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AUTOHARP
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
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Trio A Cordes (45)
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Violoncello, Basso continuo (44)
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2 Flûtes Traversières ou 2 F… (32)
Flûte Traversièreou Piccolo,… (32)
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Musique de chambre (32)
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Saxophone en Mib et Piano (32)
Lyrics only (32)
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Clarinette et Cordes (31)
Clavier Ou Piano (31)
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Recorder, Bass Continuo (30)
Cello, Organ (30)
Flûte Traversière et Cordes (30)
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Quatuor avec Piano (30)
5 Recorders (30)
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Ocarina (29)
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Trompette ou Cornet à Pistons… (29)
Balalaika (29)
Recorder, Guitar (duet) (29)
2 French horns, Piano (29)
Tenor (29)
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Flûte à Bec Alto ou Flûte T… (28)
Trombone, Organ (28)
Marches militaires (28)
Saxhorn or Euphonium (28)
Voix Et Orff-Instruments (28)
2 Violons, 2 Altos ou 3 Violon… (28)
Variétés françaises (28)
Orgue, 2 Hautbois, 2 Violons, … (28)
Flûte Traversière, Alto et V… (28)
Flûte à Bec F1, Violon et Ba… (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Hautbois, Clarinette et Basson… (28)
Flûte à Bec, Guitare et Musi… (28)
Plectrum Orchestra (28)
Instruments Acoustiques (28)
2 Trompettes (duo) (28)
Euphonium en Clé de Fa Do ou … (27)
SATB, (4 InstrumentS Basse et … (27)
2 Cornets (27)
Voice, String Quartet (27)
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Concert Band ou Harmonie et Cl… (27)
4 Parties Mixtes (27)
Guitare (Fingerpick) (27)
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Edition Critique des oeuvres d… (27)
Piano et Orchestre (27)
Baryton et Orchestre (27)
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Flûte Traversière, Hautbois,… (26)
Ukulélé Soprano (26)
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String Trio: 3 cellos (26)
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Bagpipe (25)
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Medium Voice (25)
Flûte à Bec et Piano (25)
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Franz Schubert: Mass In B-Flat Major Op.Post.141 D 324: Mixed Choir: Part
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
Barenreiter
Despite the pressures of his teaching position Franz Schubert created a particu...
(+)
Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.- Urtext of the New Schubert Edition- Full score performance material (BA5621) and vocal score (BA5621-90) available for sale
8.50 GBP - Sold by Musicroom UK
Similar items
2 sellers
Details
Details
Franz Schubert: Mass In B-Flat Major Op.Post.141 D 324: Mixed Choir: Part
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
Barenreiter
Despite the pressures of his teaching position Franz Schubert created a particu...
(+)
Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.- Urtext of the New Schubert Edition- Full score performance material (BA5621) and vocal score (BA5621-90) available for sale
5.50 GBP - Sold by Musicroom UK
Similar items
2 sellers
Details
Details
Franz Schubert: Mass In B-Flat Major Op.Post.141 D 324: Cello & Double Bass:
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
Barenreiter
Despite the pressures of his teaching position Franz Schubert created a particu...
(+)
Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.- Urtext of the New Schubert Edition- Full score performance material (BA5621) and vocal score (BA5621-90) available for sale
5.50 GBP - Sold by Musicroom UK
Similar items
2 sellers
Details
Details
Franz Schubert: Mass In B-Flat Major Op.Post.141 D 324: Mixed Choir: Part
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
Barenreiter
Despite the pressures of his teaching position Franz Schubert created a particu...
(+)
Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.- Urtext of the New Schubert Edition- Full score performance material (BA5621) and vocal score (BA5621-90) available for sale
5.50 GBP - Sold by Musicroom UK
Similar items
2 sellers
Details
Details
Franz Schubert: Mass In B-Flat Major Op.Post.141 D 324: Mixed Choir: Parts
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
Barenreiter
Despite the pressures of his teaching position Franz Schubert created a particu...
(+)
Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.- Urtext of the New Schubert Edition- Full score performance material (BA5621) and vocal score (BA5621-90) available for sale
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Franz Schubert: Mass In A Flat D678: Mixed Choir: Part
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
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The piano part has been thoroughly re-worked for this new vocal score of Schuber...
(+)
The piano part has been thoroughly re-worked for this new vocal score of Schubert?s Mass in A-flat major (D 678). Andreas Köhs' piano reduction reliably reflects Schubert?s orchestral score and is at the same time idiomatic piano writing.Bärenreiter?s new revised vocal score is compatible with the old vocal score as well as with the orchestral parts and the full score already available.
