Another addition to the hit series, making authentic folk music available in a flexible format suitable for teaching, busking and performance. Traditional music from Scandinavia - Denmark, Finland, Iceland, Norway, Sweden. Explore the rich variety of the Nordic tradition, from the Polish-influenced polska dances to a Norwegian Wedding Song. The Complete edition includes a violin part, keyboard accompaniment with optional violin accompaniment, easy violin part and guitar chords. / 2 Violons Et Guitare

Ernest Bloch's Sonata For Violin And Piano is a challenging but extremely rewarding work. The first movement's tempo marking is Agiatato and the music is in turn turbulent and aggressive passionate and sorrowful but the prevailing mood is one of grave disquiet. The sense of unrest continues in the second movement although it is marked Molto quieto)and is mostly contemplative by nature. The last movement marked Moderato begins with the tolling of bells in the piano part. The violin is assertive although less aggressive than it was in the first movement. A tender epilogue follows this and dies away peacefully bringing the work to its conclusion.

Complete Edition-Another addition to the hit series making authentic folk music available in a flexible format suitable for teaching busking and performance. Traditional music from Scandinavia - Denmark Finland Iceland Norway Sweden. Explore the rich variety of the Nordic tradition from the Polish-influenced polska dances to a Norwegian Wedding Song. The Complete edition includes a Violin part Keyboard accompaniment with optional Violin accompaniment easy Violin part and Guitar chords.

Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da Costa with an Urtext solo part as well as a second part with performance markings.Johannes Brahms The Works for one Instrument and Piano:Johannes Brahms? compositions for one instrument and Piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual playerswho first performed these compositions including Brahms himself.The New Urtext Editions:Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offer today?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis publication history and reception of the works. At the same time there is a complete list of the sources an explanation of the editorial procedures and a Critical Commentary. Also each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter?s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo rubato rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato portamento and bowing. Last but not least characteristics of Brahms? own Piano playing as well as that of his circle and contemporaries are discussed.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an

Beethoven's famous concerto for Violin and Orchestra has appeared in many editions over the last 150 years but none has truly done justice to the work. Now the acclaimed Beethoven scholar Jonathan Del Mar has achieved just that.Working with all known sources Del Mar finally presents us with Beethoven's intended solo Violin articulation dynamics and slurring; there are even note corrections in the solo part. Additions made by various editors and violin players over the years have been deleted. For the first time we also now have clarity regarding the meaning of Beethoven's Solo and Tutti markings.All in all a groundbreaking scholarly-critical edition;a must have for every violin player orchestra and music library.

2013 marks the centenary of Benjamin Britten’s birth and major celebrations are planned across the world making this the widest ever global celebration of a British composer. The previously unpublished Two Pieces were written in late 1929 after Britten composed the Rhapsody For String Quartet (March 1929). The new publication will be edited by David Matt hews who spent three years as an assistant to Benjamin Britten at Aldeburgh in the late 1960’s.