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Con Te Partiro - Time To Say Goodbye (CAPPELLARI ANDREA)
Orchestra
-
Easy
Carisch
Cappellari Andrea (Arr). Par CAPPELLARI ANDREA. Arrangement and Orchestration by...
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Cappellari Andrea (Arr). Par CAPPELLARI ANDREA. Arrangement and Orchestration by Andrea Cappellari. Full score and 20 parts: 1) C Instr. (Flute) / 1) Bb Instr. (Clarinet) / 2) C Instr. (Flute, Violin) / 2) Bb Instr. (Clarinet, Soprano Sax., Trumpet) / 3) C Instr. (Violin) / 3) Bb Instr. (Clarinet, Soprano Sax., Trumpet) / 4) C Instr. (Violin) / 4)tr. (Alto Sax.) / 5) C Instr. (Violin, Viola) / 5) Bb Instr. (Clarinet) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin / Viola) / 6) Bb Instr. (Clarinet) / 6) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / Piano 2 / Bass, Cello, Bassoon / Cymbals, Bass/ Triangle, Snare drum / Four Hands Piano ad libitum. Performance possibile also without Piano. / Niveau : Facile / Pop & rock / Recueil / Ensemble Variable
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Sinfonia Concertante In Es Für Violine, Viola Und Orchester (MOZART WOLFGANG AMADEUS)
Orchestra
[Sheet music]
Barenreiter
for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no refere...
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for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no reference to the origin, occasion or a performance of the Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn, 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ; Symphonie concertante his special attention. On April 5, 1778, he wrote to his father: ; Now I shall write a sinfonie concertante for flute wendling, oboe Ramm, Punto horn, and Ritter bassoon. Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels, Le Gros, contrary to his promise, did not include the mentioned ; sinfonie concertante in his program. Mozart had no reason to compose any more for this genre in Paris. After Mozart's return to Salzburg, he might have been eager to introduce the new genre there, especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time. - Urtext of the New Mozart Edition - Full score & parts (BA4900), study score format 22. 5 x 16. 5cm (TP176), violin, viola and piano reduction (BA4900-90) available for sale/ Répertoire / Orchestre
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Symphonie Nr. 9 (DVORAK ANTONIN)
Orchestra
[Sheet music]
Barenreiter
Symphony. Par DVORAK ANTONIN. Flute-picc, Flute (2), Oboe (2), Clarinet in b-min...
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Symphony. Par DVORAK ANTONIN. Flute-picc, Flute (2), Oboe (2), Clarinet in b-minor (2), Bassoon (2), Bugle (4), Trumpet (2), Trombone (3), Tuba, Timbal, Strings/ Répertoire / Orchestre
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Celtic (DIVERS AUTEURS (ARR)
Orchestra
[Sheet music + CD]
Universal Edition
Leichte Ensembleliteratur Für Den Unterricht. Par DIVERS AUTEURS (ARR.MARTIN TO...
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Leichte Ensembleliteratur Für Den Unterricht. Par DIVERS AUTEURS (ARR.MARTIN TOURISH). Recueils de musique celtique arrangée pour ensemble, Ils couvrent l'Irlande, l'Ecosse, le Pays de Galles, la Cornouailles et la Bretagne. edition with CD, 1st part in C (violin, flute, recorder, tin whistle)1st part in Bb (clarinet, trumpet)2nd part in C (violin, flute, recorder, tin whistle)2nd part in Bb (clarinet, trumpet)piano/harpbass-part (cello, bassoon, double bass, e-bass)percussion (drum, Bodhrán).The parts are included on the MP3-CD as digital files to enable an easier and more flexible usage./ Recueil / Ensemble Flexible
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Symphonie Nr. 1 (DVORAK ANTONIN)
Orchestra
[Sheet music]
Barenreiter
Par DVORAK ANTONIN. Flute-picc, Flute (2), Oboe (2), Englisch-horn, Clarinet in ...
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Par DVORAK ANTONIN. Flute-picc, Flute (2), Oboe (2), Englisch-horn, Clarinet in b-minor (2), Bassoon (2), Bugle (4), Trumpet (2), Trombone (3), Timbal, Strings/ Répertoire / Orchestre
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Symphonie Nr. 8 (DVORAK ANTONIN)
Orchestra
[Sheet music]
Barenreiter
G major. Par DVORAK ANTONIN. Flute-picc, Flute (2), Oboe (2), Clarinet in b-mino...
