The Missa Brevis B-Flat Major K. 275 (272b) was composed in Salzburg probably sometime before 23 September 1777.It is scored for Soprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Trombone (3) Violin (2) Basses (Double bass Bassoon) Organ.Full score vocal score & performance material (BA5344) are available for sale.

For the occasion of the coronation of King George II and Queen Caroline, which took place in Westminster Abbey on October 11, 1727, Handel wrote four splendid anthems and personally supervised their performance which was, according to all reports, one of great magnificence. The four anthems were enthusiastically received, and one or more of them has been performed at every British coronation since 1727. Anthem #2 ('The King Shall Rejoice'), although less well-known than Anthem #1, is an equally splendid example of Handel's ceremonial style - what Burney has affectionately termed his 'big bow-bow manner'. This work contains an opening Allegro, brilliant and elegant rather than pompous - a grandiose setting of 'Glory and great worship hast thou laid upon him' - and a lively fugal Alleluia as a conclusion. Arranged for four-part chorus of mixed voices with organ or piano accompaniment. Edited and with keyboard reduction by Edouard Silas. / Chant Et Piano

D'où Viens-Tu Johnny?-Johnny Hallyday's Pour Moi la Vie Va Commencer (D’où Viens-Tu Johnny?) For Piano Keyboard or Organ. Includes Guitar chord boxes.

E-Z Play Today Volume 56-This volume in the E-Z Play Today series contains 15 songs from the original Broadway cast recording of the hit musical Jersey Boys arranged for Piano Organ or Keyboard in Hal Leonard's world-famous E-Z Play® notation.

(Ye Sons of Israel Praise the Lord)-Laudate Pueri Dominum (Ye Sons of Israel Praise the Lord) is scored for Three-Part chorus of women's voices SSA with organ or piano accompaniment. Edited by Maynard Klein.

For the Cathedral Church Of The Holy and Indivisible Trinity, Gloucester. For SATB and Organ. / Chant Et Piano

This outstanding collection of 90 carols offers a balanced mixture of accompanied and unaccompanied items which will appeal immediately to conductors, singers and audiences alike. Mostly for mixed voices, it includes 16 carols and a further 39 arrangements published here for the first time. From Gabrielli to Judith Weir, medieval melodies to spirituals, the range of styles covers a wide spectrum of tastes. Conductors will welcome the availability of optional orchestral material available on hire for 24 of the carols, to allow for performances without organ. This major issue of carols is edited by William Llewellyn, a well established figure in the world of choral music. / Chant Et Piano

Le compositeur Peter Cornelius (1824-1874) de Mayence souvent appelé lui-même un 'poète-compositeur: Toute sa vie, il s'occupa de composer et d'écrire aussi bien. Pas étonnant qu'il s'était consacré en particulier à la composition de chansons, déjà en temps de ses études à Berlin dans les années 1840 en retard. La nouvelle édition 'Ave Maria' a été trouvé parmi les oeuvres inédites du compositeur. Bien qu'il porte le dévouement Fräulein '13 von zum Hillebrandt. Septembre 1862 ', il a probablement été créé plus tôt. Il s'agit d'un simple, chanson accompagnée chordally qui est tout à fait adapté à des fins liturgiques. La partie de piano peut être remplacé par un organe. / Voix Et Piano (Ou Orgue)

Une histoire des arts en chansons - Opéra-chorale pour choeur mixte et orchestre de chambre (PIANO-CHANT) Prologue : 1mn 07s Antiquité : 3mn 41s Avènement des Romains - Intro : 37s - Canon et Coda : 3mn 25s Fondation ecclésiastique Prémices : 2mn 48s Grégoire le Grand : 3mn 37s Le temps des chevaliers Chanson des croisades : 1mn 48s La belle se siet : 2mn 58s Avènement de la polyphonie Organum et édifice polyphonique : 4mn 12s Renaissance Quattrocento : 4mn 14s Le XVIème siècle : 2mn 35s Du baroque à la bossa : 4mn 41s Du classicisme : 6mn 40s Ruptures vers l'impressionnisme : 3mn 44s Modernité : 5mn 28s

This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work. / Chant/Vocal/Choeur