SKU: AY.FRD58
ISBN 9790302115434.
Prior to 2018, the Trio Sonata of John La Montaine might as well have not existed. When ALRY Publications became the sole representative for Fredonia Press, this work was not mentioned in the catalogs, nor was any score or manuscript included in the Fredonia archives. Suddenly it resurfaced, a paper copy, bearing a handwritten inscription to Doriot Anthony Dwyer, with the subtitle for 3 Flutes or 30 Flutes or 300 Flutes. The new and freshly re-engraved edition, featuring a full score and parts, consists of three movements: Questioning (a trio version of the opening movement of his Sonata for Solo Flute), Song and Scherzo.
SKU: FL.FX073516
This trio can be played by 2 flutists with 2 years of practice and one with 4 years of practice. It is inspired by the Nordic tale The little fairies from Lapland where three good fairies protect the inhabitants of a nearby village. ; Instruments:Flute Trio: 3 Flutes; Difficuly Level: Grade 3.
SKU: FL.FX074265
3 short movements for an audition or classroom work, from 4 years of instrument practice. - Pascal PROUST ; Instruments:Flute Trio: 3 Flutes; Difficuly Level: Grade 3; Duration: 2 mn 10 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.
SKU: FL.FX074376
Instruments:Flute Trio: 3 Flutes; Difficuly Level: Grade 2; Duration: 0 mn 35 s; Musical Style: Classical; Category: Arrangement; Composer: Franz LISZT; Arranger: Eric VIRETON.
SKU: FL.FX074389
Instruments:Flute Trio: 3 Flutes; Difficuly Level: Grade 2; Duration: 1 mn 25 s; Musical Style: Classical; Category: Arrangement; Composer: Charles GOUNOD; Arranger: Eric VIRETON.
SKU: FL.FX074350
Instruments:Flute Trio: 3 Flutes; Difficuly Level: Grade 2; Duration: 1 mn 40 s; Musical Style: Classical; Category: Arrangement; Composer: Edvard GRIEG; Arranger: Eric VIRETON.
SKU: FL.FX073167
Instruments:Flute Trio: 3 Flutes; Difficuly Level: Grade 4.
SKU: FL.FX074363
Instruments:Flute Trio: 3 Flutes; Difficuly Level: Grade 2; Duration: 2 mn 10 s; Musical Style: Classical; Category: Arrangement; Composer: Edvard GRIEG; Arranger: Eric VIRETON.
SKU: FL.FX074337
Instruments:Flute Trio: 3 Flutes; Difficuly Level: Grade 2; Duration: 1 mn 30 s; Musical Style: Classical; Category: Arrangement; Composer: Nikolai RIMSKI-KORSAKOV; Arranger: Eric VIRETON.
SKU: FL.FX072909
SKU: BT.DHP-1135495-070
9x12 inches. International.
This work for flute trio is in no way connected to the famous work of the same name by Antonio Vivaldi. In his Four Seasons, Mario Valsania sees the changing seasons from a child's point of view: Spring, out in the fresh air on abike ride, the unhurried Summer, Autumn and the new school year, and finally Winter, with its Christmas celebrations...This is a composition in a classical style but with advanced, non-traditional harmonies. The composer's aim was to bring out the full richness of the flute's range and character - such as staccato and double-tonguing. InWinter, various traditional Christmas carols can be heard.Dit werk voor fluittrio heeft op geen enkele manier te maken met het beroemde gelijknamige werk van Antonio Vivaldi. In zijn Four Seasons kijkt Mario Valsania naar de wisselende seizoenen vanuit het perspectief van een kind: in de lente kun jelekker naar buiten om te fietsen in de frisse lucht; de zomer is een zorgeloze periode; de herfst staat voor de start van het nieuwe schooljaar; en tot slot is er de winter, waarin onder meer het kerstfeest wordt gevierd...
Deze compositie is in klassieke stijl geschreven, maar met gebruik van vooruitstrevende, niet-traditionele harmonieën. De componist is erin geslaagd om de rijke, karakteristieke klank over het volledige register van de fluit te benutten - metmiddelen als staccato en dubbele tongslag. In het gedeelte Winter zijn enkele traditionele kerstliederen te herkennen.Dieses Werk für Flötentrio verweist in keiner Weise auf das berühmte gleichnamige Werk von Antonio Vivaldi. In seinen Vier Jahreszeiten versucht Mario Valsania nachzuspüren, wie ein Kind die wechselnden Jahreszeiten erlebt: denFrühling, den man am liebsten an der frischen Luft und auf dem Fahrrad verbringt, den Sommer als sorglose Periode, den Herbst als Zeit des Schuljahresbeginns, und schließlich den Winter, in den Weihnachten und andere Festefallen...Die im klassischen Stil gehaltene Komposition weist eine erweiterte, nicht traditionelle Harmonik auf. Der Komponist versuchte, den gesamten Tonumfang und charakteristische Aspekte der Flöte, wie staccato und Doppelzunge, auszunutzen. ImWinter werden einige traditionelle Weihnachtslieder zitiert.Cette composition pour trio de fl tes traversiéres ne fait aucunement référence la célébre à âuvre de Vivaldi. Dans ses Four Seasons (Quatre saisons), Mario Valsania égréne le changement des saisons, vécu par unenfant : le printemps, synonyme dair frais, de liberté et de courses vélo, lété qui se vit avec un soupçon d'insouciance, lautomne qui signifie la rentrée scolaire, et finalement l'hiver, le temps des festivités de Noël.
