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Al
AUTOHARP
Piano and Orchestra
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:: (330)
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Flute, Orchestra (116)
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Flûte à Bec Alto et Basse Co… (111)
2 Trumpets (duet) (109)
Quatuor (108)
3 Recorders (trio) (108)
2 Violas, Piano (107)
Woodwind Quintet (107)
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ENS::Ensemble (106)
Piano Quintet: piano, violin, … (105)
Big Note Piano (104)
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Mélodie, Chant Et Piano (100)
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Educatif (88)
Quintette (88)
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3 Clarinets (trio) (84)
Solistes SATB, Choeur SATB, Fl… (83)
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Chant et Guitare (80)
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2 Euphoniums (72)
Orgue, 2 Hautbois, Basson Et C… (71)
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Book (68)
Soprano (67)
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1 Piano, 6 hands (60)
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A Cappella (57)
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Guitar, Orchestra (56)
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Flûte à Bec Alto ou Flûte T… (55)
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Flute, Clarinet, Piano (trio) (54)
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Xylophone (54)
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Djembe (53)
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Solistes SATB, Choeur SATB, 2 … (52)
2 Bassoons (duet) (52)
Cajon (52)
Flûte Traversière Alto et Gu… (51)
Voice and Orchestra (51)
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Cello Ensemble (50)
2 French horns (duet) (50)
2 Violons, Alto Et Basse Conti… (50)
Solistes SATB, Choeur SATB, 2 … (49)
Saxophone Quintet: 5 Saxophone… (49)
Clarinette et Orchestre (49)
2 Saxophones Alto et Piano ou … (49)
Flûte Traversière, Hautbois,… (48)
2 Violons, Alto, Violoncelle e… (48)
Trumpet, Orchestra (48)
2 Hautbois, 3 Trompettes, Timb… (48)
Orchestre Scolaire (48)
Clavecin Et Instruments A Cord… (48)
3 Trumpets (trio) (48)
Alto (Partie séparée) (48)
Drum Fanfare (48)
Violon, Violoncelle et Alto (47)
Violon, Alto et Piano (47)
Conga (47)
Diverses Formations (47)
Clarinette, Viola and Piano (t… (47)
Solistes SATB, Choeur SATB, Fl… (46)
Oeuvres Théâtrales/Oratorios… (46)
Clavecin Et Cordes (46)
Voix et Instruments Divers (46)
String Trio: 3 violins (46)
4 Cellos (45)
Guitar, String Quartet (45)
Cello, String Bass (duet) (45)
Electric bass, Drums (45)
Trio A Cordes (45)
Bass Trombone and Piano (45)
Ensemble Instrumental (45)
Hautbois 1 Clarinette en Sib 1… (44)
4 Euphoniums (44)
2 Violons, Alto et Violoncelle… (44)
Trompette ou Cornet, Euphonium… (44)
Soli and Orchestra (44)
2 Trompettes Sib 1 Cor en Fa 1… (44)
Ensemble à Cordes (44)
Cordes (44)
Trombone Alto et Piano (44)
Solistes SSATTB, Choeur SATB, … (43)
Saxophone Baryton (43)
Solistes SATB, Choeur SATB, 2 … (43)
Ensemble Instrumental et Petit… (43)
2 Violons et Alto (43)
Solistes SATB, Choeur SATB, 4 … (43)
Chamber Music (43)
Violin, Organ (43)
Lyrics only (43)
