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The
XYLOPHONE
Brass ensemble
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:: (174)
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Harpsichord (136)
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CD (132)
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Biography (128)
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Dulcimer (125)
Musical Awakening (120)
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ENS::Ensemble (112)
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Low voice (71)
Vocal duet, Piano (70)
Recorder, Piano (69)
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Violin, Viola (duet) (68)
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Educatif (67)
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Quintette à vent (60)
Soprano voice, Orchestra (58)
Saxophone Ténor et Piano (58)
Stationery (58)
Guitare et Musique de Chambre (57)
Horn and Orchestra (56)
Accessoire (56)
DVD concert (55)
Quintette à Cordes (55)
Trio (54)
Orchestres à Vent (54)
Euphonium (54)
Dobro (52)
Chorale (52)
Fanfare Band (50)
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Harp, Flute (duet) (49)
Treble (Alto) Recorder, Piano (49)
Brass Quartet: 4 trombones (48)
Partie Séparée (48)
A Cappella (48)
Scores (48)
3 Recorders (trio) (48)
3 Clarinets (trio) (47)
Choral, Orchestra (46)
Lap Steel Guitar (46)
2 Trombones (duet) (46)
Euphonium, Piano (duet) (46)
Exemplaire Complet (45)
Trombone and Orchestra (45)
Baritone voice (45)
Saxhorn and Piano (44)
Cornet and Piano (44)
Guitar Ensemble (44)
Trio avec Piano (43)
Piano, Guitar (duet) (43)
Trumpet, Orchestra (43)
Ensemble (43)
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Oboe, Violin, Viola and Violon… (42)
Saxophone ensemble (42)
Voix Mixtes (42)
Flute, Cello, Piano (trio) (41)
Xylophone or Marimba or Vibrap… (41)
Parties Supplémentaires (41)
Trompette ou Cornet, Cor en Mi… (40)
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Timpani (40)
Voice and Orchestra (40)
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2 Violas (duet) (40)
Clavecin (40)
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Vibraphone (39)
Flute, Oboe, Clarinet, Bassoon… (39)
Diverses Formations (39)
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4 Euphoniums (38)
Lute (38)
Petit Ensemble Contemporain (38)
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Violon, Cordes et Basse Contin… (36)
Trio à Cordes (36)
Violin, Basso continuo (36)
Bass Trombone and Piano (35)
Piccolo, Piano (35)
1 Piano, 6 hands (35)
Pocket, Study conductor (34)
3 Guitars (trio) (34)
Symphonic Band (34)
Percussions (34)
Livret (34)
Ensemble Mixte (34)
Libretto (33)
Handbells (33)
Violin, Guitar (duet) (32)
2 Violins, Piano (32)
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Flute, Basso continuo (31)
Quintette de Cuivres (31)
Organ, Trumpet (duet) (31)
Medium Voice (31)
3 Saxophones (trio) (31)
Cornet (30)
Chant et Guitare (30)
Cajon (29)
Solistes (SATB), Choeur Mixte … (29)
Ocarina (29)
String Trio: 2 violins, cello (28)
Clarinet, Violin, Cello, Piano… (28)
Brass Quartet: 2 trumpets, hor… (28)
Lyrics only (27)
Soprano, Piano (27)
Bass Clarinet (27)
2 Clarinets, Piano (27)
2 Trumpets, Keyboard (piano or… (26)
Saxhorn or Euphonium (26)
Solistes SBar, Choeur SSATB, 2… (25)
Flûte Traversière et Cordes (25)
Quatuor (25)
Clavier Electronique et Ligne … (25)
2 Trombones, Piano (25)
Quintette avec Piano (25)
Soprano Saxophone and Piano (25)
2 Violons, Alto, Violoncelle e… (25)
Batterie et Percussions (25)
Flute, Clarinet, Piano (trio) (24)
2 Clarinettes, 2 Violons, Orgu… (24)
2 Hautbois, 3 Trompettes, Timb… (24)
2 Hautbois, 2 Cors, 2 Clarinet… (24)
Trompette, Instruments à Cord… (24)
Basson, 2 Violons, 2 Altos et … (24)
Solistes SATB, Choeur SATB, 2 … (24)
String Quartet : 4 violas (24)
Voix Et Instruments Divers (24)
Guitar Tab, Voice, Bass, Drum (24)
String quintet (24)
Guitar and Bass Tablatures, Ch… (24)
Carte Postale (24)
String Quintet: 2 violins, vio… (24)
Soprano Saxophone (24)
Saxophone Baryton (23)
Autoharp (23)
Bagpipe (23)
Piccolo (23)
5 Part Ensemble (22)
