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Op. 61
LAP STEEL GUITAR
::
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
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:: (18)
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Ponzol Peter - Saxophone Workshop - Pocket Guide
Saxophone
Jamey Aebersold Jazz
Imagine someone who has worked as an international saxophonist, an educator, a t...
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Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.
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Par PELLEGRINO MICHEL. Dans un précédent ouvrage*, nous avions exposé la pré...
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Par PELLEGRINO MICHEL. Dans un précédent ouvrage*, nous avions exposé la présence du saxophone à la source du jazz, et détaillé son utilisation depuis le style 'New Orleans' jusqu'à la naissance et la maturité du style 'Swing', de Chicago à New York... Dans les décennies qui vont suivre, le saxophone va devenir prépondérant dans la musique de jazz, et détrôner progressivement la clarinette. Il sera tout d'abord la vedette des grands orchestres swing dédiés à la danse (Count Basie, Duke Ellington, Benny Goodman...) et par la suite, grâce au talent des saxophonistes emblématiques de cette période (Don Byas, Art Pepper, Zoot Sims, et tant d'autres...), il prendra la place déterminante que l'on connaît, au sein de formations plus petites (quartets, quintets, sextets...), et forgera progressivement le style 'Bebop'. Les grands 'boppers', tels Charlie Parker, Sonny Stitt, ou Cannonball Adderley, installeront définitivement le saxophone comme un symbole du jazz. Parallèlement à ce style virtuose et fougueux qu'est le 'bop', se développe également un style plus mélodique et plus suave, le 'West Coast' qui, comme son nom l'indique, naît sur la côte Ouest des Etats-Unis, et se fait représenter plus principalement par des musiciens blancs : Stan Getz, Gerry Mulligan, Paul Desmond... Nous avons essayé de présenter ces courants musicaux si différents dans cet ouvrage, en illustrant des 'standards' très connus de l'histoire du jazz avec des exemples d'improvisations dans les styles respectifs de ces grands saxophonistes. Sur le CD accompagnant le livre, vous trouverez donc en première partie les morceaux enregistrés à titre d'exemple, avec le modèle de saxophone utilisé par le musicien de référence (alto, ténor ou baryton...). Mais la méthode présente les partitions en Sib et Mib, ce qui permet de les travailler quel que soit le saxophone que vous jouez. En deuxième partie du CD figure l'accompagnement seul, par la 'rythmique' (piano, contrebasse, batterie), sur lequel vous pourrez tester le morceau que vous aurez préalablement travaillé avec l'exemple de la première partie. Un 'La' (440 Hz) est donné au début du CD, pour vous permettre de vous accorder. Tout au long de l'ouvrage, nous avons réuni quelques éléments qui nous paraissaient importants pour l'apprentissage des 'codes' du jazz : biographies des musiciens, principaux effets du jazz au saxophone, les accords utilisés dans la méthode, les gammes pentatoniques et blues, ainsi que les grilles de blues et 'd'anatoles' déclinés dans toutes les tonalités. Un petit lexique expose aussi quelques mots-clés, pour une meilleure compréhension (les mots figurant dans le lexique sont écrits en gras). Continuons donc le voyage au pays du jazz... Bon travail, et bonne musique ! / variété - jazz / Méthode / Saxophone
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Elite Syncopations
5 Saxophones (Soprano, Alto, 2 Tenor, Baryton)
[Sheet music]
-
Intermediate
Editions Marc Reift (Swiss import)
/ 5 Saxophones (Soprano, Alto, 2 Tenor, Baryton) / niveau : 5 / Partition
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Dip In 50 Film Tunes for Alto Sax: Alto Saxophone: Instrumental Album
Alto Saxophone
[Sheet music]
-
Easy
Amsco Wise Publications
A great collection of film music arranged for Alto Saxophone specially graded f...
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A great collection of film music arranged for Alto Saxophone specially graded from easy-to-play tunes to more challenging pieces.
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Andromeda op. 39 (GUILLOU JEAN)
Soprano et Orgue
Schott
Par GUILLOU JEAN. Gerard Manley Hopkins was reputed to be a poet of semantic amb...