Recorder, Guitar (duet) (42)
Tambour (42)
Lute (42)
Choeur SATB, 2 Hautbois, 2 Cla… (41)
Cor des Alpes et Piano (41)
Saxophone Alto, Saxophone Tén… (41)
Medium Voice (41)
Quintette Avec Piano (41)
4 Saxophones (Soprano, Alto, T… (41)
Choeur d'Enfants, Solistes, In… (41)
3 Saxophones (Alto, Ténor) et… (41)
Brass Quartet: 2 trumpets, 2 t… (41)
5 Part Ensemble (Clavier, Guit… (41)
Trompette, Trombone et Piano (40)
4 Instruments à Cordes (4 Boi… (40)
Flûte à Bec Alto ou Flûte T… (40)
Brass Quartet: 2 trumpets, hor… (40)
2 Trompettes ou Cornets et Cor… (40)
Saxophone Soprano, Saxophone A… (40)
Trombone, Organ (40)
Horn and Orchestra (40)
Flûte à Bec, Guitare et Musi… (40)
Choeur SATB et Basse Continue (40)
Cor en Fa (40)
Flûte Traversière, Violon Et… (40)
Flûte Traversière Violon, Al… (39)
Flûte Traversière, Alto Et G… (39)
2 Cornets, Cor en Mib et Tuba (39)
Accordion, String(s) (39)
Oboe and Orchestra (39)
5 Recorders (39)
Flûte à Bec Alto, Cordes et … (38)
Trumpet ensemble (38)
3 Voix Egales (38)
Solistes SATB, Choeur SATB, 2 … (38)
Piano, Bass, Drums (trio) (38)
Quatuor avec Piano (38)
Saxhorn or Euphonium (38)
Viola, Guitar (duet) (38)
Vocal duet (38)
Soprano, Piano (38)
4 Violons, Cordes et Basse Con… (37)
Solistes SAT, Choeur SATB, 2 F… (37)
2 Violins and Basso (37)
Partition D'Orchestre In 16 Po… (37)
3 Flûtes Traversières et Pia… (37)
Quintette à Cordes (37)
Trumpet, Trombone (duet) (37)
Descant (Soprano) Recorder, Ba… (37)
Libretto (37)
3 Trombones (trio) (37)
Trompette, Hautbois D'Amour, V… (36)
Violon Solo, Violoncelle Solo,… (36)
Vibraphone, Piano (36)
Violon Principal, 2 Violons, A… (36)
Flûte Traversière, Violon et… (36)
Quintette de Cuivres (36)
Piccolo (36)
Hautbois, Clarinette et Basson… (36)
2 Trompettes Sib, 1 Cor, 1 Tro… (36)
2 Clarinets, Piano (36)
4 Violons, 2 Altos, Violoncell… (36)
2 Violons, Cordes Et Basse Con… (36)
Balalaïka Et Piano (36)
Voice, String Quartet (35)
Autoharp (35)
Percussions Diverses (35)
2 Cellos, Piano (35)
Woodwind Quartet: any 4 woodwi… (35)
Drum set and Piano (35)
Flûte Traversière, Alto et V… (34)
Voice, Organ (34)
Bugle (33)
2 Hautbois, 2 Violons, Alto, V… (33)
Choeur Mixte et Orchestre (33)
Tuba Solo (33)
Flûte Traversière, Alto et H… (33)
Saxophone and Orchestra (33)
3 Clarinettes en Sib et Clarin… (33)
2 Hautbois, 2 Clarinettes, Tim… (32)
Flute and String Quartet (32)
DVD Opera and Ballets (32)
Violon, Alto, Violoncelle et C… (32)
Flûte Traversière Alto et Ha… (32)
Batterie Fanfare En Sib (32)
Solo S, Choeur SATB, 2 Flûtes… (32)
Musique de chambre (32)
Flute, Viola and harp (32)
Viola da Gamba (32)
5 Saxophones (Soprano, Alto, 2… (32)
Handbells (32)
Choeur SS (B) ou SA (B), 2 Vio… (32)
2 Trompettes (duo) (32)
Duos (32)
Flûte à Bec Alto ou Flûte T… (31)
Flûte Traversière, Clarinett… (31)
4 Tubas (31)
Bass Clarinet, Piano (31)
Flûte à Bec Alto, 2 Flûtes … (30)
Ensemble D'Altos (30)
Flûte Traversière ou Flûte … (30)
Tuba en Do et Piano (30)
Saxhorn en Sib Basse Continue (30)
Plectrum Orchestra (30)
Violon 2 (30)
Ocarina (30)
2 Recorders, Basso continuo (t… (30)
Madrigaux (30)
Clarinet, Violin, Cello, Piano… (30)
Batterie Fanfare En Mib (30)
English horn, Piano (29)
Alto, Violoncelle et Contrebas… (29)
Saxophone en Mib et Piano (29)
Solistes SATB, Choeur SATB, 2 … (29)
Baritone Ukulele (29)
