Par MC CASKILL MIZZY. Un répertoire de collecte et piano accompagnement CD pour le flutiste plus avancé. Accompagnement de clavier est inclus à divers travaux tels que les dérivations sur un prélude (une rendtion jazz de Bach célèbre prélude I de The bien tempérée Clavier), Fantaisie de Fauré pour flûte et Piano et Sonate en mi bémol (BWV 1031) de J.S. Bach. Le populaire Fantasia #2 en la mineur pour les flûte solo par Telemann, est aussi inclus. Tous les accompagnements sur le CD le long de jeu sont fixés à un tempo de performance et peuvent être utilisés dans la pratique, le studio ou le paramètre considérant. / Niveau : Intermédiaire à Avancé / Classic - Solos / Recueil / Flûte Traversière

A repertoire collection and piano accompaniment for the more advanced flutist. Keyboard accompaniment is included to diverse works such as Diversions on a Prelude (a jazz rendition of Bach's famous Prelude I from TheWell Tempered Clavier) Faure's Fantaisie for Flute and Piano and Sonata in E flat (BWV 1031) by J.S. Bach. Also included is the popular Fantasia No. 2 in A minor for solo flute by Telemann. All of the accompaniments onthe play-along audio are set at a performance tempo and can be used in the practice studio or recital setting. A separate part is provided for the flutist. Includes access to online audio.

Seven solos with written improvisations. Suitable for players of a moderately advanced standard this album comes with a CD which includes play-along backing tracks together with complete versions of each piece by a live jazz band.

Graded jazz pieces for solo flute recently set on the new Trinity College syllabus for all 8 grades. The story behind Scatadoodledoo: 'One day when I was at home practising my flute for a Jazz gig I had a particularly hard chart with lots of key changes and I just couldn't get into the flow of it. I was thinking logically and thinking of the chord symbols and just thinking thinking thinking which anyone who improvises knows is a sure way to stop you being 'in the flow'. Being a Jazz singer I love to scat sing and so I soon found myself putting my flute down and scat singing through the chart instead. I wasn't thinking I was justscatting around with my 'do-be-doos' and I was really getting into it and enjoying myself feeling so free in comparison to when I was improvising on the flute. That's when I had the idea to sing and play on my flute at the same time... I figured that all I needed to do was practice playing on my flute what I was singing at the same time and I'd be sorted with this hard chart in front of me. I started off simply at first but the more I practised the more I found my voice and fingers working together until it literally felt like they were 'one' and I was 'singing my flute'. Then when I took my voice out of it and all that remained was the sound of my flute that feeling of 'singing' still remained and I felt a freedom in my flute improvising that had been missing before. This discovery completely changed my jazz flute playing and to this day it is still my favourite way of practising improvising. 'Scatadoodledoo' is to encourage all Jazz flautists to start thinking of their flute as the voice they are scat singing with. The pieces range from grade one through to grade eight. Although the more advanced pieces like 'scatastrophy' and 'scatterbrain' have sections where the flautist has a chance to actually play and sing at the same time it is never too early to practice this method whether it be with scales or with beginner pieces like 'Scat Walker'. I hope you enjoy playing these as much as I enjoyed writing them.' Alicia Hart

42 More Modern Studies For Solo Flute is the sequel to James Rae's established favourite '40 Modern Studies'. Suitable for flautists at an intermediate-advanced level this book contains even more exciting solos in a range of different styles - from modern classical to jazz and rock. As the studies are technically demanding they are all written in comfortable Flute-orientated keys to allow the student to focus on interpretation. Each study is designed to improve the student's musical as well as technical abilities.

James Rae offers fourteen fascinating flute studies in many different styles, from Rock and Ragtime, through Jazz and Tango, to Classical and Folk. They can be played purely as a solo for personal study or as a duet which makes them eminently suitable for concerts.Both the solo and duet parts are of intermediate to advanced standard and, although the duet part is primarily for accompaniment, there is plenty for the second player to get their teeth into. Rae James: Flight of Fantasy Rae James: Scherzo in A minor Rae James: Full-Scale Operation Rae James: Organic Rock Rae James: Riverside Rag Rae James: Tango Barcelona Rae James: Idyll Rae James: Midnight Sleuth Rae James: Prelude in Bb Rae James: Checking Out Rae James: Digital Waltz Rae James: Adagio triste Rae James: Space Escapade Rae James: Celtic Isle / Flûte traversière / Universal Edition