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Par GUILLOU JEAN. Gerard Manley Hopkins was reputed to be a poet of semantic ambiguity and, in the opinion of Guillou, therefore comes closest to the art of musical expression. Guillou has already 'translated' 'Peace' from Hopkins' oeuvre into a work for eight voices and organ. In 'Andromèda', the sound of the organ and the human voice are supposed to amalgamate such that in effect a new organ stop emerges. At the same time, the composer wants to have the musical organ work seen as an independent poem, like the lines of Hopkins, and wishes the language of the organ to become a kind of living speech to a certain extent./ Répertoire / Soprano et Orgue
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Thomas Adès: The Tempest - Limited Edition: Opera: Score
Opera
[Sheet music]
Faber Music Limited
Full Score-Thomas Adès? The Tempest one of the most striking and successful op...
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Full Score-Thomas Adès? The Tempest one of the most striking and successful operas of recent years is available for the first timeas a beautifully produced limited-edition full score. Featuring the stunning image ?Octopus? by artist Claire Burbridge this unique cased edition includes colour plates of exclusive images from Adès? original handwritten score and sketches. Each copy is signed and numbered by the composer. From the turbulent orchestral prelude with which it begins to Ariel?s stratospheric yet ethereal ?Five fathoms deep? and the radiant quintet of reconciliation inits final act Thomas Adès conjures up a wholly compelling musical world in The Tempest.Responding to librettist Meredith Oakes? clear unfussy refashioning of Shakespeare into formalised rhyme schemes Adès has created a new kind of tonal language that is both direct and communicative but also indelibly contemporary.? Limited to 250 copies with signed and numbered limitation page.? Cased square back and sewn.? Endpapers feature original artwork ?The Firmament? by Claire Burbridge.? Case features original artwork ?Octopus? by Claire Burbridge printed in neon Pantone 809 with scratch-proof matt lamination and high gloss uv.? Black book-block edges ribbon and head
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Bläserklasse Klassik / Baritonsaxophon In Es
Saxophone
-
Easy
De Haske Publications
/ Saxophone / 24 pages / niveau : 2 / Partie séparée
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Airs D'Opéras-Comi ques Mezzo Soprano Et Duos Mezzo (VERSCHAEVE MICHEL)
Français
Mezzo-Soprano voice
[Octavo]
Lemoine, Henry
Par VERSCHAEVE MICHEL. 'Du point de vue spectacle, l'opéra-comique français es...
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Par VERSCHAEVE MICHEL. 'Du point de vue spectacle, l'opéra-comique français est, dans l'ensemble, une réussite, et la musique y joue un rôle souvent fort plaisant. Tout cela est vif, alerte, spirituel, habile, parfois pétillant - cela chante dans toutes les mémoires, et il n'est nul besoin de connaître le rudiment du solfège pour s'en délecter. La musique, presque uniquement mélodique, encore qu'elle soit soutenue par un orchestre à la fois léger, transparent et qui, jamais, n'accapare indiscrètement l'attention, suit l'action avec souplesse, avec esprit, avec bonne humeur.' * C'est dans les Airs sérieux et à boire, la Comédie Italienne et dans les théâtres de foires que l'Opéra-Comique confirme sa naissance, se développe et finit par s'imposer notamment grâce, à la fin du XVIIe siècle, aux foires St-Laurent et St-Germain (qui se déroulent du 3 février au dimanche de la Passion). A la fin de l'année 1714, l'Opéra autorise le nom définitif de l'Opéra-Comique composé alors du Vaudeville (à l'origine Vau de Vire) mêlé d'ariettes. C'est donc l'alternance du parlé et du chanté qui fait la spécificité de l'Opéra-Comique contrairement à l'Opéra qui est chanté de bout en bout. Il faut donc aux interprètes un solide travail d'acteur allié à des qualités vocales de plus en plus exigeantes. Le XIXe siècle produira un nombre considérable de partitions jouées des centaines de fois parmi lesquelles se distinguent notamment : La Dame Blanche (1825) de Boieldieu, Les Dragons de Villars (1856) de Maillard, Le Pré aux Clercs (1832) d'Hérold, Les Noces de Jeannette (1853) de Massé, Lalla Roukh (1862) de David ou Le Postillon de Longjumeau (1836) d'Adam. Dans notre série de recueils, nous ne manquerons évidemment pas de proposer des oeuvres antérieures et postérieures à ces dates, oeuvres particulièrement choisies pour leurs différences (au niveau des tessitures, de l'agilité, du legato, etc.). Il nous est apparu évident, lorsque c'était le cas, de laisser les textes parlés avant, pendant et après les airs, ce qui caractérise l'essence même de l'Opéra-Comique. Le but de nos recueils est avant tout de développer un répertoire incontournable de l'histoire de la musique française et de donner la possibilité aux interprètes d'épanouir au mieux leurs qualités vocales et théâtrales. / classique / Répertoire / Mezzo-Soprano et Piano ou 2 Mezzo-Soprano
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Classical Highlights
Alto Saxophone and Piano
-
Intermediate
Schott
'Classical Highlights' présente les pièces de performance les plus connus et l...
