Add the glitz and glamour of Broadway to your repertoire at the earliest opportunity with this selection of show-stopping favourites specially arranged for the late-elementary Piano student.Do you love the songs of the great musicals? Maybe you adore the romance of Beauty And The Beast the passion of The Music Of The Night or the great sing-along anthems like You'll Never Walk Alone? If the answer is yes then this is the book for you - boasting eight Broadway hits that are the perfect addition to your early repertoire or for that important concert opportunity.

Par . What would composers such as Bach, Beethoven, Chopin, Debussy, or Rachmaninoff have done if they had arranged Dust in the Wind for solo piano? Would Bach have penned a prelude or minuet? Would Chopin have crafted a nocturne or mazurka? What about Mozart, Tchaikovsky, or Bartok? Here are 16 pop songs, arranged for piano solo, as if covered by the likes of these music giants. The focus is on classic accompaniment styles, devices, figurations and forms, the compositional hallmarks of centuries of great music. Songs include: All of Me · Before He Cheats · Call Me Maybe · Despacito · Rolling in the Deep · Shake It Off · Stacy's Mom · Uptown Funk · and more. / Date parution : 2021-11-03/ Recueil / Piano

Volume 64 de la Top 100 Hit Collection est de nouveau emballé avec les hits des charts. Grâce à cela, le comte, également connu sous le nom Unholy avec sa chanson émouvante, 'Juste comme vous l'étiez,' Alex Clare avec 'Too Close', le hit de la publicité Exporer Internet et Katy Perry avec 'Part Of Me', un autre coup de son inépuisable Teenage Dream album. En outre, 'Euphoria' par Loreen, la chanson gagnante du concours ? Eurovision de la chanson à Bakou en 2012, 'Appelez-moi Peut-être' par Carly Rae Jepsen, l'un des cours de l'été frappe à 2012 et comme un hit sur ??YouTube en plusieurs versions actuellement sur toutes les lèvres, et 'Drive By' la bonne humeur frappé par le train.Deux livres en un: arrangement pour piano et de sortie mélodie pour piano, clavier, guitare, chant, flûte ou violon pour l'enlèvement. / Piano Ou Clavier

Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano

Alone In Kyoto (Lost In Translation) Bella?s Lullaby (Twilight) Chocolat - Main Titles (Chocolat) Cider House Rules - Main Titles (The Cider House Rules) Cruella De Ville (101 Dalmations) Elevator Song (X Y) Escape! (The Hours) Forrest Gump - Main Titles (Forrest Gump) Gone With The Wind (Main Title) Gran Torino (Title song) The Hanging Tree (Hunger Games: Mockingjay Part 1) Harry?s Wondrous World (Harry Potter And The Sorceror?s Stone) I Wanna Be Like You (Jungle Book) I Will Always Love You (The Bodyguard) In Noctem (Harry Potter And The Half-Blood Prince) Ladies In Lavender Main Theme Let It Go (Frozen) Love Me Like You Do (Fifty Shades Of Grey) Love Theme (Romeo

Ce livre neuf et moderne de Hans-Günter Heumann est l'édition suivante pour BOE7624 succès. Il combine 50 à ce jour charts et le film de Bruno Mars à Skyfall. Toutes les chansons sont définies dans des arrangements faciles pour piano. / Piano