : Débutant à Intermédiaire / All Styles - Duets / Tablatures / Guitare Tablatures

Que votre guitariste de blues préféré soit Robert Johnson, Muddy Waters, Blind Blake, John Lee Hooker ou Big Bill Broonzy, en étudiant les techniques des bases présentées dans cette méthode vous ferez le premier pas pour vers leurs traditions musicales. Woody Mann vous fera étudier les chansons ci-dessous en vous expliquant chaque position et technique de picking. / Guitare

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Par GROSSMAN STEFAN. Ce texte fin présente dix fabuleux Stefan Grossman solos de blues fingerstyle en notation et tablature. Solos comprennent : hommage à Lonnie Johnson - Yazoo Bass and Boogie - saut du citron - Blues pour la Mann - droit de Passage et plus encore. Toutes les chansons du livre sont sur le CD. / Niveau : Intermédiaire / Blues - Solos / Tablatures / Guitare Tablatures