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'Classical Highlights' présente les pièces de performance les plus connus et les plus populaires du répertoire classique dans des arrangements pour saxophone et piano. La vaste sélection d'oeuvres permet d'accéder à des chefs-d'oeuvre classiques - de Handel et Bach par Schubert, Mendelssohn, Schumann et Wagner à Fauré, Elgar, Debussy et Satie. Tout le monde à la recherche d'un travail classique populaire pour enseigner ou d'effectuer des fins trouverez ici un petit bijou. / Saxophone Alto Et Piano
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The Chester Vocal Anthology: Soprano (MIDDLETON JOSEPH / BEVAN MARY)
Soprano voice, Piano
[Sheet music]
Chester
Par MIDDLETON JOSEPH / BEVAN MARY. 25 popular works for soprano voice with piano...
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Par MIDDLETON JOSEPH / BEVAN MARY. 25 popular works for soprano voice with piano accompaniment featuring selected works from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. Includes a preface and performance notes by Mary Bevan and Joseph Middleton, and a digital version of the book to view on any device./ Recueil / Soprano et Piano
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Peter Maxwell Davies: Kommilitonen! (Young Blood!) - Full Score: Opera: Score
Opera
[Sheet music]
Chester
Lyric opera in two acts. Libretto by David Pountney.Commissioned?jointly by the ...
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Lyric opera in two acts. Libretto by David Pountney.Commissioned?jointly by the Royal Academy of Music London UK and The Juilliard School New York USA.UK premiere: 18th March 2011 - Royal Academy of MusicOpera and Sinfonia at the Royal Academy of Music London conducted by Jane Glover.US premiere: 16th November 2011 - Students of The Julliard School at Peter Jay Sharp Theatre New York conducted by AnneManson.Overview.The piece consists of three interlocking stories of students involved in political action in three different situations.?Die Weiße Rose? was the name taken by a group of students atthe University of Munich led by Sophie and Hans Scholl. They produced leaflets protesting against the National Socialist government of Germany in 1942-3 until they were arrested and guillotined.?Soar to Heaven? follows twocharacters Wu and Zhou involved on opposite sides of the Cultural Revolution in China.?The Oxford Revolution? tells the story of James Meredith who fought a lonely battle against segregation and racial prejudice to becomethe first black student to enrol at ?Ole Miss? the University of Mississippi in the USA.Librettist's Note.There are inevitably and properly some differences between the original libretto and whatMax ultimately set to music. Most of these are insignificant but all the Latin texts in the opera were added by Max and texts for the alternating black / white choruses (Scene 19) and final chorus (Scene 28) were written by him.
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The Chester Vocal Anthology: Mezzo-Soprano/Alto (MARTINEAU MALCOLM)
Mezzo-Soprano / Alto et Piano
[Sheet music]
Chester
Par MARTINEAU MALCOLM. 21 popular works for mezzo-soprano or alto voice with pia...
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Par MARTINEAU MALCOLM. 21 popular works for mezzo-soprano or alto voice with piano accompaniment featuring selected works from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. Includes a preface and performance notes by Catherine Wyn-Rogers and Malcolm Martineau, and a digital version of the book to view on any device./ Recueil / Mezzo-Soprano / Alto et Piano
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Paul Bonneau: 2 Caprices en Forme de Valse: Alto Saxophone: Instrumental Work
Alto Saxophone and Piano
[Sheet music]
Leduc, Alphonse
As the Saxophone is commonly associated with the jazz style classical music for...
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As the Saxophone is commonly associated with the jazz style classical music for the instrument had always been lacking. Therefore when Paul Bonneau (1918-1995) composed his Deux Caprices En Formed De Valse for Alto Saxophone and Piano it was well-received by performers of the genre. Bonneau's composition was highly versatile ranging from over fifty film scores operettas songs and other pieces for Saxophone including a concerto. The Deux Caprices En Formed De Valse however were particularly acclaimed for their use of advanced techniques. The works contains typically French characteristicsincluding chromaticism and difficult technical passages. All these elements combined make for an enjoyable and challenging piece for saxophonists.
