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Mark King
AUTOHARP
Violin and Piano
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The Nordic Fiddler
Violin and Piano
[Sheet music + CD]
-
Intermediate
Boosey and Hawkes
Another addition to the hit series, making authentic folk music available in a f...
(+)
Another addition to the hit series, making authentic folk music available in a flexible format suitable for teaching, busking and performance. Traditional music from Scandinavia - Denmark, Finland, Iceland, Norway, Sweden. Explore the rich variety of the Nordic tradition, from the Polish-influenced polska dances to a Norwegian Wedding Song. The Complete edition includes a violin part, keyboard accompaniment with optional violin accompaniment, easy violin part and guitar chords. / 2 Violons Et Guitare
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Antonín Dvo?ák: Romance In F Minor Op.11: Violin: Score and Parts
Violin and Piano
[Reduction]
G. Henle
With marked and unmarked string part-In 1873 following the rejection of his ope...
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With marked and unmarked string part-In 1873 following the rejection of his opera 'The King and the Charcoal Burner' Anton n Dvorák reached somewhat of a turning point in his career. Inspired to give his compositions a new direction he started to writepieces such as his String Quartet In F Minor Op. 9 in a new style that was less orientated towards Wagner. However much to his disappointment this new style was rejected by musicians. Notwithstanding this painful experienceDvorák gave the slow movement of the quartet a second chance reworking it as a Romance For Violin Or Orchestra In F Minor. It was first performed in 1877 to great acclaim. The fingerings and bowings byAntje Weithaas lend the Henle Urtext Edition of this jewel of Violin literature a special touch.
11.99 GBP - Sold by Musicroom UK
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Ernest Bloch: Sonata: Violin: Instrumental Work
Violin and Piano
Schirmer
Ernest Bloch's Sonata For Violin And Piano is a challenging but extremely reward...
(+)
Ernest Bloch's Sonata For Violin And Piano is a challenging but extremely rewarding work. The first movement's tempo marking is Agiatato and the music is in turn turbulent and aggressive passionate and sorrowful but the prevailing mood is one of grave disquiet. The sense of unrest continues in the second movement although it is marked Molto quieto)and is mostly contemplative by nature. The last movement marked Moderato begins with the tolling of bells in the piano part. The violin is assertive although less aggressive than it was in the first movement. A tender epilogue follows this and dies away peacefully bringing the work to its conclusion.
39.99 GBP - Sold by Musicroom UK
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A. Berg: Violinkonzert: Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Advanced
G. Henle
With marked and unmarked string parts.The genesis of Berg's Violin Concerto in 1...
(+)
With marked and unmarked string parts.The genesis of Berg's Violin Concerto in 1935 is shrouded in tragedy. He had only just finished making the first sketches when Manon Gropius - the daughter of Walter Gropius and AlmaMahler with whom Berg was friends - died of polio.He dedicated the concerto 'To the memory of an angel' in her memory. Then Alban Berg died in 1935 so he no didn't live to see it printed or performed. Henle's edition -Violin part and Piano reduction - follows the score edited by Michael Kube which is being published simultaneously by Breitkopf & Härtel together with the orchestral parts and pocket score.The illustrious violinist FrankPeter Zimmermann has provided fingerings and bowings for the violin part.
31.50 GBP - Sold by Musicroom UK
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The Nordic Fiddler: Violin: Instrumental Work
Violin and Piano
[Sheet music + CD]
-
Intermediate
Boosey and Hawkes
Complete Edition-Another addition to the hit series making authentic folk music...
(+)
Complete Edition-Another addition to the hit series making authentic folk music available in a flexible format suitable for teaching busking and performance. Traditional music from Scandinavia - Denmark Finland Iceland Norway Sweden. Explore the rich variety of the Nordic tradition from the Polish-influenced polska dances to a Norwegian Wedding Song. The Complete edition includes a Violin part Keyboard accompaniment with optional Violin accompaniment easy Violin part and Guitar chords.
19.99 GBP - Sold by Musicroom UK
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Johannes Brahms: Concert D Op.77: Violin: Instrumental Work
Violin and Piano
[Reduction]
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
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Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
21.50 GBP - Sold by Musicroom UK
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Johannes Brahms: Sonata Movement in C minor from the FAE-Sonata: Violin:
Violin and Piano
Barenreiter
Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da C...