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Franz Schubert: Mass In A Flat D678: Mixed Choir: Part
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
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The piano part has been thoroughly re-worked for this new vocal score of Schuber...
(+)
The piano part has been thoroughly re-worked for this new vocal score of Schubert?s Mass in A-flat major (D 678). Andreas Köhs' piano reduction reliably reflects Schubert?s orchestral score and is at the same time idiomatic piano writing.Bärenreiter?s new revised vocal score is compatible with the old vocal score as well as with the orchestral parts and the full score already available.
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Franz Schubert: Mass In A Flat D678: Mixed Choir: Part
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
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The piano part has been thoroughly re-worked for this new vocal score of Schuber...
(+)
The piano part has been thoroughly re-worked for this new vocal score of Schubert?s Mass in A-flat major (D 678). Andreas Köhs' piano reduction reliably reflects Schubert?s orchestral score and is at the same time idiomatic piano writing.Bärenreiter?s new revised vocal score is compatible with the old vocal score as well as with the orchestral parts and the full score already available.
6.50 GBP - Sold by Musicroom UK
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Franz Schubert: Mass In A Flat D678: Mixed Choir: Part
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
Barenreiter
The piano part has been thoroughly re-worked for this new vocal score of Schuber...
(+)
The piano part has been thoroughly re-worked for this new vocal score of Schubert?s Mass in A-flat major (D 678). Andreas Köhs' piano reduction reliably reflects Schubert?s orchestral score and is at the same time idiomatic piano writing.Bärenreiter?s new revised vocal score is compatible with the old vocal score as well as with the orchestral parts and the full score already available.
7.00 GBP - Sold by Musicroom UK
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Franz Schubert: Mass In A Flat D678: Mixed Choir: Score and Parts
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
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The piano part has been thoroughly re-worked for this new vocal score of Schuber...
(+)
The piano part has been thoroughly re-worked for this new vocal score of Schubert?s Mass in A-flat major (D 678). Andreas Köhs' piano reduction reliably reflects Schubert?s orchestral score and is at the same time idiomatic piano writing.Bärenreiter?s new revised vocal score is compatible with the old vocal score as well as with the orchestral parts and the full score already available.
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Wolfgang Amadeus Mozart: Vesperae Solennes De Dominica K.321: Mixed Choir: Parts
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
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Set of Wind Parts-We know that Mozart held his Vespers in high regard since he o...
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Set of Wind Parts-We know that Mozart held his Vespers in high regard since he once asked his father in a letter dated 12 March 1783 to send the two works to him in Vienna so that he could show them to Baron Gottfried van Swieten. The Office hymns designated as Vesperae de Dominica K. 321 and Vesperae solennes de Confessore K. 339 both call for four vocal parts two violins two clarini kettledrums basses (violoncello double bass and bassoon) three trombones and organ.They contain settings of Psalms 109 (Dixit) 110 (Confitebor) 111 (Beatus vir) 112 (Laudate pueri) 116 (Laudate Dominum) and of the Magnificat canticle. Each of the Psalms forms an autonomous unit; the Doxology atthe end is derived from the themes of the various Psalms.Urtext of the New Mozart Edition Full score & performance material (BA4893) vocal score (BA4893-90) available for sale
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Wolfgang Amadeus Mozart: Vesperae Solennes De Dominica K.321: Mixed Choir: Part
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
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We know that Mozart held his Vespers in high regard since he once asked his fath...
(+)
We know that Mozart held his Vespers in high regard since he once asked his father in a letter dated 12 March 1783 to send the two works to him in Vienna so that he could show them to Baron Gottfried van Swieten. The Office hymns designated as Vesperae de Dominica K. 321 and Vesperae solennes de Confessore K. 339 both call for four vocal parts two violins two clarini kettledrums basses (violoncello double bass and bassoon) three trombones and organ.They contain settings of Psalms 109 (Dixit) 110 (Confitebor) 111 (Beatus vir) 112 (Laudate pueri) 116 (Laudate Dominum) and of the Magnificat canticle. Each of the Psalms forms an autonomous unit; the Doxology atthe end is derived from the themes of the various Psalms.Urtext of the New Mozart EditionFull score & performance material (BA4893) vocal score (BA4893-90) available for sale
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Wolfgang Amadeus Mozart: Vesperae Solennes De Dominica K.321: Continuo: Part
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
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Violoncello Contrabass and Bassoon-We know that Mozart held his Vespers in high...