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Georg Friedrich Händel Marcel Mule: Sonata No. 6 (Saxophone/Piano): Violin:
Français
Saxophone
[Sheet music]
Leduc, Alphonse
George Frederick Handel's (1685-1759) Sonata No. 6 is well-known to the Violin r...
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George Frederick Handel's (1685-1759) Sonata No. 6 is well-known to the Violin repertoire. Therefore when French saxophonist Marcel Mule (1901-2001) arranged the popular piece for the Saxophone in 1951 it was very well-received. The Sonata No. 6 is made up of four movements: Adagio Allegro Largo and Allegro non troppo. Handel's Sonata No. 6 was first published in 1732. Mule's editions ensure that the Saxophone part contains the articulation phrasing and breath marks necessary to the instrument. For all classical saxophonists this Mule arrangement of the popular SonataNo. 6 is essential.
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Easy Concert Pieces
Alto Saxophone and Piano
[Sheet music + CD]
-
Easy
Schott
23 Pieces From 6 Centuries. The Easy Concert Pieces series for alto saxophone an...
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23 Pieces From 6 Centuries. The Easy Concert Pieces series for alto saxophone and piano provide easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying CD add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and are arranged in three volumes according to their level of difficulty. All pieces are included on the accompanying CD as demo and play-along versions (piano accompaniment). The piano part contained in the volume is very easy so that it can even be played by a pupil, e.g. at a music school concert. Volume 1 (ED 22553) contains easy pieces which mainly range from d' to c''', occasionally even to d'''. The keys range from C to D major or the respective minor keys. This volume contains works by Charpentier, Vivaldi, Handel, Bach, Haydn, Mozart, Beethoven, Smetana, Pütz, Moser, and others. Volume 2 (ED 22554) contains intermediate pieces ranging from c' to e''', with unusual metres and demisemiquavers appearing occasionally. Including works by Wolkenstein, Peuerl, Schein, Purcell, Telemann, Handel, Mozart, Beethoven, Gounod, Humperdinck, Elgar, and others. Volume 3 (ED 22942) - in preparation: Will contain pieces at even higher levels of difficulty and add further works to the repertoire. / Niveau : Facile / Recueil / Saxophone Alto et Piano
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Franz Schubert: Alfonso und Estrella D 732: Opera: Vocal Score
Opera
[Vocal Score]
Barenreiter
Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 Act...
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Romantische Opera in three acts-Alfonso und Estrella D 732Romatic Opera in 3 ActsIn late September or early October 1821 Schubert and his close friend Franz von Schober vacationed in the countryside of Lower Austria. Their first stopover was at Ochsenburg Castle which belonged to the Bishop of St. Pölten (a close relative of Schober?s) after which they moved on to St. Pölten itself. Roughly a year earlier two stage works by Schubert had been performed in Vienna: the one-act singspiel Die Zwillingsbrüder and the melodrama Die Zauberharfe. The librettos were both written by the seasoned Viennese playwright Georg von Hofmann who blamed the press for the indifferent reception the two works weregiven by the audience. Schubert and Schober now decided it would seem to write a grand romantic opera uninfluenced by the workaday world of the theatre and beholden solely to their own ideas of what an opera should be.Not until 24 June 1854 was the opera finally performed in Weimar under the baton of Franz Liszt. It only achieved success however in an arrangement by Johann Nepomuk Fuchs that was staged on many German and Austrian stages in 1881 2 allegedly with 'brilliant acclaim'.Urtext of the New Schubert EditionFull score (BA5540) and vocal score (BA5540-90) available for salePerformance material (BA5540-72) available for hire
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Johannes Brahms: 14 Duets Soprano And Alto: Soprano: Vocal Score
Soprano voice, Piano
[Vocal Score]
Peters
Johannes Brahms' 14 Duets Soprano And Alto includes the works 3 Duette op. 20:...
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Johannes Brahms' 14 Duets Soprano And Alto includes the works 3 Duette op. 20: Weg der Liebe I Weg der Liebe II Die Meere 4Duette op. 61: Die Schwestern Klosterfräulein Phänomen Die Boten der Liebe and more.
