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AUTOHARP
Violin
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Max Reger: Romanze in G-Dur / Romance in G major: Violin: Instrumental Work
Violin
Breitkopf & Härtel
Original for Violin (and Piano)-Max Reger?s well-known Romance in G major WoO II...
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Original for Violin (and Piano)-Max Reger?s well-known Romance in G major WoO II/10 was written as a supplement for the Neue Musik-Zeitung which was the recipient of works - particularly songs and piano pieces - by Reger in the years 1900 and 1901. Reger himself designatedhis Romance shortly after its publication as ?an occasional piece of the worst kind - for me!? The work was published in 1910 both in its original scoring for violin (and piano) as well as in its first arrangements for other solo instruments.
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Fit in 15 Minutes (BERGMANN BENJAMIN)
Violin
Schott
Warm-ups and Essential Exercises for Violin. Par BERGMANN BENJAMIN. Fit in 15 Mi...
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Warm-ups and Essential Exercises for Violin. Par BERGMANN BENJAMIN. Fit in 15 Minutes is intended for occasional players who are very short of time and want to maintain and improve their violin technique in a concentrated and effective quarter of an hour. They can also be used at the beginning of a longer practice or rehearsal session. As the technical precondition of beginners and professional violinists vary, each exercise is offered in three levels of progressive complexity: · Level 1: Exercises for beginners · Level 2: Exercises for advanced players · Level 3: Exercises for tertiary students and professionals The division in three levels provides didactic transparency. It is not meant to create boundaries, but serves as a stimulation to identify correlations, to polish basics or to conquer new technical challenges. / Études et exercices / Etude / Violon
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Advanced Violin Scale Studies (FINE ELAINE)
Violin
[Sheet music]
Mel Bay
Par FINE ELAINE. Although the practice of scales is essential to building and ma...
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Par FINE ELAINE. Although the practice of scales is essential to building and maintaining strength, technique, tone, and agility?it is very easy to slip into the habit of playing them automatically, without paying attention to how they sound or even being aware of what scale we are playing. The 29 single-page studies in this book are designed to combat that tendency as they are musically, intellectually, and rhythmically challenging.The first 24 studies proceeded through the circle of fifths and address all minor and relative major keys; the last 5 pieces were individually conceived, i.e., apart from the circle of fifths. Occasional fingerings or position guides are suggested but these are largely left to the student or their teachers. No metronome indications are given so that the etudes can be played at individually comfortable tempos?with or without a metronome, or freely as concert etudes. It is the stepwise motion and octave leaps of the etudes that makes the intervals between pitches easy to hear, even in keys with numerous flats or sharps.Just as in Elaine Fine?s more basic scale etude book, Violin Scale Tales, the names of the etudes herein refer to various animals that have scales, including insects, fish, birds, reptiles, a few species of squirrels with scales on their tails, and the solitary pangolin, the only known mammal whose entire body is covered with scales. Again, the author hopes that in addition to experiencing more enjoyable scale practice, students will be inspired to learn more about these amazing creatures, or even write scale studies of their own. / Date parution : 2022-07-20/ Etude / Violon
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Max Reger: Romance G major WoO II/10: Violin: Instrumental Work
Violin
Schott
Born in the village of Brand in the Upper Palatinate Max Reger (1873 1916) was ...
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Born in the village of Brand in the Upper Palatinate Max Reger (1873 1916) was taught by the renowned music theoretician Hugo Riemann. After finishing his studies and working as a freelance performer and composer in Wiesbaden he moved to Weiden beset by personal crises and eventually to Munich. To make himself better known in the musical scene he had some of his smaller works inserted in the magazine Neue Musikzeitung. This is how his Romanze G-Dur for violin and piano was published in November 1901 a beautiful occasional work ideal for music lessons or as a tranquil encore after a concert also in an arrangement for viola and piano.
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Niccolò Paganini: Easy Paganini: Violin: Instrumental Work
Violin
De Haske Publications
Attainable for almost everyone-Paganini wrote virtuoso violin music that could o...
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Attainable for almost everyone-Paganini wrote virtuoso violin music that could only be played by a few musicians. However in this book celebrated compositions by Paganini have been adapted and simplified in such a way that they are playable for practically every violinist - without violating the character and the typical features of his music. Tours de force such as pizzicato in the left hand ricochet and harmonics are retained in a simplified form so the pieces in Easy Paganini still sound spectacular and are very violinistic. When it comes to technical requirements for the left hand the third position (with the occasional further extension) will suffice.
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Warm Ups For The Violinist Quikguide (WHEELER CAROL ANN)
Violin
Mel Bay
Par WHEELER CAROL ANN. Comme un violoneux championnat et à l'enseignant de supe...
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Par WHEELER CAROL ANN. Comme un violoneux championnat et à l'enseignant de superbe, Carol Ann Wheeler partage sa routine d'échauffement remarquablement efficace dans ce livre, leçon handy 5 1/2 ' x 8 ' QWIKGUIDE. Créé spécialement pour le violoniste occasionnel dont lifestyle exige le maximum d'avantages d'un minimum d'effort, le livre contient des exercices bien pensés, traitant de la dextérité, vibrato, relâchement et renforcer le poignet, plus techniques, tels que double-stops, revirements, chromatismes et plus encore. Le CD d'accompagnement plus améliore cette leçon rendant ce paquet beaucoup ! / Niveau : Débutant à Intermédiaire / All Styles - Technic / Etude / Violon
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100 Irish Polkas
Violin
Dave Mallinson Publications
Le titre dit tout, un livre crammed avec polkas juteuses pour obtenir vos dents ...
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Le titre dit tout, un livre crammed avec polkas juteuses pour obtenir vos dents en. Un incontournable pour les amateurs de polka ainsi que toute autre musicien qui est peut-être la recherche plus facile répertoire irlandais. Pourquoi ne pas fournir vous-même une pause des bobines et des turluttes en plomb occasionnellement ? Dans ce livre, vous trouverez 100 smashing vraiment tunes, certains familiers, pas beaucoup si familier - jeu certains lentement, jouent quelques rapides, certains jouent très rapidement. 100 tunes (100 polkas) avec cordes, classés et Index alphabétiques (avec les titres alternatifs). Le livre contient aussi une bibliographie exhaustive et la discographie listant tous les livres et enregistrement appelée tandis que des recherches sur les airs. Important à noter de Mally. Les paramètres de la mélodie dans cet ouvrage sont tous les ' session friendly ', c'est-à-dire vous pouvez leur apprendre exactement comme l'écrit et savent que vous aurez une version tout à fait acceptable. / Violon (Traditionnel)
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Horn Concerto [No. 2] In Eb Major K. 417 Violon 1 (MOZART WOLFGANG AMADEUS)
Violin
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Wolfgang Amadeus Mozart's horn concertos: the Mozar...
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Par MOZART WOLFGANG AMADEUS. Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a 'donkey” in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well. Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann André. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition./ Répertoire / Violon 1 (Partie Séparée)
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Herbert Kinsey: Elementary Progressive Studies Set I: Violin: Study
Violin
-
Easy
ABRSM Publishing
Twenty-four progressive studies in the first position.
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