(+)
Violoncello Contrabass and Bassoon-We know that Mozart held his Vespers in high regard since he once asked his father in a letter dated 12 March 1783 to send the two works to him in Vienna so that he could show them to Baron Gottfried van Swieten. The Office hymns designated as Vesperae de Dominica K. 321 and Vesperae solennes de Confessore K. 339 both call for four vocal parts two violins two clarini kettledrums basses (violoncello double bass and bassoon) three trombones and organ.They contain settings of Psalms 109 (Dixit) 110 (Confitebor) 111 (Beatus vir) 112 (Laudate pueri) 116 (Laudate Dominum) and of the Magnificat canticle. Each of the Psalms forms an autonomous unit; the Doxology atthe end is derived from the themes of the various Psalms.Urtext of the New Mozart Edition Full score & performance material (BA4893) vocal score (BA4893-90) available for sale
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Wolfgang Amadeus Mozart: Vesperae Solennes De Dominica K.321: Score
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
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We know that Mozart held his Vespers in high regard since he once asked his fath...
(+)
We know that Mozart held his Vespers in high regard since he once asked his father in a letter dated 12 March 1783 to send the two works to him in Vienna so that he could show them to Baron Gottfried van Swieten. The Office hymns designated as Vesperae de Dominica K. 321 and Vesperae solennes de Confessore K. 339 both call for four vocal parts two violins two clarini kettledrums basses (violoncello double bass and bassoon) three trombones and organ.They contain settings of Psalms 109 (Dixit) 110 (Confitebor) 111 (Beatus vir) 112 (Laudate pueri) 116 (Laudate Dominum) and of the Magnificat canticle. Each of the Psalms forms an autonomous unit; the Doxology atthe end is derived from the themes of the various Psalms.Urtext of the New Mozart Edition Full score & performance material (BA4893) vocal score (BA4893-90) available for sale
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Wolfgang Amadeus Mozart: Vesperae Solennes De Dominica K.321: Mixed Choir: Part
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
Barenreiter
We know that Mozart held his Vespers in high regard since he once asked his fath...
(+)
We know that Mozart held his Vespers in high regard since he once asked his father in a letter dated 12 March 1783 to send the two works to him in Vienna so that he could show them to Baron Gottfried van Swieten. The Office hymns designated as Vesperae de Dominica K. 321 and Vesperae solennes de Confessore K. 339 both call for four vocal parts two violins two clarini kettledrums basses (violoncello double bass and bassoon) three trombones and organ.They contain settings of Psalms 109 (Dixit) 110 (Confitebor) 111 (Beatus vir) 112 (Laudate pueri) 116 (Laudate Dominum) and of the Magnificat canticle. Each of the Psalms forms an autonomous unit; the Doxology atthe end is derived from the themes of the various Psalms.Urtext of the New Mozart EditionFull score & performance material (BA4893) vocal score (BA4893-90) available for sale
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Wolfgang Amadeus Mozart: Missa in C major KV 317 Coronation Mass : Mixed Choir:
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
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Composed in 1779 Mozart?s ?Coronation Mass? in C major K. 317 is one of the m...
(+)
Composed in 1779 Mozart?s ?Coronation Mass? in C major K. 317 is one of the most popular settings of the Ordinary thanks to its festive character and the wealth and variety of its musical ideas.This edition is based on the Urtext of the New Mozart Edition and makes the work available in all its radiant beauty.- Full score and performance material (BA4880) vocal score (BA4880-90) and study score (TP316) available for sale.
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Wolfgang Amadeus Mozart: Missa in C major KV 317 Coronation Mass : Mixed Choir:
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
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Composed in 1779 Mozart?s ?Coronation Mass? in C major K. 317 is one of the m...
(+)
Composed in 1779 Mozart?s ?Coronation Mass? in C major K. 317 is one of the most popular settings of the Ordinary thanks to its festive character and the wealth and variety of its musical ideas.This edition is based on the Urtext of the New Mozart Edition and makes the work available in all its radiant beauty.- Full score and performance material (BA4880) vocal score (BA4880-90) and study score (TP316) available for sale.
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Wolfgang Amadeus Mozart: Missa in C major KV 317 Coronation Mass : Mixed Choir:
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
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Composed in 1779 Mozart?s ?Coronation Mass? in C major K. 317 is one of the m...
(+)
Composed in 1779 Mozart?s ?Coronation Mass? in C major K. 317 is one of the most popular settings of the Ordinary thanks to its festive character and the wealth and variety of its musical ideas.This edition is based on the Urtext of the New Mozart Edition and makes the work available in all its radiant beauty.- Full score and performance material (BA4880) vocal score (BA4880-90) and study score (TP316) available for sale.
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Frauen Und Musik Im Europa Des 16. Jahrhunderts
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Sheet music]
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Infrastrukturen - Aktivitäten - Motivationen. / Recueil / Livre
44.70 EUR - Sold by LMI-partitions
(Seller in french langage)
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