Solistes SATB, Choeur SATB, 2 … (22)
Concert Band ou Harmonie et Ba… (22)
Baritone Saxophone (22)
Cello, String Bass (duet) (22)
Soli and Orchestra (22)
2 Saxophones, Piano (22)
Horn Ensemble (22)
String trio (22)
String Trio: 3 violins (21)
Brass Quartet: 4 trumpets (21)
Clavecin Et Instruments A Cord… (21)
Baryton et Orchestre (21)
Oboe and Orchestra (21)
Violon, Ensembles de Cordes et… (21)
Solistes SAT, Choeur SATB, 2 F… (21)
Tout Instrument (21)
Saxophone Quintet: 5 Saxophone… (21)
Clarinette, Cor Et Piano (21)
5 Recorders (21)
Violin, Horn and Piano (20)
Guitare Tablatures Flatpick et… (20)
Piano, Bass, Drums (trio) (20)
Guitar, Orchestra (20)
Ensembles de Cordes et Piano (20)
Choeur d'Enfants SSA, Récitan… (20)
2 Choeurs Mixtes (SATB Et SATB… (20)
Soprano (20)
2 Bassoons (duet) (20)
Saxophone and Orchestra (20)
Soli (SAB), Choeur Mixte (SATB… (20)
Voice, Clarinet, Piano (20)
Flûte Traversière, Clarinett… (20)
Djembe (20)
Vocal duet (20)
Conga (19)
2 Flûtes Traversières, Corde… (19)
Soli (ATB), Choeur Mixte (SATB… (19)
Solistes SATBB, Choeur SATB, 2… (19)
Baritone Ukulele (19)
Partition D'Orchestre (19)
Voix Et Orchestre (19)
3 Trumpets (trio) (19)
Harpsichord and Strings (19)
Ensemble Instrumental et Petit… (19)
Percussion, Piano (duet) (19)
Choeur d'Enfants (19)
Solistes SATB, Choeur SATB, Ha… (18)
3 Trombones et Fanfare (18)
2 Tubas et Piano (18)
Violoncello, Basso continuo (18)
Viola and orchestra (18)
Choeur SATB, 2 Trompettes, 2 T… (18)
Ensemble à Cordes (18)
Tuba and Orchestra (18)
Xylophone (18)
Gemischter Chor (SATB) und Orc… (18)
Percussions Diverses (18)
Guitare et Voix (18)
Solistes STBB, Choeur SATTBB, … (17)
Bass Clarinet, Piano (17)
Viola da Gamba (17)
Cor, Trombone et Piano (17)
Opéra (17)
4 Bassoons (17)
Solistes SATB, Choeur SATB, 2 … (17)
Ukulele Ensemble (17)
Fac-similé (17)
Trumpet, Trombone (duet) (17)
Voix Mixtes SAB et Piano (17)
Voix et Orff-Instruments (17)
Viola, Cello (duet) (17)
ENS::Ensemble d'cole (17)
Recorder, Guitar (duet) (17)
Clarinette et Quatuor à Corde… (16)
2 Saxophones Ténor et Piano (16)
Choeur De Femmes (SSA) Et Pian… (16)
Trompette ou Cornet, Trombone … (16)
Hautbois, Basson et Piano ou O… (16)
Violon, Alto, Violoncelle et C… (16)
Quintette (16)
Choeur à L'Unisson et Orgue (16)
2 Cors en Mib et Piano (16)
Voice, String Quartet (16)
Organ, Piano (duet) (16)
Electric bass, Drums (16)
Flute, Piano Trio (bass, drum,… (16)
Opéra Full Score (16)
Piano, Chant et Guitare Tablat… (16)
Trumpet ensemble (16)
Violon, Instruments à Cordes … (16)
Matériel D'Orchestre (16)
Cello Ensemble (16)
4 Cellos (16)
Solo SATB, Choeur SATB, Hautbo… (15)
Violin, Organ (15)
Solistes SATB, Choeur SATB, 4 … (15)
Children choir, Instruments (15)
2 Cornets, Cor en Mib et Tuba (15)
Soli (ATB), Choeur Mixte (SATB… (15)
3 Euphoniums et Piano ou Clavi… (15)
Flûte Traversière, Hautbois,… (15)
Music Theory Et Resources (15)
Saxophone Alto et Orchestre à… (15)
Violin, Viola and Orchestra (15)
Gemischter Chor (SSATB/SSATB/S… (15)
Voix et Piano Réduction (15)
2 French horns, Piano (15)
Brass ensemble, Organ (15)
Hautbois, Clarinette et Basson… (15)
Cello, Guitar (duet) (15)
Brass Quartet: 4 horns (15)
Choeur de Femmes (15)
Flûte à Bec et Piano (15)
3 Violons, Instruments à Cord… (14)
SB, 4 Parties Mixtes et Orches… (14)
Solistes SAB, Choeur SATB, 2 H… (14)
Flûte Traversière, Violon, I… (14)
Livre Musical (14)
2 Violons, Alto, Violoncelle (14)
Bassoon, Orchestra (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
Voice, Organ (14)
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Choeur SSATB et Basse Continue… (14)
2 Cellos, Piano (14)
Brass Quartet: 2 trumpets, 2 t… (14)
Bass Trombone (13)
Choeur SATB, Flûte Traversiè… (13)
2 Bassons et Piano ou Orgue (13)
Choeur D'Enfants (SMezA) Avec … (13)
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Flûte à Bec Alto et Basse Co… (13)
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Quatuor à Cordes, Harpe et Ba… (12)
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Choeur d'Enfants à 2 Parties … (12)
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Fake Book (12)
2 Oboes, 2 Horns and 2 Bassoon… (12)
Voix Seule (12)
