Take Your Bow is a collection of 20 concert pieces for beginner string players written by Celia Cobb and Naomi Yandell. Years of string teaching have given them the inspiration to produce pieces which will both delight and engage. Their imaginative writing strengthens rhythmic and stylistic concepts whilst employing a variety of adventurous playing techniques that students will find to be a fun and achievable challenge. Each piece is compatible with any of the other instruments in the series in any combination making it an excellent resource for individual or group teaching. Take Your Bow is available in 4individual editions — for violin viola cello and double bass each with piano accompaniment — and as a separate full score.

Nine all-time classics! This set includes some of the most famous jazz standards in the world . . . ballads to swing. Every jobbing musician should know these tunes. The ballads are rich and lush while the swing tunes are crisp and light. Each tune “feels” great! An inspiring way to practice. Makes a great gift for any musician who wants to learn standards, or who plays just for the fun of it! Everyone should learn these songs. Duke Ellington has probably single-handedly influenced more music and musicians than any other jazz musician. Rhythm section is the finest - Kenny Barron, piano; Ron Carter, bass; Ben Riley, drums. Satin Doll - Perdido - Take The “A” Train - Solitude - Mood Indigo - Sophisticated Lady - Prelude To A Kiss - In A Sentimental Mood - I Let A Song Go Out of My Heart

This is your chance to get all of the bass lines from the popular play-a-long Vol. 12 Duke Ellington! (ML55008) Lines are written in bass clef with chord symbols above each measure. There is no better way to learn the art of professional bass lines than to study the work of a master, the legendary Ron Carter. Satin Doll - Perdido - Take The 'A' Train - Solitude - Mood Indigo - I Let A Song Go Out Of My Heart - Sophisticated Lady - Prelude To A Kiss - In A Sentimental Mood

Discover new ways to advance your bass improvisation skills through systematic practice techniques chord/scale studies and innovative theory concepts. Whether you play electric acoustic or upright bass this book/CD pack will take your playing to the next level and beyond. The accompanying audio CD features 34 piano play-along tracks to further hone your ears and fingers. Covers: practical techniques improvisation concepts jazz theory chord studies scale patterns arpeggios and standard notation (no tab).

Billy Strayhorn is one of the best-loved yet underated composers of jazz. His famous collaborations with and for the Duke Ellington band have become some of jazz’s most enduring standards, and now for the first time you can discover for yourself Strayhorn’s unique and beautiful style. Discover why Ellington felt such an affinity for this man’s compositions. Hal Galper-piano; Lynn Seaton-bass; Steve Davis-drums.Lush Life - Satin Doll - Take the A Train - A Flower is A Lovesome Thing - Rain Check - My Little Brown Book - Blood Count - Isfahan - Drawing Room Blues - Chelsea Bridge - Johnny Come Lately - UMMG

Répertoire International - Style : Jazz Instrument : Instruments en Fa Support : Livre THE Real Book, une sélection des plus grands thèmes de ces 60 dernières années, arrangés en Fa. 464 pages Agua De Beber Alice In Wonderland All Blues Angel Etes April Joy Beauty And The Beast Big Nick Black Nile Blue Bossa Blues For Alice Brazil Celia A Child Is Born Crazy Daahoud Day Waves Deluge Django Don't Know Why East Of The Sun El Gaucho Everything Happens To Me Fall Falling In Love Again A Fine Romance 502 Blues For All We Know Four Freedom Jazz Dance Get Happy Gloria's Step Good Evening Mr. And Mrs. America Got A Match? grooving' High Heart And Soul Hot Toddy House Of Jade How My Heart Sings I Don't Know Why I Mean You I Remember Clifford I Wanna Be Loved I Wished On The Moon I Won't Dance I'll Be Around I'll Be Seeing You I'll Never Smile Again I'm Your Pal Icarus Impression Indian Lady Invitation Iris It's So Nice To Have A Man Around The House Jelly Roll Jordu Joy Spring Jump Monk Kelo Lady Bird Lazy River Let's Get Away From It All litha Little Waltz Lang Ago Lush Life Love Letters Maiden Voyage A Mand And A Woman Mas Que Nada Maybe I Should Change My Ways Meditation Michelle Milano Moon And Sand My Ideal My Way Naima Nardis Nefertiti Naver Will I Marry Night Train No Moon At All Nobody Else But Me Nostalgia In Times Square The Old Country oleo On A Slow Boat To China Once I Loves One Finger Snap One Note Samba Orbits Out Of Nowhere Paper Doll Peace Peggy's Blue Skylight Peri's Scope Pinocchio Pretend Pussy Cat Dues Put On A Happy Face Quiet Now Quizas, Quizas, Quizas Red Clay Red Top Reflections Road Song Ruby, My Dear Satin Doll Scotch And Soda Sea Journey Seven Steps To Heaven Shawnuff Sidewinder Sister Sadie Small Fry So What Solar Some Day My Prince Will Come Some Other Spring Somebody Loves Me Song For My Father Song Of The Jet Speak No Evil The Sphinx The Song Is You Speak No Evil Steps Stuff A Sunday Kind of Love Sweet Georgia Bright Take Five Teach Me Tonight Thanks For The Memory That Old Feeling Think On Me three Flowers Topsy Tune Up Twisted Blues Unchain My Heart Uniquity Road Up Jumped Spring Valse Hot Very Early Virgo Waltz For Debby wave We'll Be Together Again Well you Needn't West Coast Blues What Was When Sunny Gets Blue Whispering Wild Flower Windows Witch Hunt Woodchopper's Ball Yes And No Yes Indeed You Don't know What Love Is Young at Heart You've Change