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Georg Friedrich Händel: Lotario HWV 26: Opera: Vocal Score
Opera
Barenreiter
Opera in three acts-Lotario HWV 26Opera in three actsHandel???s opera Lotario wa...
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Opera in three acts-Lotario HWV 26Opera in three actsHandel???s opera Lotario was first heard at the King???s Theater in the Haymarket on 2 December 1729 and had a run of nine performances. Though never revived in the composer???s lifetime Handel reused many of its arias in his later operas sometimes altering the words.The historical background of the plot is the conflict between Otto I (912 973) and Berengar of Ivrea for the Italian crown and Otto???s marriage to the Italian queen Adelaide in 951. In the course of composition the name of the hero (???Ottone??? in Salvi???s libretto) was altered to ???Lotario??? since Handel had already written an opera entitled Ottone on thelife of Otto II (955 983) in 1722.The vocal score contains the version composed for the performances of December 1729 and January 1730. It is based on the Urtext of the Halle Handel Edition.- Urtext of the Halle Handel Edition.- Full score (BA4074) and vocal score (BA4074-90) available for sale.- Performance material (BA4074-72) available for hire
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Lennie Niehaus: Intermediate Jazz Conception for Saxophone: Saxophone: Study
Saxophone
-
Intermediate
Try Publishing Company
Move up to the next step of Jazz Conception with this terrific book by Lennie Ni...
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Move up to the next step of Jazz Conception with this terrific book by Lennie Niehaus! The exercises and pieces inside are of intermediate standard and build on the concepts and techniques found in the two previous Basic Level books. All 45 studies tackle a different Jazz feel with melodies that reflect the styles of swing cool bop and more.While focussing on technique this splendid method is one which clearly stresses the fundamental rhythms articulations and phrasings commonly used by Jazz groups. These are the keys that unlock proper Jazz conception and are the elements which usually requires the most time. This method can save you months or even years!The first section of this book consists of twenty Jazz exercises each stressing different rhythmic patterns which reinforce important elements. The second section consists of twenty-five tunes which utilise the material initiated within the exercises making this an invaluable source for the young saxophone player.
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Anthony Payne: Adlestrop for Soprano and Piano (A4 Score): Soprano: Instrumental
Soprano voice, Piano
[Sheet music]
Chester
Edward Thomas was born in Lambeth on 3rd March 1878 and spent most of his chil...
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Edward Thomas was born in Lambeth on 3rd March 1878 and spent most of his childhood in London. His holidays however were spent with relatives in Swindon and it was there that he developed his abiding love of all things rural.He was educated at St Paul's Hammersmith and was encouraged in his creative writing by James Ashcroft Noble whose daughter he secretly married after her father's death and to the great disapproval of her family. Despitegrowing anxiety over poverty ill health and literary discouragement which exacerbated a natural tendency to depression Thomas worked unstintingly as a reviewer and wrote and published over 30 books between 1897 and 1917.'Adlestrop' was written with four other poems between 7th and 9th June 1915. He enlisted in 1915 at the age of 37 and was called to the Front in 1917. He arrived at Arras on 9th February 1917 and was killed on the 9th April Easter Monday by a shell blast in the opening minutes of the offensive.This work for Soprano and Piano was premiered by Jane Manning and Dominic Saunders at the Aldeburgh Festival in 1989. Text by Edward Thomas. A3 ScoreAvailable: SOS03574
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Franco Cesarini: La Flûte au Salon: Flute: Instrumental Collection
Flute and Piano
[Sheet music + CD]
Mitropa Music
for Flute and Piano-La musique de salon tient son nom de son lieu d?exécution :...
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for Flute and Piano-La musique de salon tient son nom de son lieu d?exécution : les salons nobles et bourgeois du XIXe siècle. Au cours de cette période la flûte est dotée du système Boehm une invention qui lui permit d?arpenter de nouvelles possibilités sonores ettechniques encourageant l?écriture de nouvelles pièces par de nombreux compositeurs comme Franz Doppler ou Theobald Boehm. La Flûte au Salon réunit sept charmantes pièces de ces deux compositeurs entre autres. Le compact disc inclus proposeune version intégrale de chaque pièce et une version où ne subsiste que l?accompagnement de piano.Sommaire: Valse gracieuse Op. 261 2 (Popp) ? Scherzino Op. 55 6 (Andersen) ? Romance op. 41 (Brun) ? Barcarolle et Tarantella Op. 70 2 (Molique) ? Mazurka de Salon Op. 16 (Doppler) ? Souvenir des Alpes Op. 27 1 (Böhm) ? Csárdás (Monti).
