Little Blue Something was written for and dedicated to Kronos Quartet. The premiere was given by them on 31st May 2012 at the Ensems Festival in Valencia Spain.

Blue Rose is based on two folk melodies which have been freely developed. It uses uneven beats and bars which creates a rocking feeling that is somewhat reminiscent of Balkan music. The title refers to the way the piece starts, unfolding and blooming as it slowly becomes stronger, like the blue light of dawn. It is one of the few pieces of the composer that is based in a major key (D major). / Quatuor A Cordes

This three-minute piece for string quartet unites the typical features of Elena Kats-Chernin's compositions: blues harmony, a motor-like rhythm driven by syncopes, bittersweet melodies and austere-poetic sonority. Silver Eucalypt was written in 2006 and recorded in 2012 by the Acacia Quartet on their CD 'Blue Silence' released by Vexations840. Now there is finally a printed edition which may be a charming addition to the repertoire of professional and amateur musicians alike. / Quatuor A Cordes

Par ADELE. ?Easy on Me,? Adele\'s lead song on her 2021 album 30, was streamed 24 million times in its first 24 hours, setting a record that has yet to be beat! Larry Moore\'s D Major arrangement for string quartet captures all of Adele\'s signature syncopations and bluesy feel in a manner that your students will immediately latch on to! / Date parution : 2022-09-20/ Répertoire / Quatuor à Cordes

Par FREEMAN ALEX. Alex Freeman found initial inspiration for his string quartet (2015) in a series of photographs a geologist friend showed him of en échelon veins in rock formations. The open strings punctuated with pizzicato unisons that begin the single-movement work call to mind something crystalline and shimmering, which is immediately infused with tumbling lyrical lines in something of a rapid caccia technique throughout. The middle of the work becomes more suspended in slower material loosely based on a technique of prolation canon, comprises layers of free, expressive, lyrical, and even elegiac music moving at different speeds. As the work concludes, the materials converge in a rhythmically pulsating stasis and an almost chorale-like statement. Duration: c. 13' This product includes the score and the parts (A4 sized). American-Finnish composer Alex Freeman (b.1972) has established himself among the foremost composers of choral music in Finland. A dedicated citizen of his musical community, a teacher, and a choral singer himself, he composes music that reflects an appreciation for a wide range of aesthetics and a passion for communicating with listeners and performers. In his choral works, in particular, we find music that aims to be sonorous, melodic, and resonant, but is always crafted to carefully avoid the cliches that can burden conventional tonality. His instrumental works run the gamut: a cantata with orchestra based on poetry of Whitman; a significant body of solo piano works that reveal deep roots in everything from austere absolute music to soaring elegaic rhetoric (see Albany Records, Inner Voice); his chamber work Blueshift (Navona Records), which is a kind of paean to Reich and Adams in miniature; open-ended modular works, like various iterations of his Slow All Clocks for electronic media, solo clarinet, and mixed choirs of kanteles; and, recently, some new directions in microtonal music. / Date parution : 2022-05-31/ Répertoire / Quatuor à Cordes