Solistes SATB, Choeur SATB, 2 … (29)
Flûte à Bec Alto ou Flûte T… (29)
4 Parties Mixtes (29)
Guitare Flatpick et Plectre (29)
Guitare Tablatures Flatpick et… (29)
Flûte à Bec F1, C1, 2 Violon… (28)
Solo Flûte à Bec F1, 2 Violo… (28)
Orchestre De Chambre (28)
Flûte Traversière, Violon, 2… (28)
Trompette ou Flûte à Bec ou … (28)
Violon, Alto, Guitare et Violo… (28)
Flûte à Bec Alto et Basse Co… (28)
2 Clarinettes, 2 Violons, Orgu… (28)
2 Violons, 2 Altos ou 3 Violon… (28)
Orgue, 2 Hautbois, 2 Violons, … (28)
Violon, 2 Altos et Violoncelle… (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Flûte 1 Hautbois 1 Clarinette… (28)
Instruments Acoustiques (28)
Clavier ou Orgue Electronique (28)
C Trumpetor et Trompette Sib/C… (28)
Violon 1 (28)
2 Saxophones Alto (28)
Alto, Cordes et Basse Continue… (28)
Soprano Saxophone and Piano (28)
Cello, Organ (28)
Solistes STTBB, Choeur SATB, 2… (27)
3 Euphoniums et Piano ou Clavi… (27)
Flûte Traversière, Hautbois,… (27)
Solistes SATB, Choeur SATB, 2 … (27)
Choeur SATB, 2 Trompettes, 2 T… (27)
Trio (2 Soli Avec Réduction D… (27)
Saxophone Alto et Concert Band… (27)
2 Trombones, Piano (27)
Flute and Strings Trio (27)
2 French horns, Piano (27)
Violin, Horn and Piano (27)
Choeur A Cappella (27)
Saxophone, Clarinet (duet) (27)
Choral Soprano solo, SATB, Key… (27)
Batterie-Fanfare (26)
Flûte à Bec Alto ou Flûte T… (26)
Solistes SST, Choeur SATB, 2 F… (26)
Petit Choeur SATB, Contrebasse… (26)
Marches militaires (26)
String Trio: 3 cellos (26)
2 Violons, Alto, Violoncelle (26)
Saxophone Alto Solo (26)
Piano Quartet: piano, 2 violin… (26)
Saxophone Alto et Orchestre à… (26)
Recorder, Bass Continuo (26)
Voix et Piano Réduction (26)
String quintet (26)
Drums-Marching band (26)
Concert Band ou Harmonie et Ba… (26)
Violon, Instruments à Cordes … (26)
Alto Solo (26)
Violin, Viola and Orchestra (26)
Trompette en Do ou et Trompett… (26)
Choeur SATTB (26)
Bagpipe (26)
Guitare ou Luth (26)
3 Percussions (26)
Trombone ensemble (26)
Soprano Saxophone (26)
Flûte Traversière ou Flûte … (25)
Choeur SATB, 2 Violons, Alto e… (25)
Solistes SATB, Choeur SATB/SAT… (25)
2 Violons, Alto, Violoncelle o… (25)
Children choir, Instruments (25)
Organ, Piano (duet) (25)
Flûte, Alto Et Harpe (25)
Quatuor Variable (25)
Clarinette et Quatuor à Corde… (25)
Choral SATTB (25)
Chorale d'Enfants et Piano (25)
Trompette Solo (25)
2 Cornets et Piano ou Orgue (25)
3 Tubas (25)
String quartet: 4 violins (25)
Flûte à Bec, 2 Violons, Alto… (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
Hautbois, Flûte à Bec F1 ou … (24)
Hautbois 3 Clarinettes Sib 1 C… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Choeur SSATB, 2 Flûtes Traver… (24)
Flûte Traversière 3 Clarinet… (24)
Quartette Pour Flûtes à Bec … (24)
Violon (2), Alto et Contrebass… (24)
2 Violons, Alto, Violoncelle e… (24)
Hautbois (Flûte), Violon, Alt… (24)
Flûte Traversière, Hautbois,… (24)
Flûte, Violon, Alto et Violon… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
Quatuor de Cordes (24)
2 Violons, 2 Altos, Violon ou … (24)
Clarinette ou Trompette ou Vio… (24)
Quatuor à Cordes et Guitare (24)
Flûte Traversière, Violon, V… (24)
Guitar and Bass Tablatures, Ch… (24)
2 Violons, Alto, Violoncelle e… (24)
Choeur Mixte (SATTB/SATTB), So… (24)
Trompette, Instruments à Cord… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Trombone Solo (24)
