Par PIGNOT YVES. Suite brésilienne de 7 pièces pour piano solo, conçue après lecture des 36 fantaisies pour clavecin de Georg Philipp Telemann... suivant une habitude, ou manie, ou plutôt une bonne manière de s?amuser des musiciens de choro brésiliens, cette envie d?adapter certains thèmes de musique classique est devenue évidente en l'esprit d'Yves PIgnot ! / Date parution : 2021-09-01/ Répertoire / Piano Solo

Joseph-Hector Fiocco (1703-1741): AllegroGeorg Philipp Telemann (1681-1767): Sonatina I

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. Hosianna dem Sohne David eröffnet als Kantate zum 1. Advent Telemanns Kantatenjahrgang 'Musicalisches Lob Gottes in der Gemeine des Herrn'. Dem Jahrgang liegen Dichtungen des Hamburger Jacobi-Hauptpastors Erdmann Neumeister zugrunde./ Répertoire / Solo S (T), Solo Ms (A ou Bar), Choeur SS (B) ou S

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. Hosianna dem Sohne David eröffnet als Kantate zum 1. Advent Telemanns Kantatenjahrgang 'Musicalisches Lob Gottes in der Gemeine des Herrn'. Dem Jahrgang liegen Dichtungen des Hamburger Jacobi-Hauptpastors Erdmann Neumeister zugrunde./ Répertoire / Solo S (T), Solo Ms (A ou Bar), Choeur SS (B) ou S

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. Hosianna dem Sohne David eröffnet als Kantate zum 1. Advent Telemanns Kantatenjahrgang 'Musicalisches Lob Gottes in der Gemeine des Herrn'. Dem Jahrgang liegen Dichtungen des Hamburger Jacobi-Hauptpastors Erdmann Neumeister zugrunde./ Répertoire / Solo S (T), Solo Ms (A ou Bar), Choeur SS (B) ou S

Kantate Zum 1. Advent. Par TELEMANN GEORG PHILIPP. Hosianna dem Sohne David eröffnet als Kantate zum 1. Advent Telemanns Kantatenjahrgang 'Musicalisches Lob Gottes in der Gemeine des Herrn'. Dem Jahrgang liegen Dichtungen des Hamburger Jacobi-Hauptpastors Erdmann Neumeister zugrunde./ Répertoire / Solo S (T), Solo Ms (A ou Bar), Choeur SS (B) ou S

German baroque composer Georg Philipp Telemann (1681-1767) was a self-taught multi-instrumentalist becoming a composer against his family's wishes. However his musical career saw him hold important positions and to this day he remains a major composer. His sublime 12 Fantasies for Flute is superbly arranged for Recorder by Jean-Claude Veilhan. Telemann composed his 12 Fantasies for solo Flute in 1732-33 in Hamburg. During this time he composed a wealth of solo instrumental music including those for Harpsichord and Violin. Veilhan's arrangement for Recorder of Telemann's12 Fantasies includes adaptions for the instrument such as key signatures and performance directions. Vailhan's rearrangement for the Recorder of Telemann's popular 12 Fantasies makes the popular genre more accessible and versatile.

Cantata for Whit Sunday-Cantata for Whit SundayIn 1717 Telemann composed his cantata ?Gott Der Hoffnung Erfülle Euch? for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the ?Concerten-Jahrgang? also known as ?Das Harmonische Zion? or ?Italienischer Jahrgang? where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored.This particular work includes two Oboes two Corni da Caccia and Strings. Vocal soloists choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service orconcert repertoire.Urtext edition based on ?Georg Philipp Telemann Musical Works?Cantata for the first day of WhitsunIdeal for church services and concertsAn attractive addition to the repertoire with a view to the 250th anniversary of Telemann?s death (2017)Full score & parts (BA5898) and vocal score (BA5898-90) available for sale

Cantata for Whit Sunday-Cantata for Whit SundayIn 1717 Telemann composed his cantata ?Gott Der Hoffnung Erfülle Euch? for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the ?Concerten-Jahrgang? also known as ?Das Harmonische Zion? or ?Italienischer Jahrgang? where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored.This particular work includes two Oboes two Corni da Caccia and Strings. Vocal soloists choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service orconcert repertoire.Urtext edition based on ?Georg Philipp Telemann Musical Works?Cantata for the first day of WhitsunIdeal for church services and concertsAn attractive addition to the repertoire with a view to the 250th anniversary of Telemann?s death (2017)Full score & parts (BA5898) and vocal score (BA5898-90) available for sale

Ein Lämmlein geht und trägt die Schuld-In the autumn of 1721 when Georg Philipp Telemann became cantor at the Hamburg Johanneum and music director of the city?s five principal churches he faced the challenge of composing and performing a new Passion setting every year. The ninety-minute St. John Passion of 1745 was written in a winningly clear and transparent style with two large choral numbers six chorales (probably joined by the congregation) and several turbae that pose interesting yet manageable demands on the chorus. The plain and unassuming recitatives and the eleven sharply defined yet contemplative arias give soloists broad leeway for artistic interpretation. This volume follows the Urtextof vol. 29 of the Telemann Edition thereby offering a reliable text at the pinnacle of modern scholarship. Contemplative setting of the Passion Urtext from the Telemann Edition Straightforward piano part

Cantata for Whit Sunday-Cantata for Whit SundayIn 1717 Telemann composed his cantata ?Gott Der Hoffnung Erfülle Euch? for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the ?Concerten-Jahrgang? also known as ?Das Harmonische Zion? or ?Italienischer Jahrgang? where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored.This particular work includes two Oboes two Corni da Caccia and Strings. Vocal soloists choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service orconcert repertoire.Urtext edition based on ?Georg Philipp Telemann Musical Works?Cantata for the first day of WhitsunIdeal for church services and concertsAn attractive addition to the repertoire with a view to the 250th anniversary of Telemann?s death (2017)Full score & parts (BA5898) and vocal score (BA5898-90) available for sale

Cantata for Whit Sunday 2x Oboe + 2x Hunting Horn-Cantata for Whit SundayIn 1717 Telemann composed his cantata ?Gott Der Hoffnung Erfülle Euch? for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the ?Concerten-Jahrgang? also known as ?Das Harmonische Zion? or ?Italienischer Jahrgang? where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored.This particular work includes two Oboes two Corni da Caccia and Strings. Vocal soloists choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service orconcert repertoire.Urtext edition based on ?Georg Philipp Telemann Musical Works?Cantata for the first day of WhitsunIdeal for church services and concertsAn attractive addition to the repertoire with a view to the 250th anniversary of Telemann?s death (2017)Full score & parts (BA5898) and vocal score (BA5898-90) available for sale

Opera in three acts-“Almira” Handel’s first opera was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser who remarkably had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language resulting in a delightful mixture of German and Italian.The opera which after sundry entangled romances ends in the wedding of three couples is characterised by exuberant scenes: the procession at Almira’scrowning ceremony a duel a prison scene and a masked-ball involving the three continents Europe Africa and Asia.The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732 Georg Philipp Telemann removed the Aria no. 28 “Ingrato spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträge”.Now the aria can be performed again. Furthermore with the help of this new source missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).- Urtext edition based on the “Halle Handel Edition”- Original German and Italian text with a German translation of the Italian arias