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G major. Par DVORAK ANTONIN. Flute-picc, Flute (2), Oboe (2), Clarinet in b-minor (2), Bassoon (2), Bugle (4), Trumpet (2), Trombone (3), Tuba, Timbal, Strings/ Répertoire / Orchestre
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Sinfonie Nr.26 (MOZART WOLFGANG AMADEUS)
Orchestra
[Sheet music]
Barenreiter
Par MOZART WOLFGANG AMADEUS. Study Score format 22. 5cm x 16. 5cm. The Symphony ...
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Par MOZART WOLFGANG AMADEUS. Study Score format 22. 5cm x 16. 5cm. The Symphony No. 26 In E-Flat, K. 184 (166a) was probably written in Salzburg in March 1773. Scored for Flute (2), Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Strings. Available for sale full score & performance material (BA4744) and study score (TP72). The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding aswell as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices./ Répertoire / Orchestre
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Symphonie Nr. 3 (DVORAK ANTONIN)
Orchestra
[Sheet music]
Barenreiter
Par DVORAK ANTONIN. Flute-picc, Flute (2), Oboe (2), English-horn, Clarinet in b...
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Par DVORAK ANTONIN. Flute-picc, Flute (2), Oboe (2), English-horn, Clarinet in b-minor (2), Bassoon (2), Bugle (4), Trumpet (2), Trombone (3), Timbal, Triangle, Harp, Strings/ Répertoire / Orchestre
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Symphonie Nr. 6 (DVORAK ANTONIN)
Orchestra
[Sheet music]
Barenreiter
D major. Par DVORAK ANTONIN. Flute (2) (Flute-picc), Oboe (2), Clarinet in b-min...
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D major. Par DVORAK ANTONIN. Flute (2) (Flute-picc), Oboe (2), Clarinet in b-minor (2), Bassoon (2), Bugle (4), Trumpet (2), Trombone (3), Tuba, Timbal, Strings/ Répertoire / Orchestre
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Symphonie Nr. 4 (DVORAK ANTONIN)
Orchestra
[Sheet music]
Barenreiter
Symphony. Par DVORAK ANTONIN. Flute (2), Oboe (2), Clarinet in b-minor (2), Bass...
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Symphony. Par DVORAK ANTONIN. Flute (2), Oboe (2), Clarinet in b-minor (2), Bassoon (2), Bugle (4), Trumpet (2), Trombone (3), Timbal, Triangle, Harp, Strings/ Répertoire / Orchestre
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London Symphony No.12 -D Major Hob.I:104 (JOSEF STOIBER FRANZ)
Orchestra
Barenreiter
Par JOSEF STOIBER FRANZ. About London Symphony No. 12Urtext of the Haydn Complet...
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Par JOSEF STOIBER FRANZ. About London Symphony No. 12Urtext of the Haydn Complete Edition. By Franz Joseph Haydn. Edited by Hubert Unverricht. For Flute (2), Oboe (2), Clarinet (b flat) (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum. Score; Urtext Edition (paperbound). Hob. I:104. Duration 40'. Published by Baerenreiter-Ausgaben (German import). (BA4668 01) ISBN M006498253./ Répertoire / Orchestre
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Smetana, Bedrich : Má vlast (My Country)
Orchestra
[Sheet music]
Barenreiter
The first performance of ?Má vlast? as a six-part symphonic cycle took place on...
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The first performance of ?Má vlast? as a six-part symphonic cycle took place on 5 November 1882. With the founding of the Czech Philharmonic in 1896 this work received a far greater reception. Since 1952 the music festival ?Prague Spring? has opened with this complete cycle.
This edition is based on the ?Study Edition of the Works of Bedrich Smetana?, vol. 14, supplemented by an up-to-date detailed foreword about the genesis and history of the work by Marta Ottlová.
Contents
Vy?ehrad / Vltava (The Moldau) / ?árka / Z Ceských luhu a háju (From Bohemia?s Woods and Fields) / Tábor / Blaník
? New foreword by Marta Ottlová (Cz/Eng/Ger)
? Urtext based on the ?Study Edition of the Works of Bedrich Smetana?
Detailed instrumentation: Piccolo flute, Flute (2), Oboe (2), Clarinet (in B-flat) (2), Bassoon (2), Horn (4), Trumpet (2), Trombone (3), Tuba, Kettledrum, Triangle, Cymbals, Concert drum, Harp (2), Violin (2), Viola, Violoncello, Double bass / Classique / Partition / Broché /
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Symphonie Nr. 5 (DVORAK ANTONIN)
Orchestra
[Sheet music]
Barenreiter
F major. Par DVORAK ANTONIN. Flute (2), Oboe (2), Clarinet in b-minor (2) (bass ...