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Pieces Celebres: Saxophone: Instrumental Album
Français
Saxophone soprano en Sib et Piano
Leduc, Alphonse
French saxophonists Marcel Mule and Jean-Marie Londeix compile an essential addi...
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French saxophonists Marcel Mule and Jean-Marie Londeix compile an essential addition to the Soprano Saxophone repertoire. Including pieces by J. S. Bach Boccherini Couperin Gluck Leclair Handel Lully Rameau Philidor and Schubert Mule and Londeix ensure that a range of famous works are accessible to intermediate to advanced Tenor Saxophone players. In this compilation Famous Pieces For Soprano Saxophone And Piano Mule and Londeix arrange and transcribe famous works by great preceding composers for the Soprano Saxophone ensuring that necessary additions and edits are made. Piecesinclude movements from Lully's King's Ballets and a J. S. Bach Scherzetto. The changes by Mule and Londeix include phrasing breath marks tempo marks dynamics and other performance directions. Famous Pieces For Soprano Saxophone And Piano provides excellent expansion to the repertoire of the instrument.
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Iain Bell: A Harlot's Progress: Opera: Vocal Score
SOP/M/BAR/TEN/BASS/SATB/PFA::Soprano, Mezzo-Soprano, Baryton, Tenor, Basse, SATB, Accompagnement Piano
[Vocal Score]
Chester
Iain Bell's A Harlot's Progress is an Opera in six scenes featuring a libretto ...
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Iain Bell's A Harlot's Progress is an Opera in six scenes featuring a libretto by Peter Ackroyd based upon William Hogarth’s 1730 etchings of the same name.This is a vocal score for Soprano Mezzo-Soprano (x2) Baritone Tenor and Bass soloists with an SATB Chorus and Piano accompaniment.
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La Campanella Op. 7
Alto Saxophone and Piano
[Sheet music]
-
Advanced
Schott
Raaf Hekkema (né en 1968) arrangement du célèbre ouvrage de Paganini a été ...
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Raaf Hekkema (né en 1968) arrangement du célèbre ouvrage de Paganini a été initiée par une commission de la Nederlands Orkest Noord qui lui demandait de jouer le Concerto pour violon de Paganini néerlandais. 2 à une tournée. Comme son homologue virtuose, Capriccio n o. 24, le célèbre dernier mouvement La Campanella qui avait inspiré beaucoup d'autres compositeurs comme Schumann et Liszt reflète, dans la version pour saxophone, la grande richesse de jouer du saxophone du 21e siècle - un morceau à couper le souffle plein d'acrobaties saxophone!Déjà disponible sont les 24 célèbres Caprices op. 1 de Paganini pour saxophone solo (ED 20 559). Pour la version CD de ce travail, le saxophoniste virtuose néerlandais a reçu le prix Echo Klassik dans la catégorie des 'Best instrumentiste de l'année' en 2007. / Saxophone Alto Et Piano / 24 pages / niveau : Avancé / Partition
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Prost N. - Adolphe Sax Album Vol.2
Français
Saxophone
Lemoine, Henry
Après la publication de Adolphe Sax album consacré aux premiers solos caracté...