Basson, 2 Violons, 2 Altos et … (24)
Flûte Traversière 2 Violons … (24)
Solistes SATTB, Choeur SSATTBB… (24)
Flûte A Bec Soprano Et Flûte… (24)
Tuba et Euphonium (24)
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Hans Abrahamsen: Left Alone: Piano: Score
Piano and Orchestra
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen ...
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Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements – in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans
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Debussy Clarinet And Saxophone Rhapsodies Piano And Orch. Versions
Piano and Orchestra
Hal Leonard
La première Rhapsodie de Debussy pour clarinette, et sa Rhapsodie pour saxophon...
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La première Rhapsodie de Debussy pour clarinette, et sa Rhapsodie pour saxophone ont toutes deux été composées à l'origine que des oeuvres de chambre avec accompagnements de piano. Plus tard, le compositeur disposées deux pièces pour grand orchestre, et ce volume unique contient la partition orchestrale et de chambre de l'arrangement de piano de ces deux oeuvres.En tant que compositeur principal considérée comme faisant partie du mouvement impressionniste français, la musique de Debussy est caractérisée par quelques innovations profondes dans l'orchestration et le mélange des tons instrumentale, privilégiant la chaleur du vent sur ??les cordes qui prédominait auparavant. Cette édition offre une occasion rare d'étudier l'utilisation de Debussy du timbre orchestral, en comparant chaque score à sa version de chambre d'origine. Par ailleurs, les versions piano de chaque oeuvre, dépouillé à l'essentiel très, fournissent un aperçu fascinant et franche dans l'approche harmonique de Debussy. / Scores
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Hans Abrahamsen: Concerto For Piano And Orchestra: Piano: Score
Piano and Orchestra
Wilhelm Hansen
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by comm...
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Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general
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John Williams: Indiana Jones and The Kingdom Of The Crystal Skull: Piano
Piano and Orchestra
Alfred Publishing
Piano accompaniments for a selection of superb John Williams' compositions from ...
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Piano accompaniments for a selection of superb John Williams' compositions from Indiana Jones and the Kingdom of the Crystal Skull. This piano accompaniment book is part of an instrumental series arranged for Flute Clarinet Alto Sax Tenor Sax Horn in F and Trombone. It includes a specially designed accompaniment that can be easily played by a teacher or intermediate piano student. A CD which features live demonstration performances of various instrument tracks from throughout the series has also been included. This terrific edition is full of images from the film including 6 pages of full-colour stills.
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Poul Ruders: Piano Concerto No.2: Piano: Score
Piano and Orchestra
[Score]
Wilhelm Hansen
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned ...
