SATB. From Contemporary A Cappella Publishing comes this collection of some of the great jazz standards of all time in a cappella settings. Includes: Autumn Leaves Fever I Could Write a Book If I Loved You It Don't Mean a Thing (If It Ain't Got That Swing) Steppin' Out with My Baby Walkin' My Baby Back Home. Available for SATB.

O Come Let Us Sing Unto The Lord was written for Stephen Layton and Polyphony by Morten Lauridsen. Purchase the sheet music for unaccompanied SATB chorus. This setting has been recorded on Lauridsen: Nocturnes (Hyperion CDA 67580).In speaking of Lauridsen in his book Choral Music in the Twentieth Century the author Nick Strimple says of him 'he is the only American composer in history who can be called mystic (whose) probing serene work contains all the elusive and indefinable ingredient which leaves the impression that all questions have been answered... From 1993 Lauridsen's music rapidly increased in international popularity and by the centuy's end he hadeclipsed Tandall Thompson as the most frequently performed American choral composer'.

Following the publication of Francis Jackson's organ reduction of Finzi's Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has created reductions of the full orchestra accompaniments to two more of Finzi's choral works. These reductions broaden the reach of these works to choirs which do not wish to present the works with orchestra, as with other standards from the sacred repertoire such the Requiems of Fauré and Duruflé. The reductions sympathetically recreate the orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedal coupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particular instrument, size of choir and acoustic setting at each performance. The scores are user-friendly, in landscape format and with at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full. The reductions are fully compatible with the published piano vocal scores of the respective works which the singers will use. For St Cecilia, Ceremonial Ode for tenor solo, chorus and orchestra - words by Edmund Blunden. The original work was commissioned by the St Cecilia's Day Festival Committee for the 1947 celebration of music's patron saint. The ceremonial mood is established with fanfares, and the sonorous sweep of the choral writing reflects Finzi's admiration for Parry and Elgar. The 'catalogue' of saints, shared between the soloist and chorus, are deftly delineated: St Valentine, St George, St Dunstan, St Swithin and St Cecilia herself. In rapt stillness, the English composers of the past - Merbecke, Byrd, Dowland and Purcell - are summoned. To close, Finzi creates a festal summation with exultant counterpoint and the saint's name pealing around the chorus. / Choeur Mixte (SATB) Et Orchestre

This a cappella Shawnee Press Classic by composer Houston Bright has been a staple in choral libraries for many years. In 2011 this voicing has been reengraved and edited for today's choral standards. Suitable for developingvoices and smaller choirs retaining the vocal finesse. Discover again this great choral work. Available separately: SSAB a cappella; SATB a cappela; SSAA a cappella; TTBB a cappella. Duration: ca. 2:17.

Ticket To Ride-Ever since the Swingle Singers released their Beatles' tribue album in 1999 the group have been overwhelmed with requests by a cappella groups and choirs for the arrangements of that recording. And Now... ...From the classic Swingle Singers library comes this stunning volume of seventeen Lennon and McCartney favourites. The Swingle Singers are an 8-voice mixed choir that formed in Paris in 1963 founded by Ward Swingle. The group has been through numerous incarnations but their unique style and sound have remained largely unchanged. Their repertoire includes classical contemporary opera jazz standards gospel pop and even rock music! Completely unaccompanied all the sounds are made by the human voice (or other body parts!). These songs have been arranged for full SATB mixed choir and are fit for any choral occasion.

Tudor and Stuart monarchs reigned during a period of political and ecclesiastical turmoil out of which occurred profound developments in musical style.Tudor Anthems (the term loosely applied to cover the years 1520 to 1640) anthologises some of the finest English musical works of that era. It includes sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Byrd Dering Gibbons Morley Mundy Parsons Philips Smith Taverner and Tomkins.A comprehensive collection and indispensable resource for any choir's library prepared in an easilyunderstood performing edition by Lionel Pike.'This is an excellent book. It offers variety the familiar and the less so all levels of difficulty and excellent value. Choirs who invest in a set could cover this aspect of their repertoire for years to come.'Andrew Gant (Choir & Organ - March/April 2011) 'A new Tudor anthem anthology will inevitably invite comparison with the popular Oxford Book of Tudor Anthems but Lionel Pike's collection largely avoids overlap with the OUP book and its contents certainly do not disappoint.' Matthew O'Donovan (Early Music Today - March/May 2011)'For many choirs and choral societies the Oxford Book of Tudor Anthems has been a standard source for this wonderful repertoire since it was first published in 1978. This new edition from Novello is now a serious competitor (why have we had to wait so long!). At almost the same price as the OUP volume and with 50 anthems (OUP had 34) this anthology is remarkable value for money. Before considering the contents it is worth mentioning its weight. My choir complains at holding the New Church Anthem Book and this is the same weight as the NCAB paperback (i.e. over a kilogram) and almost A4 in size. Lionel Pike

