This fabulous selection comprises four of Paganini's earlier works for Violin and Piano edited by Jean Becker. With the exception of the Moto Perpetuo Op.11 these pieces are all composed using a 'theme and variations' structure. The colour and variety imbued within Paganini's writing for the Violin is truly inimitable and provides the accomplished violinist with the great challenge of realising this beauty through the technical virtuosity of the writing.The solo violin part is also included on a separate insert.

Tzigane for Violin and Piano-Maurice Ravel's Tzigane for Violin and Piano. Urtext edition full score.Composed in 1924 there are three versions of this work: with Piano with Orchestra and with Luthéal a device forKeyboard instruments to extend the timbre.?Virtuoso piece in the style of a Hungarian rhapsody? thus reads Ravel?s entry on Tzigane in the so-called 'Autobiographical Sketch'.Tzigane was inspired by the Hungarian-English violinist Jelly d?Aranyi to whom Ravel had already promised a virtuoso piece in 1922 following Franz Liszt?s ?Hungarian Rhapsodies?. Work progressed slowlyand d?Aranyi only received the music four days before the première but she still gave a brilliant performance.

for Violin and Piano-F. Schubert: Rondo For Violin And Piano B Minor Op. 70 D 895.The New Schubert Edition is a scholarly-critical complete edition reflecting current knowledge of the sources and the latest research findings. It is thus indispensable for the study and authentic performance of Schubert's music.

for Piano and Violin-A collection of Mozart's early Viennese Sonatas for Violin and Piano edited by Eduard Reeser. This accurate and authoritative Barenreiter Urtext edition is suitable for both study and performance.

Variations for Piano and Violin-Henle Verlag Urtext edition of Mozart's Variations for Piano and Violin KV359 and KV360.

Easy-Intermediate. Par HISAISHI JOE. This is a volume from the 'Studio Ghibli Songs for Violin and Piano' series and includes 8 songs from Studio Ghibli films. It includes a violin and piano score (28 pg) and a separate violion solo part score (16 pg). / Date parution : 2022-02-10/ Recueil / Violon et Piano

Carmen Faust The Magic Flute And Otello-This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of aseparate Violin part:Carmen Fantasy from the Opera by Georges Bizet Op. 25 transcribed by Jenö Hubay.Fantasia on Themes from Gounod's Faust Op. 20 transcribed by Henri Wieniawski.Fantasie fromMozart's The Magic Flute Op. 54 transcribed by Pablo Sarasate.Fantasie Brillante on the March and the Romance from Rossini's Otello Op. 11 by Heinrich Wilhelm Ernst.This collection is ideal forpractice performance teaching and independent study by students professional performers and amateur ensembles.

Transcriptions to the 8-part suite featuring the jazz piano of Claude Bolling and the internationally renowned violin playing of Pinchas Zukerman. Includes parts for piano violin bass and drums.

Par . This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of a separate Violin part: Carmen Fantasy from the Opera by Georges Bizet, Op. 25, transcribed by Jenö Hubay. Fantasia on Themes from Gounod's Faust, Op. 20, transcribed by Henri Wieniawski. Fantasie from Mozart's The Magic Flute, Op. 54, transcribed by Pablo Sarasate. Fantasie Brillante on the March and the Romance from Rossini's Otello, Op. 11, by Heinrich Wilhelm Ernst. This collection is ideal for practice, performance, teaching, and independent study bystudents, professional performers, and amateur ensembles. / Date parution : 2023-03-15/ Recueil / Violon et Piano

Brahms composed his ?Violin Sonata In D Minor? during the summer of 1886. The work quickly became part of the standard repertoire and has remained so until today. It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms? contemporaries.An important part of this edition is the extensive preface. Firstly it informs about the works? origins its compositional process pre-publication performances its publication history as well as early reception. Truly remarkable is theunique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.A pioneering Urtext edition.With an unmarked Urtext part.With a second part including fingering and bowing based on the practices of Joseph Joachim and other contemporaries of Brahms.With an extensive Performance Practice Commentary.For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms? Chamber Music? text booklet BA 9600.

Par MARTINU BOHUSLAV. Sonatina for violin and piano was written in Paris in 1937.Thanks to its instructive character,it is a favourite part of the repertoire of violin novices. The violin part wasrevised byViktor Nopp. / Répertoire / Violon et Piano

Brahms' only Violin concerto was given a very warm reception by his contemporaries and has been an important piece in the Violin repertoire ever since. It bears witness to Brahms' fruitful collaboration with Joseph Joachim whocontributed a cadenza. The composer's original and extremely demanding piano reduction has been carefully simplified for our edition by Johannes Umbreit. This Urtext edition follows the musical text of the new Brahms CompleteEdition. The appendix also contains an alternative version of Joachim's cadenza that to date has not been published in a practical edition. Alongside Joachim's original fingerings and bowings there are also fingering suggestionsby Frank Peter Zimmermann.