The international fame of bass player François Rabbath acknowledges both the untiring teacher author of a Nouvelle technique de la contrebasse which a whole generation of students desirous of freeing themselves from the fetters of traditional teaching has taken up and the inspired soloist unsparing of himself in concert. For several years now he has become accustomed to spending a few days in the summer in Kansas City (Missouri) to give master classes and a concert there in the framework of the ‘KC BassFest’. In July 2016 a moving surprise awaited him: on the stage of the American Jazz Museum afull-length portrait was unveiled painted by local artist Ruthie Ingram from photos taken during his recital the previous year. By way of thanks Rabbath dedicated Trombes d’eau to her a solo piece lasting approximately six minutes composed at the instigation of the International Society of Bassists for the 2017 edition of the International Double Bass Competition. Conceived as a series of short variations on an impassioned theme the work emphasises evocative glissandi and explores double stopping and artificial harmonics without ever sacrificing the essential: the pleasure of musical expression.

Version 2010-“Books talk to each other” - Umberto Eco’s statement could just as easily apply to music as Les Citations for Oboe Harpsichord Double Bass and Percussion by Henri Dutilleux (1916-2013) brilliantly proves. Written in 1991 the score was reworked by the composer for the Festival d’Auvers-sur-Oise where the new version premiered in June 2010. The origin of this work goes back to For Aldeburgh 85. Written for the 75th birthday of singer Peter Pears the piece takes up a fragment of Peter Grimes whose leading role had been written by Britten for the beloved tenor. Dutilleux adds a page titled FromJanequin to Jehan Alain in which appears a song from the Renaissance composer “L’espoir que j’ay d’acquerir vostre grace” used by J. Alain in his Variations for Organ on a theme by Clément Janequin. The junction between the two parties is made through an Interlude that introduces the “wolf’s moan” theme from the ballet Le Loup (The Wolf) composed by Dutilleux in 1953 for the troupe of Roland Petit. This subtle tangle of quotations forms a shimmering and sensual work where the uniqueness of an authentic artist powerfully asserts itself.

New Technique for the Double Bass part 5- Bass player François Rabbath born in 1931 in Aleppo is a real character in the world of music. He settled in Paris in 1955 where he played with the stars (Barbara Aznavour…) while continuing as a classical instrumentalist. Throughout the four preceding volumes Rabbath’s Nouvelle technique de la contrebasse presented in a four-language version (French English German and Spanish) endeavours to free the pupil from the shackles of traditional teaching. Always guided by the same conviction -that there is no need to torture one’s body to become an instrumentalist - Rabbath rounds off his educational epic with this fifth book which will offer great musical pleasure to the trainee bass player who can take pride in having overcome the technical difficulties covered in the first four books. This collection includes real concert pieces - works of great charm such as the nostalgic Cri de Venise for double bass and piano and the Troisième Concerto with its enveloping lyricism as well as short pieces such as Souviens-tu des douze peupliers and the irresistible Mama Bahija for bass drum and organ.

Secret Chambers est une analyse comparative des styles de jazz Paul Chambers. Cette analyse mettra en lumière les choix de Paul et des tendances. Un maître établi de Be-bop, Paul Chambers a été appelé l'oiseau de la basse. Inclus dans ce livre de 180 pages sont 76 solos transcrits comme effectuées par Paul Chambers. / Basse / 180 pages / Partition