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Descant (Soprano) Recorder, Ba… (12)
Clarinet and Accordion (12)
English horn, Piano (12)
Basse (12)
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Flûte Traversière, Hautbois … (12)
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Solistes ATB, Choeur SATB, 2 H… (11)
Flügelhorn (11)
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Ensemble De Contrebasse (11)
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Cithare (11)
Guitare Tablatures Classique (11)
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Gemischter Chor (SSAATBB) und … (11)
2 Trompettes, Cordes Et Basse … (11)
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Voice Mezzo-Soprano, Orchestra… (11)
Concertina (11)
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Choeur (SATB) et Brass Band (11)
Saxophone (band part) (11)
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Voix et Piano ou Guitare (11)
SATBasse (2 Grands Choeurs Mix… (11)
Choral Soprano solo, SATB, Key… (11)
Flute and String Quartet (10)
Chant, Accords Et Piano (10)
Solistes STB (SB/TB/SATB), Cho… (10)
S, A, A, T, B, Choeur Mixte A … (10)
Solistes SATB, Choeur SATB, 2 … (10)
Flute, Violin, Piano (10)
Solistes (STB), Choeur Mixte (… (10)
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Base Musicale (10)
Flûte à Bec Alto ou Flûte T… (10)
Solistes STB, Choeur SATB, 3 C… (10)
2 Trumpets, Horn, Trombone an… (10)
2 Pianos, 8 hands (10)
2 Hautbois, Cor Anglais et Bas… (10)
Double bass, Orchestra (10)
Piano/Vocal/Guitare (PVG) (10)
Clarinette, Violon et Piano (10)
Solistes SAB, Choeur SATB, 2 F… (10)
Solistes SB, Choeur SATB, 2 Ha… (10)
Solistes SAB, Choeur SATB, 4 F… (10)
Trumpet, Horn and Piano (10)
Solistes et Choeur SSATTB, 2 V… (10)
Solistes SATB, Choeur SATB, Fl… (10)
Set de Cordes (10)
Paroisse, Choeur SATB, 2 Tromp… (10)
Solistes STBarB, Choeur SATB, … (10)
Balalaika (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
2 Saxophones Alto et Piano ou … (10)
Choeur d'Enfants SSA, 2 Récit… (10)
Instrument Cuivre En Sib (10)
Clarinette, Viola and Piano (t… (10)
Accordion - Piano, Voice, Guit… (10)
Solistes SATB, Choeur SATB, 2 … (10)
Narrateur, Solistes, 3 Parties… (10)
Solistes SATB, Choeur SATB, 2 … (10)
Guitar and String Quintet (10)
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Cornet et Brass Band (10)
4 Instruments Cuivre (Trompett… (10)
4 Tubas (10)
Violon 2 (10)
Solo S, Choeur SATB, 2 Clarine… (10)
String Trio: 2 violins, viola (10)
Choeur SSAATTBB, 2 Cornetti, 3… (10)
Clarinette et Orchestre (10)
Choeur SATB, 2 Violons et Bass… (10)
Choral SSAB, Piano (10)
Clarinette, Violoncelle et Pia… (10)
5 Part Ensemble (Clavier, Guit… (10)
Voix à L'Unisson et Piano (10)
Choeur SATB et Orchestre (10)
Trompette, Cordes Et Basse Con… (10)
3 Flûtes A Bec Alto (10)
Trompette Et Orchestre (10)
Flute, Violoncello (10)
Harp, Voice (10)
Zither (10)
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Trompette 3 (10)
Tenor (10)
Violon II (10)
Choeur SA Et Piano (9)
Clavier ou Orgue Electronique (9)
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Solistes SATB, Choeur SATB, Tr… (9)
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Solistes SATB, Choeur SATB, Fl… (9)
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Cordes, 2 Clarinettes et Timba… (9)
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Trompette, Cor et Piano (9)
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Solistes SAB, Choeur SATB, 3 F… (9)
Choeur SATB, 2 Flûtes Travers… (9)
Trombone et Orchestre à Vent (9)
Choeur SATB, 2 Litui (2 Cors),… (9)
Solistes SATB, Choeur SATB, Fl… (9)
Oboe, Clarinet, Bassoon (trio)… (9)
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Solistes SATB, Choeur SATB, 2 … (9)
DVD (9)
Guitare Flatpick et Fingerpick… (9)
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Solistes SATB, Choeur SATB, 2 … (9)
Violon, Ensembles de Cordes et… (9)
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William Vean: The Irish Dancemaster: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
During the eighteenth century a person called 'the Dance Master' made his appear...
