SKU: CA.9101219
ISBN 9790007145620. Key: B flat major. Language: Latin.
This Salve Regina was originally intended to be accompanied by strings and wind instruments. However, the wind parts merely double the strings and the voices, adding color but not indispensable. In our edition the wind parts are omitted, so that the intimate choral texture is heard to far greater effect, the strings providing it with a sometimes virtuosic frame. Score and parts available separately - see item CA.9101200.
SKU: CA.9101212
ISBN 9790007230098. Key: B flat major. Language: Latin.
This Salve Regina was originally intended to be accompanied by strings and wind instruments. However, the wind parts merely double the strings and the voices, adding color but not indispensable. In our edition the wind parts are omitted, so that the intimate choral texture is heard to far greater effect, the strings providing it with a sometimes virtuosic frame. Score and part available separately - see item CA.9101200.
SKU: CA.9101213
ISBN 9790007230104. Key: B flat major. Language: Latin.
SKU: CA.4000713
ISBN 9790007057626. Language: Latin/English.
Dixit Dominus (Ps 109), a psalm setting for double choir, is one of Vivaldi's most significant sacred works. In it, he takes up the old Venetian polychoral tradition, combining its compositional techniques with those of the instrumental concerto, the cantata and the opera. The broadly conceived cycle of movements, consisting of eight psalm verses and the doxology, is characterized by an expansive arch of tonalities connecting the two framing outer movements in D major (these are also thematically related): Dixit Dominus and Gloria Patri. The contrasting and varied inner movements are perfect examples of Vivaldi's skill in vividly portraying linguistic figures in music. Score and part available separately - see item CA.4000700.
SKU: CA.4000709
ISBN 9790007057596. Language: Latin/English.
Dixit Dominus (Ps 109), a psalm setting for double choir, is one of Vivaldi's most significant sacred works. In it, he takes up the old Venetian polychoral tradition, combining its compositional techniques with those of the instrumental concerto, the cantata and the opera. The broadly conceived cycle of movements, consisting of eight psalm verses and the doxology, is characterized by an expansive arch of tonalities connecting the two framing outer movements in D major (these are also thematically related): Dixit Dominus and Gloria Patri. The contrasting and varied inner movements are perfect examples of Vivaldi's skill in vividly portraying linguistic figures in music. Score and parts available separately - see item CA.4000700.
SKU: CA.4000712
ISBN 9790007057619. Language: Latin/English.
SKU: CA.3501219
ISBN 9790007143374. Text language: Latin.
Mention the key words Johann Sebastian and Magnificat, and one thinks involuntarily of his well-known Magnificat in D major BWV 243 or in E flat major BWV 243a. However, during the time of his tenure as St. Thomas Kantor, several times Bach also referred back to older settings of the Magnificat text and arranged these for his own purposes. Thus, for the first time it can be documented that in its original version the double choir Magnificat in C major BWV Anh. 30 contained in Bach's music library, which was originally handed down anonymously, was composed by Pietro Torri. Torri was the Music Director at the Court of the Bavarian House of Wittelsbach. For performance purposes in Leipzig in ca. 1742 Bach retained the substance of the work but composed additional parts for a 3rd trumpet and timpani. For the first time ever this splendid work appears at Carus in a printed edition. Score and parts available separately - see item CA.3501200.
SKU: CA.3810111
ISBN 9790007054151. Language: Latin.
The double-choir Magnificat, scored with strings and trumpets and the later of the two Magnificats by Johann Christian Bach, was composed in Milan during 1758 and was used at a service in honour of St. Nepomuk. Score and part available separately - see item CA.3810100.
SKU: CA.3501200
ISBN 9790007142612. Text language: Latin.
Mention the key words Johann Sebastian and Magnificat, and one thinks involuntarily of his well-known Magnificat in D major BWV 243 or in E flat major BWV 243a. However, during the time of his tenure as St. Thomas Kantor, several times Bach also referred back to older settings of the Magnificat text and arranged these for his own purposes. Thus, for the first time it can be documented that in its original version the double choir Magnificat in C major BWV Anh. 30 contained in Bach's music library, which was originally handed down anonymously, was composed by Pietro Torri. Torri was the Music Director at the Court of the Bavarian House of Wittelsbach. For performance purposes in Leipzig in ca. 1742 Bach retained the substance of the work but composed additional parts for a 3rd trumpet and timpani. For the first time ever this splendid work appears at Carus in a printed edition.
SKU: CA.3501209
ISBN 9790007213022. Text language: Latin.
SKU: CA.3501203
ISBN 9790007143039. Text language: Latin.
Mention the key words Johann Sebastian and Magnificat, and one thinks involuntarily of his well-known Magnificat in D major BWV 243 or in E flat major BWV 243a. However, during the time of his tenure as St. Thomas Kantor, several times Bach also referred back to older settings of the Magnificat text and arranged these for his own purposes. Thus, for the first time it can be documented that in its original version the double choir Magnificat in C major BWV Anh. 30 contained in Bach's music library, which was originally handed down anonymously, was composed by Pietro Torri. Torri was the Music Director at the Court of the Bavarian House of Wittelsbach. For performance purposes in Leipzig in ca. 1742 Bach retained the substance of the work but composed additional parts for a 3rd trumpet and timpani. For the first time ever this splendid work appears at Carus in a printed edition. Score available separately - see item CA.3501200.
SKU: CA.3810113
ISBN 9790007054175. Language: Latin.
SKU: CA.3501249
ISBN 9790007213039. Text language: Latin.
Mention the key words Johann Sebastian and Magnificat, and one thinks involuntarily of his well-known Magnificat in D major BWV 243 or in E flat major BWV 243a. However, during the time of his tenure as St. Thomas Kantor, several times Bach also referred back to older settings of the Magnificat text and arranged these for his own purposes. Thus, for the first time it can be documented that in its original version the double choir Magnificat in C major BWV Anh. 30 contained in Bach's music library, which was originally handed down anonymously, was composed by Pietro Torri. Torri was the Music Director at the Court of the Bavarian House of Wittelsbach. For performance purposes in Leipzig in ca. 1742 Bach retained the substance of the work but composed additional parts for a 3rd trumpet and timpani. For the first time ever this splendid work appears at Carus in a printed edition. Score and part available separately - see item CA.3501200.
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