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Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da Costa with an Urtext solo part as well as a second part with performance markings.Johannes Brahms The Works for one Instrument and Piano:Johannes Brahms? compositions for one instrument and Piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual playerswho first performed these compositions including Brahms himself.The New Urtext Editions:Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offer today?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis publication history and reception of the works. At the same time there is a complete list of the sources an explanation of the editorial procedures and a Critical Commentary. Also each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter?s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo rubato rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato portamento and bowing. Last but not least characteristics of Brahms? own Piano playing as well as that of his circle and contemporaries are discussed.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an
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Edward Elgar: Chanson de matin- Chanson de nuit: Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Intermediate
Peters
In the earlier part of Elgar's career as a composer he wrote several short piec...
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In the earlier part of Elgar's career as a composer he wrote several short pieces which became very popular. Chanson de Nuit and Chanson de Matin both carried his name far and wide before he composed his larger orchestral works. These two pieces which together complete Op.15 were published in several versions at once: for string orchestra for small orchestra for violin and piano and so on - so it is almost impossible to say with any degree of certainty which was the original version. However Elgar himself was a good violinist and so it may well be that he would have played this tune through to himself on the violin before adding a piano part andsending it off to his publishers for their consideration. In any event it remains a beautiful theme of considerable character and style.This Urtext edition provides you with an accurate representation of the composer’s original intentions and thoroughly detailed editorial marking and suggestions with commentary as edited by Donald Burrows.This is the version for Solo Violin with Piano Accompaniment. The solo violin part is also included on a separate insert.
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Ludwig van Beethoven: Violin Concerto In D Op.61 - Piano Reduction: Piano:
Violin and Piano
[Reduction]
Barenreiter
Beethoven's famous concerto for Violin and Orchestra has appeared in many editio...
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Beethoven's famous concerto for Violin and Orchestra has appeared in many editions over the last 150 years but none has truly done justice to the work. Now the acclaimed Beethoven scholar Jonathan Del Mar has achieved just that.Working with all known sources Del Mar finally presents us with Beethoven's intended solo Violin articulation dynamics and slurring; there are even note corrections in the solo part. Additions made by various editors and violin players over the years have been deleted. For the first time we also now have clarity regarding the meaning of Beethoven's Solo and Tutti markings.All in all a groundbreaking scholarly-critical edition;a must have for every violin player orchestra and music library.
20.00 GBP - Sold by Musicroom UK
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Pablo de Sarasate: Introduction Et Tarantelle Op. 43: Violin and Accomp.:
Violin and Piano
G. Henle
Elements of Spanish folklore dominate in Sarasate?s compositions, but several pr...
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Elements of Spanish folklore dominate in Sarasate?s compositions, but several prominent works also use typical melodies and dances of other countries. Alongside the ?Zigeunerweisen?, the ?Introduction et Tarentelle? numbers among the most popular representatives of this group: Sarasate erected here an enduring monument to the tarantella, the fiery southern Italian dance. The version for violin and piano was composed first in 1899; a year later, Sarasate made the version for violin and orchestra. For this first Urtext edition, all of the preserved autograph sources were consulted. Augustin Hadelich undertook the marking of the virtuoso violin part for G. Henle Publishers.
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Benjamin Britten: Two pieces for violin: Violin: Score and Parts
Violin and Piano
Faber Music Limited
2013 marks the centenary of Benjamin Britten’s birth and major celebratio...
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2013 marks the centenary of Benjamin Britten’s birth and major celebrations are planned across the world making this the widest ever global celebration of a British composer. The previously unpublished Two Pieces were written in late 1929 after Britten composed the Rhapsody For String Quartet (March 1929). The new publication will be edited by David Matt hews who spent three years as an assistant to Benjamin Britten at Aldeburgh in the late 1960’s.
30.00 GBP - Sold by Musicroom UK
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Sonate Pour Piano Forte Et Violon Op. 24
Violin and Piano
Barenreiter
In May of 1802, the ?Allgemeine musikalische Zeitung? praised the violin sonatas...
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In May of 1802, the ?Allgemeine musikalische Zeitung? praised the violin sonatas op. 23 and 24 as being ?... among the best Beethoven has written, which is to say that they are among the best being written at all. The composer?s original, fiery and bold spirit ... becomes more and more apparent now ...? The time during which Beethoven composed his ?Spring Sonata?, which was to become increasingly popular during the course of the 19th century, was marked by a frantic surge of compositional creativity. ?I live only in my notes, and with one work barely finished, the other is already started; the way I write now I often find myself working on three, four things at the same time.?, he wrote in a letter to Wegeler on 29 June 1801. However during this time, Beethoven also suffered from the rapid deterioration of his hearing, a fact he was still trying to hide and that the enchanting ?Spring Sonata? certainly does not divulge.
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