(+)
During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage) after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances the Reel and the Jig. In between these two dances there is a short breathing space during which a traditional Irish rhythm can be enjoyed.
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William Vean: The Irish Dancemaster: Brass Band: Score
Brass ensemble
Gobelin Music Publications
During the eighteenth century a person called 'the Dance Master' made his appear...
(+)
During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage) after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances the Reel and the Jig. In between these two dances there is a short breathing space during which a traditional Irish rhythm can be enjoyed.
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Saskia Apon: The Lonesome Knight: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
The composition the Lonesome Knight was based on a fairytale. The piece was writ...
(+)
The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more leftalone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon a spark ingnites between themand they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit however it was her love of composition thatremained her focus. Self-taught she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet The Dutch Brass Ensemble The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins inthe festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomesgreatly disillusioned when there is n
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Saskia Apon: The Lonesome Knight: Brass Band: Score
Brass ensemble
Gobelin Music Publications
The composition the Lonesome Knight was based on a fairytale. The piece was writ...
(+)
The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more leftalone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon a spark ingnites between themand they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit however it was her love of composition thatremained her focus. Self-taught she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet The Dutch Brass Ensemble The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins inthe festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomesgreatly disillusioned when there is n
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Philip Sparke: Music of the Spheres: Brass Band: Score & Parts
Brass ensemble
Anglo Music
Music of the Spheres was commissioned by the Yorkshire Building Society Band an...
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Music of the Spheres was commissioned by the Yorkshire Building Society Band and first performed by them at the European Brass Band Championships in Glasgow May 2004.The piece reflects the composers fascination with the origins of the universe and deep space in general. The title comes from a theory formulated by Pythagoras that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. (‘Harmonia’ in Ancient Greek which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the sixknown planets from the sun and thatthe planets each produced a musical note which combined to weave a continuous heavenly melody (which unfortunately we humans cannot hear). In this work these six notes form the basis of the sections Music of the Spheres and Harmonia.The pieces opens with a horn solo called t = 0 a name given by some scientists to the moment of the Big Bangwhen time and space were created and this is followed by a depiction of the Big Bangitself as the entire universe bursts out from a single point. A slower section follows called The Lonely Planet which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life and the constant search for other civilizations elsewhere in the universe. Asteroids and Shooting Stars depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet and the piece ends with The Unknown leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.
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Wilco Moerman: Theme Park Fun!: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your...
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In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition (downloadable after ordering a set on www.gobelinmusic.com).Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day fullof fun and pleasure awaits! You and the other visitors will be confronted with all the rides attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! Aparade of colorful floats and park figures is passing by.Let the fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun is the Haunted House. Here visitors will be challengedto visit a house full of ghosts creepy figures and other ominous things. The clock strikes twelve there is no turning back. Ghosts are whispering yelling screaming... Fortunately it is almost one oclock so we can leave this creepy placequickly.Part 3: The Swinging Galleon [with illustrations]What a huge pirate ship! Each time you swing back and forth you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have afantastic view over the park but you can not enjoy it for long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions it is time for a peaceful tour in The Fairy Tale Ride. Surrounded by a fairytale setting you will discover fable figures talking animals and colorful designs. Such a beauty and tranquility. Having had this experience we are ready again for thebig rides in the park!Part 5: The Bumper Cars [with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bumpagainst someone else. In this tough ride you can prove yourself as a real driver or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest fastest and scariest ride in the park ... we shoulddefinitely do the Roller Coaster! All together in the train the over-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the topand the train will be plunged down the first drop! Loops corkscrews and other spectacular coaster elements will follow... Before you know it the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [withanimation]Unfortunately everything comes to an end.
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Wilco Moerman: Theme Park Fun!: Brass Band: Score
Brass ensemble
Gobelin Music Publications
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your...
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In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition (downloadable after ordering a set on www.gobelinmusic.com).Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day fullof fun and pleasure awaits! You and the other visitors will be confronted with all the rides attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! Aparade of colorful floats and park figures is passing by.Let the fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun is the Haunted House. Here visitors will be challengedto visit a house full of ghosts creepy figures and other ominous things. The clock strikes twelve there is no turning back. Ghosts are whispering yelling screaming... Fortunately it is almost one oclock so we can leave this creepy placequickly.Part 3: The Swinging Galleon [with illustrations]What a huge pirate ship! Each time you swing back and forth you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have afantastic view over the park but you can not enjoy it for long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions it is time for a peaceful tour in The Fairy Tale Ride. Surrounded by a fairytale setting you will discover fable figures talking animals and colorful designs. Such a beauty and tranquility. Having had this experience we are ready again for thebig rides in the park!Part 5: The Bumper Cars [with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bumpagainst someone else. In this tough ride you can prove yourself as a real driver or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest fastest and scariest ride in the park ... we shoulddefinitely do the Roller Coaster! All together in the train the over-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the topand the train will be plunged down the first drop! Loops corkscrews and other spectacular coaster elements will follow... Before you know it the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [withanimation]Unfortunately everything comes to an end.