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Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Solo Piano part: WH31129CProgramme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonorous treasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing forone of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts. The marking 'Avanti Risoluto' (Forward with Resolve) is a bit of an understatement. It is a full throttle no hold barred ride -
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Konzertante Werke Op. 32 Wev N.15
Piano and Orchestra
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
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Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano Et Orchestre
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Konzerte (SCHUMANN ROBERT)
Piano and Orchestra
Schott
Par SCHUMANN ROBERT. Le nouveau Robert Schumann Edition (RSA) est conçu comme u...
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Par SCHUMANN ROBERT. Le nouveau Robert Schumann Edition (RSA) est conçu comme une édition historico-critique des oeuvres recueillies. Ils seront soigneusement étudiés et préparés selon des techniques musicologiques et rédactionnelles actuelles et présentés dans leur intégralité. Brouillons, des croquis et des fragments, bref, tout ce qui est parvenu à nous comme étant authentiquement par Schumann et qui, dans la plupart des cas, a été délibérément préservé par lui, seront rassemblées, évalué quant à son importance et documentés dans une forme ou une autre, dans l'édition des oeuvres complètes.C'est le but de l'édition de reproduire des textes authentiques qui - après avoir corrigé copistes, copies et d'impression des erreurs et éradiquées ajouts et autres corruptions textuelles - aborderont aussi étroitement que possible l'intention des originaux.L'édition critique formeront la base du matériel de rendement précis pour le travail de Robert Schumann./ Répertoire / Piano et Orchestre
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Robert Schumann: Great Works For Piano And Orchestra: Piano: Score
Piano and Orchestra
Dover Publications
Clara Wieck’s sincerest wish was that her future husband Robert Schumann ...
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Clara Wieck’s sincerest wish was that her future husband Robert Schumann turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839 just one year before her marriage she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano andOrchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score including the A Minor Piano Concerto one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music diverting substantially from the classic models of the day and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor Op. 54 (published 1846) Concertstück Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians music lovers and students as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at
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Piano Concerto (TIPPETT MICHAEL SIR)
Piano and Orchestra
Eulenburg
Par TIPPETT MICHAEL SIR. Tippett and rsquo -s Concerto pour Piano - écrit entre...
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Par TIPPETT MICHAEL SIR. Tippett and rsquo -s Concerto pour Piano - écrit entre 1953 et 1955 - peut être considéré comme un commentaire du milieu du XXe siècle sur et une réaction contre les types ancien concerto héroïque et percussion. Son inspiration initiale est venue lorsque Tippett entendu Gieseking répéter le premier mouvement de Beethoven and rsquo -s quatrième Concerto de Piano pour un concert en 1950. Tippett écrivit plus tard de la genèse de son propre concerto: and lsquo-sous l'influence d'une performance exceptionnellement poétique pourtant classique du mouvement de Beethoven, je me retrouvais persuadé qu'un concerto contemporain pourrait être écrit, dans lequel le piano est utilisé une fois de plus pour ses capacités poétiques. and rsquo - hormis les influences de jeu self-acknowledged, la principale influence sur le langage musical du concerto, comme le reconnaît Tippett lui-même, a son propre opéra The Midsummer Marriage, où il venait de terminer. Comme le compositeur lui-même des commentaires sur son concerto, and lsquo-la musique est riche, linéaire et lyrique, comme dans cet opéra. and rsquo -/ Répertoire / Piano et Orchestre
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Lamentate (PART ARVO)
Piano and Orchestra
[Study Score / Miniature]
Universal Edition
Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt ab...
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Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt about Lamentate: 'Lamentate is music for piano solo and orchestra. With respect to its form, however, the composition cannot really be described as a typical piano concerto. I chose the piano to be the solo instrument because it fixes our attention on something that is 'one'. This 'one' could be a person, or perhaps a first-person narrative. Just as the sculpture leaves the viewer with a light and floating impression in spite of its overwhelming size, the piano, as a large instrument, allowed me to create a sphere of intimacy and warmth that no longer seems anonymous or abstract. Overall, it could be said that my work is marked by two diametrically opposed moods. By way of slight exaggeration, I would characterize these two poles as being 'brutal-overwhelming' and 'intimate-fragile'. The two characters are not simply placed opposite one another, much rather being left to develop themselves in a conflict that runs throughout the entire work.'/ Répertoire / Piano et Orchestre
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Maurice Ravel: Concerto: Piano: Score
Piano and Orchestra
Barenreiter
for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist a...
