Par JACOB GORDON. Of all of Gordon Jacob's major contributions to the British wind band repertoire, the William Byrd Suite (written in 1923) stands as his most-often programmed work. Though originally based on six movements from William Byrd's Fitzwilliam Virginal Book, this setting for developing band incorporates two contrasting movements including 'The Earle of Oxford's Marche' and 'Wolsey's Wilde.' Like Jacob's wind band work, the music is not a mere transcription from the original keyboard collection, but rather stylized with his own inventive musical spirit for modern concert band. A wealth of material here that opens doors to teachable moments as musical textures---dynamic contrasts, articulations, scoring options---are continually changing. Bravo! (2:33) This title is available in SmartMusic. / Date parution : 2022-10-12/ Répertoire / Concert Band

The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas.The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book.Written while Byrd was at the height of his powers it still stirs the soul to this day. A perfect opener for your concert performances.

The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas.The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book.Written while Byrd was at the height of his powers it still stirs the soul to this day. A perfect opener for your concert performances.

In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with 'special effects' Animal Kingdom contains many educational elements such as playing inswing (triplets feeling) chromatics flutter tonguing gypsy tuning varying keys and of course dynamics and articulation. The melodic lines occur in all four voices as well as in all percussion parts providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly and without worries flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A 'swing' monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing 'in swing' (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. 'New' sounds are of course welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part altern

Featuring marvelous new themes from Harry Potter and the Sorcerer's Stone the beautiful Theme from A.I. and the powerful main title from The Patriot here is a medley of the best recent film work from master composer JohnWilliams. Jay Bocook brings it to the concert band stage with finesse and style.

Par HIMES WILLIAM. And now for something completely different! Who but William Himes would think of deconstructing and the reconstructing the 'birthday' song into this amazingly creative overture? And, who else could do it so well? The cognitive and the affective domains are both in for a treat as you prepare this intriguing new work for performance. Be sure to hear the CD demo and look closely at the score. There are some amazing things going on here. Unexpected! / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Who but William Himes could have composed this one? Filled with humor pathos excitement and surprise LIFE DANCES is a brilliant and rhythmic overture for the adventurous band. The dauntless contemporary sounds of the opening are contrasted by an almost Medeival character. You?ll traverse many intriguing and unpredictable paths before dazzling rhythmic interplay drives the band to the astonishing ending.Like life when you first open this ?box of chocolates? you truly won?t know what wonderful treats are in store. As a director if you?ve ever gotten a bit weary of the ?same old same old ? you?ve come to the right place for a change. This one is sure to reinvigorate youand your band as you discover together all the surprises life has to offer. A celebration!

Written in honor of the renowned director of the University of Michigan bands H. Robert Reynolds William Bolcom has created an impressive new work for the concert band repertoire. With poignant melodies and warm textures thisdramatic piece is destined to become a classic.

The term “labyrinth” refers to an intricate and confusing maze of pathways. In similar fashion William Himes somewhat devious yet delightful musical representation takes the listener (and performer) on a journey ofincreasing complexityand musical twists and turns before ultimately revealing the familiar path leading to the exit. Composed using a single tempo Labyrinth offers a unique and effective setting for band. Dur:3:20

Adapted from the well-known piano composition Graceful Ghost Rag here is William Bolcom's own very elegant and effective version for symphonic band. Written in a moderate ragtime tempo this work utilizes a transparentscoring style along with soloistic passages contrasted with brief soli features for various sections of the ensemble. Unique and rewarding. Dur: 4:00 (Grade 4)

The unique writing style of William Himes is showcased here as he takes the simplest of folk songs and transforms it into a feast for the senses. The basic melody takes on a more insistent guise as melodic fragments graduallygrow morph and unite launching into a relentless rhythm that leads to the breathtaking finale. Directors who know Mr. Himes' work want to add every new concert band piece he publishes to their basic library – you'll wantthis one too.