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There is a land of pure delight: Brass Band: Score
Brass ensemble
Gobelin Music Publications
Isaac Watts (1674-1748) wrote the lyrics of 'There is a land of pure delight' a...
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Isaac Watts (1674-1748) wrote the lyrics of 'There is a land of pure delight' and is known as the 'Father of English Hymnody'. Watts was for the English hymn as Ambrose was for the medieval Latin hymn and what Martin Luther was for the German chorale. He wrote about 750 songs and some of them survide the ravahes of time. (Joy To The World When I survey the wondrous cross I sing the Mighty Power of God) 'There is a Land of Pure Delight' is usually in English-speaking areas sung on Luther Orlando Emerson's melody ('Ascription'). Here is used a traditional English melody ('Mendip'). There is a land of pure delight Wheresaints immortal Reign. Infinite day excludes the night And pleasures banish pain.
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There is a land of pure delight: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
Isaac Watts (1674-1748) wrote the lyrics of 'There is a land of pure delight' a...
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Isaac Watts (1674-1748) wrote the lyrics of 'There is a land of pure delight' and is known as the 'Father of English Hymnody'. Watts was for the English hymn as Ambrose was for the medieval Latin hymn and what Martin Luther was for the German chorale. He wrote about 750 songs and some of them survide the ravahes of time. (Joy To The World When I survey the wondrous cross I sing the Mighty Power of God) 'There is a Land of Pure Delight' is usually in English-speaking areas sung on Luther Orlando Emerson's melody ('Ascription'). Here is used a traditional English melody ('Mendip'). There is a land of pure delight Wheresaints immortal Reign. Infinite day excludes the night And pleasures banish pain.
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Touch Of Mancini A - Brass Band Score (MANCINI HENRY)
Brass ensemble
[Sheet music]
I.M.P.
Par MANCINI HENRY. A Touch of Mancini celebrates the music of Henry Mancini (192...
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Par MANCINI HENRY. A Touch of Mancini celebrates the music of Henry Mancini (1924-1994), the Academy Award winning American composer, conductor and arranger best remembered as a composer of film and television scores. This medley features The Pink Panther Theme, Moon River, Days of Wine and Roses and The Peter Gunn Theme (as featured in The Blues Brothers). Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 4 minutes/ Recueil / Brass Band
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John Emerson Blackstone: They are Coming: Brass Band: Score
Brass ensemble
Gobelin Music Publications
There are people who are capable of planning well. They live their lives in a we...
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There are people who are capable of planning well. They live their lives in a well-structured manner and know exactly what they have to do. On the other hand there are also people who are the exact opposite: they want to do too many things at once and are often somewhat absent-minded which occasionally results in frantic situations. The outcome of one such situation is ‘They are coming’. John Emerson Blackstone had been working on a new composition for some time when he received a telephone call from his editor who told him that the deadline was approaching rapidly even worse that it would expire at the end of that same day and that he would drop by in person to fetch thecomposition! Blackstone set to work in a frenzy and completed the last details. When his editor arrived the piece was finished ..... and got its definitive title: ‘They are coming’.
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John Emerson Blackstone: They are Coming: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
There are people who are capable of planning well. They live their lives in a we...
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There are people who are capable of planning well. They live their lives in a well-structured manner and know exactly what they have to do. On the other hand there are also people who are the exact opposite: they want to do too many things at once and are often somewhat absent-minded which occasionally results in frantic situations. The outcome of one such situation is ‘They are coming’. John Emerson Blackstone had been working on a new composition for some time when he received a telephone call from his editor who told him that the deadline was approaching rapidly even worse that it would expire at the end of that same day and that he would drop by in person to fetch thecomposition! Blackstone set to work in a frenzy and completed the last details. When his editor arrived the piece was finished ..... and got its definitive title: ‘They are coming’.
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Howard Shore: The Lord of the Rings: Return of the King: Brass Band: Score and
Brass ensemble
[Score and Parts]
Faber Music Limited
A spectacular fantasy medley from the third and final episode of the Oscar-winni...
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A spectacular fantasy medley from the third and final episode of the Oscar-winning trilogy. The most poignant and memorable themes from this magical motion picture have been arranged and assembled as a gala concert piece for full Brass Band and percussion by Philip Harper. Bring the mystery and excitement of Middle Earth into your repertoire with this full score and parts pack.
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John Emerson Blackstone: On the Movieset: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? i...