Il sagit dune piéce composée dans un style classique présentant toutefois des harmonies et des accents surprenants. Lobjectif du compositeur était de faire ressortir toute la richesse de la fl te traversiére par des traitscaractéristiques tels que le staccato ou le double coup de langue. Dans le quatriéme mouvement, Winter, plusieurs chants de Noël traditionnels peuvent être entendus.Questa pubblicazione per trio di flauti non é in collegata alla celebre opera omonima di Antonio Vivaldi. Nelle sue Four Seasons, Mario Valsania cerca di ricreare in musica la sensazione che un bambino può provare al passaggio dellestagioni: la Primavera, laria fresca e un i giri in bicicletta, lEstate come periodo spensierato, lAutunno con l'inizio della scuola e, infine, l Inverno con il Natale e le feste in famiglia.
SKU: SU.29050160
Seven Character Sketches for flute trio3 Flutes Duration: 11' Composed: 2008 Published by: Whitco Press.
SKU: BT.DHP-1094798-070
ISBN 9789043132398. 9x12 inches.
The fabulous theme from the film Titanic expertly arranged for three flutes by Eric Hovi Eric J. Hovi bearbeitete das unvergessliche, wunderschöne Liebeslied aus dem Film Titanic für Flötentrio.
SKU: BT.DHP-1125303-070
The six rhythmically and harmonically appealing pieces written by the flautist and instructor Mario Valsania are intended for tutors and students in their first year. The method lets students make first steps in ensemble playing and focusses gradually - piece by piece - on special aspects of technique and musical expression. Bijzonder geschikt voor docenten en eerstejaars fluitisten. Dat zijn deze zes ritmisch en harmonieus interessante stukken van fluitist en leraar Mario Valsania. Naast het samenspel oefenen de spelers met ieder stuk speciale aspectenvan de techniek. Maar ook staan de stukken telkens stil bij de muzikale uitdrukkingskracht.Diese sechs rhythmisch und harmonisch interessanten Stücke des Flötisten und Lehrers Mario Valsania eignen sich für Lehrer und Flötenschüler im ersten Jahr. Neben dem Zusammenspiel üben die Spieler mit jedem Stück spezielle Aspekte der Technik und des musikalischen Ausdrucks. Six Miniatures for Flute Trio: destinata agli insegnanti ed ai flautisti nei primi anni di studio (livello medio-facile), la raccolta è formata da sei miniature fortemente caratterizzate e molto interessanti sotto l'aspetto armonico e ritmico. Ogni brano presenta un proprio tratto distintivo in grado di unire gli aspetti tecnici dello strumento ad un chiaro intento musicale ed espressivo. La raccolta nasce con l'intenzione dell'autore, flautista e docente, di sviluppare la musicalit nei primi anni di studio attraverso brevi composizioni, chiare ed interessanti.
SKU: HL.44013278
A sister book to Top Hits Duo, which enables young players to perform pop songs and well-known traditional melodies in small ensemble groups. This helps develop both playing and listening skills.
SKU: P2.10022
The third part of the Chthonic Flute Suite commissioned by Areon Flutes in 2012. This suite has two main inspirations: ideologically it draws guidance from the book The Dream and the Underworld (1979)by James Hillman (1926-2011) and musically it explores the textural possibilities of a flute ensemble within the context of the heavy chamber music style I have developed with Edmund Welles: the bass clarinet quartet since 1996. This style draws virtuosic precision from the classical realm; innovation and texture from jazz; and power, rhythm and overall perspective from rock and metal. The term chthonic [thon-ik] generally means underworld. However, Hillman thoroughly elaborates that its true meaning extends below the earth and beyond it into invisible, non-physical and far distant psychic realms: the deeper mysteries of the invisible. The trio is divided into three sections: The Way We Descend--Reflection of Narcissus--Below Nature. Taking a break from Greek myth-nerd terms, this movement introduces chthonic-flavored phrases that elaborate on our descent into the underworld, specifically through dreams. The realm of the underworld can be such a shock to our dayworld, limited, egoic consciousness that it can seem like a violation as Hillman points out, referencing the Greeks: This style of the underworld experience is overwhelming, it comes as violation, dragging one out of life and into the Kingdom that the Orphic Hymn to Pluto describes as 'void of day.' So it often says on Greek epitaphs that entering Hades is 'leaving the sweet sunlight.' (p.49) He elaborates on the differences between dayworld and underworld perspectives: The dream is not compensation but initiation. It does not complete ego-consciousness, but voids it. So it matters very much the way we descend. (p.112) He goes on to describe the various modes in which mythical figures have descended: Ulysses and Aenas to learn; Hercules to take and to test, for example. To act like Hercules, like the hero, in the underworld is to miss the point and cause more problems, the villain in the underworld is the heroic ego, not Hades. (p.113).
SKU: KU.GM-1153A
For 3 flutes. Op.78 No. 1.
© 2000 - 2024 Home - New releases - Composers Legal notice - Full version