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Après la publication de Adolphe Sax album consacré aux premiers solos caractéristiques du temps d?Adolphe Sax, ce second volume propose un travail similaire et retrace le parcours du saxophone du commencement en 1840 jusqu?au 20e siècle naissant. Au-delà de la lecture des partitions proposées, cet ouvrage sera un outil pédagogique indispensable pour élargir la connaissance de l?instrument de Sax, bien avant la popularité qu?on lui connaît avec le jazz, la pop etc. Saxophonistes, professeurs, élèves, musicologues et amateurs de saxophone apprécieront certains solos, mélodies rares voire inconnues, les caractéristiques de l?écriture de l?époque propres à l?instrument et l?utilisation qu?en ont fait les compositeurs selon les contextes musicologiques, historiques et esthétiques. Contenu BERG Alban : Lulu symphonische stücken - CAPLET André : Impression d?automne - CRAS Jean : Demain - INDY Vincent d' : Poème des rivages - DUKAS Paul : L'ondine et le pêcheur - FRANCK César : Hulda et les pêcheurs - HOLST Gustav : Suites : HURE Jean : Concertstuck et Andante - KASTNER Georges : Le dernier Roi de Juda -LOEFFLER Charles-Martin : Ballade carnavalesque - MAGNARD Albéric : 1re Symphonie - MASSENET Jules : La valse de Lahore - MAYEUR Louis : Grande fantaisie de concert - MOUSSORGSKY Modeste : Le vieux château PUCCINI Giacomo : La sui monti dell'est de Turandot - RAVEL Maurice : Boléro - ROBJOHN William : Introduction et Thème - ROSSINI Gioacchino : La corona d?Italia - SOUSA John Philip : The Stars and Stripes Forever
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Jindrich Feld: Sonata for Alto Saxophone and Piano: Alto Saxophone: Artist
Alto Saxophone and Piano
Leduc, Alphonse
Jindrich Feld's Sonata for Alto Saxophone and Piano is frequently performed by v...
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Jindrich Feld's Sonata for Alto Saxophone and Piano is frequently performed by virtuoso Saxophonists. Composed in 1989-90 the Sonata is elaborate and quirky and successfully exploits many extended techniques on the instrument. Born in Prague Feld (1925-2007) studied Violin and Viola with his parents before studying at the Conservatory and Academy of Music of his native city. His compositions predominantly instrumental soon became popular being performed all over the world. As reflected in his Sonata for Alto Saxophone and Piano Feld's style is deeply rooted in the Czechmusical tradition but he also integrated the main styles of 20th century Western music. The Sonata is made up of four movements 1. Allegro ritmico 2. Adagio/Bells of liberty 3. Allegro vivo/Scherzo and 4. Allegro con fuoco. Each movement of the Sonata presents different challenges from fast staccato semiquaver flourishes to the lyrical slurred passages. This Feld piece is highly virtuosic yet an excellent and enjoyable performance for all advanced saxophonists.
54.99 GBP - Sold by Musicroom UK
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The Saxophone Intonation Workbook: Saxophone: Instrumental Tutor
Saxophone
Advance Music
Trent Kynaston’s Saxophone Intonation Workbook is a thorough organized a...
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Trent Kynaston’s Saxophone Intonation Workbook is a thorough organized approach to approaching saxophone intonation. Basic concepts of embouchure and breathing understanding the role of your equipment and developing voicing techniques are all explored. Included is a tuning CD with numerous exercises along with additional scale and arpeggio studies. This is a must for all developing saxophonists.
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Gioachino Rossini: Opera Arias for Mezzo Soprano and Orchestra: Vocal and Other
Soprano voice
[Sheet music + CD]
Music Minus One
Performed by Ivanka Ninova mezzo-soprano Accompaniment: Orchestra of the Sofia ...
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Performed by Ivanka Ninova mezzo-soprano Accompaniment: Orchestra of the Sofia National Opera Conductor: Nayden Todorov Here's a collection of eternal classics from the great Gioachino Rossini's pen-including arias from such great operas as Il Barbiere di Siviglia and L'Italiana in Algeri. Mezzo great Ivanka Ninova performs these complete editions for your reference then she steps aside and you take your place alongside maestro Todorov and the orchestra of the world-famous Sofia National Opera. Brava! Includes an expansive newly engraved vocal score printed on high-quality ivory paper; and a CD G graphics-enabled compact disc with complete versions (with soloist) indigital stereo followed by digital stereo orchestral accompaniments to each piece minus the soloist.
19.99 GBP - Sold by Musicroom UK
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12 Pop Hits: Alto Saxophone: Instrumental Album
Alto Saxophone
[Sheet music + Audio access]
Hal Leonard
Instrumental Play-Along-A dozen hot contemporary hits are included in this colle...
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Instrumental Play-Along-A dozen hot contemporary hits are included in this collection perfect for budding instrumentalists. This volume in the Hal Leonard Instrumental Play-Along series contains arrangements for the Alto Saxophone with online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Songs include: ?Believer? ?Can\'t Stop the Feeling? ?Despacito? ?It Ain\'t Me? ?Look What You Made Me Do? ?Million Reasons? ?Perfect? ?Send My Love (To Your New Lover)? ?Shape ofYou? ?Slow Hands? ?Too Good at Goodbyes? ?What About Us?.
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