SKU: CA.2100705

ISBN 9790007161422. Text language: Latin.

The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score available separately - see item CA.2100700.

SKU: CA.2100700

ISBN 9790007142179. Language: Latin.

The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751.

SKU: FH.FLR04

ISBN 978-1-55440-292-2.

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Online Audio, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study. This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivaled volume essential for examination or audition preparation.
Sonata in E flat Major, BWV 1031, Second movement: Siciliana attr. Johann Sebastian Bach
Sonata in A Minor, op. 1, no. 1, First Movement and Second Movement Jean-Baptiste Loeillet (de Gant), arr. Kathleen Wood
Tambourin Jean-Philippe Rameau, arr. Stephen Chatman
Suite in A Minor, TWV 55:a2, Menuet I and Menuet II Georg Philipp Telemann, ed. Lionel Salter
Sonata No. 2 in A Major: Cadenza and First Movement; Second Movement Johann Baptist Vanhal
Sonata in F Major, RV 52, First Movement: Siciliano, Second Movement: Allemanda Antonio Vivaldi, arr. Stephen Chatman
Tanzlied, op. 52, book 2, no. 2 Karl Joachim Andersen
Humoresque Arno Babadjanyan, transc. Marianne Gedigian and Rick Rowley
Habanera, from Carmen Georges Bizet, arr. Stephen Chatman
Spring Song Frank Bridge, transc. Marianne Gedigian and Rick Rowley
Rumbustious Rumba Richard Kershaw
Grand Solo in F Major, op. 57, no. 1, Second movement (excerpt) Friedrich Kuhlau
Agra Paul Horn
Classical Escapade Leslie Uyeda.

About Overtones

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.

SKU: FZ.4306

ISBN 9790230643061. 24.00 x 33.00 cm inches.

This facsimile of an original and the manuscript by Michel-Richard Delalande is part of our French classical music collection. The facsimile brings together three versions of this motet : the Philidor copy of 1689, the Boyvin edition of 1729, and the Cauvin manuscript of 1741. Preface by Jean Saint-Arroman and Philippe Lescat: sources and scores - comparison between the Concert Spirituel copy and the engraved version of 1729.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Municipal Library of Versailles (France). Anne Fuzeau Classique propose period copies of classical music scores.