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Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? images like these will cross our minds when we think of the movie world. However reality proves to be different : as a rule a tremendous amount of work will have been done on the set before a film is ready to be shown on the big screen. A visit to an actual movie set inspired John Emerson Blackstone to write a composition bearing the same name. He had both seen a number of characteristic attributes and heard the typical phrases used in film making and he incorporated them into ?On the Movie Set? . In the first part ?The Clapboard? a ?director?s assistant? is supposed to shout ?Quieton the set?? and ?Action!? as is done before a real scene is shot. Subsequently in order to create the right atmosphere the clacking of a ?Clapboard? should be heard. During a romantic scene we should be transported to another world by means of sweet sounds in the background so romantic music is of course heard in the next part ?Love Scene?. At the end of a long working day ?It?s a wrap? is called on the set to inform everyone that the filming on that day is completed. Now there is only one more thing left to dream of : an Oscar..... Perf. Note: The use of the right props will add to the performance and appreciation of ?On the Movie Set?. A red carpet and a glamorous reception should give your audience the feeling they are attending a real ?opening night?!
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John Emerson Blackstone: On the Movieset: Brass Band: Score
Brass ensemble
Gobelin Music Publications
Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? i...
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Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? images like these will cross our minds when we think of the movie world. However reality proves to be different : as a rule a tremendous amount of work will have been done on the set before a film is ready to be shown on the big screen. A visit to an actual movie set inspired John Emerson Blackstone to write a composition bearing the same name. He had both seen a number of characteristic attributes and heard the typical phrases used in film making and he incorporated them into ?On the Movie Set? . In the first part ?The Clapboard? a ?director?s assistant? is supposed to shout ?Quieton the set?? and ?Action!? as is done before a real scene is shot. Subsequently in order to create the right atmosphere the clacking of a ?Clapboard? should be heard. During a romantic scene we should be transported to another world by means of sweet sounds in the background so romantic music is of course heard in the next part ?Love Scene?. At the end of a long working day ?It?s a wrap? is called on the set to inform everyone that the filming on that day is completed. Now there is only one more thing left to dream of : an Oscar..... Perf. Note: The use of the right props will add to the performance and appreciation of ?On the Movie Set?. A red carpet and a glamorous reception should give your audience the feeling they are attending a real ?opening night?!
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Tarik O'Regan: The Night's Untruth: Brass Ensemble: Parts
Brass ensemble
Novello & Co Ltd.
Tarik O’Regan's The Night's Untruth for SATB chorus Brass ensemble and O...
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Tarik O’Regan's The Night's Untruth for SATB chorus Brass ensemble and Organ is a co-commission celebrating the 10th anniversary of JAM (The John Armitage Memorial Trust) and the 40th anniversary of VocalEssence. 'The Night’s Untruth explores the use of sleep as metaphor by dint of excerpts from poems written in the 17th to 20th centuries. Death love fear ecstasy isolation dreaming and rest are all textual “variations” on the “theme” of sleep and can be found in the chosen texts. The work’s title is taken from a line in a poem by Samuel Daniel (1562-1619) and speaks tothe composition’s focus on sleep as a parallel possibly dystopian existence to the one experienced in our waking hours.' - Tarik O’Regan March 2010 Scored for brass quintet organ and SATB choir with (minor) divisi and occasional moderately demanding solos for tenor and soprano this evocative 16-minute work probes the mystery of sleep with texts from poems by Keats Samuel Daniel Shakespeare and Hart Crane: 'death love fear ecstasy isolation dreaming and rest' are the themes O'Regan explores through these texts in a work as episodic as a disturbed night with the title creating a 'focus in sleep as a parallel possibly dystopian existence'. - Organists' Review
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Bruce Broughton: Theme from JAG: Brass Band: Score & Parts
Brass ensemble
Hal Leonard
From the Paramount Television Series JAG-The television series JAG (Judge Advoca...
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From the Paramount Television Series JAG-The television series JAG (Judge Advocate General) which was first broadcast in America in 1995 has become internationally known over the years. In Europe too people have become acquainted with the legal wing of navy officers and the intrigues surrounding Commander Harmon ?Harm? Rabb (David James Elliott) and his partner Lieutenant Colonel Sarah ?Mac? MacKenzie (Catherine Bell). Both inside and outside the courtroom they fight with one major aim: winning! In their personal relationships there?s a good deal of tension too. The theme tune to this television series full of action and adventure has been arranged for brass band by Roland Kernen.
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Philip Sparke: The Conqueror: Brass Band: Score & Parts
Brass ensemble
Anglo Music
Contest March-This fantastic contest march was composed for the Alexander Brass ...
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Contest March-This fantastic contest march was composed for the Alexander Brass Band from Stavanger Norway who wanted a brand new march to play when they took part in the world-renowned Whit Friday March Contest. In the march Philip Sparke has followed the traditional brass band contest march format and it is named as a tribute to Alexander the Great rather than the Alexander brass band who were actually named after their local pub!
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Philip Sparke: The Conqueror: Brass Band: Score
Brass ensemble
Anglo Music
Contest March-This fantastic contest march was composed for the Alexander Brass ...
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Contest March-This fantastic contest march was composed for the Alexander Brass Band from Stavanger Norway who wanted a brand new march to play when they took part in the world-renowned Whit Friday March Contest. In the march Philip Sparke has followed the traditional brass band contest march format and it is named as a tribute to Alexander the Great rather than the Alexander brass band who were actually named after their local pub!