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F major. Par DVORAK ANTONIN. Flute (2), Oboe (2), Clarinet in b-minor (2) (bass clarinet), Bassoon (2), Bugle (4), Trumpet (2), Trombone (3), Timbal, Triangle, Strings/ Répertoire / Orchestre
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Symphony Nr. 91 E-Flat Major Hob. I:91
Orchestra
Barenreiter
This four-movement work with a slow introduction is Haydn's last symphony for 's...
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This four-movement work with a slow introduction is Haydn's last symphony for 'small' orchestra, i.e. without trumpets and timpani.However it has long passages for solo violoncello and is also scored for two bassoons.The editor of this edition recommends a performance with low horns (additionally included in the wind set) to prevent the musical character of the 'Andante? from being compromised by the predominantly high registers.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works, operas and symphonies, this edition is appearing, based on the Henle Complete Edition of the 'Works of Joseph Haydn?.The complete performance material for several of Haydn's 'Sturm und Drang? symphonies and all the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the 'Works of Joseph Haydn?- Orchestral parts in a large format (25.5 × 32.5 cm) / Conducteur
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Gran Partita (MOZART WOLFGANG AMADEUS)
Orchestra
Barenreiter
Serenade für 13 Instrumente. Par MOZART WOLFGANG AMADEUS. An announcement in th...
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Serenade für 13 Instrumente. Par MOZART WOLFGANG AMADEUS. An announcement in the Wiener-Zeitung read: “Concert. Today [23 March 1784] Herr [Anton] Stadler Sr. , presently in the service of His Majesty the Emperor, will hold a concert for his own benefit at the Royal Imperial National Court Theatre in which, among other select pieces, he will present a grand work for wind-band of a quite special character, composed by Herr Mozart. ” That this was almost certainly four movements from the present Serenade in B-flat major, K. 361, is suggested by an account of the occasion published some months later, which states, “Today I heard a composition by Herr Mozart in 4 movements for wind ensemble. . . comprising 13 instruments: 4 horns, 2oboes, 2 bassoons, 2 clarinetts, 2 basset horns and a contrabass viol. . . . ” Much music of the serenade-divertimento-cassation-Nachtmusik type was written in a light style and intended for social occasions rather than formal concerts. In such a context K. 361 is striking for its seriousness of artistic content, its length (seven movements lasting nearly an hour), and its extended instrumentation (most wind-band music of the period calls for five to eight or nine players, not thirteen). If the work was not conceived in the first instance as a concert work, its potential as such must have been recognized early on by Mozart or Stadler. - Urtext of the New Mozart Edition - Parts (BA5331-22) and study score format 22. 5 x 16. 5cm (TP312) available for sale/ Répertoire / Partition de Poche
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Le Temple de la Gloire RCT 59 (RAMEAU JEAN-PHILIPPE)
Orchestra
[Sheet music]
Barenreiter
Par RAMEAU JEAN-PHILIPPE. Rameau’s only extant opera based on a libretto by Vo...
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Par RAMEAU JEAN-PHILIPPE. Rameau’s only extant opera based on a libretto by Voltaire has come down to us in two versions (1745 and 1746), that of 1745 having long been regarded as lost. Volume IV.12 of the “Opera omnia Rameau” now provides a complete edition for the first time and thus the means to perform both versions. Voltaire refers to Metastasio in his libretto, in that he wanted to liberate the opera from the gallant milieu in order to make it a moralising and at the same time both edifying and political work of art for the stage. Following a prologue dedicated to the personified Envy, the tyrants Bélus and Bacchus are chased out of the Temple of Glory and Trajan is finally crowned with a laurel wreath for defeating the rebels, forgiving them and then transforming the Temple of Glory into a public temple. The music contains many remarkable passages, examples being a richly orchestrated overture, the famous monologue “Profonds abîmes du Ténare” with obbligato bassoons and Trajan’s artful final scene “Ramage d’oiseaux”. The opera’s individual instrumental movements are also available in the customary manner now as a practical separate edition. The performance material is available on hire./ Répertoire / Orchestre
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Sinfonie In C (HAYDN JOSEPH)
Orchestra
[Score]
Barenreiter
Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Scor...
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Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Score) Letters of the composer have come down to us only on a few of Haydn’s symphonies, amongst them the “Laudon” Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher’s suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterházy between 1775 and 1776. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag. - First performing Urtext edition - Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag - Orchestral parts in the format 25.5 cm x 32.5 cm / Date parution : 2022-07-20/ Répertoire / Orchestre
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Incantation. Concerto for Piano and Orchestra No. 4 H 358 / Fantasia Concertante. Concerto for Piano and Orchestra No. 5 in B-flat major H 366 (MARTINU BOHUSLAV)
Orchestra
[Sheet music]
Barenreiter
The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnat...
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The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre
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