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for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework’s evolution from Ravel’s autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part. The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25.5 x 32.5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work’s history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale.
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E.J. Moeran: Rhapsody In F Sharp (Miniature Score): Piano: Instrumental Work
Piano and Orchestra
Chester
Rhapsody in F Sharp for Piano and Orchestra was commissioned by the BBC Proms an...
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Rhapsody in F Sharp for Piano and Orchestra was commissioned by the BBC Proms and first performed in the Royal Albert Hall on August 19th 1943. Written with the wartime audience in mind it is unashamedlypopular in style with its flashy virtuosity making it immediately accessible and entertaining. There is argument among scholars as to whether it should be referred to in the Major or Minor key as it makes almost equal use ofboth starting in one and finishing in the other. Ernest J Moeran (1894-1950) was an English composer who followed the tradition of R. Vaughan Williams and John Ireland by collecting preserving and using manyfolk songs mainly from Norfolk Suffolk and Ireland.
8.99 GBP - Sold by Musicroom UK
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Richard L. Saucedo: Dreamsong: Concert Band and Solo: Score & Parts
Piano and Orchestra
Hal Leonard
Piano Solo with Concert Band-Here is a special composition that serves a very sp...
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Piano Solo with Concert Band-Here is a special composition that serves a very special purpose for young band programs ? an opportunity to feature a piano soloist with concert band. The piano part itself is lyrical and not technically demanding. The bandparts are easy to learn and lend support for the soloist in addition to sharing in the melody at times. A wonderful change of pace for your next concert. Dur: 3:00 (Includes Full Performance CD)
57.50 GBP - Sold by Musicroom UK
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Philip Glass: Piano Concerto No.2: Piano: Score
Piano and Orchestra
[Sheet music]
-
Intermediate/advanced
Dunvagen Music Publishers
Internationally renowned minimalist Philip Glass composed this Piano concerto in...
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Internationally renowned minimalist Philip Glass composed this Piano concerto in the traditional three-movement form. The first movement titled ‘The Vision’ is classic Glass with a steamroller quality that suggests the immensedrive and ambition the two explorers needed to draw on for their journey into the wilderness. At the beginning of the second movement the theme in the solo Indian Flute musically represents the name ‘Sacajawea’ the ShoshoneIndian mother and guide who assisted the explorers on their way for whom the movement is named.The final movement entitled ‘The Land’ is an exploration of expansiveness both of the land that was being explored but also of thegeologically expanded time over which the landscape has evolved and the great changes that followed Lewis and Clark’s journey.This concerto is designated as part of The Concerto Project recording series started by Glass in theyear 2000 currently in four volumes and including eight concerti.American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as aminimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small andlarge ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
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A Notte Alta (CASELLA ALFREDO)
Piano and Orchestra
[Score]
Ricordi
Poema Per Pianoforte E Orchestra. Par CASELLA ALFREDO. / oeuvre solo et Orchest...
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Poema Per Pianoforte E Orchestra. Par CASELLA ALFREDO. / oeuvre solo et Orchestre / Date parution : 1905-06-30/ Répertoire / Piano et Orchestre
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Chamber Ensemble:
Piano and Orchestra
Barenreiter
for Piano and Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 4...
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for Piano and Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been preparedusing clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Piano: Score
Piano and Orchestra
[Sheet music]
Barenreiter
Piano or Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Pi...
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Piano or Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulatedscholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
42.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Piano Concerto No.22 In E-Flat K.482: Piano: Part
Piano and Orchestra
Barenreiter
Violoncello or Contrabass-Concerto For Piano And Orchestra No.22 E-flat major K....
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Violoncello or Contrabass-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycritical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
6.00 GBP - Sold by Musicroom UK
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