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Torstein Aagaard-Nilsen: The Binding of the Wolf: Brass Band: Score
Brass ensemble
Gobelin Music Publications
This piece was commissioned by Nordhordland Brass Seminar in 1990 and written fo...
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This piece was commissioned by Nordhordland Brass Seminar in 1990 and written for a youth band. The title referes to a story from norse mythology. ?The Binding of the Wolf? is not a programmatic piece of music but I felt that there was a kind of coherence between the music and the dramatic story: ?...The wolf Fenrir was one of the demonic offspring of Loki and as he grew up in Asgard among the gods he became so huge and fierce that only Tyr was willing to feed him. It was decided that he must be bound and Odin in his wisdom caused the cunning dwarfs to forge a chain which could not be broken. It was made from the invisible and yet potent powers ofthe world such as the roots of a mountain the noise of a moving cat the breath of a fish. When completed this chain seemed to be no more than a silken cord but the wolf refused to let it be laid upon him unless one of the gods would put a hand between his jaws as a pledge that it was harmless. Only Tyr was prepared to do this and when the wolf found that the chain was unbreakable the gods rejoiced but Tyr lost his hand. The binding of the wolf may be seen as a means of protecting the world of men as well as that of the gods from destruction. The story of the god losing his hand appears to be one of the fundamental myths of nothern Europe...?
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Torstein Aagaard-Nilsen: The Binding of the Wolf: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
This piece was commissioned by Nordhordland Brass Seminar in 1990 and written fo...
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This piece was commissioned by Nordhordland Brass Seminar in 1990 and written for a youth band. The title referes to a story from norse mythology. ?The Binding of the Wolf? is not a programmatic piece of music but I felt that there was a kind of coherence between the music and the dramatic story: ?...The wolf Fenrir was one of the demonic offspring of Loki and as he grew up in Asgard among the gods he became so huge and fierce that only Tyr was willing to feed him. It was decided that he must be bound and Odin in his wisdom caused the cunning dwarfs to forge a chain which could not be broken. It was made from the invisible and yet potent powers ofthe world such as the roots of a mountain the noise of a moving cat the breath of a fish. When completed this chain seemed to be no more than a silken cord but the wolf refused to let it be laid upon him unless one of the gods would put a hand between his jaws as a pledge that it was harmless. Only Tyr was prepared to do this and when the wolf found that the chain was unbreakable the gods rejoiced but Tyr lost his hand. The binding of the wolf may be seen as a means of protecting the world of men as well as that of the gods from destruction. The story of the god losing his hand appears to be one of the fundamental myths of nothern Europe...?
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William Vean: The Shopping Centre: Brass Band: Score
Brass ensemble
Gobelin Music Publications
Many people when asked the question 'Do you have any hobbies?' will answer 'Shop...
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Many people when asked the question 'Do you have any hobbies?' will answer 'Shopping' (even though the female part of the population may be more interested in this than the male one). Of course it is great fun to walk about in a Shopping Mall browsing in various small shops looking for things you have always wanted to possess. This was what William Vean was doing one day when he came across the idea to write a composition in which several shops could try to sell their wares (and this idea didn't cost him a penny). First the audience are taken to a 'Jeans store' then a 'Phone shop' is visited after which a visit is made to a 'Perfumery'. Thefourth part depicts a profession which is practised in several premises namely that of shoplifter. In the fifth part there is room for a bite to eat at a Chinese restaurant and finally after a visit to the hairdresser's it's time to go home.
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William Vean: The Shopping Centre: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
Many people when asked the question 'Do you have any hobbies?' will answer 'Shop...
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Many people when asked the question 'Do you have any hobbies?' will answer 'Shopping' (even though the female part of the population may be more interested in this than the male one). Of course it is great fun to walk about in a Shopping Mall browsing in various small shops looking for things you have always wanted to possess. This was what William Vean was doing one day when he came across the idea to write a composition in which several shops could try to sell their wares (and this idea didn't cost him a penny). First the audience are taken to a 'Jeans store' then a 'Phone shop' is visited after which a visit is made to a 'Perfumery'. Thefourth part depicts a profession which is practised in several premises namely that of shoplifter. In the fifth part there is room for a bite to eat at a Chinese restaurant and finally after a visit to the hairdresser's it's time to go home.
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The Virtuoso Teacher
Brass ensemble
I.M.P.
Frank Sinatra, chanteur et acteur de l'Academy Award-winning, signé avec Capito...
