Quatre sonates de Mozart pour un piano à quatre mains, sont les premières oeuvres importantes de la littérature de piano à quatre mains. Cette édition soigneusement étudié contient des informations historiques, des notes approfondies sur l'exécution de la musique pour piano de Mozart, de doigté de la rédaction et indications métronomiques, ainsi que les réalisations de nombreux ornements. / Piano 4 Mains

Four original Sonatas with the Variations in G K.501 (probably on the composer's own theme and also original duet) the Fugue in G minor K.401 (completed by M. Stadler) and two Fantasias originally for mechanical organ arranged for piano duet. CONTENTSFantasia in F minor K594; Fantasia in F minor K608; Fugue in G minor K401; Sonata in B flat K358; Sonata in C K521; Sonata in D K381; Sonata in F K497; Variations in G K501

Référence unique par son ISBN 9790044013845 cette partition musique de Debussy Claude n'est autre que SONATE VLC/PIANO 4 MAINS qui a été composée pour Piano 4 Mains. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Durand. La référence catalogue de cette oeuvre est DD00960600. / Piano 4 Mains / Partition

Jean-François Tapray (1738-1819), né à Nomeny en Lorraine, fit une bonne partie de sa carrière à Dole puis Besançon avant de servir à Paris où on le signale comme organiste à la chapelle de l'Ecole royale militaire peu avant la Révolution. Il meurt à Fontainebleau vers 1819. Cette sonate à quatre mains, qui date probablement de 1800, est un véritable chef-d'oeuvre très inspiré par l'école viennoise de ce temps. Elle fait grand effet au concert et a l'immense mérite de donner à jouer, de manière très équilibrée, aux deux instrumentistes. Elle nécessite une bonne technique, notamment dans le superbe 3e mouvement de forme rondo-sonate. / Piano 4 Mains Et Plus

In 1878 Dvorák was commissioned to write something along the lines of Brahms?s ?Hungarian Dances? but using the sounds of his native country. The resulting eight ?Slavonic Dances? led to hisinternational breakthrough. ?Furiant? ?polka? ?soudeská?: all are written with consummate mastery and dazzling formal sophistication. Although the ?Slavonic Dances? also became popularin orchestral arrangement they were originally written for Piano four-hands. Yet the musical text Dvorák released for publication was anything but ideal. Now to honour the centennial of his death we are presenting hisoriginal version with a detailed commentary on the work?s sources and editorial problems. The fingering always a delicate matter in duet playing has been entrusted to Andreas Groethuysen with results that will prove a boon toperformers everywhere.

Par . A great diversity of national and regional cultures evolved on the European continent during the course of two-and-a-half thousand years. In the field of music, this diversity can be traced back above all to folksongs. Luis Zett?s 12 imaginativearrangements for four hands let the European motto 'united in diversity' literally pulse with life. Somewhat more advanced piano pupils of all age groups have the colorful choice between a Scottish 'reel' or an East-European lullaby, melancholy tunesfrom the North or dynamic dances of the south. For additional variety and enjoyment, players can count on extensive free interludes as well as melodies that wander through the upper part and bass. / Date parution : 2022-02-25/ Recueil / Piano 4 Mains

Sadie Harrison's The Souls Of Flowers is for Piano duet (4 hands/ 1 Piano) and is dedicated to Alex Larson and Avery Allen. This lyrical duet began life as a solo Piano piece written for Waheed Amiri a student at the Afghanistan National Institute of Music in Kabul. The title refers to the Afghan’s love of flowers and to the summer gardens of Kabul which are resplendent with roses the country’s national flower. This duet version is dedicated with thanks to Alex and Avery who gave the work its premiere at the Hartt Community Division Suzuki Piano Ensemble Recital on Saturday November 19 2016 in the Alfred C. Fuller Music Center (F. Berkman Recital Hall) at the Hartt School University of Hartford Connecticut USA. Duration: c. 3 minutes.

Per Pianoforte A Quattro Mani (O Due Pianoforti). Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire à Avancé / Répertoire / Piano 4 Mains

1 Piano 4 Hands Primer Level Early Elementary Level-NFMC 2016-2020 Piano Duet Event Primary I Selection Students will have fun playing these easy pieces which are ideal for recitals. The smart choices and short length of each book create an attractive and practical supplement. The music is carefully arranged making pieces easily attainable while helping to motivate and sustain student interest. These are duets for 1 piano 4 hands. Students can learn both duet parts the primo and secondo are at the same level. Both parts have opportunities for melody and various accompaniment styles. 6 duets: Long Long Ago - Melody (Schumann Op. 68) - Minuet (Bach) - Old MacDonald - Sonata in A (Mozart K 331).

Series: Alfred's Classic Editions Category: Piano Duo (2 Pianos, 4 Hands) Format: Book Instrument: Piano Level: Intermediate / Early Advanced Version: 2 copies required Pianist and composer Sylvia Rabinof has written beautiful accompaniments to 15 masterpieces from the world's most celebrated composers. Intermediate to Early Advanced; for two pianos, four hands. Titles: Musette from Notebook for Anna Magdalena (Bach) * Minuet in G Major from Notebook for Anna Magdalena (Bach) * Minuet in G Minor from Notebook for Anna Magdalena (Bach) * Für Elise (Beethoven) * Chaconne on Air Dido’s Lament from Dido and Aeneas (Purcell) * Ländler in D Major (Beethoven) * Ländler in A Minor (Schubert) * The Happy Farmer (Schumann) * Pour le Lute (Little Prelude No. 3 in C Minor) (Bach) * Invention No. 8 in F Major (Bach) * Solfeggietto (C. P. E. Bach) * Rondo Alla Turca from Sonata in A Major, K. 331 (Mozart) * Invention No. 13 in A Minor (Bach) Clair de Lune from Suite bergamasque (Debussy) * Sonata in C Major, K. 545 (First Movement) (Mozart). 88 pages.

National Federation of Music Clubs 2014-2016 Selection 1 Piano 4 Hands/Later Elementary Level-As the title suggests this charming duet promises - and delivers - an energetic and lively rhythmic experience. Makes an excellent collaborative recital piece! Key: C Major.