SKU: P2.30057

This suite is drawn from the composer's new score for the vintage 1928 silent comedy of the same name starring Charlie Bowers. The original film score runs 20 minutes and is scored for piccolo, sopranino recorder, 2 soprano recorders, ocarina, oboe, English horn, Eb clarinet, Bb clarinet, 2 bass clarinets, contrabass clarinet, banjo, slide whistle, saw, glockenspiel, percussion, toy piano, 3 melodicas, accordion, and piano. Here it has been pared down to 11 minutes and rescored for clarinet quartet. Synopsis of the wonderfully weird film: Scotland Yard detective Charley MacNeesha carries his constant companion MacGregor--who is either a hairy insect or a buggy-looking mouse--in a matchbox. The pair travels to New York to solve the case of the Fuzz-Faced Phantom who causes full-grown chickens to hatch from eggs, pots to rain from the ceiling, and pants to dance of their own volition in a surrealist comedy that anticipated Salvador Dali and Luis Bunuel's An Andalusian Dog by more than a year.

SKU: IS.CQ7019EM

ISBN 9790365070190.

American composer and woodwind performer Mike Curtis is equally comfortable in classical, jazz, and ethnic settings. He has toured the world as a klezmer clarinetist, played bassoon with symphonies and opera companies, and recorded on sax with jazz greats Charlie Rouse and Anthony Braxton. His compositions show the influence of those experiences and more. A Week in Plasencia was written following Mike’s 2015 trip to the International Clarinet Association festival in Madrid. After a week in the City that Never Sleeps, Mike sought an unknown, tranquil, provincial alternative. Sunny Plasencia, a riverside town at the foot of the Sierra de Gredos, came to reveal itself as a magical font of beauty, history, and inspiration. This piece exists in two versions, for solo clarinet and clarinet quartet. This product page listing is for the Clarinet Quartet version.

SKU: IS.CQ7582EM

ISBN 9790365075829.

American composer and woodwind performer Mike Curtis is equally comfortable in classical, jazz, and ethnic settings. He has toured the world as a klezmer clarinetist, played bassoon with symphonies and opera companies, and recorded on sax with jazz greats Charlie Rouse and Anthony Braxton. His compositions show the influence of those experiences and more. The Adagio (2nd movement) from George Gershwin's Concerto in F for Piano and Orchestra.