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Frank Sinatra, chanteur et acteur de l'Academy Award-winning, signé avec Capitol Records dans les années 1950 et a sorti plusieurs albums acclamé par la critique (In the Wee petites heures, Songs For Swingin ' Lovers, Come Fly With Me, seuls le Lonely et Nice 'n' Easy). Plus tard, il quitte Capitol pour créer son propre label, Reprise Records, fait des tournées internationales et fraternisait avec le ' Rat Pack ' et le président John f. Kennedy. En 1965, Sinatra enregistré la rétrospective septembre de mes années et a marqué des hits avec des inconnus dans la nuit et My Way. Arrangement de Mark Freeh rassemble trois chansons classiques dans une suite pour instruments solo et bande : I've Got vous Under My Skin (flugel solo), All The Way (solo de trombone) et New York, New York (solo de cornet ou euphonium). / Brass Band
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The Canadian Brass: The Canadian Brass Christmas Carols: Brass Ensemble:
Brass ensemble
[Sheet music]
Canadian Brass
15 Easy Arrangements-15 Easy Arrangements. These exciting instrumental collectio...
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15 Easy Arrangements-15 Easy Arrangements. These exciting instrumental collections feature 15 easy arrangements for brass quartet or brass quintet with flexible instrumentation and optional keyboard accompaniment. They make ideal accompanimentsfor congregational singing in churches or other groups and are also great for performances by brass only. Every book includes two versions of each carol: the standard version found in hymnals in the common key and a variationverse with a free and interesting arrangement. Includes: Angels We Have Heard on High · The First Noel · Go Tell It on the Mountain · Hark! the Herald Angels Sing · Joy to the World · WhatChild Is This? · and more.
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Judith Weir: National Anthem with Leicester Fanfare: Brass Ensemble: Parts
Brass ensemble
[Set of Parts]
Chester
POD-Judith Weir's National Anthem With Leicester Fanfare is a work commissioned ...
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POD-Judith Weir's National Anthem With Leicester Fanfare is a work commissioned by Leicester Cathedral and first performed there at the Service of Reinterment of the Remains of King Richard III on 26th March2015. Scored for 4 Horns in F Unison Chorus and Organ Accompaniment a full performance lasts around 2 minutes. These are the Brass Parts. Note: this work was originally scored for Organ and four Horns inF. However the set of parts on sale includes alternatives for each of the Horn parts as follows: Horn 1 in F or E Flat Tenor Horn or Trombone Tenor Clef or Trombone/Euphonium/Baritone Treble ClefHorn 2 in F or Trombone Bass Clef or Trombone/Euphonium/Baritone Treble Clef Horn 3 in F or E Flat Tenor Horn or Trombone Tenor Clef or Trombone/Euphonium/Baritone Treble Clef Horn4 in F or Trombone Bass Clef or Trombone/Euphonium/Baritone Treble Clef
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Jacob de Haan: The Universal Band Collection: Brass Band: Score & Parts
Brass ensemble
De Haske Publications
A collection of 5 short works in pop style which can be performed by any kind of...
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A collection of 5 short works in pop style which can be performed by any kind of compilation. The titles can be presented on the programme as separate works but the Universal Band Collection can also be performed as a complete suite. From a didactic point of view it is a suitable work to teach musicians something about the structure in music. For this purpose not only the big structure but also the small structure was kept very clear.Western Girl : A girl from the west of the USA rides her horse across the prairie dreaming of her future. The rough structure: introduction - theme in a blues scale - the same thing in a different instrumentation - finale.Just a ballad : A balladin pop style with a rough A-B-A form. First there is the introduction of the main theme (A) then follows a tenor melody in minor with a rhythmical reference to the main theme (B). Finally there is the main melody performed tutti with a different rhythm in the drums (A').Play the Game : An English saying meaning: play fairly. Playful music in up-tempo with a wink to China where almost all games are manufactured nowadays. Once again an A-B-A structure here.San Diego : A Mexican fugitive enjoys his freedom in America but also remembers his place of birth with melancholy. A sad minor melody with a straight trendy beat appears twice. The second time it has a slightly different instrumentation in which the muted trumpets represent the Mexican feeling.Final Dance : Eventually there is a dance with an introduction in renaissance style followed by a fast dance in rock style. All this composed in a classical song structure: introduction verse bridge chorus shortened verse bridge chorus chorus.
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The Canadian Brass: Canadian Brass-High Society: Brass Band: CD
Brass ensemble
Canadian Brass
This CD features the distinctive arrangements by Luther Henderson for Brass quin...
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This CD features the distinctive arrangements by Luther Henderson for Brass quintet written for The Canadian Brass captured in an authentic style and spirit of early jazz.Tracks: High Society • Beale Street Blues• Sugar Blues • Saint James Infirmary • Bill Bailey • You Made Me Love You • Ballin' the Jack • Deep River • Chinatown My Chinatown • Back Home in Indiana • Royal Garden Blues •Dog Gone Blues • 12th Street Rag • Goin' in & Movin' on Out • That's a Plenty • Nearer My God to Thee.
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Carmine Caruso: Carmine Caruso - Musical Calisthenics for Brass: Brass Ensemble:
Brass ensemble
Rondor Music International
A must-have guide for all brass students and teachers relating to the total phys...
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A must-have guide for all brass students and teachers relating to the total physical output that goes into playing any brass instrument. Caruso covers the same techniques atheletes use to develop their physical control and applies them to musicians.
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