Trompette Ut Ou Sib Et Piano-Contemporary Italian-French composer Armando Ghidoni brings together influences of both Italy and France in his music. Also as an expert on jazz the harmonies and rhythms of the composer's works reflect a huge diversity Ballad And Rag Divertimento for Trumpet and Piano being no exception. Ghidoni is significant within the contemporary French music school and his works are regularly chosen as set pieces for leading national and international competitions. Ballad And Rag Divertimento reflects Ghidoni's mastery of a range of instruments. With a typical performance lasting about five minutes andforty seconds Ballad And Rag Divertimento is a truly exquisite addition to the modern Trumpet repertoire.

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition MENUET DU DIVERTIMENTO Nø17 KV334 tout le talent de Mozart. Cette partition a été composée pour Clarinette Et Piano. C'est l'éditeur Billaudot qui a publiée cette oeuvre. / Clarinette Et Piano / Partition

La référence GB5556 de l'éditeur Billaudot dont l'auteur célèbre est Constant Franz, qui a pour titre DIVERTIMENTO OPUS 146, a été écrite et composée pour Trompette et Cornet et plus particulièrement pour Trompette Et Piano. Cette partition musicale appartient à la catégorie Classique. / Trompette Et Piano / Partition

La référence AL23399 de l'éditeur Leduc dont l'auteur célèbre est Hessenberg Kurt, qui a pour titre Divertimento, a été écrite et composée pour Basson et plus particulièrement pour Basson Et Piano. Cette partition musicale appartient à la catégorie Classique. / Basson Et Piano / Partition

W.A. Mozart's Menuetto Divertimento for Viola and Piano edited by William Lincer.

Mozart Divertimento edited and arranged for Clarinet and Piano. Score and part included.

Charles Camilleri (1931-2009) was a Maltese composer and academic. His compositions were often inspired by the folk traditions of his native Malta which in turn drew on a melting-pot of European Mediterranean and African cultures. He was also Professor of Composition at the Royal Conservatory of Music in Toronto and later became the first Professor of Music at the University of Malta. Divertimento No. 2 was written for solo Clarinet with Piano in three movements the first of which features on the ABRSM Grade 8 Syllabus for Clarinet. It is a light-hearted work which would also be suitable for any recital orconcert.

Joseph Fiala (c1748 - 1816) was a famous Czech composer and performer of his day. Mozart spoke highly of him and he held a succession of important musical posts at European courts. His Divertimento in D is a recent discovery and is published here for the first time.Written for the 'Klappentrompete' (Keyed Trumpet) it dates from the same period as Haydn's Concerto in E flat for the same instrument and represents a welcome (and technically less demanding) addition to the classical Trumpet repertory.

These Six Viennese Sonatinas were not originally composed by Mozart for the piano. They are a contemporary arrangement of the Wind Divertimentos K 439b which Mozart wrote in 1783. The Divertimentos are notable for their conciseness of form and their melodic richness. They therefore make an excellent introduction to Mozart's piano music even though they are not completely typical of Mozart's piano writing. We do not know for certain who made the arrangement but Alexander Weinmann has shown that it was probably Ferdinand Kauer. The order of movements is not the same as in the original; moreover some of the Trios have been exchanged and recapitulations have been shortenedin some instances. The original voice leading has been replaced by voice leading suitable to the piano. The 2oth_century editions by Rehberg (Schott) Rowley (Peters) and the old edition by Kapral (originally published by Universal Edition) are based on a Ricordi reprint edited by Muggelini in 1907; its musical text is unreliable and there are many arbitrary alterations. The present edition is therefore based on the first edition of the arrangement published by Artaria of Vienna in 1803. By comparing it with the score of the Divertimentos (Mozart Complete Edition Series XXIV No. 62 1905) and with the first edition of the parts it was possible to establish the precise articulation and dynamic markings and to add them where needed. For piano pupils simpler versions are suggested in footnotes as are possible executions of ornaments. Metronome markings have been provided by the editor; like the footnotes they should be taken only as suggestions.