13 Jazz Standards for mixed choir (SATB)-With his series Jazz Im Chor Christoph Schönherr began a new genre twenty years ago with Gustav Bosse publishers. Despite numerous imitators his arrangements still retain their freshness. Barenreiter have now brought together the most attractive and frequently sung pieces in a single volume.Any choir interested in jazz now has everything together in one publication: energetic jazz standards heart-rending ballads and joyful gospel numbers. These are always challenging songs which are good to master and never miss the mark. A collection of lasting value which is always worth revisiting.Most songs are arranged for SATB with a couple for SAATB and onefor SSAB.

Theme from The Weeping Tree-Uses: Holy Week Scripture: Mark 15:30 I Corinthians 1:18 I Peter 2:24 The main theme from the best-selling cantata The Weeping Tree is now available as a standalone anthem. With a heart-affirming portrait of the crucifixion and a gentle celebration of grace the simple folk-like melody carries the weighty message of redemption in the sensitive arms of expressive music. A chamber orchestration option offers directors a way to incorporate this piece into a concert or passion pageant. Profoundly moving! Score and Parts (fl ob cl bn hn perc pno vn 1-2 va vc db) available as a digital download.

Perhaps one of the most recognized messages in all of sacred song this testament to unbounded mercy and grace. A true Shawnee classic from a legendary arranger this simple arrangement of the classic hymn has become standardrepertoire for American churches. Reacquaint yourself with this old friend. Perfect!

Cross-Curricular Music Fun for the Classroom Performance/Accompaniment CD-Rockin' with arithmetic is what it's all about! Reinforce basic math concepts that support Common Core State Standards and promote higher level learning while rockin' to the beat. From Hal Leonard's popular Rock 'n' Learn series this study for Grades 3-5 explores the 4 basic operations (add subtract multiply divide) computing the area of basic shapes the metric system fractions and decimal equivalents estimating and much more - all put to music for learning that lasts! Perfect for Music class or Math class the Teacher Book includes reproducible melody sheets with chord symbols and simple choreography and worksheet activities that incorporate Common Core State Standards in Math! For performance options a script is also included that introduces each of the eight original songs. Groove along with the singer recordings on the enclosed Listening CD! Also available is an Enhanced P/A CD with performance and accompaniment-only song tracks and PDFs of the piano/vocal arrangements with choreography lyrics and worksheets for lots of performance and projection options! For additional value receive all components in the Classroom Kit. Suggested for Grades 3-5.

Intense et soutenue encore accessible, cette oeuvre du compositeur de ' Totus Tuus ' et 'Symphonie #3' ('la Symphonie des chansons tristes') est un paramètre de mots basé sur la séquence Veni Sancte Spiritus. Texte polonais. Adapté pour les chorales standards intermédiaires. / Choeur Mixte

Les Motets de Strathclyde sont motets de communion définissant propres de la masse pour divers dimanches et fêtes. Adapté pour les chorales standards intermédiaires. Le Cantique de Zachariah prend chapitre Luke comme son texte : versets 68-79, qui est habituellement parlé dans le cadre de Laudes ou Matins. / Choeur Mixte A Cappella

First published in 1926, Bye Bye Blackbird has been enduringly popular ever since. It has been recorded by numerous artists and its simplistic beauty works perfectly for SATB choir. This arrangement with piano accompaniment is simple and easy to learn, and choirs of all standards will enjoy singing it. / SATB Et Piano

First published in 1926 Bye Bye Blackbird has been enduringly popular ever since. It has been recorded by numerous artists and its simplistic beauty works perfectly for SATB choir. This arrangement with piano accompaniment is simple and easy to learn and choirs of all standards will enjoy singing it.

These five classic jazz standards have been arranged in a superb vocal jazz style for SATB and Piano by Gwyn Arch. This is a must-have collection for any choir wanting to extend their repertoire beyond the traditional. These are lively fun to sing arrangements and will please both choirs and audiences time and again.